#[ exploring ancient and sacred temples ]

[vxctorx]

[ give me threads that take place in India though. ]

[blueheartbooks]

Illuminating the Mysteries: A Journey Within the Temple of Isis by Belle M. Wagner

Belle M. Wagner's "Within the Temple of Isis" takes readers on a captivating journey into the mystical realms of ancient wisdom, seamlessly blending historical richness with spiritual exploration. The book serves as a portal, inviting readers to delve into the sacred sanctuary of Isis, unraveling the secrets that lie within.

Wagner's prose is an enchanting tapestry that weaves together vivid imagery, profound insights, and a deep reverence for the spiritual traditions associated with the Temple of Isis. The author's meticulous research is evident, creating an authentic backdrop that breathes life into the narrative. Through her words, readers are transported to a bygone era, where the divine and earthly coalesce in a dance of profound significance.

The exploration within the temple is not merely a physical one; it's a journey of the soul. Wagner adeptly guides readers through the intricate corridors of mysticism, touching upon themes of self-discovery, transformation, and the universal quest for meaning. The prose dances with the rhythm of ancient rituals, creating an immersive experience that transcends time and space.

The strength of Wagner's narrative lies in her ability to balance historical accuracy with a poetic touch. She navigates the delicate line between scholarly discourse and accessible storytelling, ensuring that both seasoned researchers and casual readers can find value within the pages. The result is a book that not only informs but also inspires, making the esoteric wisdom of the Temple of Isis accessible to a broad audience.

"Within the Temple of Isis" is more than a book; it's a beckoning call to those seeking a deeper understanding of spirituality and ancient mysteries. Wagner's work is a testament to her passion for the subject matter and her commitment to sharing the timeless teachings embedded in the heart of the temple. For anyone ready to embark on a transformative odyssey, this book stands as a luminous guide, ready to illuminate the path within.

Belle M. Wagner's "Within the Temple of Isis" is available in Amazon in paperback 9.99$ and hardcover 17.99$ editions.

Number of pages: 108

Language: English

Rating: 7/10                                           

Link of the book!

Review By: King's Cat

[blueheartbookclub]

Illuminating the Mysteries: A Journey Within the Temple of Isis by Belle M. Wagner

Belle M. Wagner's "Within the Temple of Isis" takes readers on a captivating journey into the mystical realms of ancient wisdom, seamlessly blending historical richness with spiritual exploration. The book serves as a portal, inviting readers to delve into the sacred sanctuary of Isis, unraveling the secrets that lie within.

Wagner's prose is an enchanting tapestry that weaves together vivid imagery, profound insights, and a deep reverence for the spiritual traditions associated with the Temple of Isis. The author's meticulous research is evident, creating an authentic backdrop that breathes life into the narrative. Through her words, readers are transported to a bygone era, where the divine and earthly coalesce in a dance of profound significance.

The exploration within the temple is not merely a physical one; it's a journey of the soul. Wagner adeptly guides readers through the intricate corridors of mysticism, touching upon themes of self-discovery, transformation, and the universal quest for meaning. The prose dances with the rhythm of ancient rituals, creating an immersive experience that transcends time and space.

The strength of Wagner's narrative lies in her ability to balance historical accuracy with a poetic touch. She navigates the delicate line between scholarly discourse and accessible storytelling, ensuring that both seasoned researchers and casual readers can find value within the pages. The result is a book that not only informs but also inspires, making the esoteric wisdom of the Temple of Isis accessible to a broad audience.

"Within the Temple of Isis" is more than a book; it's a beckoning call to those seeking a deeper understanding of spirituality and ancient mysteries. Wagner's work is a testament to her passion for the subject matter and her commitment to sharing the timeless teachings embedded in the heart of the temple. For anyone ready to embark on a transformative odyssey, this book stands as a luminous guide, ready to illuminate the path within.

Belle M. Wagner's "Within the Temple of Isis is available in Amazon in paperback 9.99$ and hardcover 17.99$ editions.

Number of pages: 108

Language: English

Rating: 7/10                                           

Link of the book!

Review By: King's Cat

[archatlas]

Sacred Sites

Taking us on a journey through the history of sacred art and architecture, Sacred Sites explores the myriads of ways in which we imbue our environments with profound and enduring meaning. From our early designation of nature and the body as temple to our futuristic embrace of imaginary realms, we travel the vast and mystical landscapes of myth, religion, and imagination.

