#> if you scream i'll kill you; ask

[warlordarcher]

" Yoichi..... what is a 'bussy'? " Don't ask where Toyohisa heard the word

"I don't know where you heard that word, but it's better not to go there…"

"As far as I know… it's a way in this world of referring to the male anus" Better not to know where Yoichi heard it

[arttsuka]

Quick doodle

[amoripomoea]

re reading daahf and. erm. can i just say? the opening scene in which Charlie steps on the roses that pim put there for him? idk why— it’s so haunting. to be mourned is something no one witnesses, for all of this happens after death. but he came back, and SEEING people mourn you? there’s something so fucked up about it. idk, just pondering………………

HITTING YOU IN THE HEAD WITH HAMMERS AND BARKING

GIGIIIII STOP BEING NICE TO ME I CANT TAKE IT

the concept of charlie seeing the aftermath of his death (like how everyone handled it) is something i wanted to explore bc in the show we don't know how long he was dead for. i mean clearly long enough to have a funeral service organized and planned so there must've been something kinda like that, right??

i wanted charlie to be like. surprised and sad and like. all these feelings because YEAH WHAT YOU SAID he wasn't supposed to see all that ykwim?? i feel like it would be very surreal and if i were charlie id need a minute to like. process it all. hopefully it came across that way idk 🧍🏻‍♂️

ANNSHEBSUSV BUT THANK YOUUUUU 🥺💗💗 coming from the author of The Charpim Fic Ever this is the highest compliment that can ever be bestowed i am honored

[how-the-feathers-have-fallen]

Me, fighting tooth and nail against my irl friends who are sw*fties: yeah well, maybe I want my sad girl music to have a 3 minute guitar solo and distorted audio after the second verse of vaguely gay lyrics have you considered that ?!

[miabrown007]

going crazy about kaz brekker hours

[krikeymate]

Thinking about an AU where 18-year-old Sam on the verge of leaving comes home to her mother screaming at her little sister. Sam's still high, the shouts ringing in her ears but the words formless. She's about to intervene when a slap cuts through it all. Her sister's on the floor and in the blink of an eye Sam has a hand wrapped around her mother's throat, slamming her against the wall.

Tara's climbing to her feet, eyes wide with fear at the scene. Sam doesn't look away from her mother as she says "Tara, go upstairs and pack a bag." Her sister doesn't move, so Sam turns away to look at her and repeats herself. Tara must see something in her wild eyes, because she runs up the stairs.

By the time Sam escorts her downstairs half an hour later, their mother is nowhere to be seen. Tara's led through the packing and into the car in silence. The what's happening?, the where are we going?, the are you ok? sits on the tip of her tongue, choked back by uncertainty and confusion.

Sam drives out of Woodsboro and doesn't look back.

OR

Sam, 19-years-old, long since kicked out of the house and on her way out of Woodsboro. She just has one stop to make, a goodbye she has to give first.

She sneaks into the house. The door is unlocked, she doesn't even need the key Tara hid outside for her, and it enrages her. Her baby sister is upstairs sleeping and anyone can just walk in.

Her mother is passed out on the floor leaning against the couch, snoring away and a bottle still in her lap. She creeps past her and up the stairs.

Sam perches herself on the edge of Tara's bed. Her sister is sprawled out on the mattress, the covers kicked off, and it makes her smile. She brushes Tara's hair back from her face and the smile falls from her face.

Her fingers trail down to the shadow around her neck. Sam reaches over to turn on the bedside lamp, catching sight of Tara's wrist at the same time. These are bruises. She wakes her sister up and demands answers from her. She doesn't like the answers she eventually coaxes from her. She likes Tara's attempt to lie to her even less.

She makes her pack, tells her to wait out front, that she'll be out in a minute. She kicks her mother awake, tells her she's leaving for good, and that she's not leaving alone. She tells her that she will never have the chance to hurt them again, and if she tries, well, she'll learn exactly how much like her father she can be,

[nobodybetterlookatme]

The love/hate relationship with my coworkers is so real lmao like why are they like this

[yeahlikethebird]

.

[tardis--dreams]

Some of those doctors make hating oat milk their entire personality. I hate them. Cannot pretend to find them funny or like i give a shit. Fucking pretentious assholes

[qfitpac]

26 for the qsmp ask game?

Ooh, favorite quote or moment?

