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ardentpoop · 4 months
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🥰🥰🥰🥰
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🥰🥰🥰🥰🥰
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nevereacheaven · 11 months
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the eye choses avatars only if they have an ass that is indistinguishable from their back and thighs
if you look like this | the eye wants you
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inkskinned · 1 year
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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ancient-reverie · 7 months
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a moment of silence for all us disabled ones who had to watch each of their friends move on with their lives without you and get jobs, go to school, have partners come and go, get engaged and move house etc.
shout out to my fellow struggling people who are still sitting in the same bedroom they grew up in. the ones who can't get a job, can't make new friends, can't find a partner or partners, can't move house and can't go to school.
I hope one day we can all find someone to at least sit with us in our rooms. I see you and I understand... and I'm sorry we can't be that person for each other
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jesbiblesworld · 3 months
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If you're the type that genuinely gets upset that bl actors are in relationships with ppl other than their on screen partners, I need yall to (and I'm gonna touch your hand when I say this), find new hobbies outside of bl. Y'all have let yourselves get entirely too invested in these men to the point where you get genuinely upset and heartbroken, even ANGRY over them having other relationships, and that's not normal. None of them are doing anything wrong and treating a "dating scandal" the same as if they were found to kick puppies and punch orphans in their spare time is fuckin absurd
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krysmcscience · 21 days
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Saw this post and couldn't resist because,
1.) @tesscourtes' human!Bill is a lil cutie-patootie menace that I very badly wanted to draw, and,
2.) I have a - M I G H T Y - N E E D - for any version of human!Bill to find any way he possibly can to annoy Ford a whole lot :D
Also, 3.) I like to headcanon that Bill's knowledge in The Sciences is mostly limited to 'Ways I Can Make A Really Cool Doomsday Portal', and everything else he knows is just a slapdash mix of the stuff he remembers from whatever schooling he went through on Euclydia, a whole awful lot of lucky guesses (which he WILL gaslight you about if you tell him he's wrong), and - naturally - conning all the rest of the answers he needs out of any more educated saps who are unfortunate enough to be around him at the time (answers which he will then proceed to take credit for), so as far as I'm concerned, this "outfit" is perfect for him.
Ignore the shitty backgrounds, I am sick to death of doing backgrounds, I just want to draw goofy shenanigans, okay???
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starry-bi-sky · 6 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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em0-opossum · 1 year
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"can I be [x gender] if I..." "can I still call myself [x term] if..." yes. yes. if you like the term then use it. do whatever you want forever. labels are just little words we use to categorize our infinitely complex existential experiences on this floating rock !! no two people who use the same label are going to experience it the same way and that's the beauty of it !! use "contradictory" labels, use labels that don't make sense to anyone, change your label every day or not at all, explore anything and everything, use no labels at all or every label under the sun, confuse people or correct them or let them assume things rather than explaining, I promise nothing other people think about your identity is worth your happiness !!
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tswwwit · 13 days
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Cipher's Personal Portable Portal
'How they meet' won the poll!
So just to make things fully contextualized, as far as they're gonna be - here's the full first chunk of this stupidly long fic I'm writing.
I hope you enjoy!
Standing in the wreckage of the burnt-out building, Dipper wishes he didn’t know who did it.
Anyone else would have left some trace sign. A scrape of blood, a hint of burnt hair. A friggin’ decent eyewitness report, even.
But here, like last time, and the time before that, and the time before that - there's absolutely zero traces. No video footage, nobody around at the time of the crime. Not even footprints.
Dipper kicks one of the remaining supports, sending a puff of charcoal up from the impact. 
If he knew the bastard’s name, he’d curse it all to hell.
With a sigh of exhaustion, Dipper sits on a chunk of scorched foundation. He pulls his shoe off to tip the ashes out of it; there’s enough that the resulting cloud leaves him coughing. 
Around him, the scoured west wing of the museum is silent, still, and empty. A grey-black skeleton of its former self, filled with dust and charcoal.
