#<- debatably. it is horror not this

[luanna801]

Oh so when Nie Huaisang tricks a guy into stabbing his best friend to death it's ""justified revenge"" and ""very girlboss of him"" but when I, Xue Yang--

[greyshadow63]

Isn’t “transgender illegal alien sex surgery” what they did to the guy in Rocky Horror

[magicicephoenix]

what do sun and moon think of rabbits

…not much.

[fuckmeyer]

the choice between Edward & Jacob is not a question of which relationship is healthier or which partner is best suitable for Bella. neither is correct. neither is best. neither produces a happy ending for Bella. at the end of the day this is still a vampire novel. any choice Bella could make would yield, at best, a bittersweet happily ever after.

if she chooses Edward, she gets the terrifying Breaking Dawn ending: a girl who rejected her call to grow up has hung her love & her eternity on an emotionally stunted partner who hates himself marginally less than he loves her. she's a teen mom with a kid she never wanted who perpetuates the generational trauma passed down from her parents. by keeping this child, the Cullens have set the stage for an uprising/cold war against the Volturi who are likely to take revenge in order to maintain power. Bella is living in a tenuous "dream come true" wrapped in a nightmare & doesn't realize it.

choosing Jacob is the true coming-of-age ending that rips the stitches out of a wound that never fully healed. even if we ignore the fact that she ends up with a man who sexually assaulted her (we must bear in mind Jacob's character is influenced by smeyer's racism, but it did happen), they can't have a secure romantic relationship. based on the high imprinting rate of the pack, Jacob will likely find his imprint in his lifetime & will lose himself to the imprintee. he will no longer be her Jacob. he will inevitably abandon her (whether he wants to or not), & she must reconcile with the reality that she will always be inadequate to Jacob's imprint. & say he never manages to escape the vampires? he will presumably not age for a long time, meaning the relationship Bella always feared with Edward (her being an old grandmother while he stays forever young) remains a possibility. this is the story of a girl who slaps a Band Aid on an open wound & calls herself healed while flinching every time she sees the shadow of the knife that cut her.

if she chooses neither (team therapy), her healing requires her to lose or be at least partially disconnected from everyone she cares about. Bella must spend the rest of her life shut out from one world while never fully existing in her human world ever again. she must always keep secrets. she can never go back home. even in the unlikely event that she manages to escape the Volturi, the threat of being hunted by vampires will never leave her. in addition, she must face her worst fears (aging, losing Edward) while always keeping in mind the immortal life that could have been hers, if only.

even the "healthiest" option produces scars that will never quite heal.

Twilight is a horror. Twilight is a vampire novel. Twilight is gothic. Twilight is fiction. neither Edward nor Jacob is a "bad" choice because neither will give Bella her happily ever after. the choice between Edward & Jacob is simply a matter of which horror story you prefer to read.

[oobbbear]

Is having gore and cannibalism imagery in a horror game, weird, it’s a story about the food chain and very of beastars like, with anthropomorphic animals, but not carnivores vs. Herbivores it’s more scavenger animals if they can communicate with the ghost of the ones they’re consuming what will their relationship be like, and I’m not making the gore part weird weird, it’s just with premise like this it’s hard to avoid graphic imagery

Im sitting here panicking will I get publicly executed for this or am I overthinking

[vampirecorleone]

"Is your mind starting to race? Now your odds of death are 1 in 2. That's pretty high indeed. I'm sure you're afraid, lots going through your mind. "The gun is in my hand. Screw the rules. Pull the trigger once or twice, and I can blow this guy's face off." Isn't that right? If you want to meet the person you mentioned earlier, you can simply shoot me with that gun and take it. But I'll have you admit one thing. That you're a piece of trash, just like everyone else. A piece of trash who got lucky and made it out of the dumpster." Horror Character Appreciation - Gong Yoo as The Salesman in Squid Game (2021)

[tsukinoshinjiu]

XII - The hanged man

"The hanged man understands that his position is a sacrifice that he needed to make in order to progress forward - whether as repentance for past wrongdoings, or a calculated step backward to recalculate his path onward."

[i-still-dont-know-a-username]

Just had the chilling realization that Astronomer Ghostquartet would have used chatGTP if he'd had the technology.