First one has got to be when Richas gave Pac those roses and tricked him into giving them to Fit bcuz that was so cute and also made me start shipping fitpac.

However I have to give an honorable mention to both the clocks sex and to "spit in my mouth" because. I mean. I'll be thinking about that for decades.

[warlordarcher]

Put a 💚 in my inbox if your muse would potentially date mine ~ Nova, @the-nova-files

(I'd be open to eventually getting them together. But having them as friends is enjoyable, too.)

Put a 💚 in my inbox if your muse would potentially date mine

> I can see them as a slow burn love. They probably end up having feelings for each other but haven't really realized they've gotten to that point… until… maybe one gets seriously hurt?

[xiaofiaan]

I hate my fucking parents I hate them so fucking much

[muzzlemouths]

Psst. Just wanted to let you know that you're cool and I hope you have a really nice day today! You seem to be Goin Through It™ and I just wanted to let you know that we (your followers) like you no matter the quantity of stuff you're able to make at any given time (though we most certainly do like what you make, but that's not why most of us stay, I believe); you're very funny and have insightful opinions about writing, and you're always super nice when I stop by to say hi! Please remember to be kind to your mind and heart this upcoming Spring. I hope The Delights come into your life in leaps and bounds, and that you'll receive good news soon!!! <33

ooh...ohh.h.....th.ank you for the kind words........

[todayisafridaynight]

I should be studying right now, but… do you ever think about how Arakawa didn't have to die?

Not even in the meta sense that it's RGG "tradition" to take faceclaims/father figures/antagonists out of the picture and that traditions should sometimes be broken, or that Aoki would've changed his mind, or that Ishioda or Tendo could've been stopped. But because Jo is the captain (and later second patriarch) of an organization specifically stated to specialize in faking deaths. A practice that originated in the Bubble Era years after Jo had already joined, and that Jo was no doubt intimately familiar with.

Like, isn't that why Arakawa was able to take that risk shooting Ichi? It just feels like things could've gone so much differently had Jo "accepted" Aoki's orders and "confronted" Arakawa with some kind of escape. Perhaps the Ijincho homeless camp would be off-limits, having drawn too much attention recently, but an assassin would surely know how to lay low for a while.

And maybe Aoki, Ishioda, and Tendo would've been undone by their own ambition anyway. And Arakawa could've kept his word and ran the security company with the pillars of the Tojo and Omi, while Jo could've been the chairman of the Tokyo Omi Alliance; light and shadow, opposite to their respective sons. And so many more yakuza wouldn't have been left with nowhere to go.

And hell, maybe none of it would've worked out in the end, maybe it would've all folded like a house of cards, but wasn't it worth a shot? Perhaps it was Yokoyama he who didn't think of it (or couldn't/didn't pursue it even if he did), perhaps it was Jo. But there's something so tragic about being so fundamentally opposed to lifting a finger in violence towards your co-parent and patriarch that you decline the opportunity to save him.

I wonder if the thought has ever occurred to Jo.

I wonder how much he regrets it.

UGH RIGHT IT'S SOOOO....

Like of COURSE I'm upset about Arakawa's death in that we lost a wonderful character and father figure in the franchise, but also it's cause it's just... for all the scheming Arakawa and Jo have been doing behind Aoki's back this entire time, Jo folded on this opportunity to get Arakawa out of Aoki's radar for good this time- or for at least the time being.

It's a testament to the humanity he convinced himself he threw away, and that's why it especially makes me want to scream. From our understanding, Jo is supposed to be very pragmatic and tries to deal with matters as efficiently as possible and generally seems emotionally detached from his work (of course we know that's not the case, but just from a surface-level perspective that's how it appears). So the one time Jo does show an ounce of humanity, it has the greatest consequence.

[krikeymate]

To the person asking about Sam being super emotional over Gale, I took it as a guilt thing. Like we see her struggle with her guilt throughout the movie and the scene immediately after Gale almost dies is when Sam has her moment of wanting to give herself up.

Previous. True!! That hadn't even occurred to me. You're right that Sam has a lot of guilt over what she perceives to be people getting hurt because of her, and she even outright states that in the scene after.

She also feels guilt over the way she enjoyed killing Richie, and she's probably feeling pretty guilty about Anika, so it'll be interesting to see where the story goes with her guilt.

[when-wax-wings-melt]

I’m attached to all of them help

that makes it better when they sadly but inevitably pass away. through murder.