#<- i did NOT find it :( this has just been haunting me

[comicaurora]

So uhh. If you feel like talking about it. As someone who lives in the US, how are you being kind to yourself on this upsetting morning <3

Checked in with my loved ones first and foremost.

It's interesting. The vibe I've been getting from my circle is very different from 2016. Much less… dread and horror at a realignment of the understanding of what can and can't happen here, now, in this place and day and age. More "fuck, guys. again? whatever. enjoy your consequences, maybe you'll manage to learn something this time."

Frustration and anger is not the most positive feeling, or even the most fair one to express, but it is a protective one. It hurts a lot less than most alternatives.

And it's quite a shift. It was earthshattering back then. How could this have been allowed to happen? Why couldn't it be stopped? Why couldn't we stop it? Why couldn't I stop it? Why couldn't everyone see what this meant? Why couldn't I make them understand? Did they really not care? What did that mean about humanity as a whole? Were we so thoughtless? How could anyone be trusted?

It seems… much less earthshattering to see it happen twice. Disappointing, sure. Frustrating. But nowhere near as devastating as the first time I saw it unfold. We already knew it could happen. I've already had time to digest the implications. Now I'm just freshly disappointed.

It also feels less indicative of Crushing Truths Of Reality this time. We've seen shit get bad. We've also seen shit get better from here! We know both outcomes are possible, even inevitable. We know hoping for a better future is always worthwhile. This isn't the apocalypse. It's an unremarkably bad turn of events brought on by unremarkably self-centered well-documented human impulses. It's utterly mundane in its unpleasantness. It doesn't need to be dignified with despair.

A democratic election, no matter the outcome or the side we're on, makes us all acutely aware of how outnumbered we are by people whose worldviews and priorities are demonstrably incomprehensible to us. And the first time you get outnumbered, it's a shock. Defeat is haunting. It didn't matter how badly you wanted it; by the very function of democracy, you do not have the power to override greater numbers. (insert electoral college caveat here)

The second time through, I find myself focusing on a different facet that has dramatically reduced the amount of spiralling I'm doing. I don't expect this to work for everyone, but for me specifically, it helped to crystallize a few thoughts:

You don't have the power to control anyone else. You don't. You can't share your worldview and your revelations with them. You can't make them think or understand anything. You can lay it all out for them, but you can't make them listen, and you can't make it click. A mentor can't make their student learn a lesson; that's why teaching is so complicated and hard. An active choice must be made by the person to enable themselves to understand, and they must put the pieces together in their own mind before it makes sense to them, and the pieces must have been presented in a way that makes sense to them in the first place. Lead a horse to water, can't make them drink.

These elections highlight a disconnect in what different groups of people care about; and no matter how clearly you explain yourself or how passionately you perform, caring cannot be forced on someone. Understanding and connection cannot be forced. You cannot make anything or anyone matter to someone. They have to choose to see how it matters in order to internalize it. If they choose not to, that is not your failing. You couldn't have made them do it by just Explaining Better. They are not your responsibility. They make their own choices. You can't reach inside their head and connect the dots for them.

I'm a storyteller. I make stories and put them out into the world. I hope people get something good out of them, but I have no control over what that something is. I want people to be thoughtful and kind and compassionate and hopeful and see themselves reflected in stranges, no matter their differences. I can craft stories that I hope encourage this. But that is the extent of my ability and the extent of my responsibility. I control no-one's actions but my own, and so while I am not having the best day, I am at least content that I am doing what I can, and I am not shattering myself against impossibilities trying to control the things I can't.

Sometimes, people make decisions that I think are really bad. I can't make that not happen. All I can do is try to make decisions that will result in things I think are good. Today, that means checking in on people, and not assigning too much dramatic narrative weight to an ultimately mundane set of unremarkable bad decisions outside of my control. We'll take life as it comes and help each other out when and how we can. Everything else is out of our hands.

[redocity]

hello, i was wondering if you could do a smut about buck?

Maybe have it where reader has been feeling really insecure lately and buck is like “i’ll fuck you until i hear that you believe it yourself” like he wants her to know that he thinks she beautiful and he wants her to see it

if you can’t that’s totally fine ❤️

PUZZLE PIECES — E.BUCKLEY

you are buck’s person, and he’ll be damned if you doubt that for even a second.

evan buckley x fem!reader | 2.9k | smut | masterlist.

WARNINGS | 18+ MDNI, reader is insecure about herself and her relationship with buck, oral sex (f!receiving), unprotected piv, a lot of whining and general begging, creampie, couch sex

a/n — “i’ll put this in my drafts and upload it after work” she said, *proceeds to forget it exists for four days*

sorry about the wait 😭

The thought had crept in slowly, quiet at first, but lately, it seemed to be everywhere. You would be sitting on the couch, watching Buck’s profile as he talked about his day with that familiar smile and bright eyes, and it would be there, the nagging voice that whispered, He deserves better.

At first, you brushed it off, but each time he did something thoughtful or made you laugh, the voice grew a little louder.

Buck was… everything.

He was kind and funny, dependable and brave, always there for anyone who needed him. And in your quieter moments, you’d find yourself questioning whether you could really be what he needed.

What did you have to offer someone like him?

He seemed to pick up on your change in mood quickly. A few times, you’d caught him watching you, brow furrowed, as though he could see right through you. You’d just smile, trying to reassure him that everything was fine, but he knew better.

Buck was perceptive in a way that sometimes made you feel as though he could see things about you that even you didn’t know.

One evening, as you were lost in thought, he suddenly plopped down beside you on the couch, sliding in close. “Alright, talk to me,” he said, his voice gentle but firm.

You blinked, startled. “About what?”

His hand found yours, fingers warm and steady as he held onto you. “About what’s got you looking like that,” he replied, his thumb tracing soothing circles over your skin. “You’ve been so quiet lately. And it’s not like you. Something’s wrong.”

You swallowed, your gaze falling to your lap as you tried to find the words. “It’s… nothing, really.”

“Nothing?” he asked softly, still watching you, but you could hear the worry in his voice. “Babe, come on. We both know that’s not true.”

The truth tumbled out in bits and pieces, a little awkward and halting. You told him about the doubts that had been haunting you, how you’d started feeling like maybe he’d be better off with someone else. Someone who could give him more, be more. You didn’t even dare look at him while you spoke, afraid of what you might see on his face.