[messrsrarchives]

[vi0lentquiche]

I vaguely remember reading this and watching the interview with Bryan and Hugh at some point but can’t find any traces of it here, so to commemorate the heroic sacrifices of everyone working on Season 1 and to preserve the McDonalds bit especially:

For the first season, it was interesting, 'cause I wrote the pilot and it was so closely tuned to what Thomas Harris had written, and there was so much from the books that was going into it. Then I think we had four or five scripts, and then I saw the pilot, and I saw the work that Hugh and Mads were doing, and I saw the work that David Slade was doing, and I looked at those four or five scripts that we had written, and I said that they weren't good enough, and I threw them out. And then we started over. I think we shut down for two weeks between the pilot and the rest of the show. So, after seeing the pilot and going, 'This is actually really good, and this cast is phenomenal and they deserve better material,' [we changed our approach] because the four or five scripts that we had done were very procedural, and very sort of strange.

One of the episodes was about a mass shooting in a McDonald's, and we were trying to make this commentary on fast food culture and gun culture. Now, looking back on that, I'm like, 'What the fuck were we thinking?' 'cause there's no way to skin that and not be offensive to somebody. Not that I care about offending people, but it just was sort of inelegant and cheap and not necessarily elevating the genre. I feel a deep responsibility to try to elevate the genre of whatever I'm doing. So we tossed all of those scripts out, and then it was a scramble for the rest of the season.

And it was really hard on Mads because English is his second language, and a lot of the shit that Hannibal is saying are words that I have to look up, to go like, 'Is that right? Is that a word?' So it was really difficult for him. The first season was insane, it was very depressing, and it felt very much like I was in Will Graham's head a little too far. And I remember there was one time when Hugh and Claire [Danes, Dancy's wife] and I were walking around a park and it was just nice to be with people who weren't expecting something from me that I knew I couldn't give them. To just have general support and go, like I said, when Hugh and I had our first dinner, I was like, 'Oh, this is gonna be my friend. This isn't just a working relationship, this is somebody whose company that I adore.' So those moments kind of got me through the complexities and the real hardships of season one. And then after surviving something you go, like, 'Oh, I can survive.'

bonus:

Truthfully, in the chaos that we experienced and that Bryan was kind of in the frontline of, in retrospect it didn't compromise for me the ability to submerge ourselves in it. I honestly don't know why that should be, except for the fact that... he, and we all, felt that responsibility, right? Not even to anybody else, just to ourselves, right?" Fuller finished Dancy's thought for him: "As artists."

[containment23]

where are all the stranger things x south park or IT x south park

guys it's right there: 4 elementary kids discover the horrors

[purplecelestial-buddy]

Allow me to go insane about perhaps the entirety of chapter 28

First and foremost, we are in it since page 1.

The fact that we are watching this interaction develop from the pov of the guys (since we are watching Hirano from above, like Kagi would and we are watching Kagi from below, like Hirano would) is totally insane.

This exchange is kind of so funny because Kagi says Hanzawa is gone and Hirano, who I would argue is still kind of processing the... straightforwardness and "strengh" (that's the only word I have rn) of the hug request is standing there like "and what does that even have to do with us?" and to some degree this is very important to me because this is Hirano we are talking about. Marriage = civial law Hirano. The 10 secs rule cannot exclude hair because it's made from protein just like skin, Hirano.

I need you to understand that this man has one hell of a convoluted thought process and in other situations he has taken mere seconds to come up with some weird analysis just so he can win whatever debate him and Kagi are having. AND REGARDLESS here we head a head empty no thought Hirano, he's thinking of one thing and one thing only, that being the hug and how it will fit in the puzzle that is his relationship with Kagi. And the hand clenching. Gosh the hand clenching. If only I had a nickel for everytime Kagi closes his fist or grabs at stuff to physically stop himself from crossing the line I would be a millionare. The hand clenching even makes me wonder if he actually belives no one will see them. In fact this is such a funny scene in the sense that Hirano is completely focused in their interactions and Kagi is the one coming up with unexpected loopholes to validate his actions.

I always think back on the "that passion... is focused squarely on me" scene whenever I see this expression on Kagi.

In fact it's interest to see how his expression has changed along with his feelings, desires and expectations about Hirano.

Let's do a timeline:

This was the first instance in which Kagi ever thought about kissing Hirano:

This is the passion scene I was referencing:

And then there's Kagi now who always looks five seconds away from devouring Hirano.

So it's no suprise that Hirano looks uncomfortable. This is the same passion and drive he has always admired from Kagi but now it isnt a driving force used to put effort in basketball or to study so that they can remain roomies, it's being used to expose Hirano to as many romantic situations as posible in hopes that he can reach a conclusion, hopefully a romantic one. And that a very complex expectation because romance and dating are uncharted terriotory for Hirano so ofc he's even more cautious than he tends to be and gosh I'm projecting but I dont think people get how GODDAMN frsutrating and tbh scary it is to know people are expecting something from you when 1. you arent sure what that would even entail and 2. you arent sure if you could perfom even if you knew it.

