#[only•one•of•us•is•getting•out•alive] || important

[ultimateplaylistmaker]

I think one of the more annoying things is that most people don’t seem to realize that the chapter 5 case was very much Kokichi’s backup plan. He only does it when he literally has really no other option. Before Maki intervened his plan was to use despair to defang the killing game, removing all motive for killing, leaving everyone dejected and miserable, but alive. There’s no reason for him to pull that stunt really. It’s only when he’s in a situation where SOMEONE is going to die no matter what does he engage it.

It definitely was a contingency he planned for, likely one of the reasons for choosing the hangar and why he wrote the script, but it’s pretty clear it was not his main plan or a plan he was going to do until he was pushed far enough into a corner by Maki getting him AND Kaito poisoned. While it’s fucking wild he wrote that whole script for a backup plan, he’s very alarmed and distressed about Maki starting up the killing game, Kokichi would not do a suicide play at this point and restart the game if he had a choice of plans. It just wouldn’t make sense to gamble on it for no purpose if his apathy mastermind gambit worked.

Kokichi’s ideal conclusion would have probably been if everyone just kinda laid around in bed all day depressed. He probably would have been somewhat satisfied in the universe where Maki didn’t burst in at night and the group cornered him with electro hammers. Though he probably would have a separate back up plan for that situation.

Like the fact he planned it at all even as a backup is very telling to his mental state, even as a backup plan it’s chilling he planned his own suicide like that, but I think it’s important to remember that Kokichi didn’t go into chapter 5 with the idea he was going to die as a foregone conclusion. A possibility that he wouldn’t deny as he’s pragmatic like that, but not the plan he was trying to actively use.

The press was Kokichi’s last ditch hail mary back up plan when he has no other options left, not an attempt to escape responsibility or a way to get out of having to deal with being the villain, or a way to get back at everyone, it’s his “Im already dying either way, so let’s give it one last shot” plot. He does not die to escape justice or to spite the v3 cast, but only because he was already dead.

[seattledayone]

dina and caretaking

i think there’s a lot to be said for the situations we see dina in throughout tlou2 and how they tie into her backstory, as well as any potential guilt she may be carrying with her.

the first time we see her, she’s supervising a group of children. even though she’s not necessarily taking care of them, she’s still taken it upon herself to ensure their happiness and safety, and it seems like something she does often considering how ellie and jesse know exactly where to find her.

every time after that, she’s taking care of ellie (or, later on, jesse). she’s not a pushover by any means, but she allows ellie to take charge and is always there when the other woman comes back to her with cuts and bruises and bucketloads of trauma to sport. even when she starts to suspect she’s pregnant, she doesn’t say anything in favor of letting ellie finish her mission and keeping her the focus of the trip. when ellie returns from killing nora, broken and beaten, dina doesn’t berate her; she immediately takes to getting her comfortable and as patched up as she can.

when jesse arrives, the first thing dina does is help him take care of his wounds, and she makes sure to check in on ellie and stitch her up too. at the farmhouse, she literally says “you think this is easy? for you and for him, i deal with it,” implying that she sets her grief aside in order to take care of the two most important people in her life.

in my opinion, this all ties back to talia.

talia used to be the one to take care of her, alongside their parents back when they moved from place to place. however, once talia fell into grief-stricken depression, it was dina’s “duty” to lead them to a safe place and keep talia alive.

and she failed.

talia still died. she still succumbed to the world around her, though we don’t know how. no matter what dina did, no matter how much or how little she let herself feel, she couldn’t keep her sister alive.

i think she sees a lot of talia in ellie, particularly at the farmhouse. in her eyes, she may have failed with jesse and failed with talia and failed, even, with herself, but she has an opportunity to right those “wrongs.” she has an opportunity to save ellie. maybe she thinks that the reason talia died is because she pushed her too hard to keep going despite her grief, and that’s why she’s so overly lenient with ellie for the longest time.

until she isn’t.

again, this is all just my opinion, but i think that when dina says “im not gonna do this again,” she is not only referencing waiting in anxious anticipation for ellie to return but also finally admitting to herself that she can’t save everyone. she can’t be waiting with open arms for the sick and dying and traumatized to be patched up and coddled until they run off and do something reckless again. she cannot be the healer. finally, she understands that it isn’t her shortcomings that bring about the deaths of those she loves.

even if she doesn’t understand that quite yet, she now has a baby. she can’t afford to put herself or him in a situation like that — or around people like that, purely out of protectiveness over her son and his view of the world.

she’s letting herself and her peace and safety come first, something that, up until now, we haven’t ever seen her do.

[theoneprecioustome]

Aikoto Moments Masterlist: Episode Aigis

This list will focus on the remake. To see how it fares in comparison to the original, check this post.

Notes:

Since Makoto isn’t actually in the game, most of the list will focus on Aigis' side of their bond as well as the little things that connect them.

There will also be third party quotes about Aigis’ bond with Makoto.

I bolded the most important moments.

The post is image heavy & contains spoilers for the entire game.

