#;x infinitus

[overx]

@thegatesofinfinitespace

...hoo boy, that's not good. Blitz has been the one to fill Xanti in, but even if she hadn't, the rumor mill is going plenty strong. He'd have caught wind of the incident eventually either way.

"I-I'm sure it was nothing. I'll talk to him." An awkward reassurance, before he's leaving the other reploid in the dust, and pinging his partner.

//Uh, hey Zain? Did you, er, get in a fight while I was gone...?//

[overx]

Discomfort permeates the laboratory, a looming thing none of them are able to ignore. The X feels a pang guilt for the anxiety hanging over his partner, but this is too serious to brush under the rug. Too dangerous to turn away from in favor of the security secrecy provides.

It'd been a purposeful blind spot for so long, years of being close but never pressing. How could he, when any brush with the past would leave Zain hollowed out? Every old wound still bled, and brought with it the forlornness of fresh loss. Asking felt like a violation, like an act of harm, and now.... now there is no choice.

No going back to thin peace pretending brought.

Xanti is quiet as he works, quiet as he is slowly drip fed context. He reaches for a small tablet and cable, then gestures for Vile to lean. The port connection in the back of his neck is quick, something they've both done a million times, but it's perhaps the only time the purple clad reploid has looked so awkward.

"...and he is... who, exactly?" Less demanding already, the medic leveling out to a more neutral register. They are all tired, all regretting every second spent wading in the muck of the Commander's history. Still, it must be done.

Vi volunteers the next snippet, if only to cut the tension. "Well, see...." Ever avoidant, his gaze lands on one of the empty corners of the medical wing. Briefly the walls light up with the red glow of malfunction, before he chooses to close them.

"...we hadn't actually crossed paths before today," started again, as if they are both skipping over the same exact detail in tandem. "Neither the Commander or I had reason to believe this would be an issue. Which... is why it wasn't discussed." An excuse, going to the defense of his superior. The words are strange in his mouth, useless fluff to put off the truth a little longer. He can feel the expectancy off of Xanti, a long sigh the only cushion between this moment and the next point of no return.

"...he.... is me." Three words that lodge themselves in his processor, that grind in place no matter how many times he turns them over. There is no describing how disquieting it is, how the creep of unreality blurs the edges of his thoughts in disjointed code. "That's... how we knew." Because we're the same, just a different coat of paint.

A grimace, for the residual pain in his frame, for the way the concept of trying to decommission himself is burning a hole in his brain. It'd been easier to react to a present danger, and only with the clarity of hindsight does the uncanniness truly settle in his body.

"...we weren't.... keeping anything from you, Xanti."

The room is quiet again.

Fingers curl around his sleeve, likely can feel the way the suit is just barely holding everything inside, particles leaking through the fabric like ash, and he wonders what it feels like to the X. Did it feel wrong? Like a ghost possessing the clothes it used to wear in life? Like a facsimile of what a body should feel like? Xanti worked with so many, he must know the unnaturalness, notice it at the very least.

If it bothers him, he doesn't show it.

Like a cornered animal, wounded and wary. Guilty. That is what Zain assumes he looks like in those moments. "I..." But despite his growing lack of comfort, the blond falls into the same kind of compliance as his fellow Hunter, both he and Vile finding their own perches to settle upon, complicit to orders from a higher authority.

The lab bench is cold through his slacks, sterilely so. It's just in your head. Disassociation is grounded with the E-Tank pushed into his hands, and further compliance given when he absently pulls the tab open with a hissing click of the pressure seal snapping.

Coolant is an easily recognizable smell, sugary and toxic all at once, mixed with the regular repair nanomachines that made up the Energy Cans that were usually masked with a heavy smell of citrus. As he tilts the drink to his lips, the color of the liquid shimmers in lab light, a reddish shade from the blood Xanti had carefully measured in. Pink lemonade was an oddly specific way to describe his boyfriend, and strangely accurate.

With each gulp, his vision starts to stabilize, errors no longer popping up with each movement he made; multitudes of warnings of being unable to uphold his form slowly closing away. The plop of fabric catches his attention again, vision re-focusing on Vi's arm as it moved, drops down to the gaping tear in his own suit.

He's afraid to take it off, to see the grey and red stain of dead nanites. Will I fall apart if I do? Zain tunes into his boyfriend's musings, and-- feels like it would be just as well. When the room trembles, he knows it's not the damage. His fingers curl around the little can in his hand.

"I... thought he was dead." Discomfort in that statement, an anxiety that came with the day's events finally processing. How actually, had that Maverick... Looking for a distraction, the Commander parses through the report he'd been about to send the GDC during that conference. Right. He'd said he'd wanted to bring in a second-in-command. The only solution would have been Signas. That armor flashes instead, can't stop remembering...

The electricity in his veins, parallels of his own death and that of the Maverick that had gone down with him. Of that same armor painted blue, and mangled from Psi's reports later on. Of the laugh that had once been less manic, far from the first or the last companion. Of the optic glowing through the visor that used to not be red.

Distraction. From the corner of his eye the Zero can see his bangs fraying. I don't want to think about this right now. There was that file he'd never finished decrypting, a desperate focus on something else. "...Didn't consider he'd recognize," purposeful meaning in the nickname, "Vi, but in hindsight it isn't surprising."

[the-timeless-founder]

Being Best Friends with Saeclus Sanguine

Autumn; for he was born in it, and he lives there. The scenery and the colors. The chilly air and the rain. The beauty in nature's struggle for survival, and the bitter taste of it's defeat each time.