There was a long silence after you finished, and your heart pounded with nerves. You expected him to try to reassure you, to brush it off or tell you not to worry. But when he finally spoke, his voice was calm, filled with an unshakeable certainty.

“I mean this with all the love in the world,” he started, and when you glanced up, he was gazing at you with a look so fierce it almost took your breath away. “Do you have any idea how ridiculous that sounds?”

The incredulity in his voice caught you off guard. “Buck…”

“Hey.” He cupped your face, tilting it up so you couldn’t look anywhere but into those intense, unwavering blue eyes. “There’s no one on this earth who’s better for me than you. No one.” His thumb brushed over your cheek, slow and deliberate. “I’m not letting you go that easily.”

You felt your throat tighten, and he leaned in closer, his voice dropping to a whisper. “Don’t you know by now? I was made for you.” His voice trailed off with a kiss against your lips, soft and gentle, as though he were trying to convey what words couldn’t. “Every part of me belongs to you.”

And he wasn’t done, it seemed. He took your hands, held them to his chest as he pressed little kisses on each of your fingers, down to your palms, his lips gentle and warm against your skin. “Do you feel that?” he murmured, his hand covering yours over his heartbeat, steady and strong beneath your fingers. “That’s yours. Always has been.”

His touch drifted from your hands up to your face as he kissed you again, brushing his lips across your forehead, your cheeks, even the bridge of your nose. Each kiss felt like a promise, a wordless way of saying everything you hadn’t been able to believe.

You tried to speak, but he stopped you with a gentle shush, moving his kisses down the column of your neck to your shoulder, as if every inch of you was something sacred that he wanted to worship.

“I’m not stopping until you believe me,” he murmured against your skin, his hands steady and sure as he wrapped them around you. “I don’t want anyone else. Just you. Always.”

“I’m a mess,” you murmured as his lips worked to create a path of fire down your collarbone and along the swell of your breast, teasing the hemline of your v-neck with his lips. “I’m—”

“Perfect,” he said, his voice hoarse with desire as his mouth found the valley between your breasts and the sensitive skin of your chest. “You’re perfect for me.”

You shivered under his touch and a gasp broke free from your lips as he moved back up to your mouth, capturing it in another kiss.

He pulled away for a moment to look you in the eye, his breathing as ragged as yours, his gaze full of pure, honest desire. “You’re it for me,” he said, his voice a low, husky rumble. “There’s no one else I want. Just you. Only you.”

You opened your mouth to protest again, but he pressed his thumb to your lips, cutting off your words. “Don’t fight me on this,” he murmured. “Let me show you how perfect you are for me.”

With that, he crashed his lips to yours again, his tongue delving into your mouth as he encouraged you back against the couch. His hands were everywhere, his touch gentle yet urgent as he pushed your shirt up, his palms hot against your bare skin.

You arched into him, your body desperate for his touch, your hands seeking purchase on his arms.

He broke the kiss just long enough to pull the shirt over your head, his hands immediately returning to explore your newly exposed skin. “Beautiful,” he murmured, his lips trailing kisses down the valley between your breasts and along your stomach. “Absolutely beautiful.”

You shivered under his touch, your breath catching in your throat, every nerve in your body on fire. “Buck…” you gasped, the word more of a plea than anything else. “Please… I need…”

Buck’s eyes darkened slight with desire, his fingers hooking into the waist of your sweatpants and pulling them and your underwear down in one swift motion, baring you to him completely. “I know what you need,” he murmured, his mouth trailing kisses down your hip and inner thigh. “I’m going to give you everything you need, baby. Just trust me.”

He moved between your legs, his hands gripping your thighs and spreading them wider for him. A thrill of anticipation shot through you as his breath ghosted over your core, his lips following the path his breath had taken. “Beautiful,” he repeated, his voice a low, reverential murmur against your skin. "Absolutely perfect for me,”

He ran his tongue tentatively along the length of your slit, drawing a shudder from you, his hands gripping your thighs tight as he teased you, taking his time to lavish attention on every inch of you. You arched against him, your hips rolling, seeking more of his touch. “Please,” you gasped, your hands tangling in his hair, trying to pull him closer. "Please, Buck…”

Buck’s grip on your thighs tightened at your words, a low grumble rumbling in his throat. “Not yet, baby,” he said, his breath hot against your core. “I’m not done showing you how perfect you are.” He gave your hip a gentle squeeze. "Relax. Let me show you.”

With that, he licked a long, slow stripe up through your folds, his tongue flicking against your clit briefly before moving back down, drawing another shudder from you. He repeated the motion, over and over, his tongue working with purpose to show you how deeply he was lost in you, in the feel of you, the taste of you.

Every touch of his tongue was a jolt of pleasure, your nails digging into his scalp as you arched against him, your breaths coming in ragged gasps. “Buck—” you gasped, your thighs quivering under his grip. “Please, I can’t—”

Buck pulled away, his chin glistening with your arousal as he looked up at you, his eyes dark with desire. “You can,” he said, his voice a low, raspy rumble. “You will. Just a little longer, baby.” He teased a finger into your entrance, and your breath caught in your throat again. “I just need to make sure you’re ready for me.”

He moved back up your body, his lips finding yours again in a bruising kiss, his body pressing you down into the couch. You could feel the hard length of him, still trapped in his jeans, and you rocked against him, desperate for more. “Buck, please,” you gasped. “I need you, please…”

“Soon, baby,” he murmured against your lips, his hips rocking against yours, just enough to make you gasp again. “Soon. I promise.”

He reached between your bodies, undoing the button on his jeans and pushing them down his hips just enough to free himself, the hot length of him resting against your thigh as he kissed you again. “You’re so perfect,” he whispered, his voice a low, reverential murmur. “So perfect for me.”

His hands gripped your hips, angling them up to meet him, and he began to press into you, slowly, inch by inch.

Your eyes fluttered shut at the sensations, the stretch of him filling you, the heat of him surrounding you, the pleasure of the friction as he moved inside of you.

“Perfect,” he murmured again, his lips against your ear. “So goddamn perfect, god I was made to be with you like this,”

He began to move after a few stationary moments, his hips rocking against yours in a steady, measured rhythm, your bodies moving together in a desperate dance, the pleasure building with every movement. “You feel that, baby?” he gasped, his voice rough with desire. “You feel how well you moulded to fit me?”

You nodded mutely, your voice lost in a gasp as the pleasure built within you, coiling tighter and tighter with every stroke, every touch of his hands, every movement of his body.

