#[asks answered

[saintsenara]

Hi, do you have an analysis for why you prefer bottom Tom? Most fics have him as a top, but I'm very interested in your perspective ma'am.

well, the short answer is because i want to and because i can.

the longer answer is that i just don't find any of the arguments for why voldemort would never bottom under any circumstances to be as convincing and definitive as their proponents claim them to be.

my issue - to be clear - isn't with people having a preference for reading or writing about him being a top. it's with the fact that him only being a top - and not only that, but him being repulsed or humiliated by the idea of bottoming - is typically presented as such an objective fact that preferring to read or write about him being a bottom provokes responses which range from the simply annoying - "this is out of character!" [any fic in which he consensually shags his prophesied child-enemy is out of character, be serious] - to the genuinely troubling - "it's disgusting! voldemort is a real man and real men don't want anything up their arses!".

obviously - let's be real - a lot of the arguments about why bottom!voldemort is impossible are just typical "slash fandom reinvents gender roles" shit - they essentially boil down to "omg no harry would bottom because he's the girl".

but others do come with more weight behind them. and two of these are:

that the gender norms voldemort was raised with would inculcate in him a big lump of internalised homophobia which would make him see bottoming as feminine, and - in seeing it as feminine - see it as weak, humiliating, dependent, and incompatible with his understanding of control and power. that voldemort would be horrified by the idea of being penetrated, because he would see it as something which polluted or profaned the body he considers to be sacred.

i do think it's possible to argue both of these points robustly, using actual readings of the text rather than just vibes. i've just never found any of these readings compelling.

and the reason why all comes down to this:

"I knew I was different," he whispered to his own quivering fingers. "I knew I was special. Always, I knew there was something." [HBP 13]

he's talking about something specific - how he's always known that he's a wizard - here, of course. but we can also take this statement and use it to think more generally about how he views being perceived as deviant, strange, or wrong by the norms of the society in which he lives.

by which i mean... he's somebody who believes that being different makes him special and that people who try to punish or shame him for his difference are idiots who simply haven't yet worked out that he's superior to them in literally everything he does. he's not someone who perceives being different in a self-flagellating way - he doesn't think there's something wrong with him, he doesn't think that his difference makes him a pathetic or unimpressive person. and he's also not somebody who views being criticised or punished for his difference as something which causes him sorrow or anxiety. it causes him rage - because it inconveniences him [it creates obstacles he has to overcome, although he entirely believes he can overcome them] and because it doesn't recognise his self-conception as the protagonist of reality:

Riddle's reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious. "You can't kid me! The asylum, that's where you're from, isn't it? 'Professor,' yes, of course - well, I'm not going, see? That old cat's the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they'll tell you!"   "I am not from the asylum," said Dumbledore patiently. "I am a teacher and, if you will sit down calmly, I shall tell you about Hogwarts. Of course, if you would rather not come to the school, nobody will force you -" "I'd like to see them try," sneered Riddle. "Hogwarts," Dumbledore went on, as though he had not heard Riddle's last words, "is a school for people with special abilities -"   "I'm not mad!" [HBP 13]

you can entertain a very dark reading of this scene - in fact, i have - but it's also possible to entertain a liberating one, and see the child voldemort as someone who has always been proud of his difference and prepared to defend that pride in the face of censure, and who is absolutely delighted to be given the language to define and describe his difference and to be given access to a community of people who are similarly - in his words - special.

all of which is to say... the standard interpretation in fandom seems to be that a queer voldemort would fall somewhere on a spectrum from indifferent to his sexuality to actively ashamed of it.

but i think it's much, much more plausible that he'd actually be proud of it, and for his statement - "i knew i was different... i knew i was special" - to be used as the starting point for how we might imagine him realising that he's queer.

and this is why the "he'd have so much internalised homophobia he'd never bottom" argument always falls flat for me - it rests on an assumption that queer men having to grow past a childhood/teenage fear that there's something wrong with them is the default position. it overlooks the fact that there are many ways for somebody to come to understand their own sexuality.

and that two of those ways are "defiantly" and "spitefully". aka the lord voldemort special.

something which always stands out to me about the canonical voldemort, both when he's a good-looking teenager/young man and a monstrous, serpentine adult, is that - even with all the phallic symbolism which surrounds him [enormous snakes and ultra-powerful wands and so on] - the text presents him as somebody who comes across as fairly effeminate:

he's typically described - as we can see from this excellent analysis from @said-snape-softly - as speaking "softly" or "quietly". when he isn't, he's often "shrill", "shrieking", "screeching", or "screaming".