Wine; only juice to him. He would offer you a glass, and he'd have another too. And glass after glass, time passes by with conversation, and you start to feel effects, yet he remains sharp as ever. He never finds a moment's peace, not even with all the wine in the world. And still, he drinks on.

Affection; as even in his hardest hours, he is a gentle spirit. Soft kisses to the back of your hand, your cheek, your forehead. Gentle hand holding with his thumb brushing over yours. Smooth touches as though he were an angel taking demonic form.

Hugs; sweet and strong. For he holds not too tightly and not too lightly. And in his arms, it's safe. Free from all the troubles in the world are the moments spent in his embrace. And for a short while, the world is at peace. It's calm. And it's nice.

Philosophy; and he knows it by heart. The soul of an artist in the body of a warrior, he has read it all, and in due time, just listening to him speak of it, will make anyone fall in love. Abstract ideas and discussions. Morality and it's struggles. Questions of existence. He simply has too much to say.

Words of encouragement; he always has a way with them. For he has felt helplessness, and he has felt pain. And he feels deeply when he does. For he knows that you wish to hear them, even if you deny it. And he knows hope is what keeps us all going. He knows, even when it seems he doesn't.

Firm grip; the kind that lets you know he will never let go. The kind that speaks an unspoken message; that he will be there, supporting you and cheering you on with a smile, even if everyone else chooses to leave. The kind that gives courage and warmth.

Historical buildings; and he knows the story behind each and every one of them. From the ruins at the edge of Rotigenberg to the abandoned manors by the Black Mountains. Remember he is old, some dare say ancient. He's been there when the castles fell, and the lands became abandoned. And he was there when new ones were built and rose up from the ground.

Books; for literature has always been a passion to him. Novels he's read plenty, and has never gotten enough of. Some he's even written himself, though in secret. And poetry, which he simply adores. Romance, history, philosophy, and the list goes on. He's read so much, and said so little.

((Inspired by @nutaella-kookie 's fantastic aesthetics, I thought it was fair to mention her u-u))

[alexthewolf29]

Soy muy fan de la franquicia de Sonic :3 aunque Sega haya cometido errores en algunos juegos, aun sigo amando esta franquicia ;w; y mas cuando conoci Super Sonic X Universe :3 si me vas a funar solo porque dije que me gusta SSXU mejor ahorratelo c: primero lee antes de criticar c: gracias a este serie, y el de Deadmonster 777 Shadow Infinitus, me abrieron un portal hacia el mundo del dibujo y la animacion :3 hasta hay algunos usuarios que siguen sus pasos y crean sus propios personajes y sus propias series, de hecho una amiga y yo estamos creando nuestra propia serie =3 la cual es la ultima imagen de aqui, la cual yo dibuje, y yo ya estoy adaptando la serie y subiendo en youtube, pero a modo de dibujado :3 gracias amigos y animadores por haber mostrado el camino del fandom :3

[jackie-talks-about-starkid]

A Very Potter Sequel (Rewatch #3, 9/23/2020)

YouTube publish date: July 22, 2010 [three years and a day from the book release of Harry Potter and the Deathly Hallows]

Number of views on date of rewatch: 4, 850, 972

Original Performance Run: May 14-16, 2010

Ticket price: Free! And available via email reservations! (because of parody-legality things) [x]

Director: Matt Lang

Music and Lyrics: Darren Criss

Book: Brian Holden, Matt Lang, and Nick Lang

Cast album price and availability: $9.99, on Bandcamp (x)  and iTunes

     Release date: 8/3/2010

Parody or original: a very original sequel parody (parodies Sorcerer’s Stone, Prisoner of Azkaban, and Order of the Phoenix specifically while incorporating other elements of the Potter books, movies, and various other pop culture references)

Main cast and characters

Harry - Darren Criss

Ron - Joey Richter

Hermione - Bonnie Grueson

Draco - Lauren Lopez

Snape - Joe Moses

Dumbledore - Dylan Saunders

Umbridge - Joe Walker

Lupin - Brian Holden

Sirius - Nicholas Straus

Lucius Malfoy - Tyler Brunsman

Yaxley - Corey Dorris

Musical numbers

Act I

     *all music and lyrics by Darren Criss

“Not Over Yet” Characters: Lucius, Yaxley, and Death Eaters

“Harry Freakin’ Potter” Characters: Ron Weasley, Rita Skeeter, Harry, and Hogwarts Students

“To Have A Home” Characters: Harry

“Hermione Can’t Draw/Lupin Can’t Sing” Characters: Harry and Hogwarts Students

“The Coolest Girl” Characters: Hermione

“Gettin’ Along” Characters: Dumbledore and Umbridge

“Let The Games Begin” Characters: Company

“Those Voices” Characters: Harry, Sirius, James, and Lily

Act II

“Guys Like Potter” Characters: Lucius and Snape

“Stutter” Characters: Umbridge

“No Way” Characters: Harry, Ron, Hermione, and Draco

“Days of Summer/Back to Hogwarts” Characters: Harry, Ron, Hermione, Draco, and Company

Notable Notes:

The entire filmed version of AVPS premiered at the Harry Potter convention, Infinitus, which is one of (if not, the first) convention that StarKid officially attended as guests