Library of Esoterica series, Sacred Sites, by TASCHEN. A visual pilgrimage through holy mountains, great pyramids, and golden shrines, Sacred Sites celebrates the ways we transform the world around us through ritual, creativity, and worship. Essays, interviews and more than 400 images explore spaces ranging from ancient temples to modern works of spatial art.

[pocketseizure]

The Two Kings in Tears of the Kingdom

Tears of the Kingdom unearths the roots of Calamity Ganon in an ancient conflict between Rauru, the first king of Hyrule, and Ganondorf, a rival king who attempted to usurp him. In many ways, Rauru is characterized as a good king. He is noble, kind, and self-sacrificing, and he acts for the long-term benefit of the various groups of people living in Hyrule. In contrast to Rauru, the antagonist Ganondorf is an evil king who started a war because of his pride, ego, and greed.

Rauru and Ganondorf represent different styles of authority, both of which are grounded in Japanese fantasies of cultural identity. I’d argue that, in the end, neither king is fit to rule present-day Hyrule, which is why it’s appropriate that the game ends without any call to rebuild Hyrule Castle or the centralized government it symbolizes.

Rauru represents a golden age in Japanese culture when many arts now seen as “traditional” originated. This golden age is closely tied to Nintendo’s home city of Kyoto, which is associated with the culture of the imperial court before it moved to Tokyo in 1868. Because Tears of the Kingdom is a fantasy, the visual metaphors of Rauru’s character design are mixed, but his connection to a bygone golden age is tied to two symbols: the magatama jewels referred to as “secret stones,” and the kare-sansui dry landscape gardens of the Shrines of Light and the Temple of Time.   

The “secret stones” that Rauru gives to the six sages have the distinctive comma shape of a magatama jewel, one of the three sacred symbols of Shinto. These three symbols are as follows: a mirror represents clarity of heart, a sword represents the power to protect the weak, and a jewel represents the materiality of divine blessings. These three objects also serve as the regalia of the Japanese emperor, whose role was historically to perform ritual prayers and thereby serve as a symbolic bridge between the world of humans and the world of gods.

There is nothing sacrosanct about magatama jewels; at various street fairs and tourist areas throughout Japan, you can buy inexpensive polished quartz and jade magatama to attach to phone charms or friendship bracelets. As a result of its relative ubiquity, this particular shape of gem has both a historical and a pop culture association with being a magical stone bestowed by the gods on special and worthy individuals such as, most famously, the first Japanese emperor.

Along with his magatama “secret stones,” Rauru is associated with kare-sansui dry landscape gardens of the old imperial capital. Note, for instance, the front courtyard of the Temple of Time that Link visits at the beginning of the game:

The visual motif of raked white gravel punctuated by standing rocks also appears in various permutations within the Shrines of Light established by Rauru and Sonia. To give an example, this is what the player will see if they circle back behind the entrance of the “Rauru’s Blessing” shrines:

This style of dry landscape garden is frequently referred to as a “Zen garden” because of its association with large Buddhist temples in and around Kyoto. The most famous example of this style can be found at Ryōanji, in northwest Kyoto:

The philosophy of these gardens meshes well with the philosophy behind the Zelda series, which Shigeru Miyamoto has described as his attempt to create a tsuboniwa miniature garden for the player to explore. In the same way, dry landscape gardens represent a larger landscape portrayed on a much smaller scale. The rocks in the gravel are meant to represent islands on the ocean, or perhaps mountaintops rising above the clouds. Another common interpretation of these gardens – and one especially pertinent to Tears of the Kingdom – is that the rocks are the dorsal spines of a dragon swimming through the sky.   

Although dry landscape gardens have strong ties to Buddhist thought, they were primarily created by wealthy lords residing in Kyoto during the fifteenth century. This was a politically unstable era, and these lords needed to make a show of their wealth and cultural legitimacy. Unlike in China, where Chan Buddhism was largely anti-establishment, Zen Buddhism was the domain of the wealthy educated elite in Japan. Many of the rocks used in Zen-style gardens were imported from China and Korea at great expense, and lords competed to secure the services of celebrity landscape designers. Even today, the late medieval culture represented by dry landscape gardens is associated with the prestige of Japan’s former imperial capital of Kyoto.