So anyway, what happens next is very important: (but there's also the whole translation deal so... let's take it with a grain of salt(? (I'll put in italics all the comments/analysis that was biased by the mangadex translation)

Kagi makes his request, Hirano is squeamish and he begrudgingly agrees because that's isnt he kind of thing he "cant's say no to"

As in, he isnt allowed to stop each and every of Kagi's advanced even if they arent directed towards something he's comfortable with simply because theirs is a delicate situation and first and foremost he wants to keep Kagi close. And keeping Kagi close and remaining as roomies is heavily dependant on him not breaking Kagi's hard so he can't refuse all advances right? Because he's pretty much uncomfotable with all things romantic but he can't properly deny Kagi a relationship unless he knows how a relationship would work, right? (I think that fron here onwards the things would remain the same regardless of translation)

And I love that here Kagi inmediately panics and backtracks. Because many things can be said about Kagi, he's passionate, he's intense, he can come on to strong but he would never want to hurt Hirano. He would rather lose sleep and study than stop having his presence close, he would rather clench his fist and stand at the line than ever cross it. Because ven if he would get what he desired he would lose the person he loves the most.

And this whole thing was a kinda tense so when Hirano finally exhales so can we as an audience. And we proceed to get back to typical hrkg antincs of "but are you 100% sure that I'm not presurring you into doing this because I wouldnt want to do this is you arent on board" x "stop whining and going in circles, let's do this and get over with it"

And once again we get Kagi's pov of Hirano. And I dont know if it would be crazy to say that it feel different than the first one but for starters now we see more of Hirano, other than his face and you can see the uncertainty in his hands.

Then comes the hug which is honestly the one and only reason I started this whole ramble.

First, let's look at past hrkg hugs: We have the famous infirmary one. And I want to draw your attention at a few points; first Kagi grabs Hirano sort of by the shoulders, in the 2nd page at the 3rd panel of the sequence Kagi pulls Hirano into the hug, a futile attempt to make it feel more reciprocal I would say and then he squeezes Hirano.

Now, this chapter's hug has much more movement.

In fact it's six pages long

Its starts fairly similar, with Kagi sorta holding Hirano by the shoulders

and it goes down from there

This... this panel haunts me. This is not the face of someone that's comfortable. We can guess that the culprit might be Kagi's hand on Hirano's waist since it's much more lower than where he usually puts his hands.

And no one is comfortable with this so, Kagi soon realizes and again, he backtracks

We finish with the usual hearty squeeze, this time there's no need to get pulled for it to be reciprocal since Hirano relies/lays on Kagi.

And then of course we have the guilt and crisis of feeling uncomfortable ("repulsed" is one of the word choices being questioned)

I don't have much to say about the rest, Hirano gets thinking thoughts, realizes that maybe it can work out if he's the one doing the hugging and we all celebrate.

(also, I find it so funny that all of their "realization" moments have literally the same page composition. I wonder if it's a Harusono quirk of if there's deeper meaning. In fact, the line gets straighther each time so maybe it's all about how they are reaching an understanding of each other )

Then he have a much more comfortable hug and perhaps some of the most kira kira sparkly pages we've ever had

In summary this chapter is very important cuz:

1. We (Hirano included) see Kagi backtracking. This is important because Hirano has gone from not realizing the dept of Kagi's desires to being aware that Kagi will never push him to do anything he's not comfortable with.

2. Kagi says that he knows how much care, which surely lifted a heavy weight from Hirano's shoulders and will helps us in the future

3. Hirano basically learned how to say no and that he has a right to work things in his own way (can be debated based on the translation but I feel the point would still be something to worry over in general(?)

[mee1414]

A pirate!

Day 20 - Geminitay

[vampirecorleone]

"I know. I've been really naughty, haven't I? Maybe a good spanking's in order?" | "Is that all you ever think about? Do you think everything is about sex?" | "No, of course not! I mean, there's greed, gluttony, sloth, anger, vanity, envy..." Elizabeth Hurley as The Devil in Bedazzled (2000) dir. Harold Ramis

[prettyboykatsuki-moved]

if you think sunday doesn’t fantasize about being knuckle deep in his little sister and chaining your ankle to his bed and planning your life out by the hour i fear we did not play the same game

[thebad-lydrawn-sanses]