A Very Starkid Album, which includes many songs from AVPS as well as the Darren Criss solo versions of “Ready to Go” and “Even Though” from Me and My Dick, debuted as #14 on iTunes Top Pop Album charts when it was released, earning a spot higher than Glee and Lady Gaga, whose albums were placed at #31 and #29, respectively (x)

Cultural Context: 2010

Hurt Locker wins Best Film at the Critics’ Choice Awards

The Winter Olympics happen in Vancouver

Matt Smith has his first appearance as the 11th Doctor on Doctor Who

Iron Man 2 opens on April 26th

One Direction is formed on X Factor

California’s Prop 8, banning same-sex marriage in California, is overturned

The global outbreak of the Swine Flu is still ongoing

Content Analysis:

There are a two things that stuck with me the most while watching AVPS for the umpteenth time that I could not stop thinking about:

     1. each character portrayed in the show shows off each actor’s comedic strengths perfectly, and

     2. despite not every single creative team member having a musical theatre specific formal education, growing up in and around musical theatre made the team more aware of the intrinsic musical theatre characteristics and formulas that aid a work like this in its success.

The first point should be somewhat obvious to those who have watched the show and are fans of the original source content, both book and movie universes. I cannot sing the praises of Lauren Lopez and Joey Richter’s comedic timing enough! I have no words for how incredible their performances are. Darren Criss’ performance is charming as always. Joe Walker as Umbridge is absolutely hilarious - StarKid’s comfortability with performing in drag is something I really admire that not a lot of productions can successfully pull off. I’d like to give a special nod to Tyler Brunsman as Lucius Malfoy who honored Lopez’s physicality as Draco perfectly while still making the overdramatic poses and gestures a trait that is the character’s own. Overall, 10/10 love the performances.

Now for the music. Darren Criss has an extensive background in musical theatre and theatre in general, so it isn’t surprising that he was able to make music that worked so well for a musical that he helped create. However, there are certain things about musical theatre that a person can’t learn via formal education and experience in professional settings. A lot of musical theatre (I’d say all of it, but that wouldn’t be giving professionals enough credit) is simply trial and error. While the loose idea of book-and-lyric/dialogue, song, and dance musical theatre has existed for over one hundred and fifty years (historians often attribute the first musical to The Black Crook which debuted in New York City in 1866), the modern-day formula for musical theatre was perfected, though by all means not invented, by Rodgers and Hammerstein in the 1940s with Oklahoma! They are often credited for creating the traditional musical theatre plot formula and song types that were used almost exclusively in the Golden Age of musical theatre in the 1950s, and are still commonly seen today, even with more experimental and non-traditional pieces.

Like how the Hero’s Journey in literature is so commonly used and reused over and over in different mediums and genres, even in theatre, there are certain types of songs that are traditionally used for servicing a musical’s plot and character development. A classic example of this would be the “I Want” song, such as ‘The Wizard and I’ from Wicked or ‘Something’s Coming’ in West Side Story. In A Very Potter Sequel, the “I Want” song is ‘To Have A Home’. Another common song trope in large cast musicals with one specific lead is something I like to call the “Hero’s Welcome” song, though I’m not sure if that phrase is the proper term for what I’m talking about. An example of this type of song is ‘My Shot’ from Hamilton or, in this case, ‘Harry Freakin’ Potter’. A personal favorite of mine is the “Jilted Lovers” song, like ‘Take Back Your Mink’ from Guys and Dolls and ‘Stutter’, from this show.

Anyone who is familiar with musicals, and particularly musical comedies, would recognize these kinds of songs and the roles that they serve in their specific productions, but the reason why it’s so hard to write successful musicals is because not every song a person writes for a specific part of a show fits the rights tone or follows the more traditional type of song seen in previous musicals that follow a similar plot structure of character introduction, conflict introduction, rising action, climax, and resolution (with a happy ending for a musical comedy). Yet Darren Criss, who was in his early twenties at the time, executes it so very well.

Even in the character performances, actors use very specific gestures and intonations when delivering a line or performing an action that the audience immediately knows the intentions of, because that delivery is so commonly used in whatever instance is being performed. One that immediately comes to mind is the scene in which Umbridge discusses the dorm rules with the girls. While explaining the cruel and unfair treatment the world gives for girls who aren’t as pretty and perfect as Cho Chang, Umbridge says,

“Because that’s just the way the world works for frumpy little turds like us! I mean…

*Umbridge stiffens with realization, then turns her neck in a very jilted fashion towards the girls*

Like you”

It’s the neck action that does it for me. I don’t know how or when that performative gesture became a physical symbol indicative of aggressive mental instability, but the media consumer inside of me knows that gesture is what is meant to be done at that moment in time to convey the threat Umbridge represents. And that’s what makes the comedy of StarKid, and the comedy in this production work so well for me. The cast and creative team just get what it means to perform something for an audience, and particularly an audience of fans. And it’s definitely because the cast and creative team are such adamant fans themselves.

[overx]

magnetiix​:

It’s too early for this.

Too early? Too late? Both are true.

