#<- ramza block this tag NOW
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my dm unfollowed me due to dragon age posting now i just need to convince my other fellow player to unfollow me so i can talk about my dnd character in the privacy of my own blog
#i do not think i’ll be able to get ramza to unfollow me. for better or for worse#we finally have a session coming up this weekend tho and i’m sooo excited to see rhapsody again…. my sweetest daughter#me: i’m not going to make a tief bard#me: okay well maybe i’ll make a bard. but not a tiefling#me: okay well maybe i’ll make a tiefling bard. but she’s going to be nice and not a liar#me: okay well maybe she’ll have deception proficiency so she can lie about one specific thing but she won’t be a thief#me: okay well maybe she stole like. one thing. once. but—#on and on into infinity.#but rhapsody CANNOR become xarrai because according to the dm xarrai exists in this universe.#cannot*#very excited to watch my friend try to improve role play my own oc at me#we’re playing a post-bg3 campaign specifically set in their world state with their first tav who via the power of mods romanced#The Whole Party.#so xarrai is just a random npc in baldur’s gate somewhere#they’re just vibing out there somewhere#漫言#oc. rhapsody#dnd posting#<- ramza block this tag NOW
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STORY STARTERS MEME
Rules: List the first lines of your last 15 stories. See if there are any patterns. Then tag 10 of your favourite authors!
@petite-neko tagged me, and I have never been tagged for anything before in my life. But, uh, sure, let’s do this!
I definitely do not know 10 writers on tumblr because I am very terrible at doing The Tumblrs and also I mostly talk to artists on here? But why not, let’s tag my partner in crime @sevdrag; @wordsdear, who I know writes; and @kaizokunohime, who doesn’t write prose but does write story ideas/prompts, and I’d like to see how those do with this meme.
I have no idea what is meant by “first lines” here? The first sentence? The first block of text until whitespace? idek, I tried to keep it reasonable. This is in reverse chrono order, so first story is most recent.
1. Acclimating
[One Piece — Law/Luffy, Law & Strawhats — E, 31.3K ]
Law probably should have seen this coming. It wasn't his splintered self-worth that made him avoid things like this (and what business of anyone's was it, anyway, if he lived for Cora-san's memory? He'd been living on borrowed time for over a decade, and every step he'd taken since then had drawn him closer to a confrontation he expected (hoped) he wouldn't survive). But his utter lack of interest in making himself likable because there was nothing much to like certainly helped cut down on complications. Or, it usually did. The standard rules did not seem to apply to Strawhat. Black Leg had warned him, although, all things considered, that shouldn't have been necessary.
2. A Slow and Vicious Hemorrhage
[BBC Sherlock / Hannibal Movies — Holmes/Watson — M, 5.5K, WIP]
The air gets heavier, down here, cooler and tinged with inescapable subterranean damp. John breathes it in, steadily; it doesn't particularly unnerve him. It reeks of institution and he's had practice enough with those. It's not calming, precisely, but it's familiar. It's all familiar. It's all fine.
It is.
His hand tightens on the two case files. It doesn't stop the tremor, but he rubs his thumb across the labels, the rough reality of them, already thoroughly ragged from the flicks and scrapes and polishing and various pointless attritions of dozens of fingers, despite the very recent dates stamped on both of them. Two dates, two names. Neither name belongs to Sherlock Holmes.
3. Swimming Lessons
[Final Fantasy X — Auron/Braska/Jecht — T, 1K ]
Auron sputtered as Jecht dunked him under the water again. He came up for air, gasping, to hear Braska rebuke Jecht. "Jecht, he can't swim." Braska's tone was just this side of sharp, showing that Jecht was testing his patience; good, as he had surely tested Auron's. Auron clawed his hair out of his face where it had escaped his tail. Jecht was already too far away to shove. Braska floated over to him, touched his shoulder. "Are you all right?"
4. This Stolen Interstice
[Dragon Age: Origins — Duncan/Teagan — M, 8K]
The Grey Warden came during the harvest. The field Teagan was working was cradled in one of Rainesfere's rolling valleys; trees rose high on all sides, crowning the surrounding hills and wind-murmuring to each other as the harvesters worked. The air was thick with dust and chaff and the smell of fallen leaves, just edging into cold. That hint of crispness settled pleasantly on Teagan's skin as he worked amidst the slice and whisper of sickles and threshing, the barking of dogs weaving through the rhythmic sounds — no laughing children, not during the harvest, as all but babes were put to work at some task or another. He found one such child suddenly in his path — Rogher's youngest. Deliah? That must be it.