Rauru is therefore associated with nobility and a certain air of sophistication. In the original Japanese script, he is unflaggingly polite and addresses everyone – Zelda, Ganondorf, and Link alike – with the sort of “clean” language associated with people of high social standing. To put it simply, Rauru is a perfect gentleman. He is the personification of the aristocratic virtues of the “traditional Japan” of the late fifteenth century, during which the wealthy filled the capital city with gardens while countless wars ravaged the countryside.    

In contrast, Ganondorf is a personification of the warrior culture of eastern Japan, especially as it was exemplified by the warlords who competed for territory outside the capital before the establishment of the Tokugawa shogunate at the beginning of the seventeenth century.

Oda Nobunaga was the most notorious of these warlords. He was infamous for being aggressive but effective, and his military prowess and ruthless tactics have been memorialized in a wealth of stories whose lineage stretches to the video games of the present day. I believe that Nobunaga (or, at least, a commonly fictionalized version of him) served as a model for Ganondorf, who seeks to take advantage of the instability of the newly established kingdom of Hyrule in order to expand his own territory.

Like Rauru, Ganondorf’s character design contains mixed visual metaphors, but I think it’s fair to say that his topknot and costume are meant to evoke a samurai who has thrown off the kimono sleeve covering his sword arm as an indication of his readiness for battle. This is a style still worn by practitioners of Japanese fencing and archery, which are common extracurricular activities in many high schools. Appropriately, Ganondorf fights with a tachi katana, a naginata spear, and the body-length longbow used in kyūdō archery – all weapons associated with the martial arts of Japan’s medieval military elite.

As if to cement his connection to Nobunaga, Ganondorf speaks in period-drama “samurai Japanese” that demonstrates neither the elegance nor the poetry of his incarnations in previous games. He seems to lack both regret and awareness of the consequences of his actions, and he is concerned primarily with hierarchy, conquest, and the thrill of battle.  

As was arguably the case for Nobunaga himself, there is no endgame for Ganondorf, only scorched earth. Ganondorf has absolute faith in his own power, and he views other people only as subordinates or enemies. According to his value system, there is no merit in compromise; he simply takes it for granted that he will win.

It makes sense that the aggressively bloodthirsty Ganondorf is a villain, but it’s important to understand that Rauru is not a hero. With all his magic and culture and imperial splendor, Rauru failed to understand that the system of power he created could easily be turned against him. A nation politically defined by a central authority whose rule is justified through military conquest and the cultural chauvinism of “ancient tradition” is not sustainable, and the legacy of such a kingdom can only be tears.

This is why Hyrule Castle remains in ruins at the end of Tears of the Kingdom, and this is why the game’s central hub is a research station populated with people from all over the world. This is why Zelda doesn’t attempt to re-establish Hyrule as a kingdom, and this is why it’s so important to her to understand the reality behind the myth of the nation’s history. This is also why the grand mythology of Hyrule’s origin is far less important to the player’s experience of the game than individual acts of community building. The highlights of Tears of the Kingdom are Link’s work in facilitating a local election in Hateno, helping Lurelin recover from a disaster, and volunteering in towns facing environmental issues such as water pollution and climate change.

Both Rauru and Ganondorf are compelling in their own ways, but it’s thematically satisfying that both characters are gone at the end of the game. When Zelda meets with the regional leaders of Hyrule during the closing cutscene, they promise each other that they will work together to ensure a lasting peace that neither of the two kings made possible. The legacy of the past still affects Hyrule, but Tears of the Kingdom suggests that it’s the duty of the younger generation to understand where this legacy came from in order to avoid the mistakes of their ancestors and move forward in a more hopeful direction.

[talonabraxas]

The Flower of Life

There really is some deep rooted symbolism behind this captivating image. Some say it’s representative of the union of the sacred Masculine and the Divine Feminine, the connectedness of all living things, and others see it as the cycle of life, death and rebirth. Let’s explore the depths of the topic.

Origins & Symbolism The origins of the Flower of Life trace back to the dawn of civilisation, where it is believed to have emerged as a symbol of cosmic order and divine harmony. Its precise origins are shrouded in mystery, with some attributing its creation to ancient cultures such as the Egyptians, where it was found in the temple of Osiris and said to contain a ‘secret code’ (underpinning the basic building blocks of the universe), and also the Sumerians, and the Greeks.