This arson is yet another one in a very, very long line of crimes. They’re not just ‘unrelated incidents’, or ‘bizarre coincidences’. Dipper’s not ‘being paranoid’ or ‘coming up with some pretty weird conspiracy theories’. 
There’s only one person who could manage this. The same guy who turned a bank upside down - literally -  and the same one who impaled a mob boss on an oversized silly straw and gave tails to half of a household last week.
It’s all connected.
Each crime is marked with the same style, mostly by how remarkably weird they are. Along with a thread of magic, distinct in its composition. One so distinctive that it's almost a flavor. Though admittedly, without certain magical analysis, it’s pretty hard to detect. 
And if other freelance magicians would take the time and look at Dipper’s notes, maybe one of them would help find this asshole.
Dipper stalks through the burned building, fists balled in his pockets. He stumbles over a fallen support column, and nearly trips before he makes a hopping retreat back. 
Though the culprit has been at his game - whatever ‘game’ that is - for a good half a year now, this is the most destructive ‘incident’ so far. Nobody was hurt, since it happened in the middle of the night. The one relief from a terrible crime, that only objects were obliterated in the process - 
But the ashes speak for themselves.
Here, there’s nothing left.
He breathes in slowly. Then regrets the attempt at calming himself as he coughs again.
Whatever the culprit’s initial motive was, it hasn’t lasted. He’s grown not only in ambition, but also in his abilities. Things are escalating at a rate Dipper doesn’t like to think about.
Someone has to get to the bottom of this. Before it’s too late. Dipper’s got his number, metaphorically speaking, so. Well, might as well be him. 
And when he proves that all of this chaos was created by the same person - 
Well. A little boost to his meager reputation couldn’t hurt. Maybe a few medals and accolades. There isn’t a trophy for best monster hunter, but he can imagine standing on a podium and -
Dipper waves that thought off, swearing under his breath. Stupid. He has better things to focus on.
He’s the only freelancer on the case. Definitely the only one taking this seriously, the only one who thinks it’s the same person to begin with -  and even he’s starting to have some doubts about ever finding the bastard. 
Six months of tracking this guy down, and what does he have to show for it? A ramshackle compilation of incidents, a vague feeling of magic, and a description that could fit any bottle-blond actor with bad fashion sense. Scraps. He might as well pin them up and connect them with red string for all the good it does him.
Another kick sends Dipper hopping back, clutching his foot with a swear. He winces at the hole in the tip, he nearly punctured his foot on a nail.
Just his luck. Wrong place, wrong time, always just barely avoiding disaster. Dipper shows up whenever there’s an event, he’s got the means to follow the guy - but he’s always just a little too late.
Even worse, lately the guy’s been picking places… not at random, exactly. More like he causes trouble wherever it’d be the most annoying to follow.
The culprit must know someone is on his trail. But he’s not making it impossible to keep up, or even majorly difficult for a determined pursuer. Just really, really irritating, like making moves at three in the morning, or pausing just long enough for someone to catch up, then heading right back where he came from. At one point Dipper had to trudge through a literal swamp, only to find that bastard had sauntered in by baking himself a neat little trail right through the damn thing. There wasn’t even footprints to follow.
It’s a repeated point in Dipper’s notes. Whoever this is, they’re a total, absolute dick.
With a sigh, Dipper runs his fingers through the ash on the museum’s floor. Not a single thing is left beyond the shattered glass of some display cases, and the charred remains of the building. Even the enchanted metal tools have been melted into slag. 
The day before yesterday, he could tell something was up. Building energy, something that felt like it was made by the culprit. Something with the twinge of a powerful curse, coiled and being wound up like a spring. 
Dipper spent that evening convincing - okay, maybe also bribing, thank you Stan for the idea - the museum to let him borrow materials. The day after that, he spent all night, morning, and most of the afternoon running around slapping up anti-curse emblems. The entire south of the city warded, in a fine careful net of spellcraft. The work was exhausting. Both in running around, and in the amount of magic he’d needed to use.