"What is it, Deliah?" Teagan wiped his brow as he stood, stretched his back.
"There's a man to see you," the girl mumbled, shy before her bann. "Mama says he's a Grey Warden."
The words spilled a chill down his back, much harsher than the gentle bite in the air. Darkspawn, here?
5. The Storm That Sweeps So Quiet
[Final Fantasy Tactics — Alma/Tietra — T, 1.2K]
Alma's spine aches. She has been bowed over this tome for entirely too long. Study is normally a pleasure, particularly the histories or the great tales of the Church, but this day she set aside to get through an endless dissertation on courtly graces. Studious as Alma may normally be, her heart is not in this. Today, the floor is distractingly hard beneath her folded skirts, even with the spare cushion. Her bodice itches unreasonably. Behind her, Tietra's quiet breathing and quieter warmth brush down Alma's back; she had persuaded her friend to take the window seat and regrets it not one bit, discomfort or no. It's not Tietra's fault that Lord Haverell's text drones so. Outside, the sunshine drips between tumultuous clouds; the air is heavy and moist, and the clouds tower high. It is not a day for study, not at all.
She runs her finger down the rich vellum of the page and listens to its smooth whisper. Behind her, she hears Tietra shift, the soft sigh of fabric and the rougher-edged rasp of pages rubbing together. Well, if Tietra feels it too...
6. So let it out and let it in
[Supernatural — Castiel & Mary, Castiel & Dean, Castiel & Sam — G, 5.1K]
"Jay Bird Family Special," the waitress announces, clear and cheery above the lunchtime clinks and conversation buzzing through the diner. She tips Mary a wink. Mary grins back as Heather sets the giant platter in front of her, gently intercepting baby Dean's hand going straight for the steak. "Your man running late?"
"Course not!" John pops up behind Heather. He's breathless under a thin sheen of sweat, his face all smiles and engine grease, and Mary could not want to touch that handsome curve of jaw more.
Instead, she puts a mild growl of threat in her voice, not even trying to cover the laughter crowding up alongside it. "If you think you're getting those paws anywhere near my food or my son—"
7. And Under Sky, the Shelter
[Final Fantasy Tactics — Ramza & Rapha, Marach, Mustadio, Agrias — G, 1.4K]
The hill cups gently around a lee; pebbles gather in the shadow where the wind abandoned them, making for a stony bed, but it will serve well enough for their purposes. Ramza, at least, is tired enough to collapse where he stands. He watches Agrias survey the site and thinks dully about what to do if it does not meet her standards of defensibility. It is well that she nods in approval, as he had not managed to think of any alternatives. The weariness runs too deep in his bones, leeching at thought, at care. It frightens him, distantly. So many have ceased to care, it seems. He rouses himself with a shake that feels like trying to shift mountains.
Tired to numbness or no, camp must be made, the birds cared for. The birds and — his teeth tug at his lip as his glance lands on Rapha and Marach, hovering at the edges of the group — the people. The tasks have been long apportioned, but in their ever growing and shrinking company, they reassign the routine often enough. It is just that he is too tired tonight to think on it.
8. There the Bones of Us May Lie
[Final Fantasy XII — Ashe/Balthier — T, 2.5K]
The hollow starlight sinks into ashen softness before her as she boards the Strahl; the hungry roar of the Cataract is hushed, made muted and metallic. It is like sinking into water, reversed. The quiet is the same, the sense of distance, but as she ascends there is no persistent buoyancy, no insistent upward press. Weight seems to sink down on her instead, settling deeper about her shoulders like a mantle.
It's familiar.
The silence of the ship eats her sigh, giving back nothing. And that, too is familiar — comforting, even, to have no wraiths answering those unmeant nighttime summons. The Occuria's illusion of Rasler is shattered, and Vaan isn't here to haunt her either, sleeping below with the others; Ashe is alone if not exactly unfettered. It is beyond her, just now, to judge whether that is better, and that is, in any case, irrelevant. There is little point in dwelling on it, now.
9. Best Hand
[Ace Attorney — Apollo & Trucy, Phoenix — G, 0.5K]
Apollo eyed the backs of Mr. Wright's cards. Wright kept them low, hands resting easy and relaxed on the table — Trucy was just the opposite, her fan of cards held up in front of her face, casting conspiratorial glances over the top. Hiding her smile. Trucy had something; Apollo'd figured that much out. Not as good as his own hand, though, he was sure of it.