[rayodakod]

EDWARD CASH WALLACECONGRESSIONAL MISSION NAME: JOHN DANIEL SMITHDOB:7/17/1976   SSN: 559479044IMAGE LOCK T NAME, NAME LOCK TO IMAGE AND ID METHODS TO DATE...CHECK SOCIAL MEDIA & WEB NAME FORMERLY KNOWN ASSECRETARY OF STATE SAFE AT HOME PARTICIPANT #1145 WITH NAME PROTECTION FCC487 NOTE PUBLICATION OF SOCIAL MEDIA NONUSE FOR NAMES ATTRIBUTED TO FORMER SOCIAL MEDIA ACCOUNTS AND WEBSITES.  DO NOT ATTRIBUTE FOLLOWERS AND OR ATTACHED ENTITIES TO SAID SOCIAL MEDIA ACCOUNTS AND OR WEBSITES AS STATED IN ONLINE PUBLICATION.  BENEFITS ROLLOVER INTO OTHER NAMES. NAMEBASE: (JOINT & SEVERAL)ALL SPARK PRIME, A3ER, RASULA, HAWKEYE, RAMARAGU, SEER RA, BLACK SABER, JOSHUA VALENTINO ARMADINO, YESHUA, OM III, LYRALEX LOGAN TRUTH DIAMOND RASUL RAYOAKOD SOGOLEHTERAY GILIMOT, 22G, GILIMOT KING, LA, WOLVERINE, L.O.G.A.N., GILIMOT, WORLD EMPEROR (NO VENETTE), SEVENO LOGAN GILIMOT RAZYODAKOD, OGYODA, DIAMOND RAYODAKOD, 779, 545 PRIME, YODA, RAZYODAKOD, RASRAMA, INFINITUS PRIME, SEVENO GILIMOT RAYODA, RASULARGUS, 959 PRIME, 7, KING SEVEN, ED4 K7G, 770 PRIME, 9A145, JOSHUA, JOSHUA OM SOGOLETHERAY III, SAM GOLD, RAGURA, RAGUSA, JOSHUA ETHERAY, SKG, 145, KROME, DIAMOND RAYODAKOD RASRAMA RHINOKOD, 412, [SANDY] AND MESSIAH RANDY GOLD, SAM KINGSLEY GOLD, MASTER GENERAL XYODA DRADELACOSA, GENERAL X, F712, SGT X YODA, 7PRIME, RIHONDINO, ROCKADAFI, MANDALORIAN RX, JERAMENOAS RAGUSA RASULA RAYODA OM SOGOLEHTERAY, MC ROCKADAFI, 22, 227, 7779, 77777777777779, RAMOS, ODIN, JESUS C. T4, ECWT777, JESUS HD, RASULA RAYODD DAROANSABERIO, CALEL, KALEL, N.A.S.I.R, CAL, RAMA'AT, CAL NAL, MR. 2, ZERO, GOVERNOR ALPHA ZETA, CASH, EK, K3, K44, RAGUSA ZAID, J.V., DAVID III, CALEL RAYODAKOD OM WALLODIN, MESSIAH RAYODAKOD, RAGURRA, RA UN NEFERA AMEN SR., RA, CAPTAIN RAZYODA, SIR EDWARD, MASTER DIAMOND RAMA'AT RAYODAKOD, VALOR VALOREM, GMK9R, GMK$, GACHALA THE TIME BANDIT, CORPORAL COMMANDER YODA, ABBAS DABIR ABDALLAH, KASH MCCOY, JOSHUA KINGSLEY, YEDI IKASSIUS, EDDIE KASH, CASH WALLACE, SIR EDWARD RAVENOUS EAR, ED WALLACE, JOSHUA CRISTIAN VALENTINO, 7RE, KROM, CROM, AGIMOTO, RAMA, GREEN FORCE KING, JFK, THE CONQUERING LION OF JUDAH, LION OF JUDAH, GREEN CLUB RULER, WHITE CLUB RULER, FAM LEADER, RED CROWN, BBC, K3, 3K7...E.T. A.L.   -- NOTE REFERNCE PUBLICATION OF FORMER NAMES, THEIR NONUSE, AND TRANSFER OF BENEFITS FROM EACH NAME NOTE: DEBTS PAID IN 6... REFERENCE 5XVW101, ARGUS CONTINUITY TO BE DETERMINED NOTICE: COPYRIGHT LAW ENFORCES OWNERSHIP OF A COPYRIGHT AT THE CREATION OF THE WORK, NOT UPON FILING!!!9999G9DSIC9999 L.O.G.A.N. TRUTH DIAMOND RASULA RAYODAKOD GILIMOTENFORCE THE 10 LAW WITH 4448THE SECRET 62 DUNCANVILLE555PRIME779 1980 1902 1987 1935 1964 1909 1976 1922 5444122 1992 1929 2999 2399 1910 1963 1954 1972 5 EAB 1033 TRUST BENEFICIARY CIVIL CODEBAPEM N411 CISNE CISKE VEP 2POP POLO150GRAB ALL SMILESLUCKY GOOD TIMES CXZ 0333 RETRO VAULT & TRUST AMPM AMPMBMZM SIERRA 6412555 SP18 746NICE NATASHA TIMBER RETAIN & SUSTAINABILITY CO. SAVED INDDDEEEPOPDD000PSP DDDSOFIA9999 OS LINDSEY SAFEGUARDDEBARB WIRE, NORTH KOREA REFORMNEWANNE 1227 ORDERWELCOME HOME, THAT'S THE ONE 5901000000 (YODARUPEES)EXTRACT FUNDS 7RE RELINQUISHMENT OF POWER TO RELINQUISH 300DON'T NONE OF THAT MATTERKILLED THE MAJESTIC SEEKER YOU'LL PAY FOR THAT THERE'S A BAR CALLED LOUIE'S RIGHT NEXT TO MY OFFICE!THE BURDEN OF RULE BLUE CAMERA & THE STRING MTAPR2D2R3D3NO TRESPASSING, NO SOLICITATION 30000 DON'T TOUCH THAT STICK

[valentinahart]

------------------------------------------------------------------------------------------------------

“The StarKid Album basically paid for the production of Starship and to keep their office of StarKid LLC going. I’ve booked them on conventions. At Infinitus last year, it was the first time they had experienced the fandom. For the past seven years, I’ve gone to every Harry Potter convention in costume. So I took the kids and there were fourteen of them, they all went to Florida and they actually experienced the fandom. We made some money from autographs and that went right back to the company and literally all of that money went to produce Starship.”