When that person died, there was nothing she could do to bear the pain. The machine girl found herself thinking that she had no use for a heart that did nothing but let her feel pain. And thus, the girl's heart became a blue butterfly, which took flight, and the pain in her chest disappeared. However, in its stead, there was now a large, gaping, empty hole in her chest. The emptiness in her chest didn't hurt, but it also did not let her feel anything. She wasn't alive anymore. Nothing but an empty shell, devoid of emotions, cursed to stand still in time where she was forever with no place to move forward to. — Episode Aigis Epilogue, Persona 3 Official Fanbook. Translation by Nenilein.

PROMOS

✤ The Key Visual of Episode Aigis features Aikoto. What's more, it reveals that Makoto in the original P3R art was meant to be looking at Aigis all along, like two halves of a whole.

✤ Soejima released an illustration to celebrate Episode Aigis. The illustration features Aikoto & Metis.

✤ The First Edition of the Episode Aigis soundtrack comes with a double-sided Aikoto box featuring the Key Visual and their AOA attacks. This is what Lotus Juice had to say about it:

"In the cover, you see P3HERO and Aigis looking at each other... if you open it, they'll be separated... like they're almost within reach of each other, but aren't. I wonder if that feeling gets across to fans as well? It's very beautifully done."

✤ SEGA Korea welcomed September with an Aikoto Calendar featuring the Episode Aigis Key Art.

✤ HINEMOS released two more Aikoto Sake bottles to commemorate the release of Episode Aigis.

OPENING

✤ Episode Aigis features an exclusive opening & song focused on Aigis' feelings after Makoto's loss. Full lyrics here and Analysis in the post linked above!

(Lost without you) But little things like the scent of his cologne Is a painful remindеr that he’s gone It feels like my heart is suffocating How do you make amends when you’re gone from me? Even though with a win, how come I feel so lost? Nothing makes sense to me I’m so numb, so lost without you

BATTLE SONG

✤ The new Battle Song, Don't, is also from Aigis' POV. While it focuses on Aigis' feelings through her conflict with SEES, it also has references to her feelings towards Makoto. Full lyrics here!

Already lost my keys to the door wide shut Only had one wish now it’s never gonna come true Trapped in time Forever in remorse How could I ever be in peace when nothing else matters to me?

MENU & UI

✤ In the menu, Aigis is shown holding a blue butterfly who flies away from her. According to the old devs, blue butterflies are used to symbolize Aigis' heart, which is the perfect imagery for Episode Aigis. Curiously, blue butterflies also often used in relation to Makoto, which carries very meaningful implications they're soulmates your honor.

✤ P3R's UI is meant to represent "the Protagonist's Sea of Souls", and it reflects their psychological state. True to form, Aigis is shown looking sad and lonely in hers, which is how she has felt since she lost Makoto. In the Equipment menu, we can even see her reach out before sadly retreating into herself, as if she were trying to catch someone who is now long gone.

PROLOGUE

✤ During the anime cutscene, we see a new rendition of Makoto's and Aigis' last moments together.

MARCH 31ST

✤ Aigis is the one who kept Makoto's Evoker after his passing.

✤ Aigis says that the one thing she feels certain of is that Makoto wouldn't have blame any of them for what happened, showing how well she understands him.

✤ Junpei comments that he’s glad Aigis has been “hanging in there” (spoiler: she isn't) because "It really seemed like you cared about him more than anything in the world."

✤ Aigis reveals that she remembers her last moment with Makoto whenever she closes her eyes. Depressed, she kept having the same dream over and over again: running after him, calling his name but never being able to catch up.

✤ She also recalls the promise she made him during the rooftop scene: "I promised to protect him, and I made that my reason for living. But now... that promise can never be fulfilled."

✤ Aigis says that one day, her sadness "mysteriously" left her. She stopped dreaming and requiring sleep. Unbeknownst to her, this is the event that draws The Abyss of Time to the dorms.

✤ When Aigis is scared of losing more precious people, she sees Makoto walking away from her and desperately tries to reach out to him. Then, Athena metamorphoses into Orpheus. It's interesting to notice that the effect used when Makoto disappears is the same effect used when Orpheus appears.

✤ Aigis and Makoto have the exact same Velvet Room and Aigis can even access his entire Compendium. In other words, they must share the same space “between dream and reality, mind and matter.”

✤ Elizabeth also explains that a Persona "represents one's heart and soul." Aigis can use Makoto's as if they were her own. Let that sink in!

✤ When Aigis thinks that reaching the Answer to Life may lead to her death, she is surprised to "discover how little the possibility bothered me." With Makoto gone, Aigis has lost her reason to live. It's to the point that when Aigis believes that she may die if she loses her key, she says: "If I did, then that would be fine..."

✤ During one of the activities with Metis, she comments on how fulfilled she feels whenever Aigis trusts her with something. If the player lets Aigis say "I think I understand", Metis will say: "Then you must have someone in your life who's just as important to you as you are to me." Which is quite big, because Aigis is literally Metis' everything lol

✤ Aigis getting Makoto’s power means she "inherited" something from him.”

✤ Aigis says early in the game that normally, people have a reason to awaken to their Persona, but that for her it was backwards. She had a persona and then she gained a reason (protecting Makoto). Later, we discover that the reason for her awakening to the Wild Card was that with Makoto gone, she has lost her purpose and her reason to live.