At its core, the Flower of Life is composed of multiple evenly-spaced, overlapping circles, forming a mesmerising geometric pattern reminiscent of a flower in full bloom. Within this pattern lies a myriad of geometric shapes, including triangles, hexagons, and pentagons, each imbued with its own symbolic significance.

The Flower of Life is often associated with sacred geometry, a branch of mathematics concerned with the study of geometric forms and their spiritual, philosophical, and symbolic meanings. It is believed to represent the interconnectedness of all living beings, the fundamental unity of existence, and the underlying order of the universe.

Spiritual Significance In spiritual traditions around the world, the Flower of Life holds profound significance as a symbol of creation and interconnectedness. It is often regarded as a visual representation of the divine blueprint of the cosmos, with each circle representing a stage in the process of creation.

Within the Flower of Life, one can find various sacred symbols, including the Seed of Life, the Tree of Life, all 7 Chakra systems, and the Metatron's Cube, each carrying its own symbolic meaning and spiritual power. These symbols are believed to hold the keys to unlocking higher states of consciousness, facilitating spiritual growth, and connecting with the universal source of energy and wisdom.

Healing & Transformation Beyond its spiritual significance, the Flower of Life is also associated with healing and transformation. It is believed that meditating upon the pattern of the Flower of Life can help to harmonise the mind, body, and spirit, promoting health, balance, and inner peace.

In recent years, the Flower of Life has experienced a resurgence in popularity, with many people incorporating its imagery into their spiritual practices, artwork, and jewellery. Its intricate beauty and profound symbolism continue to inspire awe and fascination, serving as a potent reminder of the interconnectedness of all things and the infinite possibilities that lie within the universe.

Modern Interpretations In the modern era, scientists, mathematicians, and artists have continued to explore the mysteries of the Flower of Life, uncovering new insights into its geometric properties and mathematical significance. Through computer simulations and mathematical algorithms, researchers have gained a deeper understanding of the complex patterns and symmetries inherent in the Flower of Life, shedding light on its underlying principles of order and harmony.

Furthermore, the Flower of Life has found its way into various fields beyond spirituality and art, including architecture, design, and technology. Its geometric principles have been applied in the construction of sacred buildings, the development of advanced engineering techniques, and the design of innovative products and structures.

The Flower of Life: Mysteries of Sacred Geometry:

[kawaiigals]

Once, while exploring a new city, the girl stumbled upon an abandoned temple. Despite her hesitation, she entered and found herself in front of a mysterious altar with an enchanting light. As she touched her heart to it, she felt a surge of power wash over her, unlocking the potential hidden within her. She left as the guardian of the ancient secrets, vowing to protect the sacred place from those who would abuse its magic. [AD] Powered by NVIDIA GPU

[khensaptah]

Mystic Egyptian Polytheism Resource List

Because I wanted to do a little more digging into the philosophy elements explored in Mahmoud's book, I took the time tonight to pull together the recommended reading he listed toward the end of each chapter. The notes included are his own.

MEP discusses Pharaonic Egypt and Hellenistic Egypt, and thus some of these sources are relevant to Hellenic polytheists (hence me intruding in those tags)!

Note: extremely long text post under this read more.

What Are The Gods And The Myths?

ψ Jeremy Naydler’s Temple of the Cosmos: The Ancient Egyptian Experience of the Sacred is my top text recommendation for further exploration of this topic. It dives deep into how the ancients envisioned the gods and proposes how the various Egyptian cosmologies can be reconciled. ψ Jan Assmann’s Egyptian Solar Religion in the New Kingdom: Re, Amun and the Crisis of Polytheism focuses on New Kingdom theology by analyzing and comparing religious literature. Assmann fleshes out a kind of “monistic polytheism,” as well as a robust culture of personal piety that is reflected most prominently in the religious literature of this period. He shows how New Kingdom religious thought was an antecedent to concepts in Hermeticism and Neoplatonism. ψ Moustafa Gadalla’s Egyptian Divinities: The All Who Are The One provides a modern Egyptian analysis of the gods, including reviews of the most significant deities. Although Gadalla is not an academic, his insights and contributions as a native Egyptian Muslim with sympathies towards the ancient religion are valuable.