“That’s how I know you were made for me,” he continued, his voice ragged with desire. “Your body fits with mine, like two pieces of a puzzle. You’re mine, baby, don’t ever forget that. You were made for me, and I’m never letting you go.”

His pace picked up, his movements becoming more urgent, more desperate, his breathing ragged with desire. “Don’t ever think you’re not perfect,” he whispered, his lips against your ear. “You’re everything I’ve ever wanted in a partner, baby. And I’ll keep going until you say you believe me—”

His body was pressed against yours, his arms wrapped around you, holding you close, as if he couldn't bear to be apart from you for even a moment. You could feel every muscle of his body taut with tension, every line of him pressed against you.

“Don’t ever doubt how much I want you,” he panted, his voice strained with pleasure. “I’ll show you over and over again until you believe me, oh god, baby, I’m never going to stop needing you like this. Never.”

His thrusts were increasingly ragged, his rhythm faltering as his climax tried to sneak up on him, only for him to force it down so he could focus on you.

“Say you believe me, baby,” he gasped, his voice a pleading murmur against your skin. “Say you’ll never doubt what you mean to me, because you’re everything I’ve ever wanted— everything— and I can’t live without you, baby, I can’t—”

“I believe you,” you gasped, your own climax building within you, teetering on the edge of release. “I believe you, I do, Buck, I believe you—”

“Say you won’t ever doubt yourself again,” he pleaded, his voice hoarse with desire. “Say you’ll believe me when I tell you how perfect you are, because you are perfect, baby, and I will fuck you like this every day if that’s what it takes to make you believe it—”

“I won’t,” you gasped, your words punctuated by a gasp as your eyes squeezed shut from the stimulation. “I won’t doubt myself, I promise, but please, Buck, I need–”

“I know what you need, baby,” he murmured, his voice low and possessive. “And I’m going to give it to you. Over and over and over again, until you’re so full of me, and so sated that you’ll never doubt us again.”

His thrusts became more urgent, more desperate, his body shaking with the effort of holding back his own climax, as he sought to bring you to the edge, to push you over and bring you to the release you needed.

“Come for me, baby,” he pleaded, his voice ragged with desire. "I need to feel you come apart beneath me, I need it, baby, come on—”

You cried out at his words, your body shuddering with pleasure at the combination of his touch and his words, the pleasure within you cresting and crashing over you in a wave of ecstasy. Your body arched against him, your hands clinging to him as if your life depended on it, your breaths coming out in gasps.

Buck groaned as he felt you come apart beneath him, the feeling of you clenching around him drawing a guttural moan from him. “Oh god, baby,” he gasped, his voice hoarse with pleasure. “That’s it, oh god, baby, I’m right there, I’m right there—”

His pace quickly picked up, his thrusts ragged and desperate, his body tense with the need to join you. “I’m gonna fill you up, baby,” he gasped, his voice thick with need. “Gonna make you mine, gonna make sure you know you’re mine forever—”

His thrusts became erratic, his breath coming out in gasps as he rode the edge of his orgasm. “I’m gonna come, baby, I’m gonna come inside you, okay?”

“Yes,” you gasped, you hands desperately clinging to him, “yes, please, I need it, I need you—”

With a final, ragged gasp, he came hard, his body shuddering as his orgasm coursed through his torso and down his legs, spilling his release into you, white and hot and possessive in a way his words would never be.

He collapsed against you, his body trembling, his breathing ragged. “God, baby,” he panted, his voice thick with emotion. “You have no idea what you do to me.”

“I think I have a pretty good idea, actually,” you murmured, your own breathing still slightly ragged. You reached up to run a hand through his sweaty hair, your body still trembling with the aftershocks of your climax. “You’re damn convincing, Buckley.”

He chuckled at your comment, his arms wrapped around you, holding you tight against him. "I meant every word, baby," he murmured, his lips drifting up the column of your neck to your ear. "You're perfect for me, and I'll keep proving it to you until you believe it yourself.”

You hummed contentedly at his words, your body relaxing against him, boneless and sated. You could feel the warm, sticky aftermath of his release between your legs, and you tightened your thighs together involuntarily at the sensation. “I think I believe you,” you murmured, your fingers tracing small circles along his back.

He chuckled again at your words, his hands roaming your body, tracing a lazy path along your curves. "You're damn right you believe me," he said, his voice still rough with emotion. "And if you ever forget it, I'll just have to remind you again. Over and over and over...”

He rolled the two of you over, pulling you close against his chest and wrapping you in his embrace. "But for now," he said, his voice softer now, "I just want to hold you. Just feel you in my arms, baby.”

He pressed a kiss to the top of your head, his hand rubbing a slow, soothing circle on your back. "I love you, you know that?" he murmured, his voice gentle and full of tenderness. "I love you more than anything in this world, and I'm never letting you go.”

You smiled at his words, snuggling closer against his chest, your fingers tracing idle patterns along his skin. "I love you too, Buck," you whispered, your voice soft and full of emotion. "More than anything.”

[mythalism]

ok im going to try and parse through my feelings on the entire game in the hopes that expelling these thoughts from my brain will allow me to actually sleep because i am running on about 3 hours right now

i will start positive with the things i absolutely loved:

solas. whos suprised

just kidding i will elaborate further of course. genuinely, from a (mostly) objective writing perspective, he is the best part of this game. like hands down. his writing is bonkers insane. he has the best lines and the most complexity out of any character in the game (besides mythal perhaps). i was so so so afraid they were going to completely woobify him into someone who was right all along and never did anything wrong in his life blah blah to make him sympathetic to a new audience. they did not give a fuck however and i could not be more glad. he is exactly the dread wolf and bringer of nightmares of legend. he is so wonderfully in character, even if that character is not someone we saw in inquisition (we saw solas, not the dread wolf!). there are moments that solas shines through, like in his mentions of varric in the very beginning, when he mentions his love for the inquisitor, his convo with a rook he respects (which i do believe was genuine, even if he betrays them anyway. we know that he regularly betrays people that he likes and respects lol), the way he helps the shadow dragons and saves the dalish, and of course in his final scene with the inquisitor. he manages to retain that perfect back and forth, mask on and mask off, solas vs. fen'harel dichotomy with a different balance than the one we saw in inquisition. in inquisition, we saw solas with hints of the dread wolf peeking through. in veilguard, we see the dread wolf with hints of solas peeking through. ok i need to move on or i will talk about him forever. but they nailed the moral ambiguity with him. they nailed the theme of forgiveness being hard. i loved when harding said something along the lines of "there is no one who doesnt deserve forgiveness" this is one of the few consistent themes that this game was successful in exploring. ok ok moving on now i promise