✤ The door that lies in the deepest part of The Abyss of Time leads to Aigis’ past and the moment she awoke to the "Persona abilities" Makoto had. In here we see Aigis' dream, the one where she runs after Makoto, trying to reach him in vain. We also find out that she was in so much pain and so lost after his passing that she wished she could go back to being just a machine again.

It was so painful losing him... I couldn't bring myself to do anything, so... I just hid in my room. For a while, I did nothing but chase after him in my dreams...

✤ Aigis' trophy is called "The one who dreamt", after her dream of Makoto.

✤ After the fight with Shadow!Makoto, he disintegrates into blue butterflies as Aigis desperately reaches out for him.

✤ Aigis can't decide whether she wants to go back to the past, or respect Makoto's sacrifice and remain in the present. Irritated by Aigis' predicament, Yukari accuses her of running away from her own feelings for Makoto.

✤ Metis explains that she would do anything to protect Aigis, because she is "all she has". This prompts Aigis to say that she, too, once felt the same way about someone.

✤ Aigis being willing to lay down her life to not have to fight her friends makes Metis break down. She echoes all of Aigis' buried feelings at Makoto's sacrifice. "Why do you have to die? Why does it have to be you...? Why can't it... be me instead? Please don't leave me behind... I'll give my life for the key, too! And if that doesn't work... then I'm coming with you! So we can always be together... Please, don't leave me all alone!" 😭

✤ Aigis realizes that she has been running away from her own feelings. Before going back to the past, she needs to know why Makoto did what he did—because she won't give up on what's important to her.

✤ After that fight, Aigis finally acknowledges that she wants Makoto back, too, and explains that she needs to know exactly what he did before she can make a choice. Despite her own feelings, Makoto's come first to her 😭

✤ Aigis screams "No!" as Erebus aims for Makoto. We also get two new shots of Aikoto's last moments together, showing Makoto smiling peacefully on Aigis' lap.

✤ After the final fight, Yukari acknowledges her jealousy over Aigis inhering Makoto's power and says that just like Makoto, Aigis is the one who knows how to move forward.

✤ Aigis reaches the very same Answer to Life that Makoto did: Friendship and Bonds are what give people life.

✤ Metis tells Aigis that there's still a way for Aigis to keep her promise to protect Makoto, and that is by fostering connections with others, so that they may one day reach the same answer they did.

✤ Metis is revealed to be Aigis' Shadow: the manifestation of the heart Aigis wished away after losing Makoto.

✤ Once Aigis regains her heart, she breaks down crying at last, finally processing her grief at losing Makoto.

✤ Before she fully fades away, we hear Metis' voice talking to Aigis and telling her how she can reach Makoto so he won't have to carry on alone anymore.

ENDING

✤ Aigis goes back to the rooftop for the final cut-scene. Just like that last day she spent with him, there are cherry blossom petals blowing in the wind.

✤ The credit song, Brand New Days, is once again from Aigis' POV. It focuses on her feelings towards SEES and Makoto as she walks forward into a new tomorrow.

There are days when I tire of calling out the meaning of my life, and my head droops But still, in my heart (So look up to you) Is your smile

✤ During the credits, we see Aigis looking back over her shoulder as she walks through the Moonlight Bridge (the place that started it all for her and Makoto). Lastly, cherry blossoms once again welcome her when she reaches the school. Considering their meaning (Don't forget about me), I'd like to think they're yet another reference to the fact that Aigis will go on living—forever carrying her memories of him.

✤ The Clear Data Save features Aigis' portrait over a cherry blossom background. If you beat the game on Heartless, a cherry-blossom-colored butterfly is added and placed over Aigis' heart.

EXTRAS

✤ In Orpheus' myth, he descends to the underworld in search of his dead wife, Eurydice, but ultimately fails and finds his own death. Knowing this makes Aigis having Orpheus as her main Persona even more meaningful. Not only is Orpheus' Makoto's Persona—so it's like he's left a piece of himself with her, his own version of I'll Never Leave You—it also represents Aigis' plight during Episode Aigis: either moving forward or going back to the past in search of Makoto. Unlike Orpheus, Aigis is eventually able to move forward carrying her memories of her beloved with her.

✤ Aigis' Compendium is signaled by a bookmark with a red butterfly, while Makoto's is the same bookmark but with a blue butterfly.

✤ Two dictionary entries evoke Aikoto. The first is That Day, which mentions it's "the last day Aigis ever spoke to him." The second is Aigis' Past.

✤ One of Elizabeth dialogues is "Do you posses the power to overcome any adversity as well? Just as he did...?" Another of her dialogues foreshadows Elizabeth wanting to ask Aigis to help her free Makoto's soul from the seal ("When the time comes, I may ask you to..."), just like in Persona 4 Arena.

✤ When Fuuka learns that Aigis may die if her key is taken, Aigis explains that she didn't want SEES to worry over her, too, when they're all "doing what they feel is best... for him..."