How to Think like an Egyptian

ψ Jan Assmann’s The Mind of Egypt: History and Meaning in the Time of the Pharaohs is my top text recommendation for further exploration of this topic. It illuminates Egyptian theology by exploring their ideals, values, mentalities, belief systems, and aspirations from the Old Kingdom period to the Ptolemaic period. ψ Garth Fowden’s The Egyptian Hermes: A Historical Approach to the Late Pagan Mind identifies the Egyptian character of religion and wisdom in late antiquity and provides a cultural and historical context to the Hermetica, a collection of Greco-Egyptian religious texts. ψ Christian Bull’s The Tradition of Hermes Trismegistus: The Egyptian Priestly Figure as a Teacher of Hellenized Wisdom provides a rich assessment of the Egyptian religious landscape at the end of widespread polytheism in Egypt and how it came to interact with and be codified in Greek schools of thought and their writings.

How To Think Like A Neoplatonist

Radek Chlup’s Proclus: An Introduction is my top text recommendation for further exploration of this topic. It addresses the Neoplatonic system of Proclus but gives an excellent overview of Neoplatonism generally. It contains many valuable graphics and charts that help illustrate the main ideas within Neoplatonism. ψ John Opsopaus’ The Secret Texts of Hellenic Polytheism: A Practical Guide to the Restored Pagan Religion of George Gemistos Plethon succinctly addresses several concepts in Neoplatonism from the point of view of Gemistos Plethon, a crypto-polytheist who lived during the final years of the Byzantine Empire. It provides insight into the practical application of Neoplatonism to ritual and religion. ψ Algis Uzdavinys’ Philosophy as a Rite of Rebirth: From Ancient Egypt to Neoplatonism draws connections between theological concepts and practices in Ancient Egypt to those represented in the writings and practices of the Neoplatonists.

What Is “Theurgy,” And How Do You Make A Prayer “Theurgical?”

ψ Jeffrey Kupperman’s Living Theurgy: A Course in Iamblichus’ Philosophy, Theology and Theurgy is my top text recommendation for further exploration of this topic. It is a practical guide on theurgy, complete with straightforward explanations of theurgical concepts and contemplative exercises for practice. ψ Gregory Shaw’s Theurgy and the Soul: The Neoplatonism of Iamblichus demonstrates how Iamblichus used religious ritual as the primary tool of the soul’s ascent towards God. He lays out how Iamblichus proposed using rites to achieve henosis. ψ Algis Uzdavinys’ Philosophy and Theurgy in Late Antiquity explores the various ways theurgy operated in the prime of its widespread usage. He focuses mainly on temple rites and how theurgy helped translate them into personal piety rituals.

What Is “Demiurgy,” And How Do I Do Devotional, “Demiurgical” Acts?

ψ Shannon Grimes’ Becoming Gold: Zosimos of Panopolis and the Alchemical Arts in Roman Egypt is my top text recommendation for further exploration of this topic. It constitutes an in-depth look at Zosimos—an Egyptian Hermetic priest, scribe, metallurgist, and alchemist. It explores alchemy (ancient chemistry and metallurgy) as material rites of the soul’s ascent. She shows how Zosimos believed that partaking in these practical arts produced divine realities and spiritual advancements. ψ Alison M. Robert’s Hathor’s Alchemy: The Ancient Egyptian Roots of the Hermetic Art delves deep temple inscriptions and corresponding religious literature from the Pharaonic period and demonstrates them as premises for alchemy. These texts “alchemize” the “body” of the temple, offering a model for the “alchemizing” of the self. ψ A.J. Arberry’s translation of Farid al-Din Attar’s Muslim Saints and Mystics: Episodes from the Tadhkirat al-Auliya contains a chapter on the Egyptian Sufi saint Dhul-Nun al-Misri (sometimes rendered as Dho‘l-Nun al-Mesri). He is regarded as an alchemist, thaumaturge, and master of Egyptian hieroglyphics. It contains apocryphal stories of his ascetic and mystic life as a way of “living demiurgically.” It is an insightful glimpse into how the Ancient Egyptian arts continued into new religious paradigms long after polytheism was no longer widespread in Egypt.