i also loved mythal (fragment mythal, not morrigan mythal who was a flop). admittedly i am a mythal stan, but her integration into this story was a highlight for me. she haunted the narrative in such a great way. it added so much complexity to solas. hearing him GROWL at elgar'nan in rage "you have lost the right to say her name" made me scream in glee. i loved talking to her and having to prove my worth to her. i love that it was hard and she would kill you without hesitation if she found you unworthy. i love that if she does find you worthy she is instrumental in changing solas's mind. i loved her dragon appearance even if she was useless in the damn fight lol. morrigan mythal sucked tho but thats for later

similar vein but the main quests were fantastic, with a few caveats. but overall every main quest had me hooked, having so much fun, at the edge of my seat and screaming and flailing in my chair. weisshaupt was incredible, BLOOD OF ARLATHAN WAS INSANE (the solas elgarnan bitch fight will go down in history as a moment of all time for me) and of course the finale was some of the best writing ive seen from bioware. the way suspense was built was well done, the stakes felt high, and the twists were interesting.

choice and consequence was absolutely banger. i gasped when i went back to dock town after leaving minrathous to fend for itself and saw a gallows with bodies hanging from nooses and piles of bodies in the streets. i gasped when harding died. i gasped when bellara got blighted. definitely the best choice and consequence in the entire franchise and it was very satisfying. i feel motivated to play again to see different options play out.

the environments are fucking insane. genuinely insane giga brained genius. i have never been so gagged by a video game like this. not only were they beautiful but they were well-designed, interesting and diverse. i rarely got bored anywhere (except treviso lol) and i was regularly picking my jaw up off the floor. some highlights for me were the anderfels area where you first meet davrin with that amazing vista, kal sharok, the docktown catacombs, pretty much anything in arlathan, the deep roads, and honestly so much. absolutely beautiful.

this game felt incredibly cinematic and the direction was fantastic. the cutscenes were so well done and they transitioned so smoothly into gameplay. the animation was fantastic, and everything was so engaging to watch. my favorite cutscene has to be when solas is about to switch places with rook and you see him in the background out of the corner of your eye twice, though rook doesnt know. i was literally screaming it was so fucking cool. it genuinely felt like watching a movie a lot of the time

i genuinely enjoyed the gameplay loop of exploration. i had a lot of fun just exploring around docktown and arlathan, there was always something new to find, i loved the puzzles, and i loved finding codex entries. this is a crazy thing to say but it actually reminded me a lot of genshin impact LMFAO. which i know a lot of people would probably consider to be a negative but i thought it was engaging and fun.

combat fucks. it got a little repetitive by the end, mostly because i think i just wanted to find out the end of the story and fucking darkspawn were in my way, but it was a huge step up from previous games and i think action combat was a good choice.

this game has an incredible amount of genuine heart and soul put into it and you can feel it in every facet of the game. i can tell that the devs were passionate and their creativity was genuine. i could feel their love for the characters and the world. this game is unflinchingly sincere and not afraid of being cringe (though it definitely is cringe at times, i respect the commitment to it so i dont mind it). it genuinely does not feel like an EA cash grab, which is a huge win considering how likely it was for years that a cash grab was exactly what we were going to get.

i enjoyed the varric ghost twist. i knew something was up with him but i didnt fully call him being dead until right before the reveal. i get why people are going to be upset about it, its a pretty fucking crazy decision, but i think what saves it is the quote he gives rook in the fade about his choices being his own and still encouraging rook to try to get through to solas despite being KILLED BY HIM.... fucking crazy. it ties in enough to the overall theme of regret and forgiveness that i think it works.

ok time for the negatives

its hard to pick my biggest issue but i definitely have a top 3: the lore flopped majorly, much of the writing felt juvenile, and there was an overall lack of nuance to everything about the game except for solas's storyline that did feel very not-dragon age to me

i actually dont give a fuck about lore retcons, especially if they are explained well. i think they are often necessary and can be pulled off. but this game literally just pretended to answer decades long questions about the lore and then does not. which would be fine if we didnt have someone who knows all the answers to those questions hanging out in our brains and willing to answer them. we did not learn what exactly a titan was. we did not learn what they were like when they were alive and before they were blighted. mythal called them monsters. harding suggests they might have been violent like the elves. we literally dont know anything about them except for what solas and mythal did to them. i dont think anyone even actually gave a clear answer on what the blight is. ok it was the titan's severed dreams but what the fuck does that mean? it was their rage and pain? then why does harding say the red lyrium manifested by her rage and pain was not blighted, just red? if blight equals titan nightmares then that lyrium should have been blighted? so what the fuck is the blight that ghilan'nain cooked with? red lyrium? how did the original darkspawn get made? did she start injecting people with red lyrium? but we know what that does to people because we saw it in inquisition. it makes them red lyrium freaks but it doesnt make them darskpawn. WHAT ARE DARKSPAWN? WHAT IS THE BLIGHT? did i miss this in a codex entry or something guys im so serious. how did we play this whole game and not actually learn what the blight is. we also learned almost nothing about the forgotten ones, which is fine except we literally met one and all they really had to say about it was "evil spirit" ? ok. also um. where are the rest of the evanuris. ok they are gone but where did they go. we know where their archdemons went, but where did they go? ghilan'nain exists separate from her archdemon so its not like killing an archdemon kills the evanuris, it just makes them vulnerable. should they not all be still alive in that prison together, just mortal and archdemon-less? they literally just say "they're gone" and expect us to be like ok! WHAT THE FUCK??? WHERE ARE THEY?? WHERE ARE THEIR BODIES??? WHAT??????? also the explanation for archdemons was boring. it felt like the team literally did not know the answers themselves (and didnt feel like calling up david gaider) so they just gave us vague non-answers hoping we wouldnt notice. I NOTICED.