-- Pat Brady, May 09, 2011 x

[seomarketingtools]

Social E-Commerce Empowers Direct Selling: Infinitus’ Digital Revolution #digitalmarketing #onlinemarketing #seo #seomarketing #socialmedia #seotools #blogger #blogging #makemoneyonline Infinitus is launching a new global model that it has dubbed Direct Selling X Social E-commerce. Quietly, a sea change is taking place across the industry. https://ift.tt/3Fa9scZ

[overx]

silencedskyline​: 

“Fuck, I’d be in there stirring the pot if I knew who any of these fuckers are.” And even then, the temptation…

“I-- er-- that’s a really bad idea. Some of them it’s fine but others have... big tempers and poor judgement. T-trust me on that.” 

[pamphletstoinspire]

THE BOOK OF ECCLESIASTES- From The Douay-Rheims Bible - Latin Vulgate

Chapter 1

INTRODUCTION

This Book is called Ecclesiastes, or the preacher, (in Hebrew, Coheleth) because in it Solomon, as an excellent preacher, setteth forth the vanity of the things of this world, to withdraw the hearts and affections of men from such empty toys. Ch. --- Coheleth is a feminine noun, to indicate the elegance of the discourse. It is very difficult to discriminate the objections of free-thinkers from the real sentiments of the author. It is most generally supposed that Solomon wrote this after his repentance; but this is very uncertain. S. Jerom (in C. xii. 12.) informs us that the collectors of the sacred books had some scruple about admitting this; and Luther speaks of it with great disrespect: (Coll. conviv.) but the Church has always maintained its authority. See Conc. v. Act. 4. Philast. 132. C. --- It refutes the false notions of worldlings, concerning felicity; and shews that it consists in the service of God and fruition. W.

The additional Notes in this Edition of the New Testament will be marked with the letter A. Such as are taken from various Interpreters and Commentators, will be marked as in the Old Testament. B. Bristow, C. Calmet, Ch. Challoner, D. Du Hamel, E. Estius, J. Jansenius, M. Menochius, Po. Polus, P. Pastorini, T. Tirinus, V. Bible de Vence, W. Worthington, Wi. Witham. — The names of other authors, who may be occasionally consulted, will be given at full length.

Verses are in English and Latin. HAYDOCK CATHOLIC BIBLE COMMENTARY

This Catholic commentary on the Old Testament, following the Douay-Rheims Bible text, was originally compiled by Catholic priest and biblical scholar Rev. George Leo Haydock (1774-1849). This transcription is based on Haydock's notes as they appear in the 1859 edition of Haydock's Catholic Family Bible and Commentary printed by Edward Dunigan and Brother, New York, New York.

TRANSCRIBER'S NOTES

Changes made to the original text for this transcription include the following:

Greek letters. The original text sometimes includes Greek expressions spelled out in Greek letters. In this transcription, those expressions have been transliterated from Greek letters to English letters, put in italics, and underlined. The following substitution scheme has been used: A for Alpha; B for Beta; G for Gamma; D for Delta; E for Epsilon; Z for Zeta; E for Eta; Th for Theta; I for Iota; K for Kappa; L for Lamda; M for Mu; N for Nu; X for Xi; O for Omicron; P for Pi; R for Rho; S for Sigma; T for Tau; U for Upsilon; Ph for Phi; Ch for Chi; Ps for Psi; O for Omega. For example, where the name, Jesus, is spelled out in the original text in Greek letters, Iota-eta-sigma-omicron-upsilon-sigma, it is transliterated in this transcription as, Iesous. Greek diacritical marks have not been represented in this transcription.

Footnotes. The original text indicates footnotes with special characters, including the astrisk (*) and printers' marks, such as the dagger mark, the double dagger mark, the section mark, the parallels mark, and the paragraph mark. In this transcription all these special characters have been replaced by numbers in square brackets, such as [1], [2], [3], etc.

Accent marks. The original text contains some English letters represented with accent marks. In this transcription, those letters have been rendered in this transcription without their accent marks.

Other special characters.

Solid horizontal lines of various lengths that appear in the original text have been represented as a series of consecutive hyphens of approximately the same length, such as ---.

Ligatures, single characters containing two letters united, in the original text in some Latin expressions have been represented in this transcription as separate letters. The ligature formed by uniting A and E is represented as Ae, that of a and e as ae, that of O and E as Oe, and that of o and e as oe.

Monetary sums in the original text represented with a preceding British pound sterling symbol (a stylized L, transected by a short horizontal line) are represented in this transcription with a following pound symbol, l.

The half symbol (1/2) and three-quarters symbol (3/4) in the original text have been represented in this transcription with their decimal equivalent, (.5) and (.75) respectively.

Unreadable text. Places where the transcriber's copy of the original text is unreadable have been indicated in this transcription by an empty set of square brackets, [].