But it was worth it. That evening, in the quiet and very uncursed city, all the emblems activated. Dipper would have sworn he sensed someone in the distance, cursing his own name. That night he went to bed with a smug sense of satisfaction, floating on a cloud of triumph.
Which is probably why the bastard burned down the museum next.
With another sigh, Dipper tucks his notebook back into his knapsack. He’s gleaned all he’s going to for today; in the fading evening light, searching more is pointless.
So much for all the magical artifacts. Most of those had come in really useful in messing with the guy. 
…How the hell did the culprit know where they came from, though? He’d need a near encyclopedic knowledge of artifacts to know which ones Dipper used, then track them back to their origin. 
Or maybe he just searched on the internet. It’s hard to tell.
Dipper just wishes there were more clues. But just like every other incident, the guy up and freakin’ vanished.
No human can disappear like that without some very irresponsible use of power. That hope is one Dipper’s hanging his hat on. After six months? He has to be reaching his limits. He’ll burn himself out before he can manage too many more incidents. Maybe Dipper will find him by stumbling on his withered, dissolving corpse.
Whoever this is is pretty strong, but no power is infinite. He can’t hide forever.
It can’t be too much longer. Won’t be. Dipper has a plan, he’s gotten really close, and - He’s good at his job, damn it. He knows he is. 
Taking a deep, slow breath, Dipper lets it out. Patience is the name of the game here. He’s just gotta keep moving.
One day, he’s going to catch up with that bastard. He’ll see the guy in the flesh. Then he’ll grab that stupid dick before he can escape, again, and wipe that presumably smug look off his probably ugly face.
Turning around one last time, Dipper surveys the destruction, stuffs his hands in his pockets - and pauses. 
A speck of light glints in the pile of ash. The last bit of evening sun, shining off a metallic surface.
Alert with surprise, Dipper scrambles over to the pile. Kneeling down, he brushes the dust carefully aside, careful not to disturb anything fragile that might shatter if handled wrong. 
One thing did survive. Thank fuck, it’s not an absolute total loss. Just, uh… Ninety-nine percent of it.
He scuffles through the still-warm ashes, cupping his palms underneath the lump and lifting it from its bed. The motion sends white puff rising up as ash slips away from the artifact.
A small black, squarish thing rests on the pile, a bit larger than both his palms put together. The material is faintly warm from residual heat, insulated by the ash it laid in - and there’s not a mark on it. Not even a scratch. 
Dipper turns the artifact over in his hands with a frown. The shining black surface reveals no obvious buttons or secrets. Just a kind of phone-ish shape, though more square and squat. If he didn’t know any better, he’d say a guest dropped it on the rush to escape. 
The fact that it’s still intact though. Nearly glowing with magic, a tremulous feeling under his palms - this is not dropped by some clumsy tourist. Not even Ford could put this together.
 Wiping at the object with his sleeve, Dipper manages to clean off most of the smooth surface. On one of the sides, dust clings to the thinnest of engravings. The very faint outline of an equilateral triangle. No runes or other magical scribing, just… a shape.
Dipper thinks back but - no, he doesn’t remember seeing this in the collection. A quick check online reveals…
Basically nothing. There are - were - a bunch of stone and metal slabs in the archives, all described so poorly as to be useless. Some are even bunched up in groups. ‘Magical slab 1-24’ and ‘Metal artifact 1-78’, no description involved.
Not surprising. Probably dug up in some mass excavation site, transported here, then never really looked at again. The bulk nature of the shipment means it was overlooked, its magical properties never discovered.
After today, he’s just glad that even one item escaped this onslaught. 
The other artifacts must not have had much to them. But some magical property in this artifact’s making must have saved it from the blaze. Fireproofing, perhaps? Against weird fire? That’s unusual. Maybe even unique.
As the only survivor, it really needs investigating. 
Dipper glances over his shoulder, then around. With everyone evacuated, it’s quiet in the rubble. Nobody here would notice if, say… a clue wandered off.
The artifact slips easily into his pocket. The shape conveniently looks just like a phone, even if the shape’s a bit off. Not something that would attract any attention.