✤ Just like in The Answer, Yukari spends the game jealous of Aigis because she heard Makoto's last words and inherited his power—although this time she luckily handles it a lot better. This leads Mitsuru to explain that Yukari doesn't mean Aigis any malice; as she does so, she acknowledges Aigis' feelings and says that Makoto did no mean any less to Aigis than he did to Yukari. Later, Yukari herself ends up acknowledging Aigis' feelings and suffering over Makoto, strengthening their friendship.

✤ It's revealed that both Mitsuru and Yukari made promises to Makoto, or rather, to themselves after Makoto's passing. This bears mentioning because Aigis' promise to Makoto is never described in such terms in the game. At the contrary, in the original game, Yukari even goes as far as comparing them to say that unlike Aigis' promise to Makoto (あなたと違う), hers was one-sided (一方的に), highlighting that Makoto was there to acknowledge Aigis'.

✤ Metis tells Aigis that "The souls of all living things are connected through a plane similar to a sea." The Seal of Souls is likely where Makoto & Aigis are shown together in the opening, and the storyboards even describe it as an "unexpected reunion" 😭

✤ Mitsuru decides to give everyone their Evokers back, so it’s fair to assume Aigis still has Makoto’s.

✤ The Persona 3 Official Fanbook holds a short story about Aigis and Metis (I included an excerpt of it at the top of this post). While it's not material that came out with this version of Episode Aigis, it's still as relevant (and touching) as ever, so I really recommend reading it.

[creaturefeaster]

are there different types of ghosts in colorquest? if so are they common or able to be seen at all?

So ghosts in the universe are only able to be ghosts for one of two reasons: If they are cursed, OR. They died prematurely, in the eye of fate.

Ghosts cannot be seen through regular means, and I'll get back to that soon.

A cursed ghost is often an uneasy ghost, and these ghosts are the cause of malevolent supernatural activity. They're more hostile, usually.

These are the more common type of ghost-- but don't let that make you think there's tons out there. Curses aren't common, and curses that specifically ensure that a soul may never rest are even less common.

On the flip side, premature ghosts are ghosts that wander as an echo on the plane of reality. They do this because they were tied to an event that was 'planned,' or fated to happen. This is a rare phenomenon. Once the event in question passes, however long into the future, these ghosts suffer a more violent fate.

They do not get to rest peacefully, they do not get to come back to life, they are made into another eye of fate-- an amalgamation of entities that are used in the persuasion of fate to help control the future fate of the universe. Essentially they are hiccups in a grand plan that get recycled.

It might not sound violent, but the complete loss of self merging into the overbearing mind of fate, does not mean they are gone. They just suffer in there and are driven mad, with no chance in being resurrected. That's just their new eternity. At least cursed ghosts still have a chance to rest x_x.

So ghosts have a few ways they can be seen, but are not corporeal by default. Lauren, for Tanner, enacts a ceremony to reveal him (resurrecting him is another story). In what is essentially a seance, the ghost in question must be present and must accept the corporealization.

If they are fated like Tanner, this does not stop their fated end from coming. If they are cursed, their presence can become a lot more dangerous, though is often necessary if one is attempting to break the curse.

If a seance is not possible, there are magical powders that can be used to coat the ghost, revealing them in the right conditions. These wear off quickly and do not allow their voices to come through like they would via seance.

In some rare circumstances, ghosts can be seen naturally as well. Usually cursed ghosts, who manifest heavily through objects of importance. Places where the sun cannot shine, within reflections, etc.

Fated ghosts are typically only seen naturally if they are in the exact right place in the exact right time-- if they are en route where they would have been, were they still to be alive. That's a very narrow window that they are often not aware of. This can result in things like seeing a ghost walking for a small blip in time, or finding a ghost sleeping in a bed; Disturbed, and they vanish.

There are both types of ghosts in the main story. Tanner and Frigus, who are ghosts of fate, and the past West Wiles and his lineage, who are a set of cursed ghosts.

[carnival-core]

Hey not to make a political post but does it ever feel like we can just never win and the suffering will be forever and we're always going to have to fight with moments of peace being fleeting and not worth looking forward to

[termagax]

like i think to fish theyre just both people who shouldve died a long time ago and now they arent allowed to. because they need each other. and they both crave that and resent it.

[ribcagewolf]

worst way to love someone is quietly/////////////

[hecksupremechips]

They did Ryuki so dirty in aini and I’m gonna be salty about it for the rest of my life I think

[dragons-and-yellow-roses]

Take a shot for every time I use an unnecessary comma. I don't recommend this, as you are sure to die of alcohol poisoning before you finish the first paragraph.

[booasaur]

Something really amazing happened in France, and I think it'd help us in the US to learn about it. Forgive the long read, but I think this is genuinely great both because of what happened and how.

So as some of you might have seen, in a decision historians will debate for years (mostly to figure out just WTF he was thinking, even though he is alive right now and can be asked), the French president, Emmanuel Macron, currently in power and THREE YEARS before the scheduled election, seeing the far right rise in popularity decided to dissolve the assembly and hold snap elections.

577 seats were up for grabs. Remember that number. Since half of that is 288.5, 289 seats are needed for a majority.

The first round happened last week and boy, was it bad. The far right made HUGE gains. It won or was in first place in so many races. And Macron's party ended up third!