Chapter 1

The vanity of all temporal things.

[1] The words of Ecclesiastes, the son of David, king of Jerusalem.

Verba Ecclesiastae, filii David, regis Jerusalem.

[2] Vanity of vanities, said Ecclesiastes vanity of vanities, and all is vanity.

Vanitas vanitatum, dixit Ecclesiastes; vanitas vanitatum, et omnia vanitas.

[3] What hath a man more of all his labour, that he taketh under the sun?

Quid habet amplius homo de universo labore suo quo laborat sub sole?

[4] One generation passeth away, and another generation cometh: but the earth standeth for ever.

Generatio praeterit, et generatio advenit; terra autem in aeternum stat.

[5] The sun riseth, and goeth down, and returneth to his place: and there rising again,

Oritur sol et occidit, et ad locum suum revertitur; ibique renascens,

[6] Maketh his round by the south, and turneth again to the north: the spirit goeth forward surveying all places round about, and returneth to his circuits.

gyrat per meridiem, et flectitur ad aquilonem. Lustrans universa in circuitu pergit spiritus, et in circulos suos revertitur.

[7] All the rivers run into the sea, yet the sea doth not overflow: unto the place from whence the rivers come, they return, to flow again.

Omnia flumina intrant in mare, et mare non redundat; ad locum unde exeunt flumina revertuntur ut iterum fluant.

[8] All things are hard: man cannot explain them by word. The eye is not filled with seeing, neither is the ear filled with hearing.

Cunctae res difficiles; non potest eas homo explicare sermone. Non saturatur oculus visu, nec auris auditu impletur.

[9] What is it that hath been? the same thing that shall be. What is it that hath been done? the same that shall be done.

Quid est quod fuit? Ipsum quod futurum est. Quid est quod factum est? Ipsum quod faciendum est.

[10] Nothing under the sun is new, neither is any man able to say: Behold this is new: for it hath already gone before in the ages that were before us.

Nihil sub sole novum, nec valet quisquam dicere : Ecce hoc recens est : jam enim praecessit in saeculis quae fuerunt ante nos.

[11] There is no remembrance of former things: nor indeed of those things which hereafter are to come, shall there be any remembrance with them that shall be in the latter end.

Non est priorum memoria; sed nec eorum quidem quae postea futura sunt erit recordatio apud eos qui futuri sunt in novissimo.

[12] I Ecclesiastes was king over Israel in Jerusalem,

Ego Ecclesiastes fui rex Israel in Jerusalem;

[13] And I proposed in my mind to seek and search out wisely concerning all things that are done under the sun. This painful occupation hath God given to the children of men, to be exercised therein.

et proposui in animo meo quaerere et investigare sapienter de omnibus quae fiunt sub sole. Hanc occupationem pessimam dedit Deus filiis hominum, ut occuparentur in ea.

[14] I have seen all things that are done under the sun, and behold all is vanity, and vexation of spirit.

Vidi cuncta quae fiunt sub sole, et ecce universa vanitas et afflictio spiritus.

[15] The perverse are hard to be corrected, and the number of fools is infinite.

Perversi difficile corriguntur, et stultorum infinitus est numerus.

[16] I have spoken in my heart, saying: Behold I am become great, and have gone beyond all in wisdom, that were before me in Jerusalem: and my mind hath contemplated many things wisely, and I have learned.

Locutus sum in corde meo, dicens : Ecce magnus effectus sum, et praecessi omnes sapientia qui fuerunt ante me in Jerusalem; et mens mea contemplata est multa sapienter, et didici.

[17] And I have given my heart to know prudence, and learning, and errors, and folly: and I have perceived that in these also there was labour, and vexation of spirit,

Dedique cor meum ut scirem prudentiam atque doctrinam, erroresque et stultitiam; et agnovi quod in his quoque esset labor et afflictio spiritus :

[18] Because In much wisdom there is much indignation: and he that addeth knowledge, addeth also labour.

eo quod in multa sapientia multa sit indignatio; et qui addit scientiam, addit et laborem.

Commentary:

Ver. 1. Jerusalem. This clearly designates Solomon. See v. 12. C. xii. 8.

Ver. 2. Vanities. Most vain and despicable, (C.) and frustrating the expectations of men. M. --- S. Aug. reads vanitantium, and infers that this vanity of sublunary things is an effect of man's sin. Yet he afterwards discovered that he had read incorrectly. Ret. i. 7.

Ver. 3. Labour. People fight for a mere point; for such is the earth compared with the universe. Sen. q. Nat. Hoc est punctum, &c. Matt. xvi. 26.

Ver. 4. Ever. Its substance remains, though the form be changed. C. --- At the end of time, it will be purified to continue for ever. W.

Ver. 5. Place daily. Its annual motion is then mentioned. C.

Ver. 6. Spirit. The sun, (S. Jer.) which is like the soul of the world, and which some have falsely asserted to be animated; or rather (C.) the wind is meant, as one rises in different parts of the world when another falls. Pliny ii. 27. M.

Ver. 7. Again. The sea furnishes vapours, &c. Homer (Il. f.) expresses himself in the same manner.

Ver. 8. Hearing. In all sciences there are many difficulties. If a man had arrived at perfect knowledge, his researches would cease.