Whistling nonchalantly, ducking out of the way of local law enforcement and any onlookers - Dipper makes his escape. 
Another day of pursuit. Another scene of disaster, the culprit there and gone in the blink of an eye. 
He’ll be up to something new, next. Never the same thing twice, never in the same place. 
Dipper will follow in his evil tracks, of course. But for tonight - his fate is another crappy hotel room. 
He ditches his backpack by the door, slumping against the wall and its chipped paint. He could start going through his notes, and the pictures of the arson. Put in more work, find further connections - 
But it’s been a long day, and he’s tired. He might be magical, but he’s only got so much to work with. A reasonable night’s sleep, if he can manage, will make the task loom less horribly over his tired brain.
With a sigh, he drops back on the mattress. There’s some bounce to it, springs squeaking like they’re full of mice. Hell, maybe they are. The type of room he can afford isn’t exactly decadent.
That, though, should be temporary. Dipper’s career is only just starting; freelancers in the ‘solving magical problems’ scene don’t get great rates. Especially as a beginner. Definitely without a partner; it makes him look super young. Like he’s just starting out, fresh-faced and not having any inroads.
Because this field is really stupid, and doesn’t pay attention to results. Dipper’s been fine on his own for years, and he’s done really cool things without that ‘networking’ crap. 
All by himself. Totally cool with that, because Dipper’s a cool guy, sometimes. If Mabel hypes him up enough on one of their phone calls, he almost believes it too.
Though it would be nice to have some backup, it’s hard to find someone who really gets the job. Or does it in the way that Dipper goes about it. The number of people who are willing to take long treks in hyper-magical territory to search for an obscure clue, or set up really complicated traps for  dangerous monsters, or talk over high-level magical theory while sitting in the rain all night just to get one body-snatcher are…
Well, besides Ford, who recently retired, there aren’t any. Only Dipper himself.
One day, things are going to change for him. All his effort will pay off. If he keeps solving mysteries, and fighting monsters, he’ll forge a reputation as someone who always gets the job done. No matter how hard it is, he can handle it. The work is picking up, too. The last six months have shown the biggest series of magical incidents in decades. 
And he’s gonna be the one to get to the bottom of it.
Dipper Pines, the guy who proved it’s all connected. He’ll have it laid out in facts and math, all the evidence. They’re all gonna see that he was totally right.
Once he finally gets this guy, everything’s going to start looking up. 
The sheets rustle as Dipper settles back, holding the artifact up over himself. He stares into the black surface, and a slightly distorted reflection narrows its eyes back at him. 
A good mystery always intrigues him. This one should take his mind off the other, irritating one for a while.
The only remaining object from the fire is clean and smooth. A mysterious creation, of unknown purpose. Clearly riddled with magic, too; Dipper feels it running just under the surface like a rapid current. It gives the artifact a weight that has nothing to do with mass. 
Power.
Did the criminal see this artifact, still intact after all the other magical objects were gone? Did he try to destroy it too, and fail? Or simply not notice he’d missed one out of thousands?
Whatever it is, it’s got a lot more going on than meets the eye.
Dipper casts a quick identifier, which comes back with nothing. He’s not surprised. That’s the first thing anyone would try. If it was that simple, he’d already have the full description off the site. 
With a shrug, he traces another set of runes, his own version, adding a little more oomph behind it - 
And the magic leaps back instantly, with the bizarre sensation of a bouncy ball hitting concrete.
“Huh,” Dipper says, thoughtfully. He sits up, hunching over the slab in his hands. “Now that’s new.”
A more subtle approach, then. Tracing the lines of energy with the barest brush of magic upon magic reveals something deeply complex. Thin layers twist together deep under the surface, building an entire circulatory system. Dipper has to put it down for a moment, suddenly worried that it is organic. 
When a cautious prod doesn’t get a response, he relaxes. Not fleshy, just complicated. Which also proves he was right earlier - the artifact’s just as powerful as he’d thought. The spellcraft is unlike anything he’s ever seen. 