he has a hair-trigger temper and he's extremely emotionally volatile.

he's typically described as moving in ways which have similarly feminine connotations - he "drifts" and "glides". while the primary doylist reason for this is clearly so the reader associates him with snakes, ghosts, and dementors, it ends up giving him a quality of movement which is fey, rather than powerful and purposeful. indeed, we only ever see him do one thing which requires physical, as well as magical, prowess - duelling. but, like fencing - which is its real-world equivalent - good duellists aren't people who are physically strong or imposing, they're people who are cunning and nimble [and the other men the text emphasises are good at it are snape, flitwick, and harry - with harry's quick reflexes being explicitly given as a reason why [i.e. GoF 34] ]. his ability to fly is a demonstration of his magical power alone, since it allows him to circumvent the need to use a broom, which does appear to require physical strength [hence why the only main characters who aren't fond of using brooms are either women or fat, cowardly little boys like neville...]

building on this, he's often described in ways which make him sound quite physically fragile - he's very thin, he's very pale, he's always cold, every time his heartbeat is described it seems to be irregular and so on.

his reputation in his teens and young adulthood is as a "polite [and] quiet" goody-two-shoes who "showed no sign of outward arrogance or aggression at all" [HBP 17]. i think that point about aggression is really important - it builds on what mrs cole tells dumbledore about it being "very hard to catch him" bullying other orphans [HBP 13]. he's not dudley - or james and sirius - using his physical talents to subdue and control people. he's sneakier... more insidious... indeed, in chamber of secrets, ron explicitly compares him to percy - somebody else the text presents as fairly effete - in order to complain about him "squealing" - aka, running to tell a teacher, like a girl, instead of settling things like a man - on hagrid [CoS 14].

when he's a young man, living alone for the first time, the text thinks it's very important to tell us that he has "slightly longer hair" than he does at school [HBP 20]. "slightly" is obviously the operative word here - i don't think he's strutting into hepzibah smith's house in a twenty-four inch lace-front - but we can certainly imagine him with the sort of greaser or pompadour haircut which was understood in the 1950s as being a bit counter-cultural...

of the five horcruxes which are objects - rather than harry and nagini [who is, of course, female] - three [cup, diadem, locket] originally belonged to a woman and are acquired from a woman, two [cup, locket] are acquired by killing a woman using a stereotypically female murder method [poison], two are connected to voldemort's rage at his mother being disparaged [locket - he's furious to hear hepzibah say that merope must have stolen it, ring - he attacks morfin immediately after morfin calls his mother a "slut"]. and all five of these horcruxes also depend on women to introduce them into the narrative in a way that facilitates their destruction: the diary is given to ginny; dumbledore puts on the ring in order to speak to his sister; the locket is associated both with walburga's grief [it's literally moved from the cave - voldemort's grave for his mother - to the house which is walburga's own tomb!] and with umbridge's performance of femininity; the cup is given to bellatrix [and the text is very clear that both she and voldemort understand it as having only been given to her, rather than to her and rodolphus] and is then destroyed - albeit off-stage - by hermione; and harry is given the tools to acquire the diadem by cho, luna, and mcgonagall, although he has to overcome the obstacles of alecto carrow and helena ravenclaw to get hold of it. harry - of course - also only becomes a horcrux because of a woman - lily's - sacrifice.

his favourite death eaters are a woman and a very feminine-coded man. but - more interestingly - what the text finds unimpressive isn't that he likes bellatrix and snape... it's that he leaves a lot of his dirty work to male minions who are characterised by their brutish strength - people like greyback, hagrid [who he makes carry harry up to hogwarts], rowle, gibbon, amycus carrow and so on. there's the heavy implication in the text that voldemort's preference for leaving the violence to others - as i'm always pointing out, his canonical kill count is really low; most of the murders in the series are done by other death eaters acting on his orders - is something we should see as weak.

the text associates him with this effeminacy - i think it's really important to note, given who jkr is - as a criticism. it's something - much like the text's presentation of him as aromantic, and the fact that the degradation of his looks via the creation of the horcruxes makes him look sexless/eunuch-like - being used to underscore his villainy. he's feminine-coded in a toxic way.

but let's take this in another direction [and let's also return to the actual question you asked me...] and read him as someone who has always had to deal with being perceived as queer by other people, and having that perception be associated with negative assumptions.