Ver. 10. New. Such vicissitudes have occurred before, though we must not infer that the world is eternal; or that there have been many others before this, as Origen would suppose. Prin. iii. 5. &c. C. --- Men's souls, which are created daily, are nevertheless of the same sort as Adam's was; and creatures proceed from others of the same species, which have been from the beginning. S. Tho. p. 1. q. 73. W. --- Natural and moral things continue much the same. M.

Ver. 11. Things. Otherwise we should read of similar events to those which we behold. The same cause naturally produces the same effect.

Ver. 12. Israel. This was the case with none of Solomon's descendants. C.

Ver. 14. Vexation. Heb. also, "food of wind;" (Sym.) or "choice of the spirit." Sept. People are eager to become learned, and yet find no satisfaction. H. --- All natural things are insufficient to procure felicity. W.

             O Curas hominum! O quantum est in rebus inane! Persius.

Ver. 15. Perverse. Habitual and obstinate sinners. C. --- Fools, who follow the broad road. H. --- Heb. and Sept. "the defect cannot be numbered." We know not to what a height the soul of man might have risen, if he had continued faithful.

Ver. 16. Learned. Solomon was blessed both with a natural genius, which he improved by study, and also he had the gift of supernatural wisdom. Yet he declares that all is vanity and pain.

Ver. 17. Errors. Sept. "parables and science." But to discern the mistakes of men is a part of wisdom, (C.) and Grabe substitutes "wanderings," instead of "parables," after Theodot. as Heb. ealluth (H.) means "errors," (C.) or "follies." Mont.

Ver. 18. Labour. He is bound to do more for heaven, as he is convinced of his own defects, and of the strict judgments of God. Wisdom is not true happiness, but the means to obtain it. W. --- The more a person knows, the more he is convinced of his own ignorance, (C.) and filled with grief, that wisdom should be so much concealed. S. Jer. - Those who are learned, feel indignant that their disciples should be so dull. M.

[overx]

A really energetic lady exclaimed "Hi, people!" at the Maverick Hunter muses. "There was an auroura today! Also, you're awesome!"

".............right............" he's very, very lost.

"Thanks for sharing."

[overx]

Waving the white flag are we? Can't blame the Commander honestly. Not after several more minutes of watching this metaphorical massacre take place.

Neither of them are going to admit that this Very Normal task has been slowly killing them both all day. Maverick Hunters, conquered by upscale retailers.

//A tactical retreat. Excellent choice sir.// Vi pings back, but it's definitely joking this time. Of the nervous sort. The Zero is gone as quickly as physically possible without actually running, and Vile only wishes that was him instead. He turns his gaze down to the store attendant, a sigh as his shoulders slump.

"...let's.... get this over with...." he's not sure if he's relieved by the nod, but at least he's seen how this is supposed to go.

//Oh! Zain! I was wondering when you were gonna reach out.// Xanti is instantly cheerful across their connection.

//There's lots of options, but I'll send you some color swatches I think would go nicely. Here's a few that match his eyes.// Ping. Ping. //aaand a few for his hair.// Ping ping ping. //If you want to mix and match a little, these might pair nicely too.// A few last color samples speedily pop up.

Xanti had those prepared awfully quickly, but then again this hadn't exactly been a surprise call for the X. //How are things going so far? Are you two doing okay on your own? I would've come if, well... you know.// This hadn't been for a covert mission and he wasn't the most recognizable reploid on the planet besides Zain himself.

It's only a few minutes more, and still it's torture. Zain knows why, doing his best to keep his discomfort to himself; he doesn't like being touched by those he doesn't know. He's more than professional enough to stay still, a trained response of any soldier, programmed for any Hunter.

//You'll be fine. You've handled far worse.// Not that it was usually this line of work...? The blond kept telling himself that it was no different than being in the Med Bay being worked on, but... no, he personally hadn't ever liked that either. //Our budget is fine. We had planned for this.//

Well. For someone to join Zain undercover on this mission. He'd been debating until recently-- though in hindsight there hadn't really been another choice.

He glances over as the little reploid, hesitant only until she nods. Done. Great. "...Your turn. I'm going to go get back into civvies." Retreat, is more like it. Vile is only giving a sympathetic glance and a weak thumbs-up. //Try not to cause too much trouble while I'm gone.// Teasing, attempting to lighten the mood. //It shouldn't take long.//

As soon as he reaches the fitting room, stripping the first layer off before the door clicks behind him, he's pinging his boyfriend, tone awkward. //What... color purple would look best on Vile?// Xanti surely had seen the purple reploid helmetless, but it's not like the Commander knew. //...Was thinking for...// What were they called? //...Accent pieces. A tie and cufflinks, probably. Maybe the pocket square too...?//

[drs-secret-my-blog]