Dipper rubs his hands together, starting to smile. 
Even if he doesn’t find the guy he’s after, figuring this out could be a heck of a win.
Several attempts later, he’s beginning to get why this bastard brick got tossed in with all the other junk. 
Nothing here is working. It simply deflects. Standard spells poing off of it like rubber, while giving his magical senses an odd, back-of-the brain afterimage of a circle with a slash through it; a firm ‘nah’. 
Dipper nearly chucks the thing across the room in frustration, before shutting his eyes and taking several, calming breaths. 
Okay, weird thing, weird enchantment. The ordinary stuff won’t work. The magical logic is… twisted in a way that leaves it incompatible with most everything. He’ll have to find a different approach. 
“What are you?” Dipper says, low and frustrated. He gives the artifact a shake, as if he can knock the secrets out like a rock from a shoe. “What secrets are you hiding in there?” 
No response, not that he expected one. With a wry smile, he taps the sleek surface with a finger, twice. “C’mon, man. Talk to me.” 
Huge yellow letters flash onto the black surface. 
HEY
Dipper throws the artifact, a bit awkwardly since he’s lying on his back. It sails in the air in a high thin arc, landing with a thump between his legs. He scoots rapidly backward, sheets pulling up behind him. 
The artifact lies where it landed, an unmoving brick.  There’s magic in the air now, but no sense of any spell building, ready to unleash power to blow his face off. The latent spellcraft of the artifact has just been activated.
More text displays on the surface, bare except for the glowing letters. 
To the jerk that’s swiped my private stuff: You got some nerve! I expect this back by interdimensional mail in a week, or trust me - there will be consequences.
Dipper waits a full minute before he lets go of the headboard. Tentatively, he kneels near the…
 Is this a phone? 
Clearly it’s a communication device of some sort, with the freaking text messages. A phone is the obvious equivalent, only - he thought it looked far older than that, something way before mobile phones. Possible ancient. Is that a coincidence, maybe, or is it secretly modern?
Dipper taps the ‘screen’, just below the glowing words. To his surprise, there’s actually a keyboard, what the hell. This thing keeps getting weirder.
Since it hasn’t already thrown a horrible curse at him, or burst into flames - it’s reasonably safe to assume that it’s simply ‘on’. Not ‘explosive’. 
With hands that are definitely not shaking, he picks it up, and types,
Who is this? 
His own text pops up in blue. A strange contrast to the yellow, but he’s guessing it’s for convenience - there’s no bubbles to tell who’s said what otherwise.
A few seconds of nervous waiting later, there’s a response. 
Oh hey, you answered! Well, human - You’re talking to the one and only Bill Cipher, Dream Demon, all-powerful master of the Mindscape! I’d say it’s nice to meet ya but you’re not supposed to have a direct line to me!
Dipper raises an eyebrow. 
Now that’s one hell of an introduction. It might even have been interesting, if it didn’t smell of complete bullshit. 
Complicated spellwork, sure. Incomprehensible architecture? Maybe. Dipper can admit it; he’s never seen anything with a web of spells on it this complex, in such small of a package.
But the idea that Dipper just stumbled onto a demonic artifact of all things. One that wasn’t instantly detected, recorded, then ritually destroyed is…
Someone’s fucking with him. 
Dipper rolls his eyes as he types back,
Really? Demon? You can’t expect me to believe that. 
What, you calling me a liar? ‘Cause I am, but not about this! I got better things to mislead mortals about. This is my property, not something for your grubby mortal mitts.
Dipper snorts. Guess this person’s sticking with the bit. Obviously whoever created this would want it back - but too bad. Whether they’re delusional, stupid, or just a flat-out liar, they’re really good at enchanting. It’d be a waste not to study their work. 
He lies back on the bed as he replies.
Sure, have fun roleplaying, or whatever, it doesn’t make a difference. Finders keepers, losers weepers.
ARE YOU CALLING ME A LOSER. MORTAL.
Hmm, I’m detecting a certain amount of ‘crying about it’, so. Yeah. Suck it, loser.