Further Reading

Contemporary Works Assmann, Jan. 1995. Egyptian Solar Religion in the New Kingdom: Re, Amun and the Crisis of Polytheism. Translated by Anthony Alcock. Kegan Paul International. Assmann, Jan. 2003. The Mind of Egypt: History and Meaning in the Time of the Pharaohs. Harvard University Press. Bull, Christian H. 2019. The Tradition of Hermes Trismegistus: The Egyptian Priestly Figure as a Teacher of Hellenized Wisdom. Brill. Chlup, Radek. 2012. Proclus: An Introduction. Cambridge University Press. Escolano-Poveda, Marina. 2008. The Egyptian Priests of the Graeco-Roman Period. Brill. Fowden, Garth. 1986. The Egyptian Hermes: A Historical Approach to the Late Pagan Mind. Cambridge University Press. Freke, Tim, and Peter Gandy. 2008. The Hermetica: The Lost Wisdom of the Pharaohs. Jeremy P. Tarcher/Penguin. Gadalla, Moustafa. 2001. Egyptian Divinities: The All Who Are The One. Tehuti Research Foundation. Grimes, Shannon. 2019. Becoming Gold: Zosimos of Panopolis and the Alchemical Arts in Roman Egypt. Princeton University Press. Jackson, Howard. 2017. “A New Proposal for the Origin of the Hermetic God Poimandres.” Aries: Journal for the Study of Western Esotericism 17 (2): 193-212. Kupperman, Jeffrey. 2014. Living Theurgy: A Course in Iamblichus’ Philosophy, Theology and Theurgy. Avalonia. Mierzwicki, Tony. 2011. Graeco-Egyptian Magick: Everyday Empowerment. Llewellyn Publications. Naydler, Jeremy. 1996. Temple of the Cosmos: The Ancient Egyptian Experience of the Sacred. Inner Traditions. Opsopaus, J. 2006. The Secret Texts of Hellenic Polytheism: A Practical Guide to the Restored Pagan Religion of George Gemistos Plethon. New York: Llewellyn Publications. Roberts, Alison M. 2019. Hathor’s Alchemy: The Ancient Egyptian Roots of the Hermetic Art. Northgate Publishers. Shaw, Gregory. 1995. Theurgy and the Soul: The Neoplatonism of Iamblichus. 2nd ed. Angelico Press. Snape, Steven. 2014. The Complete Cities of Ancient Egypt. Thames & Hudson. Uzdavinys, Algis. 1995. Philosophy and Theurgy in Late Antiquity. Wheaton, IL: Quest Books. Uzdavinys, Algis. 2008. Philosophy as a Rite of Rebirth: From Ancient Egypt to Neoplatonism. Lindisfarne Books. Wilkinson, Richard H. 2000. The Complete Temples of Ancient Egypt. Thames & Hudson.

Ancient Sources in Translation Attar, Farid al-Din. 1966. Muslim Saints and Mystics: Episodes from the Tadhkirat alAuliya. Translated by A.J. Arberry. London: Routledge & Kegan Paul. Betz, Hans Dieter. 1992. The Greek Magical Papyri in Translation, Including the Demotic Spells. Chicago: University of Chicago Press. Copenhaver, Brian P. 1995. Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius in a New English Translation, with Notes and Introduction. Cambridge: Cambridge University Press. Guthrie, Kenneth. 1988. The Pythagorean Sourcebook and Library: An Anthology of Ancient Writings which Relate to Pythagoras and Pythagorean Philosophy. Grand Rapids, MI: Phanes Press. Iamblichus. 1988. The Theology of Arithmetic. Translated by Robin Waterfield. Grand Rapids, MI: Phanes Press. Iamblichus. 2003. Iamblichus: On the Mysteries. Translated by Clarke, E., Dillon, J. M., & Hershbell, J. P. Atlanta: Society of Biblical Literature. Iamblichus. 2008. The Life of Pythagoras (Abridged). Translated by Thomas Taylor. Whitefish, MT: Kessinger Publishing. Lichtheim, Miriam. 1973-1980. Ancient Egyptian Literature. Volumes I-III. Berkeley: University of California Press. Litwa, M. David. 2018. Hermetica II. Cambridge: Cambridge University Press. Majercik, Ruth. 1989. The Chaldean Oracles: Text, Translation, and Commentary. Leiden: Brill. Plato. 1997. Plato: Complete Works. Edited by John M. Cooper and D. S. Hutchinson. Indianapolis: Hackett Publishing. Plotinus. 1984-1988. The Enneads. Volumes 1-7. Translated by A.H. Armstrong. Cambridge, Massachusetts: Harvard University Press. Van der Horst, Pieter Willem. 1984. The Fragments of Chaeremon, Egyptian Priest and Stoic Philosopher. Leiden: E.J. Brill.