he's very easy to imagine as a child/teenager who's the target of ridicule from his fellow orphans/fellow students [for not being sporty, for liking to sit in the library for hours on end coming up with anagrams of his own name, for the way he walks and speaks] which hinges on the idea that his failure to conform to the expected conventions of "proper" masculinity mean that he's not a proper man... and that if he's not a proper man then... he's not straight.

but then we have to come back to the "i knew i was special" point, don't we?

voldemort's belief in his own superiority can - in my view - be used to read him as somebody who would embrace being camp or effeminate or whatever term we want to use, in order both to express his contempt for people who criticise him ["think i'm a messed up little deviant, do you, mrs cole? well, you don't know the half of it!"] and who conform to social norms he thinks are reprehensible ["oh, do purebloods frown upon bottoming, abraxas? well - guess what - so do muggles. do you agree with what muggles think?"] and to humiliate, subjugate, and control them ["you think i'm a faggot, do you...? well, you're right... i'm a faggot who's defeated you in battle and now i'm about to kill you... still feel like a man?"].

while - obviously - appearance/gender presentation has nothing to do with preferred sexual roles - the manliest men on earth can be bottoms! being femme doesn't prevent you topping! - i really do think that voldemort is someone who can be written entirely canon-coherently as thinking that the homophobic perception of bottoming as weak, powerless, or humiliating is complete nonsense, and who would actively flaunt his rejection of this perception as a way to mock people who subscribe to it.

after all, we see him do something similar in canon when it comes to his blood-status and social class. the death eaters - lots of whom are posh pureblood men who conceive of themselves as the most important people in the universe - are made to kneel at the feet of and kiss the robes of and be branded like cattle by and be at the beck and call of someone who's neither pureblood nor posh. there are - as lupin tells us - no wizarding princes... and yet the closest things the wizarding world has to an aristocracy are rolling around on the ground debasing themselves and calling a half-blood orphan "my lord".

voldemort does this to humiliate them. but he also does this to amuse himself - à la logan roy making men who've displeased him play "boar on the floor".

[wormtail being forced to care for him when he's in his half-form at the start of goblet of fire, for example. he's not humiliated in the slightest by his dependence on wormtail... wormtail is humiliated by it, and voldemort finds it hilarious.]

and so i think we can plausibly imagine him also deeply enjoying making his straight, married, "i would die before i let anything near my arse", "i'm not getting changed for quidditch with so-and-so there, he's queer", "i'd disown my son if i found out he let other men fuck him" death eaters grovel for the favour of someone who loves getting railed...

this deeply aligns with how voldemort understands things like power and control - and it's why the argument that he'd only top because he would regard it as the only way of being powerful and controlling never hits for me.

because this also rests on an assumption - that the bottom always understands themselves as the passive partner. i do think the fandom is broadly getting better at recognising that bottoms and submissives are different things [although the bar was on the floor...], but i think there's still a tendency to default to the idea that the two people involved in sex are an active partner and a passive partner, and that the passive partner is - for want of a better term - the receptacle.

the language used around bottoming reinforces this assumption. its voice is passive - the bottom is penetrated, is bred, is fucked, is taken - its verbs are passive too - the top does, the bottom receives.

but the thing is... this is just semantics. and it's a semantic argument directly rooted in misogyny, and the homophobia which stems from and connects to it.

and - since it's just semantics - we can change the language we use at any time to completely reconfigure the assumed power dynamic.

the bottom grants access. the bottom consumes. the bottom takes. the bottom absorbs. the bottom uses. the bottom captures. the bottom detains. the bottom grips. the bottom devours. the bottom permits. the bottom destroys.

the top is the person who's passive - who receives permission, who is granted access, who is consumed, who is absorbed, who is captured. the top is the person having their life-force leached from them. they're just a toy, just a piece of meat. they literally don't matter.

and the text already uses this sort of language - the language of consumption and capture and permission to cross thresholds and so on - to talk about voldemort's attitude to power, magic, and the body.