(Now if only...)
He looked back at Wright. Nothing to see. Nothing to sense; bracelet quiet and loose on his wrist. (Damn! It's not just that he used Trucy for the games, he's impossible to read anyway!) Apollo resisted gritting his teeth.
10. Eclipse
[Final Fantasy IV — Kain/Cecil, Kain/Rosa, Cecil/Rosa, Kain/Cecil/Rosa — G, 1.5K]
In the old forgotten passageways beneath Baron Castle the walls exhale ghosts like vaporous winter breath: a fine spice on a hunt for treasure, harmless old haunts that feather around them as they creep down the halls with their stolen torch, their voices a nervous-laughing titter of echoes.
When the revenant comes Kain's blood freezes and he sees the panicked bloom of Rosa's untutored magic, shielding them; Kain's lips parting in awe and breathlessness as they flee.
But as they tumble back down the halls, to light and safety and a likely spanking, it is Cecil who clutches his hand.
11. Where Memory Rests
[Thief: Deadly Shadows — Garrett, The Shalebridge Cradle — G, 2.3K]
Thick exhales of steam crowd the night air, damp on your skin, as you make your way through the noise and shadows of the City. Grit has gathered close to the walls where you walk, giving the soft sound of your steps a rougher edge. Your fingers trail where a gas arrow once crystallized: a pipe carrying hot air hisses quietly at the leak. Magic lies thick in the air since the Final Glyph, dispersed and unformed. You can feel it in your hand. It washes across the red new scar like warm breath, like the air trickling from the pipe. The elemental crystals form faster, now, and someone harvested this one before you.
It doesn't matter. You have other things on your mind tonight.
And besides, you can always get it back.
12. the silent fulcrum in the interstice
[Kingdom Hearts — Kairi & Riku & Sora, Kairi & Naminé — G, 1.2K]
It begins with her hands: she plunges them into the place where earth meets sea meets sky. The light falls fragile across the grains, soft contrast to their coarse texture against her palms, her bare knees. The damp sand is heavy in her palms and something stirs in her as she pauses, hands suspended, full of infinite possibilities: This is how worlds are created, she thinks. Memories, falling like sand, like stars, like snow (where does she remember snow from?); she pauses, hands suspended, full of infinite worlds.
She can't remember the last time she did this, or maybe she never stopped: this is where she sat and stitched together a star, a promise; this is where she stood and watched the horizon and waited, or tried to remember what she was waiting for. The sand is heavy in her hands, and she wonders if this is any different, or if it is all reconstruction and remembering.
This is how worlds are created, and she sinks her fingers into the sand.
13. Same As It Never Was (cowritten with @sevdrag)
[Final Fantasy VIII — Rinoa/Squall, Laguna/Squall, Quistis/Rinoa, Kiros/Laguna, Quistis/Rinoa/Squall — E, 72K, WIP]
“I’m sorry, Commander, sir,” the waiter said over Squall's shoulder, “but we don’t have that particular vintage — our sincere apologies. Can I recommend another bottle — on the house, of course?”
Squall tried not to grit his teeth— too hard, anyway, because they were already grinding a little at the waiter’s placating, admiring, sorry-to-your-famous-personage-please-be-kind tone. He glanced up. Rinoa was smiling at him, that smile of hers that carried beaming wattage like a Thundaga to the chest, and even though it still made his heart skip a beat he could read in it what neither of them was saying: her hesitation playing across her face, the tense strain of her smile even as his own lips quirked back in response.
“Not a problem,” he said, aware that his voice was gruff and sounded irritated; maybe everyone would assume he was aggravated about the wine.
14. Coward Heart
[Final Fantasy X — Auron & Braska & JechtI — G, 3.6K]
The caves cast light back at them, fractured reflections and the rock's own native glow: the water was still and star-littered, pinpricks of light beneath a surface so motionless that Auron could barely tell where water ended and the pressing dark of the caverns began. All the light should have illumed the air, but the icy breath of the place seemed nearly solid, swallowing the light before it could reveal more than it hid. Auron had drawn his sword long ago, its rasp loud and echo-inhaled. Even the fiends glowed, here, great gelid flans with galaxies glittering inside them, dissolving into pyreflies like gentle novas.