similar vein; we learned nearly nothing about elgar'nan and ghilan'nain, and they overall felt cartoonishly evil and one-dimensional. and this is a greater problem that ill talk about next, but they were afforded none of the nuance that solas and mythal were given, and it feels glaring in comparison. why was elgarn'nan evil? was he just born fucking evil? we know thats not true. he originated as a spirit, what kind of spirit? what was his relationship with mythal like? what was his relationship to the other evanuris like? he calls ghilan'nain "sister", were they always close? did they become close in their prison? what are his goals beyond tyranny? or do you actually want me to believe he is just full stop evil? if he was one of the original spirit born elvhen what virtue did he embody and what polluted him into something so terrible? why does ghilan'nain love the blight? why is she obsessed with creation? we only get a single codex about she and andruil (that i found). what was her and solas's relationship like before she ascended to godhood? he calls her "the best of them" but we never see anything about their relationship. neither of them has any nuance. they are just pure evil, corrupted by ???? something ??? power??? i guess. and we are supposed to just be fine with it lol. what are even their motivations? why do they want to cover the world in blight? what is their emotional connection to this pursuit??????? we get such an exploration of this for solas and just NOTHING for them. they feel so one-dimensional in comparison, literal comic book cartoon character villains.

similarly, this game lacks nuance overall. bioware is known for its exploration of grey morality on both personal and sociopolitical levels. this game has that only for solas and literally no one else. qunari antaam? evil (super fucking racist depiction as well). venatori? evil minions. elven gods? evil. forgotten ones? evil. meanwhile, crows? suddenly good. its okay. just forget the MURDER, child slavery and abuse. seriously its fine. caterina dellamorte is a sweet old lady :) dont worry about it :). every faction is good and every antagonist is bad. its genuinely insane coming from the studio who gave us dragon age 2 to now give us something so fucking boring and black and white. they got SO CLOSE with the wardens and isseya and in the end davrin still kills her. why does solas get a chance at redemption and no one else does? here we are with an entire story centered around this morally grey character, interrogating whether or not his actions are justified, whether his intentions matter, whether his abuse informed his atrocities, asking ourselves if he deserves forgiveness asking if he deserves to be saved, where do we draw the line? what is the point of no return? why do people do the things they do? its fantastic. and then you go and do a faction or companion quest and its just like, these are the good guys and these are the bad guys. dont ask questions. have fun! WHAT???? FROM BIOWARE??????????

this issue bleeds over into the companions as well. i genuinely liked all of them. they are likable. but holy shit they have no flaws. all of them are genuinely good people and their problems center around others rather than themselves. there is little to no complexity, to the point where honestly they did not feel like real people to me. harding is sweet and perfect and her worst trait is being *checks notes* TOO AGREEABLE? davrin's worst flaw is raising his voice at his pet too much. emmrich's only flaw is FEARING DEATH LIKE A NORMAL HUMAN BEING? neve is kind of cold. thats it. bellara never does anything wrong. lucanis doesnt sleep enough? taash is the closes they come to any sort of complexity and i did genuinely enjoy their identity struggle and i loved seeing their complex relationship with their mother. but none of those are flaws. like these characters are cookie-cutter perfect. we used to have companions who committed acts of terror and blood mages and mean jealous little brothers and did horrible things and said horrible things to each other and struggled with things like internalized racism and complacency in violent corrupt institutions and addiction and facing your fucking war crimes and they are some of the most beloved of the franchise because they feel SO REAL. like genuinely going from characters like anders and blackwall to these companions was so jarring and disappointng. i LIKE them all, dont get me wrong. but they do not act like real, complex fully fleshed out people, and the writing overall suffers greatly for it.

again connected, the writing in terms of literal dialogue but also what i mentioned above comes together to feel incredibly juvenile. i know some big reviewers beforehand said that the game feels like a pixar movie at times, and unfortunately i dont think thats inaccurate. a little harsh maybe, but there are moments that are truly written in such a way that it feels like the audience is children. and that doesnt mean its bad, because i am a lover of childrens media and most of my favorite media of all time is actually for kids (avatar the last airbender, fullmetal alchemist, etc), but this game oscillates back and forth so violently it will give you literal whiplash. it reminded me a lot of the way young adult fiction is written. GOOD young adult fiction, where its well-done, but its deliberately written to be simpler in both diction and theme and focuses on concepts that young people can identify with. this is how i felt during much of the companion quests during this game. again, it was GOOD young adult fiction, but it had the narrative styling and lack of nuance and complexity that is characteristic of such things, and that is just literally not what the game is supposed to be like. and there are great writing moments that do feel appropriately mature and complex, but they are mostly in the main quest and their presence makes the lack of maturity in the rest of the writing feel even more jarring. i have no idea why they wrote it this way.

morrigan's mythal flopped and was out of character. i missed flemeth's crazy ass. they literally nerfed her. i think this is connected to everyone being nice and good and perfect (no abusive mothers allowed!) which is crazy because the other mythal fragment got to be a crazy bitch. so what the hell

the lack of world states is still a major L. it felt like things were missing that should have been present and had no reason not to be other than just no worldstates. well of sorrows needed to be there ESPECIALLY considering the solas/mythal/lavellan dynamic.

this one is self-indulgence but solavellan could have benefited from better pacing. packing so much into act 3 made it feel rushed. i loved the scenes themselves, but there could have easily been more build-up with a few codex entries.

no fenris. i will never forgive

ok im running out of steam and actually feeling more able to sleep now (thank god). i know i said a lot of negatives but i actually believe this game is very, very good, especially within the context of its development. i think a lot of the issues likely do stem from their fraught development cycle, and overall they did a great job of identifying their priorities and pursuing them to the fullest. i dont necessarily agree with what they prioritized or what their vision was at all points, but i respect the clear direction that this game had. i do not believe it will stick with me the way the previous games did, and while playing i often found myself just missing the characters from 2 and inquisition that i love, and the writing that so often had me screaming crying throwing up and/or giggling and twirling my hair. however, this game gave me the #1 thing i wanted which was a satisfying solavellan conclusion, and though yes it could have been done a bit more... artfully, i think its incredible considering where we were just a few years ago with this game. i will play it again a few times, and the fact that it has sold well enough to guarantee bioware gets to stick around and make new games is a major win. 7.5/10 thank u for listening

[arsonistbunny]

Ok so first of all - this is crazy that it was about 50/50 all the time. Sadly it shows how much Security Breach fucked up (I have watched the interview with Dawko - it's still sad that they don't do something to fix it (the story) up still). Like, I'm not gonna make a pool about it but there are probably as many people who think Vanessa has a twin when to me it's just when Glitchtrap takes control?

Now, what do I think about it? To me, he's not William.