[jellyfishvibes]

Yes I did finally finish totk and can finally watch all the theory videos

I've been seeing alot of the idea that, while you completely forget who you are when you become a dragon there's this idea that your last thoughts become like your core

Zelda wanted to help Link, she is the only dragon completely passive to Link and helps you during the final fight

Ganon wanted to kill Link, and well, boss fight ensues

Been thinking many thoughts about Farosh, Dinraal and Naydra and who became them

Do you think their last thoughts were to protect the land? Did Farosh live right by a lake? Living with a nomadic tribe that changed which shores they lived by as food or seasons moved? Did she ever see the Gerudo? Have trade with them in the tougher months that they spent in the highlands? Did Dinraal live on death mountain or around it? In fertile ground perfect for farming, was she an explorer? A pilgrim? Does her flight path to the forgotten temple mean she saw it in her lifetime? Or is something in her she can't remember her drawing her to the ancient temple? Was Nayra a spiritual person? Spending her time at the goddess touched springs and holy pilgrimage routes, was she born in Hateno and look down at the town tucked at the bottom of her mountain as she prayed? Or was she born further north? Close enough to the Zora to be under their royal laws? To know how sacred and important water was? To see first hand what happens when Hyrules main water source freezes over?

Did living under the Thunderhead Isles bring down an endless thunderstorm on Farosh's lakes? Electrifying the water and killing all the fish

Did the lake basin supplying Hyrules rivers freeze? Was Nayra asked to pray desperately to an unhearing goddess at the frozen mountains peak for salvation, answers, anything at all?

Did death mountain erupt endlessly? Scorching the farming lands and causing widespread famine?

Did these three, who had some power, and a sacred stone, did they make the ultimate sacrifice to save their lands? Immortalizing their last thoughts of protection forever in a dragon watching overhead for eternity?

[dailyadventureprompts]

I was wondering if you could do something of a Monsters Reimagined for Luthic. It always struck me as odd that even though she is a deity of childbirth and fertility and motherhood she is evil simply because she is an ORC deity.

Monsters Reimagined: Luthic, Cavemother

There are no easy births: it always a matter of blood and broken bones and shit and curses and pain in the desperate hope of getting through it alive and maybe bringing something good into the world in the process. It would stand to reason then that the god who claimed birth as her domain would have to be strong, hopeful yes, but tough as old boot lather and not afraid to get her hands dirty.

Luthic is that god, who lends her strength to those who bear life as the process threatens to rip them apart, who councils with midwives, grannies, bonesetters, and village witches who keep the hardwon knowledge of the fever-herb and staunching poultice.

It is said that before she took her current form Luthic was a god of the dark and secret places of the earth, who first encountered mortals when they sheltered in her caves from the bickering of other gods and their aims during the primordial dawn age. The mortals were new, not yet knowing the design of thier own bodies, and when it came time for the first generation to give birth to the second, someone had to step up and help them through it. Like any mother Luthic encouraged them through their explorations, as playing with sticks led to spears and tools, and painting on stone walls led to art and language. When they were ready, she brought them blinking into the light, and then retired to a well deserved state of distant reverance as her adopted children took their place in the world above.

Adventure Hooks:

Like the great bear that is her crest, the cavemother likes to keep to herself much of the time, unless some idiot stirs up enough of a ruckous to wake her from her hibernation. This time it's some upjumped priest king that's convinced that if he can just impregnate the right woman he can sire a word redeaming chosen one. The only problem is that he's not giving the "right woman" much of a choice in the matter, and has decided to invade the party's homeland to search for and capture her. Luthic isn't going to stand for it, and appears to the party in the form of a local medicine woman to set them on the right path and patch their wounds along the way. Once they've earned her trust, she'll put an ancient bone knife in their hands sharp enough to cut through an army of zealots and imply that they should use it to feed the priest king his own cock. Something about a lession in not sticking it in where it's not welcome.