he drains the blood of unicorns; he uses up the life-force of the people and animals he possesses; he grows stronger by consuming ginny's secrets; he is restored to his body by taking from his father, wormtail, and harry; he takes the money dumbledore offers without feeling the need to thank him or regard it as a gift; he offers up gifts to people he wants to use for his own gain; he "doesn't march up to people's houses and bang on their front doors" [OotP 6]; he hoards and conceals precious things; his soul is kept safe by being encased by the horcruxes; his locket is guarded by something which has to be drunk, which destroys anyone who assumes they can simply take it without his permission; he "would be glad to see anything miss hepzibah shows me" [HBP 20] and then seizes her secrets and uses them to bring about her doom; his descent from slytherin is proven by his control of the threshold of the chamber of secrets; he places himself and his talents at dumbledore's disposal, "i am yours to command" [HBP 20]; he controls snakes and they do his bidding; he drains the ministry of its secrets; he controls the dementors, who devour joy; augustus rookwood "has lord voldemort's gratitude... i shall need all the information you can give me" [OotP 26]; he is the greatest legilimens - that is to say, he is excellent at pulling other people's secrets into his own mind and using them as he wishes - the world has ever seen; he has seen ron's heart and it is his; his followers live to serve him...

his followers are called death eaters, not death fuckers.

and so it's inarguable, really, that he'd have a legion of service tops under his command...

[muchanmocha]

Do you think that Luka has a hard time understanding and/or feeling remorse for his actions if they don’t directly affect him, and do you think this is why he lacked a reaction at Hyun Woo’s death? Your post about him being horrified by killing his clones when he really wanted to set them free was great, and that, along with him also being horrified at Hyuna’s death, has me wondering this. But Luka seemed to genuinely see Hyun Woo as his friend even though they weren’t as close towards the end, but maybe they had drifted far enough apart in Luka's mind that he didn’t really associate himself with Hyun Woo at that point? What do you think?

[Referencing this post]

I actually have a longer post in the works about how the dead clones scene fits into the bigger picture and why I think it'd basically set everything else in motion, including what happened with Hyun Woo. But I can try to respond with some of the main points here!

-

Why did Luka lack a reaction to Hyun Woo's death, unlike with the clones and Hyuna?

But that's exactly it isn't it? Those two events bookend all of the times inbetween where Luka doesn't seem to care.

The scene with the clones is significant because it's the first time.

The scene with Hyuna is significant because it happened to Hyuna, and as I will get into further down, Hyuna fulfills a specific role for him.

What happened to the dead clones utterly broke his will and Luka chose to cope with that by completely withdrawing into himself, essentially committing to a form of escapism or dissociation.

In your dreams, you'll run and play

In paradise

— Wiege

I think after the clones incident, he basically just started blocking out everything that involves him processing death and loss.

That's where Hyuna comes in.

Hyuna is his escapism.

[Made a post breaking down the events with Hyun Woo here]

What changed with Luka and Hyun Woo wasn't that they drifted apart so Luka didn't care about him enough to be affected by his death.

What changed was that after the clones died, Luka threw away a reality he couldn't cope with to drown himself in Hyuna and only Hyuna.

In other words, he didn't react to Hyun Woo's death because it's part of the reality he's denying. He's (perhaps subconsciously) not allowing himself to acknowledge it or process it.

But he can't do that with Hyuna.

If Hyuna is his way of escaping from reality, where is he supposed to go, to escape to, when she's the one dying?

Despite the blood that follows him, Hyuna is the probably first time he's been forced to confront death since that very first scene with the clones.

Do you think Luka has a hard time understanding/or feeling remorse for his actions if they don't directly affect him?

There are strong implications that come with the fact that Hyuna told Luka to forgive himself.

It means he hasn't forgiven himself.

He keeps running away from what happened, and what's happening, because he isn't able to and won't be able to forgive himself for what he's done.

By not acknowledging the present and not processing the deaths that follow him, he essentially side-steps the problem.

He doesn't have to confront the guilt, shame, internal struggles, or the question of forgiveness... if it had never happened, right?

(To be clear he does know that people have died, whether that be Hyun Woo or the Alien Stage contestants he went up against.)

(However knowing something and processing something are two different things and I suspect he's mentally blocking himself from doing the latter.)

The dead clones incident can only affect him so deeply because he does have the inherent capacity for compassion.

But the world of Alien Stage is not kind to those with compassion. So he throws it away.

The post-Round 7 interview states that Luka looks down on Mizi and co for getting swept up in their emotions.

Luka likely dismisses this as foolishness by simply avoiding it.

— Post Round 7 Q&A, Patreon

Yeah, he does. I mean he basically dialed up that avoidance to 100.

Vivimeng describe Mizi and co as "strong individuals who, in a space that seems inhumane, seek to connect by loving others."

And that's absolutely true. They really are brave individuals for daring to care when it will only hurt more if they do.

At the same time it's understandable that Luka chose to turn away from that.

At a young age, he's already been shown, quite brutally, what happens if you care.