Overall, this is how things ended up after the first round:

Far right bloc: 33%

Left bloc: 28%

Macron's centrist party: 20%

Conservatives: 7%

The way the French system works is that if a candidate gets over 50% of the vote, they win outright, and some of the far right did manage that. But, many races went to a runoff.

Immediate projections after were that the far right bloc might win anywhere from 240 to 310 seats, a catastrophe.

A shameful swing to the far right leading to the first time they'll be in power since the 1940s? Yes, but maybe not??

This is where things get interesting.

Unusually, a lot of these runoffs are 3-way, instead of a simpler 2-way choice. And in pretty much every case, that helps the far right.

So on June 30th, the night of the first round, this is how things went down:

Immediately, the left parties put out the call: anywhere they were third, they withdrew and their voters would go over to whoever was running against the far right candidate. Their goal: form a "republican front" to block the far right. The far right cannot get 289 seats.

Macron's bloc was not so...motivated. Different people put out different instructions: in some places, if they were third, they should drop out, but only to help the center left, not far left, in other places, see how far you are, only then drop out, that kind of thing.

The conservative party simply said they won't drop out and won't give their voters instruction either way in races they're not involved in.

Late night developments:

More people in Macron's party are now beginning to realize the situation and starting to coalesce around whichever candidate can beat the far right one. Prime Minister Gabriel Attal, from Macron's party, says clearly the priority is to block the far right. BUT, some Macron spokespeople on TV say they'll form a coalition only with the center left and conservatives, splitting the left bloc if needed. Some individual Macronists still saying they won't drop out, even if there's no hope of winning.

Lol.

So, now July 1st:

Only half so far. In one race, where the sister of Marine Le Pen (the far right leader and the face of their movement) was leading, the third place Macronist refused to bow out.

Excellent quote from another Macronist:

Perhaps realizing the same thing, that Macronist in the race against the Le Pen sister now drops out.

In some places, third place Macronists are dropping out DESPITE Macron bewilderingly telling them NOT to?

Halfway through the day:

Of the 311 3-way or 4-way runoffs, the number is down to 135 because of these candidates dropping out: 121 Left, 56 Macronists, 1 conservative.

Oh, there was this, in case people had any doubts about how terrible the far right are:

And to show the selflessness of the left:

July 2:

The deadline to decide if they want to stay in a runoff is today.

A dozen new third place Macronists who said they'd stay in have now dropped out. One got a call from both the PM Attal AND Macron to drop out, signalling the dawning understanding of the importance of this moment.

Even some conservative party members are now backing the left candidate who faces the far right.

A Macronist who had 30.55% of the vote in the first round and came in third to the far right's 33.11% and left's 32.73% and who would have been tempted to stay has dropped out.

The deadline to stay in or not has now passed.

Look at these far right shenanigans!

Macron still being a freaking loser:

July 3rd:

In the end, of the 311 3- or 4-way run offs, only 91 left. Some polls come out that have the far right getting between 190 to 220 seats.

July 4th:

New polls say the balance of the voting itself isn't transferring between the left and center and predictions have risen for the far right, now predicted to get between 210 and 250 seats.

July 5th:

New polls again, left voters now predicted to do better transferring vote to the centrists, decreasing the far right projections again.

However, scandalous reporting emerges: while Attal was trying to fend off the far right, Macron was not only NOT taking the far right seriously, he was undermining efforts to defeat them. His team shrugged off the first round results and celebrated a BIRTHDAY as the results were still coming in?

July 6th:

A few runoffs happened yesterday, nothing much unexpected, some left and center wins.

July 7th:

The day of reckoning. At this point, the expectations are that the far right won't come close to that 289 number but could still easily have the most seats.

GUYS.

It's over and the left are in the lead!

A LOT of cases where a leftist or centrist was 2nd in the first round and now won.

Amazing:

SO many lessons to take from this.

First, you have to vote! You have to. You can't do anything without voting. The freaking French, who'll protest for anything, are showing up to vote. If you're trying to achieve any kind of result and it's not going to happen by January 2025, you have to vote now.

But just as importantly, the left and center (and even conservative) parties made very key decisions. They were all lucky that Attal, who Macron chose, saw the big picture, bigger than indeed Macron could. A stupid selfish centrist leader could have still ruined everything if it were up to him.

TL;DR: After a disastrous first round in the national French elections where the far right was on the cusp of taking power, the left and center formed a strong coalition and through the power of voting and unity, overcame the far right AND their selfish centrist president to win.

[celestial-kestrel]

It's that time of year again where Mari Lwyd starts to be talked about and shared around and an INCREDIBLY misleading post gets shared a lot. As someone who grew up with Mari Lwyd I wanted to clear some things up.

Also hello, if you are unaware who Mari Lwyd is. This is about the Welsh tradition of the horse skull who visits houses during the Christmas to New Years period in Wales asking for alcohol.

First off and probably the most important one:

Mari Lwyd is not a cryptid!