Auron's gaze slid to Braska. In the gloaming, Braska's eyes seemed wide and white, his robes silver-edged black, all the careful distinctions of colour — red, for mourning; purple, for hope; blue, for seas and skies — lost in the half-light. Jecht was a suffocated flame beside him, the leaping fish on his sarong like the empty spaces between licks of fire as he shrugged off the wool-lined jacket Braska had finally convinced him to wear.
15. Disconnect
[Final Fantasy VIII / Kingdom Hearts — Maleficent & Squall — G, 3.7K]
He opens his eyes to the sight of water falling up. The spray coats his face, his clothes— he tries to sit up and make sure Lionheart is dry in its sheath and realizes that everything, everywhere, hurts.
(Rinoa.)
He makes it to his feet, checks on Lionheart. The gunblade survived the trip, maybe in better shape than Squall had. He flexes his hands, staring at them. They still feel numb. (Did it hurt you like this? Your magic?) His spells are gone, eaten up by the trip from Traverse Town. He hadn't counted on this exhaustion. (Yeah, and Cid had said it was impossible and called me an idiot. Whatever.)
It doesn't matter. He heaves himself away from the rocks he'd been leaning on, and starts climbing.
Analysis, I guess?
Okay well the immediate thing I notice is that I used the word "interstice" twice in this set of titles and that's just mortifying.
Decent mix of fandoms! 14 fandoms counting crossovers, although 8 were Final Fantasy of some kind.
I counted 6 past tense intros (though one of those fics switches to present tense halfway through, which is 15K words past the opening lines), and 9 present tense ones. That's a 2:3 ratio of past to present, and I actually had never realized I wrote in present tense this much. In the grand scheme of fiction writing, past tense is heavily more common so I guess this sample puts me in the... minority? I find present tense more immediate. I rarely actively CONSIDER which tense to use, I just start writing in whatever FEELS right for the idea. The first story where I actively considered tense was "Acclimating", the most recent story on here. Whoops >.>
Also I don't tend to open with dialogue. For short fics (less than 10K) I tend to write mostly in order, and I find writing dialogue difficult, so I tend to kind of "settle in" with a story by writing description first, and only after I'm properly settled try some dialogue. There were only 4 stories with dialogue in the opening lines here, and only 2 that actually had dialogue as the first thing in the story.
Fewer em dashes than I expected, as I know I overuse those. But not, apparently, in the opening lines. I wait until the reader is settled in/committed before pulling that shit on them.
I seem to vary between starting in the middle of things vs. doing a bit of setup. I couldn't really pin numbers to this one, as it's a bit more nebulous. For example the very first sentence of "This Stolen Interstice" (that word again, shoot me now) is in medias res, but then I back up to a bit of scene-setting. So who even knows!
Anyway, this was a fun exercise!
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Expanding on the summary:
- Independent: Milleuda is not affiliated with any RP group, and is likely to stay that way for the near future.
- Multiverse: Milleuda dies in the first chapter of Tactics, but such has not stopped the glut of Aerith blogs all across Tumblr, now, has it? Check headcanons for details as to her unlikely ressurrection, but most verses involve post-death Milleuda, with all the anguish and trauma of her end at Ramza’s hands intact.
- Multiship: While mainverse Milleuda is highly committed to her relationship with Leon, different story branches could take her off into different directions. Unless stated otherwise, all of Milleuda’s ships will be implied to take place in their own continuity.
- Selective: I’m open to fielding ideas from anyone, but I reserve the right to choose who I play with and when, and will do what I can to make my desires clear. Attempting to override this right with guilt or persistence will earn you a warning, ignoring that will get you a block.
- OCs welcome: You’ll have to sell yourself harder than a canon character, and make with a lot of detailed explanations or some art to give me a mental image of who your character is. If you can provide that, then the sky’s the limit.
- NSFW: Mun is 21+ and so are any and all characters I play. Milleuda is the violent type, and while she is steadfast in her resolve, she can be seduced. Violent content will be routine. Sexual content will be infrequent. Both will be tagged, but not hidden.
Other notes:
- Anything is a starter. This rings especially true for this character. Memes, replies, follows… I’ll spin off anything even remotely interesting into its own thread.
- Losing interest in a thread ≠ losing interest in you or your muse. I’ll communicate when I can, but if we play together with any kind of regularity, the best response to a dropped thread is to just start a new one.
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