-

Thanks for the ask, anon! I ended up connecting even more dots while writing this up lol

[chainmail-butch]

in this house we love a pillow princess thank you 💖

In this house we get down on our knees and worship pillow princesses.

[venomous-qwille]

hii i was wondering if youd ever want to make merch (like keychains or pins or plushes) of the gitm boys?? id totally buy anything you make if you do i love those goobers so much

I would love to, I intend to, I just have to be really careful with what I make (and how much of it I make), as I am based in the UK not the US. Unfortunately shipping prices are horrendous- or at least, higher than most peeps in the states would be willing to pay for merch ^^ I do intend to make stuff! I work full time though, so between that and writing gitm my schedule is currently pretty packed. I will probably give it a lot more thought when I finish Act One ^^

[monstersholygrail]

You want more hear you go

mouse reader: you know, I think our owners wanted me to be killed

cat bf *looks over* what?

mouse reader: no don’t look at me like that

mouse reader: let me explain

cat bf: go ahead I’m listening

mouse reader: your cat I’m a mouse in media cat and mouse hate each other. Cats are known to drive out mice you with me?

cat bf: ok im with you

mouse reader: when we first met, I used to get you to chase me until you figure it out, but they knew you were chasing me. They never stopped it.

cat bf: ya…

mouse reader: they ain’t never here so they brought me here why a mouse when you could have another cat not that you can replace me

cat bf: …

mouse reader: see you know I’m right

cat bf: are you on something love

mouse reader: boy don’t *walks away*

cat bf: what? Where you going

mouse reader: away

cat bf: ….

BYYYEEEE OMG IM CACKLING!!!!

I never even thought about it like that, that is too fucking funny.

Their dynamic and the way you have them talk to each other is amazing. I can’t stop giggling about it.

Literally it’s like mouse reader was supposed to be enrichment for the cat bf but in a way they ended up being enrichment for each other. All their chasing and playing around together. Keeps em on their toes haha

[destiel-wings]

Are you incapable of making your own post? Why did you add on to that poor persons Merlin post when they dont care about Destiel? And youre too lazy to make your own gifs lol okay. Please dont add on to posts that arent yours. So fucking lazy and annoying.

Hey, if you're the op who made the post, I sincerely apologize. If you don't want that kind of addition i can delete it, no problem.

I love merthur and i love destiel too, and I added that scene from spn to make a comparison between the two ships. It wasn't meant to take anything away from the original post, but my intention was to give it a new light in addition (as people do on this site) by drawing a parallel with another piece of media. A lot of destiel fans love merthur too and i thought the op could get more reblogs and likes on their gif this way (reaching another fandom too).

I know how to make my own posts, I did plenty of them, actually.

What i don't know how to do is gifs, and i have deep appreciation for people who make them, and it is my understanding that they like exposure for their posts, so that their hard work can reach more people.

This is why i reblogged it.

My tags on the reblog were about both ships, i didn't deviate from the original post ignoring it to only talk about another ship (which would've been rude), so i didn't think it could be offensive in any way.

[brawltogethernow]

obligatory ask meme curse: homestuck

Reverse Unpopular Opinion meme

Joke's on you, I'm into that shit. Homestuck was an enormous and entirely positive part of my late teens and to this day there's nothing else like it. Like sometimes you just need to step back and think about how cool Homestuck is. MSPA invented a new format that HS constantly tested the limits of, giving us a comic where some of the panels are looping gifs and some are flash animations and some are fully playable video games. It had more prose than War and Peace by the time it was halfway done. It invented the concept of blackrom. A good third of it was written in a single year-long creativity bender. The fandom was like Inklings For Gay People and is still coughing out published artists. The cast is split 50/50 by gender and also by glasses wearing status just because...math. It wielded recurring motifs and colors and shapes and phraseology like an armory of weapons. At its peak it had a canon to cosplay rate of less than one hour. It contributed very significantly to keeping me sane in high school. Reading it gives you a very specific Homestuck Accent and will haunt you with concepts and imagery forever. Homestuck!

[chromacryptid]

Mumbo Jumbo HC season 10 episode 23, min 24:46:

Scar: "Is he trying to bang us or smth?" Mumbo: "Definitely."

Help why did everyone act like this was a totally normal thing to say

[sen-thebootmutt]

What basic things should people know about caring for leather?

Oh, how I love all the questions /genuine 💞💞

Okay!!!