Smirking, Dipper settles back - then his half-smile drops, as he holds the ‘phone’ a little further away from himself. 
Though the blue fire building up in the screen looks like a bad sticker effect, the artifact’s also getting a alarmingly warm. It vibrates in his hands - then suddenly stops, cooling down. 
Ha! Alright, alright, I admit - you got some balls.
Maybe you’ll change your tune once you REALLY know what you’re dealing with! Might wanna check the connection, if you’re even capable of it! Mortal magic doesn’t reach across dimensions!
With a grimace, Dipper taps his fingers on the phone. It’s slightly cooler now, but still worryingly reactive to… whatever happened on the other end. 
Damn. Whoever this is, they’re not only really really good at enchanting, they’re also pretty confident that tracking them down won’t spoil their game. The confidence exuding from this ‘Bill’s’ words feels genuine.
Honestly, though, the suggestion is a good one. Dipper should have tried to trace the call the second he knew someone else was on the line. 
Maybe ‘Bill’ thinks he won’t manage to find him. Joke’s on him, though; Dipper’s amazing at finding stuff. He’s the best tracker of magical anything in years. Maybe decades. With a solid, stable connection right in front of him? Hell, he could do this one in his sleep. 
Time to call the bluff.
He casts the tracing spell, though it takes longer than usual. A few gestures and muttered ritual aren’t gonna cut it; he has to improvise around the strange construction of the enchantment. Even trailing along the magic seems harder than usual, like it resists mixing with his own, and it takes him a few attempts to match the signal. 
Once he finds the right way to tune it… the lead snaps along the already-existing connection, and zips away to find its source.
The line extends out from the shabby hotel room, a plucked string in Dipper’s senses. It twists around the phone, rising slowly. Invisibly passing through the walls and the - 
Ceiling? Dipper looks up on instinct, even though nothing is visible.
From there it swirls around in the air like a silly straw on steroids, and then - out, very far, in a way that isn’t up or down or left or right, just  
Away.
Dipper has to cut off the tracing spell before vertigo has him reeling. The swirling sense of standing on top of a skyscraper is followed by a flip in his stomach. That he’s using a device he barely understands that reaches out into something even more incomprehensible.
He drops the phone-artifact, trying to clear his head by shaking it rapidly. 
That’s not nearby. Not on this planet. Possibly, genuinely, not even in this dimension. 
Shit. Bill wasn’t bluffing.
Dipper wipes sweating palms on the sheets. To pick up the phone again takes an effort, willing himself to grasp it in unsteady hands.
A demon. 
All the monsters he’s fought, curses he’s broken, years of work tucked into his belt, and he’s never seen one of those. 
Demons are dangerous, evil, and very, very powerful. Consorting with them is by all accounts a terrible idea. He should never have picked this up. He should hang up, and throw the damn artifact out the window, hoping that nobody else makes as dumb a mistake as he just did. 
On the screen, there’s a long long scroll of yellow letters, filling the entire surface. ‘HA HA HA HA’ over and over and over again. 
Before he can think better of it, Dipper starts a response. He’s halfway through a sentence - what the fuck, that’s not funny- before he pauses.
Terrible evil monster. Stupid powerful. Probably Bill sensed the tracing of the connection, like he did with Dipper’s other testing. Bill wanted the result startle him. Because he thinks it’s funny.
Dipper grits his teeth, and glares at the screen. 
Actually, screw this guy. Dipper’s keeping the stupid phone. If for no other reason than spite. This ‘Bill’ guy seems pretty full of himself, like he’s totally above some human. He’s in for a bad time, then, because Dipper’s not going to let one little surprise scare him off.
Besides.  The average guy would get into horrible, even deadly trouble, whereas Dipper… sort of knows what he’s doing.  No, he is good at his job. Finding secrets, solving mysteries, thwarting evil jerks who think they’re oh-so-hilarious, the whole shebang. He does it all.
Taking another breath, hissing through clenched teeth - Dipper lets it out. Losing his temper isn’t going to help deal with an extradimensional being. He has to be careful.