The caves marked off as sacred to Luthic are wellsprings of primordial power, resounding not only with the wisdom of previous generations but the energy of creation itself. Its said that if you pilgramage into their dark depths one might emerge remade, free of illness or debilitation, or reborn into a body more fitting of who they truely are.

Seeking the holiest of holy places to consummate his marriage to his longtime rival and off again on-again flame, an orcish champion has sought out a long-abandoned mountain temple dedicated to the Cavemother. His dreams of altartop honeymooning has been shattered however as he's discovered that the temple and surrounding highlands are overrun by the brood of Shub-Nuggrath and her cultists. Having perhaps bitten off more than he can chew, he requests the party's aid in ousting the "goatfuckers" from the region.

Titles: Cavemother, She of the Bitter Roots, Bellycarver,

Signs: Unnatural darkness, Rumbling in the mouths of caves, clawmarks in stone, particularly angry bears.

Symbols: The Orcish rune for cave entrance, The Cavebear, or the Jawbone of one.

Despite not being one of the more widely published deities Luthic has been one of my most requested gods to rework, and after I published my take on Gruumsh my inbox I got even more. Normally I won't go into the racial sub-pantheons more often than not because of how conceptually thin most of the entries are, but the asker (and a few others) rightfully noticed the oddness of having Luthic be marked out as an evil goddess despite her domains being centered around fertility, birth, healing, and the earth... all classic mother goddess stuff we could imagine any good aligned druid talking about.

It took me a little while to understand that Luthic's evil was strictly rooted in the idea that she was helping more orcs be born, orcs being a primary enemy of all good people and thus contextualizing a wholly unselfish and natural action as something counter to the forces of good. Remember kids, dig too deep into d&d and you WILL find genocide apologia waiting somewhere under the surface. The same goes for her healing aspect, which is repeatedly brought up as being crude and inferior to the medicine of other races (Her priestesses carry dirt to rub into the wounds of those they care for, because even though it's healing it needs to be gross and inferior because they're orcs and orcs are a standin for anyone the writers subconsciously think are gross and inferior).

That said, removing the one conceit that Luthic is evil ( and all the misogyny baked into her original writeups) we're actually left with a very interesting addition to our pantheon: A goddess who presides over the unpleasant and frequently gruesome process of pregnancy and birth, a fact of life for the historical-ish settings that most d&d campaigns but one that is seldom touched upon. I can easily imagine Luthic's acolytes being the ones to hand out herbs that deal with unwanted pregnancy or to be called for in the difficult case of a breach birth. Luthic likewise being the god who presides over caves because most of the more well-known deities that deal with the underground are specifically mining related, and there's a delicious tension there between between places below the earth that exist to be exploited, and others that exist as sacred, liminal spaces that we merely visit.

Art

[icbrothers]

So over on instagram I ran some polls so that my followers could create a d&d character together, and here's the outcome! I really enjoyed this and will definitely do more of these in the future.

Fletch -- Level 6 Ranger -- Tabaxi HP 43 -- Neutral Good -- Hermit background STR 12 (+1) DEX 14 (+4) CON 12 (+1) INT 10 (+0) CHA 8 (0)

Fletch (known as Scarlet-Fletching Vines within his clan) was once the caretaker of an ancient ruin, hidden deep in the forest. The site was fabled to bring peace and good health to those who visit; however in his exploration of the ruin, Fletch discovered a cult camped out in the deep catacombs beneath the temple, drawing from the site's powerful energy and magic to create and summon aberrations, and releasing them upon the land. Chased from his sacred duties, Fletch spent years surviving in the wilderness, hunting the aberrations with the help of his Ranger's Companion, Nib. The cult, however, has grown too powerful, and Fletch has been pushed out of his forest, forced to retreat to a small nearby village to rally help in his fight…

Proficiencies: Animal handling, Survival, Nature, Perception, Stealth, Medicine, Relgion Languages: Common, Deep speech, Celestial , Elvish Favored enemy: Aberrations, Beasts Favored environment: Forests Fighting style: Archery Ranger archetype: Beast Master Spells: Hunter's Mark, Cure Wounds, Beast Bond, Alarm