From the beginning (Help Wanted), it's been intentionally unclear: is he William? It's a trickster, a malware for sure. But then somehow it seems that a lot of people missed that his keysmash talking is actually copying the tape girl's voice (thanks to an-archaic-archivist for showing me this video???). Which is the first hint that he is the mimic. But then from Dawko's interview, Scott speaks as if Glitchtrap & The Mimic are two different characters - which I really don't like the idea of because they have the exact same motives and capacities. Putting two different villains one after the other with the exact same characterization is.....not a good horse to bet on? It's confusing and unnecessary. (DISCLAIMER. When I talk FNAF, unless specified I'm only talking from a game point of view I am never talking about the books and I will not.)

But anyways!!! Here's my theory from when I tried to crack Glitchtrap!! :)

If you know me, you know I love Princess Quest Glitchtrap. It is a very particular form to give to a character that is a malware mimicking, isn't it? The Princess Quest games all depict floating rabbit heads as enemies, and in the end, you meet an amalgamation of them, with one head that is more aware and in control—Glitchtrap.

And, you know, to find answers you're just gonna go looking at the stuff you've already seen, already know, that might be similar in one way or another. I don't remember what exactly made me think about the Funtime Animatronics but that's where I went. The question of why Circus Baby is also Elizabeth but the others aren't.

When you get under the desk on Night 3, you hear Circus Baby talking and not Elizabeth. You can notice they're not always speaking as one. Circus Baby telling you how Elizabeth died: "I would always count the children– I’m not sure why. I was always acutely aware of how many there were in the room with me. [...] A little girl, standing by herself. I was no longer... myself, and I stopped singing. My stomach opened, and there was ice cream. I couldn’t move—at least, not until she stepped closer. There was screaming for a moment, but only for a moment. Then other children rushed in again, but they couldn’t hear her over the sounds of their own excitement. I still hear her sometimes. Why did that happen?"

Elizabeth as Baby in Pizza Sim: "You played right into our hands, did you really think that this job just fell out of the sky for you? No. This was a gift, for us. You gathered them all together in one place, just like he asked you to. All of those little souls, in one place, just for us, a gift. Now we can do what we were created to do, and be complete! I will make you proud daddy! Watch, listen, and be full."

But Funtime Freddy and the others don't do that. You know, it almost feels like... they're alive. Well that was the point, wasn't it? They're alive but stuck under their coding. Just like when Baby could not disobey the rule of counting the children. From Pizza Simulator we find out what exactly the SCOOPER is and with that, that the Funtimes were all brought to life with remnant, some sort of amalgamation of children's souls, to snap more children's souls.

In Circus Baby's case, 1. she was brought to life by remnant and with this many souls it seems that they all lose their consciousness to one the robot's coding, adopting the robot's coding as their personality. But then 2. when, she killed Elizabeth, this one went to haunt the robot creating a """two people one body kind of situation""", they're both aware as Circus Baby and Elizabeth.

And yeah, this makes me think a lot of Glitchtrap in that case. Because Glitchtrap might be just that. Remnant. An amalgamation of souls. But this one didn't get a robot to 'get their personality' so to speak. So they're dormant. Until they get awakened by being accidentally put into a VR game. They don't know who they are, or what they are. Their whole world is literally just FNAF games at this point. So they get to choose. They don't have a sense of right and wrong. They're choosing the most powerful figure in there: William. They mimic him. They don't realize what is wrong, they're proudly guiding the player on their own level (Pizza Party) to show them their crimes (William's crimes that they reclaimed as part of the mimicking).

They're in a game. When you die, you restart the level. Until Jeremy. They realize the beta testers can actually 'log out' and they have a way bigger world. So they want out. But those beta players get away and never come back (because he's dead). So they gotta step up the tricking game. So they mimic a voice.

And then it works! So they pretend to be Vanessa. They get to be Vanny. They order Vanessa around. And it fails! They get trapped and need to attract someone from the outside - they mimic Gregory. The plan almost succeeds. They mimic Roxy.

When I posted this piece, I saw some people with DID thought this was about DID, and I was not thinking of it, I was thinking of my theory - and I did say (afterwards or before can't find the post) that I'm honored my art gets interpreted in some ways I didn't think of it before. It's actually very nice but most importantly good for you. You deserve to feel linked to characters you like.

Anyways..Scott hit me up I have ideas I can share if you ever feel like you're stuck.

im curious, actually

(rb for a better reach pls)

[fandomfablesunleashed]

When Leaves Fall

Kazuha x reader

English is not my first language

I wrote it like two years ago after learning about Kazuha's backstory, and I finally got around to editing and posting it. It was the first thing I wrote for Genshin, and, unashamedly, I still love it.

--------------------------------------------------------

He ran to you as though every heartbeat depended on it, unable to bear the thought of leaving without one last glance, one final touch. For two weeks, he'd been on the run, evading shadows and whispers, haunted by his past and hunted by those who believed him guilty. But one thought anchored him through it all: he had to see you. He moved carefully, assessing every step and ensuring his presence wouldn’t bring you any trouble.

You were waiting, standing under the old maple tree, where countless stolen moments had once blossomed in the dappled sunlight. Yet today, you looked different, your face etched with worry, your lips pressed tight, and your fingers winding anxiously through your hair—a telltale sign of a troubled mind. As he slowed to take you in, his breath caught. Even under a veil of sorrow, you were magnificent—a sight he wanted to lock in his heart forever. The reality of what he was about to do clawed painfully at his chest.

“I heard about what happened,” you began, your voice barely more than a whisper. “I was so worried about you. It’s… heartbreaking. He was a kind, good person, and you… you deserve better. So much better.” Your words wavered, and you couldn’t meet his gaze.

He moved closer, close enough to notice the glistening traces of tears marking your cheeks—a painful revelation. His anguish felt suddenly insignificant in the face of yours. How much have you suffered since hearing the news?

“Please,” he said softly. “We can’t dwell on the past as it is unchangeable. And you shall not disturb your mind with my troubles. I did not come here to seek pity from you.”

You gave a sad, quiet laugh, devoid of its usual warmth. “I know that. But I cannot help but feel my heart break for you. You have a pure soul, undisturbed even by the immense pain you’ve experienced in your life. And now…” You shook your head, anger darkening your eyes. “Now you did nothing wrong, and yet, you're probably the most wanted criminal out there. It’s ridiculous, even.”

You finally turned to him, and he felt the weight of your gaze—the love, the pain, the silent desperation. He must have looked a mess: weary, disheveled, his crimson eyes shadowed by sleepless nights and relentless worry. But you looked at him as though nothing else in the world mattered.