I can not emphasise this enough. She. Is. Not. A. Cryptid. There is no story or mystery about a ghost or zombie horse roaming the Welsh valleys. She's not even supposed to be a ghost or a zombie. It's just a horse skull on a stick with a guy under a sheet. She's a hobbyhorse and a folk character used to tell Welsh stories and keep songs alive. When people spread the misinformation that she's a cryptid, it's the equivalent of saying Kermit the Frog is a cryptid.

She is actually only one character in a wider cast of characters who go door to door or, in more modern times, pub to pub. The cast of characters can change town to town and village to village but there are some common ones I see time and time again. The Leader, the Merryman, The Jester and The Lady are just some I see regularly. Punch and Judy used to be more popular a few years ago but I haven't seen them in a while as their tradition has mostly fallen out of popularity. In most cases, almost the whole cast will be played by men. Even the characters are considered and referred to as female. Though this again depends and varies by which group is partaking in the Mari Lwyd tradition.

This point also goes onto my second point,

Mari Lwyd does not rap.

I think this comes from a very common misunderstanding of what rap is vs spoken word. Rap is a very specific style of music originating from the African American communities of the USA and has it's own structure and motifs unique to it. It's a lot more complex than people give it credit for as a style of music and just flippantly assign anything similar to it as being rap. If someone is talking fast or reciting poetry, it is not rap. Or anything that is an exchange of words between two people is not a rap battle. Mari Lwyd does not do rap, actually something that gets left out of these posts is the fact Mari Lwyd does not even speak. It's actually the Leader, who does all the speaking and song based banter between the house/pub owner for entry. Mari Lwyd just clicks her mouth, bites people and bobs her head around.

I think Mari Lwyd is a really beautiful and unique part of Welsh culture. She's not actually as wildly celebrated as a lot of the posts make her out to be. Actually, I think most Welsh people themselves learn about Mari Lwyd through the internet as well. Her popularity is increasing thanks to the drive of local groups wanting to keep the traditions alive and a renewed desire to document Welsh traditions before they're gone. Which is why it's such a shame that she's turned into something she's not to earn horror points on the internet. I think this is why it bothers me so much to see the misunderstandings of the culture and the folk tradition. Mari Lwyd's origin is very hot debated as well as how long it's been going on for. But I think it's thanks to a lot of traditions like this that the Welsh language and our stories weren't lost forever. Welsh culture is recovering as is the language. But it's still in a very fragile place. I think it's why it's important to document and correct information when it's spread.

Anyway, if you want to see the tradition in action, here's a lovely video from the Cwmafan RFC going to one of the pubs for charity. It includes the song exchange with the pub owner for entry and the whole pub singing and joining in once Mari Lwyd and the rest are inside.

As well with another video from St Fagan's showcasing the more traditional and door to door form with the larger cast.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[curryshesus]

jeon jungkook fics that own my mind, body, heart, and soul

in other words, this is a collection of my favorite jk fics on tumblr! if you enjoyed any of these fics as much as i did, pls remember to support the authors by interacting with their post. part 2 | other bts members

➺ bitchin - by @kinktae

summary: the 80s were a time of choices. which perm was right for you? what color neon would you wear next? none of these choices, however, were more questionable than a certain deal you made with jeon jungkook.

➺ idealizations concerning real life relations - by @venusiangguk

summary: jungkook loves to be loved, but he doesn’t love in return.

➺ hotter than hell - by @chateautae

summary: jungkook, lucifer and king of hell, has been cast out of the crimson underworld for a reason he’s unsure of. embarking on his journey for the answer should’ve been easy, if it weren’t for you, the human that nurses his wounded body in her home, and accidentally witnesses the truth of his identity. kickstarting a hellish adventure with the devil himself, you discover lucifer is the most infuriating company ever; and jungkook finds out that maybe his answer to returning home lies within his annoying human confidant.

➺ jump then fall (into you) - by @writtenwhalien

summary: bringing Jungkook along as your date to your ex’s lavish cruise wedding seemed like a perfect idea at first — all of your family and close friends together, nothing can go wrong… then Jungkook’s ex shows up and all of a sudden you’re in a years long relationship with him. You don’t mind though, really, how hard can sharing a cabin and pretending to be deeply in love with your best friend really be?

➺ too late to dream - by @kookslastbutton

summary: You did it. You married your college professor. You even bought a house together. Against all odds, everything had fallen into place. But after two years of marriage, you begin feeling something was missing. You want a baby but your husband can’t say the same.

➺ the forgotten spaces- by @oddinary4bts

summary: you've been dancing on the same dance crew since your teenage years, and you finally have an important role in it. It feels like life is taunting you when your rival comes back after disappearing for a year, ready to tease you every chance he gets. Will the teasing turn into more, or are you going to take him down with you?

➺ when the end comes - by @oddinary4bts

summary: Seven years after you've started dating Jungkook, long distance creates a wedge in your relationship. When the only solution seems to be breaking up, you go your separate ways even though love still lives in the two of you. Will you find a way back together, or has the end come for you and Jeon Jungkook? **sequel to the forgotten spaces

➺ falling - by @starshapedkookie

summary: soulmate (noun): a person who is bound to another through the strongest level of emotional and physical connection. one is given a name on the body upon 18 years of age and any transgressions against the laws of soul-bonding will not occur without harm.