So, leather is a skin, right?? It’s a hide. How do we care for our own skin?? Your basic steps:

Rinse

Clean

Rinse

Moisturize

A light spray of water, clean with a gentle soap (non-scented glycerin soap or saddle soap and a small horsehair/badgerhair brush), rinse and wipe off all the soap residue, and moisturize!

“Sen,” you say, “how do I moisturize leather?” Good question!! It’s going to depend on the type of leather.

There’s two big categories of leather; oil tan, and high shine. Oil tan leather is matte, soft, and more flexible (think of old leather dress shoes or casual boots). High shine leather is, well, self explanatory lol (shiny, less flexible, more glossy).

With oil tan leather, you’ll use a leather conditioner! Most bootblacks recommend Hubberd’s Shoe Grease (a heavier, denser conditioner), Obenauf’s Heavy Leather Preservative (more waxy), or Aussie Saddle conditioner (like Obenauf’s, but has a higher beeswax content). These are all pretty easily available online, and can even be bought in bulk and put into other containers!

For high shine leather, you use polish! There’s lots of different brands, but most folks get their start with Kiwi shoe polish (not super high quality, but readily available at big box stores like Walmart and Target). Most experienced bootblacks will use Lincoln or Angelus polish (your choice will depend on things like local humidity, altitude, experience, and technique). Apply a thin layer of polish to the boot, mist with a light spray of water, buff with a horsehair boot brush, and finish with a fine cotton buffing cloth!

I love bootblacking, and I love teaching. If anyone wants, I might record myself the next time I do my boots, so y’all can see these techniques in action!

[rainyfey]

Hi again, sorry for my request, but could you make some adorable drawings of Momo and Okarun? Sorry and thank you very much, have a good day or night...I hope everything goes well for you :3

"Laser Focus"

Thank you very much, Hel-wey! Always happy to see you in my inbox!! Your wish is my command. Hope this is cute enough 💖 I had a lot of fun drawing it (and experimenting with Gradient Maps in CSP for the colors) ✨

[saintsenara]

tall, soul-sucking, and a bottom? your voldemort has got the kind of greed they talk about in the bible smh

actually, he's just destroying harry's claim to be the series' christ allegory.

While they were eating, Jesus took a loaf of bread, and after blessing it he broke it, gave it to the disciples, and said, "Take, eat; this is my body." Then he took a cup, and after giving thanks he gave it to them, saying, "Drink from it, all of you."

thinking that death eaters earn the dark mark by committing murder and that "dark revels" are a thing? tired, boring, no canon basis.

thinking that all their meetings devolve into orgies? correct.

[niyana-the-ambiguous-mobian]

The part where Maria takes Shadow away from being experimented on indirectly compares him to a teddy bear

Speaking of that scene, just look at miserable he looks here, also how cute he looks having to sit on that pillow.

He absolutely hated going through all of those tests and trials day after day. The poor thing was just going through it, knowing that they'll end eventually before he has to do them over and over again the following day.

Then the door opens behind him, and he turns his head to see Maria snuck into the room, wagging her eyebrows at him, mentally asking him, "You wanna ditch this place and go have some fun?"

And he does! Before the science can even notice, they put the teddy bear in his place, and they do exteme rollerskating in the hallways. The whole time, he just had this wide adorable grin on his face, just thrilled to be out of the lab for once and having fun with his friend.

Sorry, but I had to gush about this for the 6th time this week.

[chainmail-butch]

I’m trying to set up a trans/genderfunky weekly meet on my college campus and want to make sure it’s as welcoming to transfems as possible. The whole reason I want to do it is because some of the my friends at the local lesbian meetup are getting misgendered and excluded. Any tips? I’m a trans man and want to get a general idea of things I should look out for before I ask the girls specifics.

In general I’m just trying to avoid identity policing at all costs but after reading your t4t dating event post I feel like there’s more to it than that.

Have a transfem that you trust on your organizing committee. Listen to what she says. Trust her. Let her know that she has your full support if she thinks the vibes are wack.

Follow through on that support.

Make sure that she's not the one who *has* to call shit out when people are being weird. Make sure she's not the one who *has* to put safeguards in place for other transfems.

If you don't know someone like that, address that first. Hang out in transfem spaces.

[reds-skull]

Could we possibly get Soap yelling at a recruit for trying to steal Ghosts mask, with Ghost in the background like that’s my mans.

Or something you want to do for shits and gigs because you can and it’s fun

Sorry this took a while, I kinda made a mini comic because, as you said, I can and it's fun lol

Thank you for the ask! This was quite fun to make haha

[venomous-qwille]

best friends forever

(clip and cricket, gitm au)