“That’s why I came,” he said, his voice low and steady. “I’ve come to say goodbye. Being near me isn’t safe. You know that.”

You signed deeply upon hearing this. You got accustomed to saying goodbye to him. But this was different. It seemed final.  You may as well never see him again. And that was too much. How can you go on with your life without him by your side?

“Don’t,” you whispered, your voice breaking. “Stay with me. You could hide here, with my family. My father has ties to the Tenryu Commission—they’d never suspect you here. We could keep you safe; find a way out of this…” Your words were choked, tears spilling down your cheeks again, your gaze pleading. “There has to be a way.”

He shook his head, a gentle, sorrowful smile playing on his lips. “I would never put you, nor your family, in harm's way. I would never know peace knowing I could bring danger upon you. I must leave. We both know it.”

And you did. But that didn’t mean it was any less painful. You let the tears flow freely, no longer hiding the grief you felt at the thought of losing him. He lifted a hand to your face, his fingers brushing away a tear, his eyes soft, drinking in every detail of you, as if committing it to memory one final time.

“I…” always the eloquent, the poet suddenly could not find the words to convey everything he wanted.

Just as he was about to say something more, the wind carried the faint sound of soldiers approaching. “No time, then,” he murmured, casting one last, longing look at you. In that instant, he decided that perhaps, this time, actions would say more than words ever could. With quiet resolve, he moved closer, inch by inch, until he pressed his lips firmly to yours.

You felt your hand rise instinctively to rest against his chest, feeling the steady beat of his heart beneath your fingers. You held each other in that kiss, pouring everything unsaid into the embrace, as though it might be the last thing you’d ever share. And maybe it would be. You lingered, savoring every fleeting second of that bittersweet moment, until the approaching footsteps grew louder, shattering the spell.

Reluctantly, you pulled apart, and he looked at you through tear-brimmed eyes, offering a soft, trembling smile. You returned it, a faint smile of your own, holding on to the memory even as the world pulled you away.

“Go,” you whispered, your voice a plea. “Be safe.”

He nodded, his tears beginning to slip free. “Remember, the fate that brings people together is not a cord so easily cut. I will do everything in my power to return. To you.”

And with that, he turned and slipped into the shadows, accompanied by the red leaves falling from the maple tree. How appropriate. He had lost his home, his family, his name—and now he had lost you too, the last light in his life. As he faded into the darkness, the weight of longing wrapped around him like a shroud, heavy yet familiar. A fierce determination flickered to life in his chest, a spark ignited by the thought of you. He would return. He had to.

Deep within your heart, you clung to a fragile yet unyielding hope—that this was not a final farewell, but a temporary parting. The memory of your love, unspoken yet profound, etched under the watchful gaze of the maple tree, filled you with strength. For the maple would remember. The leaves would bear witness, rustling softly in the breeze, echoing the promise that your bond would withstand the trials of time and distance.

[lxndrlvr]

‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ . ₊๋˚˖𓍢ִ໋🦢˚ ‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋

Can't sleep?

Note: insomnia, mentions of medication, fluff, established relationship, cuddling, working late.

Pairings: Alexandra Cabot × reader

🌊*ੈ✩‧₊˚

It's the typical sunday evening, you're busy typing in your laptop to go over your lessons over and over again, making sure you didn't miss anything. As a professor, you were quite used to staying up late to finish everything. It was a great excuse, really. You can always finish your work during the day, but still chose to do it during night time as an excuse to stay up, especially when you're over at your girlfriend's apartment. It took some time for you to adjust, as you weren't really a night owl. It all started when you caught alex outside your shared bedroom, sitting on the couch watching your favorite show. She was just staring blankly, which worried you. She didn't even realize your lingering gaze behind her, it was only when you wrapped your arms around her waist did she snap out of her trance and slightly jumped from the sudden contact. Immediately deflating in your arms once she realized it was only you, her exhaustion evident in her eyes. She closed her eyes when your lips touched her forehead, then to her cheek, down to her neck. Smothering her with kisses, which made her let out a soft sigh, cherishing this moment.

“Would you mind telling me why you're still up?” you spoke in a gentle tone, one that alex has grown used to. Ones that she craved during her vulnerable moments, your gentleness. A contrast to the harsh events happening in her life, constantly haunting her for as long as she can remember.

Of course you knew something was wrong, alex was more quiet than usual. You also noticed her being tense earlier this morning before leaving for work, her hands behind her neck. A habit of hers whenever she's troubled, poor baby.

“I can't sleep” she quietly replied, her eyes looked glassy. It was the first time you saw her in her vulnerable state, and your first instinct was to wrap her in a warm embrace.

“Something bothering you, hmm?” you took off her glasses, then tied her hair up in a messy bun. Taking advantage of her current relaxed demeanor, you pressed another kiss to her cheeks. Glancing at the table, you noticed some pills scattered from an open bottle. Melatonin.

Alex glanced at where you were looking, and letting out a long exhausted sigh, curling into a small ball inside your arms. How couldn't you have noticed? You blamed yourself for being so blind, it doesn't take a genius to know that those pills are her medication for insomnia. Alex was suffering from insomnia, despite having learned medicine from your mother, you didn't notice Alex's situation and how bad it has gotten. That even until now, you still felt guilty that there's only so much you could do in your power to make her feel better. Long story short, everytime you visited alex, you always made sure to stay up with her.

At first, even when you forced yourself to stay up, you always end up falling asleep in her arms. It was the other way round, alex couldn't help but find your efforts adorable that even when she disliked the idea of you going to an extent of staying up, even though you loved to sleep, it was nice to know that you cared enough to make efforts for her. No matter how many times she refused, you were persistent.

Your visits happened more often, especially when you knew Alex just got back from the court. You always brought groceries, and she always cooks for you. It's been months of continuing this routine, nothing changed much except for the fact that alex doesn't feel alone anymore. Sure, she was still insomniac but having you by her side eased her up. You had always expressed how grateful you were that alex is your girlfriend, unbeknownst to you, you were the best thing that happened to her. She didn't know what she did to deserve you, nor did she know what you see in her.

Back to present, as you were typing in your laptop, you felt the bed sink a little. You turned your head to face your girlfriend, smiling softly, noticing her drowsy state. She was wearing the silly fuzzy matching pajama that you bought for you and her, at first she called it silly, but now it's one of her favorite things to wear to sleep.