He thinks for a long moment before he responds. 
Okay. Let’s say I believe you. Maybe. Then you should know I didn’t steal your… whatever this is. I found it lying around, and I just. Got kind of curious. 
HA HA HA! Of course you were! Careful with that impulse, kid, it kills more than just cats!
A jerk who definitely thinks he’s hilarious. Dipper rolls his eyes, then, rather pettily, decides to ignore that statement. 
More pressing questions take the lead. Like what the fuck he’s holding right now, and if there are any other nasty tricks in store. A little bit of him, bubbling under the surface, wonders what being a demon is like. What they get up to, common habits. Ways they could be tracked down and, y’know, defeated, maybe. 
Theoretically, he’s got a line to a bunch of innocent, totally not-thwarting-related information that could be super useful to someone trying to, maybe, be a super cool monster-fighter.
Dipper backspaces a bunch over some poorly thought out questions. First things first. Like what the hell he’s holding right now.
So. What is this?
Good question! The gadget you’re poking at with your sweaty meat-paws is paired to the one I have here at my place. A little one-on-one communication assistant, if you will. Once you started groping around with your magic, it wasn’t hard to tell someone had picked it up!
Dipper raises an eyebrow. Though he already has an idea… a little confirmation never hurts. 
Like, you got a notification? Or literally felt?
The latter! Kinda like smell, but by touching things with your eyeballs. And with all your prodding around you might as well have been stinking up the place! Your spells aren’t real subtle!
Hey, they’re subtle! Having weird extra senses is just cheating.
Sucks to be human, then! In that you suck at everything! What’s a LOSER like you gonna do about it?
Dipper nearly throws the stupid artifact again - but he holds back, gripping it tight. Instead he sits up, leaning down and hauling his backpack up from the side of the bed. 
Maybe Bill thinks he can’t do anything. That he’s some ignorant nobody, who doesn’t have any real skills or talent or doesn’t have any friends - but he’s got that wrong. Dipper’s not a loser. Bill’s not getting away with that bullshit.
One quick unzip and a bit of rifling around later, he finds what he was looking for. Carefully, Dipper bounces the heft of a flashlight battery in his hand. Shutting his eyes, he focuses on crafting a quick working.
Magic is all about energy, and its direction. Focusing power, conveying it from one place to another. Pushing anything across dimensions would take impossible amounts of energy, stuff Dipper doesn’t have. If it weren’t for a very convenient connection, already in his hand.
Dipper has nothing on hand to actually exorcise the guy - he’s not sure that’s even possible when Bill’s where he should be - but retribution is in order.
More text lines appear on the artifact. He ignores them. Changing this up to work with the demon device is a challenge, but after figuring out how to alter the tracking spell changing this one up isn’t hard. He adjusts the flow of magic this way, into the tangle of not-veins in the device that way, finishes the chant-
Then touches his tongue to the battery.
The jolt passes through him painlessly, following the spell. It zips along his nerves, down into his hand and from there - into the artifact itself. 
Where it should, theoretically end up right at that bastard.
Dipper tosses the battery back into his backpack. Picking up the ‘phone’, hunching over to stare at the screen. 
That worked. He felt the energy move… unless he got the math wrong. Or a detail of his spell. Or maybe demons are immune to electricity, and he just did something totally pointless. 
God. It might even prove Bill right, and wouldn’t that be the worst - 
The next line of text comes in. 
What the hell? A joy buzzer? That’s some real petty prank stuff! You seriously pulled that bullshit? And across dimensions?
A tense pause. Dipper taps the phone, checking for it heating up again - but another line pops up after a few seconds.
Y’know what, kid? I think I might actually like you! You’re FEISTY.
Dipper nearly does a double-take. 
But no, that - what? Aren’t demons supposed to be vengeful? He was half-sure he’d have to chuck the phone out the window before it exploded in his hands. 
In fact, you’re in luck! ‘Cause I’m pretty bored, and I can totally show you how to improve that jinx of yours! If you can keep up with a little theory, that is.