➺ love alive - by @jamaisjoons

summary: a year after you and jungkook break up, the two of you meet at your brother’s party.

➺ changes in between - by @taegularities

summary: Becoming the roommate of Jeon Jungkook is the biggest change you’ve ever gotten thrown into - but little do you know that the addition of another man will bring even further turbulence into your (love) life.

➺ falling skies - by @fortunexkookie

summary: Jeon Jiyeon was your childhood best friend; her brother, Jungkook, was something else entirely. You used to be friends, but then he had gone from endearingly frustrating dumb boy to card-carrying fuckboy so fast it had given you whiplash.

Despite the teasing and fighting, Jiyeon realized how Jungkook felt about you long before he did - it was a twin thing - and if you were her sun, and he was her moon, then she just wished she could show you how he reflected your light.

➺ sugarplum elegy - by @bymoonchild

summary: You know no bounds nor depth with Jungkook. While your fuck buddy loves sleeping in your bed and doing laundry for you with his favourite fabric softener, you are in love with a mysterious honeyed, velvety voice on Soundcloud. All’s fine, until you find out that the voice that metaphors your heart to a sweet sugarplum melody actually belongs to the boy who has been taking up a special spot in your bed and in your heart, strumming at your heartstrings all this while. Or, Jungkook has one braincell, but it’s heart-shaped.

➺ an abundance of mondays - by @diortae

summary: "why the fuck would it be easy? you’re disgustingly in love with your best friend. of course it’s complicated.” he pauses to roll his eyes, as if he hasn’t just laid out the most secret parts of you here in the middle of the campus dining hall.

➺ five dates - by @kpopfanfictrash

summary: “Ten dates,” he nods, smile tugging at his lips. “Ten dates, to decide if you want this – want me – or want me to go. Ten dates to get to know me. Ten dates,” he says, oddly soft, “to fall in love with me.” Which then becomes five.

➺ here comes the bride, all dressed in pride - by @hansolmates

summary: You and your cousin Doyeon have had beef with each other since the sandbox. When she plucks the last straw, you decide to end your long-simmering fight by claiming that you and her ex—Jeon Jungkook, are now boyfriend and girlfriend

➺ if i told you - by @gukyi

summary: in order to pay for university, jeon jungkook decides to market his most valuable asset to the wealthy socialites of campus: himself. donning a suit and tie, tousled hair, and glasses (to look smarter), he becomes every rich daughter’s dream: the perfect boyfriend to bring to balls, dinners, and business gatherings. all while you watch from the sidelines, only able to dream of having that much money to buy yourself what you really want: him.

[uwmspeccoll]

The author, Angela Hovak Johnston.

Johnston and Marjorie Tungwenuk Tahbone, traditional tattoo artist.

Catherine Niptanatiak: "I designed my own, something that represents me and who I am, something that I would be proud to wear and show off, and something that would make me feel confident and beautiful. . . . I have daughters and I would like to teach them what I know. I would like for them to want to practice our traditions and keep our culture alive."

Cecile Nelvana Lyall: "On my hand tattoos, from the top down, the triangles represent the mountains. . . . The Ys are the tools used in seal hunting. . . . The dots are my ancestors. . . . I am so excited to be able to truly call myself and Inuk woman."

Colleen Nivingalok: "The tattoos on my face represent my family and me. The lines on my chin are my four children -- my two older boys on the outside protecting my daughters. The lines on my cheeks represent the two boys and the two girls on either side. The one on my forehead represents their father and me. Together, we live for our children."

Doreen Ayalikyoak Evyagotailak: "I have thought about getting traditional tattoos since I was a teenager. . . . When I asked the elders if I could have my own meaning for my tattoos, they said it wouldn't matter. My tattoos symbolize my kids."

Mary Angele Takletok: "I always wanted traditional tattoos like the women in the old days. I wanted them on my wrists and my fingers so I could show I'm Inuk."

Melissa MacDonald Hinanik: "As a part of celebrating my heritage and revitalizing important traditional customs that form my identity, I believe I have earned my tattoos. I am a beautiful, strong young woman. I am a mother, a wife, a daughter, a friend, and an active community member. I reclaim the traditional customs as mine, I re-own them as a part of who I am."

Star Westwood: "We still have some of our culture, but some things are slowly dying. Having tattoos helps us keep our culture alive. . . . . My tattoos represent my dad and my dad's dad. The ones closest to my wrists represent my sisters."

------------------------------------------------------------------------------

National Tattoo Day

July 17 is National Tattoo Day. To celebrate, we present some images from Reawakening Our Ancestors' Lines: Revitalizing Inuit Traditional Tattooing, compiled by Angela Hovak Johnston, co-founder with Marjorie Tahbone of the Inuit Tattoo Revitalization Project, with photographs by Inuit photographer Cora DeVos, and published in Iqaluit, Nunavut by Inhabit Media Inc. in 2017.

For thousands of years, Inuit have practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut.

Collected in this book are photos and stories from more than two dozen women who participated in Johnston's project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors' lines and sharing this knowledge with future generations. Hovak Johnston writes: "Never again will these Inuit traditions be close to extinction, or only a part of history you read about in books. This is my mission."