“Are you done with your tea?” you asked, absentmindedly pulling her in your arms. You closed your laptop, putting it on top of the bedside table.

“Yes” she paused, then continued. “Are you done with your work?”

“Mhmm.” you chuckled, what alex didn't realize was that her words were starting to become incoherent the more she spoke. Her drowsiness making it hard for her to realize her current state.

“Can we sleep now?” alex hummed, pulling away from your grasp as she watched as you frowned from the sudden change of heart. Alex shook her head, smiling at your antics as she pulled you back in for a hug, this time, she was the big spoon.

“Please.” that was the last thing you said as you both drifted off to sleep, the warm blanket wrapped around your warm bodies, glued together. A perfect way to end the day.

[fictionadventurer]

August: Day 8

Adventures

Went to a thrift store and the library's used bookshop.

Bought a copy of Around the World in 80 Days that looks more readable than my current copy (so long as it's not an abridged children's edition). May make a new cover for it.

Bought a book about the basics of astronomy. If I'm going to write about an astronomer, I need to know a tiny bit, and this looks like it's written for idiots with short attention spans, so it'll be great for me.

Bought the coolest pop-up book I've ever seen. For a quarter. I'll have to show you guys pictures.

Treated myself to Youtube videos about Victorian literature. Indulged in a few Gutenberg downloads. Read the first chapter of Lady Audley's Secret and this may derail all my reading plans until I finish.

Accomplishments

Read a few chapters of Heretics. Am now halfway done.

Tire. Twice.

Signed up for a CPR refresher course

[skitskatdacat63]

helloooo you haven’t heard from me in a while but since i consider u an f1 historian i just saw on tiktok a video of an intro (before the 2012 korean gp i assume) where they had the drivers with gangnam style as the music… i was wondering if you might have it since that has been driving me insaaaane 😭😭 thank you sm catie have a lovely day 🫶

Hallo!!!! Nice to see you again! I'm glad I can be held in such high esteem 😭 But please anon, we def saw the same tiktok, this one, right? A great thanks to the op on tiktok who linked me the video!!

Why did you have to force me think again about all the Gangnam Style stuff in F1 in 2012 though????(ex. BBC vid with PSY, vid/pics of Seb and Mark with PSY, both learning the dance, as well as other clips of drivers such as Felipe and Nico dancing)

[palukoo]

I know I’ve made other posts talking about or alluding to this but like. obviously there are like the old hollywood movies in the sort of dyke subtext canon (all about eve, rebecca, johnny guitar, etc) but like. there are so many movies that like 10 people have seen but I have such a clear gay vision or interpretation for it. most of them aren’t even GOOD. and yet!!

like the great lie is the one that haunts me the most (or the women but I think that one is kind of different for me perhaps bc I’ve already talked about it here a lot or perhaps bc I think of it as being more well known and watched than I think it actually is? actually it’s probably that I think it is an overall good and well executed and entertaining movie which isn’t really true of most of these tbh). but I also think a lot about like when ladies meet, or old acquaintance, or sadie mckee, or the shining hour, or the model and the marriage broker, or a woman’s secret, or the bigamist, or craig’s wife, or born to be bad, or separate tables, or even dark victory to a degree. others too certainly those are just the ones that come to mind. for half of these it’s not even like oh these women are gay together it’s just like hey I think she’s a lesbian. and I’m right. but my genius will never be fully appreciated in my day unfortunately.

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'

[ichijokaoru]

I wanted to get a torrent of the raws for kuuga (since my previous set was subtitled and idk I used to be a video editor and i like the idea of gifs etc. so y'know... wanted some raw footage) but it has seemingly come with a goldmine of interview footage from a variety of eras (both during and post the show!!) that I'd previously been digging around on niconico trying to dig up, and i believe isn't uploaded to youtube... so extremely exciting. while not ideal, it will also be good to just let google's shitty auto translate give a Vibe of what is being said with some questions which I can only do once it's uploaded (my partner will be the one doing that probably)

[dancing-with-stars]

i am losing my mind

[pyrriax]

hi everyone remind me to never look at deviantart again

[jatlokgwo]

hetalia plot summary

[ziracona]

I know I say this every time I read my own work, but Speak for the Dead really is the best chapter in ILM.

“Well, you know for the first time in a long time this actually feels like fall?”

Jane Romero was smiling at him, sitting propped up against a tree in what had sort of become her usual ‘therapy’ corner in the past almost two weeks. And she was right, it did feel like fall. The air wasn’t as sharply cold as normal, and honestly ‘sharply’ cold was a nice break in and of itself when it happened—usually the weather here was somehow just cold—cold with no adjectives attached. But today it was nicer. It was the kind of waiting fall cold that came when it wasn’t biting outside yet, and it was almost pleasant. A promise of a change in the seasons. Tapp wondered why.

The trees hadn’t started to change color with it, or fall in piles, and as far as he’d gathered there weren’t seasons in here. Everything looked the same. Tall, thick woods, undergrowth and moss and rocks and fallen logs, a slight breeze on and off. Dark sky overhead, full moon, at this point long since throwing off everyone’s idea of what day and night were supposed to mean. All the usual. Except, somehow, the kind of cold in the weather. Who knew, maybe nothing had changed. Maybe they had just started to feel better.

LIKE. Those opening lines mean nothing but environmental flavor when you read them. But they’re a lead in for the thesis of the entire chapter.

“Well, you know for the first time in a long time this actually feels like fall?” - A promise of a change in the seasons. - Who knew, maybe nothing had changed. Maybe they had just started to feel better.

Like that’s it. Speak for the Dead is about a lot of things, but at its heart it’s about healing. It’s about forgiveness and healing, that exists between the living and the dead. It’s about how you can only speak for them, by speaking for them. Not how you want to punish yourself or live for them, but by how you know they would forgive you, or would ask you to live. Very little other than exchanges of information happen, but so much happens at the same time. All of it significant. It’s hope. It’s about how Tapp (and Meg) have spent every day here fighting in their own way to cope with the agony and failure of their lives, and the loss of people they couldn’t save, and have only dug their wounds deeper. About love. About nothing stoping the lambs from screaming except accepting that they want to let you go.

[stilwatered]

i read shirley jackson's we have always lived in the castle some time ago, and absolutely loved it. i'm now reading the haunting of hill house and goddamn i just adore the way jackson writes and the atmosphere she creates.