Because that’s not suspicious or anything. Conversation with a demon can only lead to ruin and disaster. He should absolutely, definitely stop this right in its tracks.
Still, Dipper shrugs, and types, 
Try me.
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Could the Ace Attorney fandom stop pretending that Phoenix Wright or Miles Edgeworth or any of the main cast is white? Idgaf if the localized version is set in America. Asian Americans exist. You are consuming a piece of Asian-made media, not everything is about white people
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baaad-omens · 5 months
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doing some research on parapsychology as a field. in short, it's the study of how the supernatural relates to psychology, and is largely regarded as pseudoscience with only a handful of people studying it, and very very few universities will even offer a parapsych program.
so… martin, buddy, did you just google 'what degrees do people get for paranormal research' and go with the first one that popped up? you did didn't you. idiot.
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necrotic-nephilim · 1 month
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what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.
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batman (1940) #456
Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.
and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.
and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.
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teen titans (2011) #18
to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.
i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.
#necrotic festerings#batcest#jaytim#dicktim#damitim#this post was first going to just be about tim hallucinating damian but i got carried away thinking about the identity crisis arc#have whatever this is.#idk if there's much of a thesis other than “tim's fucking weird about the robin mantle and that should extend to shipping too”#been meaning to post this for forever#finally got around to it though so yay me.#now i need to go work on my jaytim in the new-52 thoughts bc. i have a whole post planned.#a stack of comics next to me for research and everything. god help me.#ALSO while rereading to grab panels#why is it that everyone talks about how jason says “robin is magic” in an attempt to mischaracterize him as sunshine boy#and not the fact that tim *also* says robin is magic?#like it's not a jason thing. it's a robin mantle thing.#that's just what robin *is*. it doesn't say much about jason's character for him to say that when he's robin. it just means he's robin.#the robin mantle is magic. that's the point.#and you could argue that's more of a meta thing that exists on the wavelength of how children where supposed to project onto robin#moreso than an in-universe commentary on what the robin mantle is#(honestly the same argument applies to tim hallucinating here for like. meta intent vs in-universe meaning.)#i hesitate to even call it hallucination it's more like. daydreaming coping.#giving a face to his internal monologue type thing and this is just how the medium depicts it#also it was just sexy and cool for characters to hallucinate loved ones in the 90s in comics. it was a convention of the genre.#but still my point stands. tim pictures all of these ppl as robin first internally#and he self soothes using their image in his head. that's wild of him like what#tim you are weird about the robin mantle more than anyone else i give you that.
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maegalkarven · 11 months
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Also the reason I write Gortash so obsessed with Durge and literally holding them above everyone else is because
Imagine: You meet a child of god. A child of cruel and evil god who is an awful murderer. Killing is their Sole Purpose, the reason why they were even created.
And that person one day REFUSES their father, their GOD. Why? Because of you. A child of god defies a god for you. They are made for killing but refuse to kill YOU when their god commands them to.
They get betrayed and disgraced because of you. You think they're dead. BECAUSE they chose you over everything else.
And then they return and alright, the memory is lost, but it's still them. You know it's them.
Like imagine the power trip Gortash had to have upon the revelation what Durge disobeyed their god for HIM.
Of course he'd be obsessed. The child of god said only he matters.
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nateezfics · 4 months
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does anyone else constantly think about smeared lipstick paradigm hongjoong or is it just me.
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cynical-crypt · 1 year
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reminder to writers/self
its ok to write shitty poems its ok to write shitty song lyrics its ok to write shitty stories its ok to be unoriginal its ok to reuse a line from something else you wrote its ok to reference other works its ok to be proud of shitty writing its ok to be proud of great writing its ok to be proud in general its ok to not use overcomplicated intricate wording in writing its ok to write about dumb shit its ok to write about fictional events its ok to write something awesome but have one weak line you cant really fix its ok to write something terrible but have one amazing line that doesn't fit its ok to write about emotions you don't really grasp its ok to write
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