Reawakening Our Ancestors' Lines forms part of our Indigenous America Literature Collection.

Angela Hovak Johnston (right) with her cousin Janelle Angulalik and her aunt Millie Navalik Angulalik.

View other posts from our Indigenous America Literature Collection.

[zee-rambles]

RISE FANS! Please take note!

Twitter hosted another Q & A With Ron Corocillo, and he confirmed that Rise’s BEST chance is for us to keep up the love for it. Right now, the most important thing we can also do is buy the TMNT 40th Anniversary comic, the comic that has Andy Suriano’s Rise of the TMNT comic in it!

No joke, a series will ONLY ever come back if the fan base stays alive, if we invite more fans in and keep up the love. Even though Clone High didn’t do too well, it was brought back because a fan base sprang up out of nowhere on Tik Tok. Studios saw that that there was a demand and they gave in. Rise’s creators want to do more with it, and so does the cast!

In fact, it’s becoming apparent that Rise fans are the most vocal group supporting the 40th anniversary comic. Not just me, but also the image below, when I went to buy the comic and told the worker at the store that I was only there for one version, she said, “Ah, you’re here for Rise, huh.”

SO KEEP UP THE LOVE FOR THE SHOW AND SUPPORT THE COMIC! LET’S GET. IT. DONE! And stick it to those haters!

[falesten-iw]

Urgent 🆘️ call: 🚨🍉 Please help..🥺😓🙏

My name is Falastin, and I am a mother of three small children, ages 5 years, 2 years, and 3 months. I am not very good with social media, but I am writing to seek your help to give my family in Gaza the chance to live their lives again.

Due to the ongoing genocide we in Gaza are experiencing, my family need your help to survive, leave Gaza, and find safety.

In november 2023 last year, i lost three of my cousins from my mother's family with their wifes and children's, some of them still under the rubble untill now. 

In mars 2024 this year i lost another 2 cousins in Alshifa hostpital, this shock after three months of the first lose was a big slap into our face, it was a harsh reminder that death didn’t stop, and that none of us is an exception in this genocide, not a woman nor a child, everyone of us is a target to the death machines above our heads.

My family has lost everything. Some of them have tragically passed away, and those who remain are without shelter, moving from one temporary place to another in a desperate attempt to stay alive. Currently "After more than 20 times of being displaced and having to leave our house escaping from rockets and death " they have fled south and are living in a makeshift tent made from plastic bags and torn clothes.

Each day is a battle for survival. Each day, my family wakes up not knowing if they will have food to eat, clean water to drink, or a safe place to rest. Their homes have been wiped, and their children sit sleepless waiting their death. In Gaza, there is no where to seek shelter, no bunkers, nowhere to hide. Gaza is no more than 40 kilometers long and 10 kilometers wide with a population of just over two million. Gaza's border is completely surrounded by fences and barbed wire. The only way out of Gaza is to Egypt.

I used to introduce myself as the youngest in the family but in this GENOCIDE I’m a big sister who see her siblings’ future getting lost in front of her eyes, as i see my brothers kids who are still young and supposed to be in school, my mom who is 73 years old unable to find her medicine, as I see them, I made it a mission to myself to save my family or who’s left alive from it, to save their future from all of this and to escape Gaza.

Despite everything, I still have hope to save those who remain of my family. But I need all the help I can get from every person on earth. This challenge is not easy for me, especially since I am not good with social media and i dont have so many follower to reach and ask them for help. However, I am trying, and maybe with your support, the impossible can become possible.

Asking for your help is the only way I have to save my family’s life and future. Your help can be our hope when hope seems far away. Because of that, I appeal to your generosity and compassion, asking for help so that we can gather the necessary funds to help my family.

Photos of "Lina," who was born at the start of the war, and she is now 9 months old. Your donation could give her the chance to survive, leave Gaza, and find safety with her family.

I would like to thank everyone who has donated, shared and supported my campaign so far. Your generosity has given us hope in the darkest of times, and I am deeply grateful.

So far, we have raised 3,950 SEK of our 2,000,000 SEK goal - August 15th. While this is a small step, it is a crucial one, and it shows that together, we can make a difference. We still have a long way to go, and I urge you to continue sharing our story and contributing if you can.

Every donation, no matter the size, brings us closer to saving my family and giving them a chance at life. Please read and act as if it were your family, your mother, your siblings in these conditions. 🙏🙏🙏💔💔💔💔

Important note: Donation value:

** 1$ = 10.5 Swedish kr

** 10$ = 105 Swedish kr

** 100$ = 1050 Swedish kr

** 1000$ = 10500 Swedish kr

VETTED and shared by 90-ghost, also as no. 282 in The Vetted Gaza Evacuation Fundraiser Spreadsheet compiled by el-shab-hussein and nabulsi and shared in the masterpost.

We have also been verified by Al Jazeera News. Here is the video. I added this video today, august 15th. Its showing my cousin and aunt in the hospital, where she shares how the Israeli army airstruck them with their kids. Listen to my aunt Suad "Em Mhammed".

Best regards,

Falastin and her family.