Candy REGIS (hominum) vt primarium objectum sustinendo corpori sanitatem creando masculum sexualem munus munire strenuissimus etiam corpori immune ratio. Et hoc fit ad supplementum magis laborantibus promote identifying pituitam sexus-axis organi. Praeterea, ad actum effundatur sanguis masculum sexualem organum, ita firmatisque, quae qualis est vorare. Super haec ars operatur activation serum Cyanobacteria cadmiae (SOD) hemoglobin tincidunt eget vehicula dolor renum iuvat alvi noxia substantiae, melioremque Donec feugiat conferendi tarditatem et senescit processus corporis. De pelagus Function REGIS Candy (hominum): • Redigo Suspendisse • industria crescite • Tu Physical Opportunitas et Potestas • restitueret Energy Confortamini • Corpus •Anti canus • anti-oxidatio • Mauris autem sacrilegiis libido crescat • fortior Erections Pelagus Ingredientia: Capulus, New Saccharum Cynomorium Songaricum, Stupid Panax Ginseng, Stupid Eurycoma longifolia, Meyenni Lepidium latifolium. Directiones Take unus Candy (3.5G) II omne opus dies. Bibere aquam calidam si corpus sentire. Commoda REGIS Candy (hominum): • Securus et velox ut • Quod per modum durat usque ad II diebus I serving • Sanctus infinitus • nulla parte effectus, • Ipsum effective (ut praecessi in media hora I) • amplio sexualem perficientur • idoneitatem amplio Populus cum diabetes • Helping • reducere lassitudine • I. Menopause Iuncturam dolor • Redigo • Amplio circulationem sanguinis • progressionem cerebri cellulis, succurre • crescite metabolismus • tarditatem in ab canus effectus, Packaging, X XXX Candies 3.5G per arca archa Erant vestibulum a elit enim hominum & feminarum salutem products ut Regius rex imperator Romanus Royal regina Puer bio Herbae Capulus etc. Non es et specialitas pro OEM & ODM serveries, quasi LXV% terrarum id genus products est in nobis. Quaeso mihi responsum stillabunt inscriptio, si vestri 'plus cognoscere vis, ut hoc genus products in foro. Please do contact me si quis autem non dubitant queries. Email: jay.drssecret [a] gmail.com Whatsapp: + 6014-3394318 (Jay)

[telecomupdate]

Airborne Wireless Network Signs Software Development Agreement with Thinking Different Technologies

Multi-year license Agreement to accelerate development of Airborne Wireless Network's patented Infinitus Super Highway™

SIMI VALLEY, California, June 20, 2017 /PRNewswire/ -- Airborne Wireless Network (OTC QB: ABWN), is proud to announce it has entered into a software development agreement with Netherlands software developer and advanced communications pioneer Thinking Different Technologies (TDT). ABWN anticipates that this relationship should significantly accelerate the development of ABWN's command, control, communication and coordination software modules of its Infinitus Super HighwayTM.

TDT, a Dutch engineering development company, will help advance ABWN's comprehensive software development program, ranging from Radio Frequency meshed network control and associated ground connectivity to other contemplated transmission media, such as dedicated laser links in the future.  

Michael Warren, CEO of ABWN said, "Our collaboration with TDT should provide the highest quality of engineering of our software development. With this agreement, we can utilize TDT's expertise to deliver an entire model portfolio with speed and execution. Traditionally, radio and laser communications between airborne aircraft are challenging, to say the least. ABWN'S new hybrid approach and the expertise provided by TDT should help mitigate these challenges and have a significant impact on ABWN's ability to launch its proposed global airborne wireless/laser meshed network."

TDT has previously been engaged in cutting-edge research, development, prototyping and patenting of chaos non-linear telecommunication and radio technology, Instant X-Dimensional Biometrical Human Mapping based on chaos, anti-inertia phenomenon and economy of fuel in automotive and aviation industries, gravity phenomenon and change of the physical properties of matter, cold fusion and synthesis of new materials for new applications, new independent sources of energy generation, energy savings in metallurgy and chemical industries, Direct Optical Non-Linear Amplification, Artificial Intelligence in stock exchange trading applications, traditional stock exchange trading software with ultra-low latency, electronics, and wide supporting software engineering developments for all of the above. TDT's mission is to bring new ideas and cutting-edge technologies to the world market to create revolutionary new products and services.

About Airborne Wireless Network 

The Company intends to create a high-speed broadband airborne wireless network by linking commercial aircraft in flight.  It is projected that each aircraft participating in the network will act as an airborne repeater or router, sending and receiving broadband signals from one aircraft to the next and creating a digital information superhighway in the sky.   The Company intends the network to be a high-speed broadband internet pipeline to improve coverage and connectivity.  The Company does not intend to provide retail customer coverage to end users, but, instead, act as a wholesale carrier with target customers, such as internet service providers and telephone companies.

Currently, the world's connectivity is achieved by use of undersea cables, ground based fiber and satellites. The Company believes that the Company's airborne digital highway may be a solution to fill the world's connectivity void.  Once the network is developed and fully implemented, its uses may be limitless.  The Company's network, once developed, should provide low cost, high-speed connectivity to rural areas, island nations, ships at sea, oil platforms, in addition to connectivity to commercial and private aircraft in flight.

For further information see: http://ift.tt/2ax7RhQ

Notice Regarding Forward-Looking Statements:

This release includes "forward-looking statements" within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act of 1995. These statements are based upon the current beliefs and expectations of the company's management and are subject to significant risks and uncertainties. If underlying assumptions prove inaccurate or risks or uncertainties materialize, actual results may differ materially from those set forth in the forward-looking statements. 

Risks and uncertainties include, but are not limited to, availability of capital; the inherent uncertainties associated with developing new products or technologies and operating as a development stage company; our ability to raise the additional funding we will need to continue to pursue our business and product development plans; our ability to develop and commercialize products based on our technology platform; competition in the industry in which we operate and market; general industry conditions; general economic factors; the impact of industry regulation; technological advances; new products and patents attained by competitors; manufacturing difficulties or delays; dependence on the effectiveness of the company's patents; and the exposure to litigation, including patent litigation, and/or regulatory actions.

Contact: info@airbornewirelessnetwork.com 805-583-4302

  Read this news on PR Newswire Asia website: Airborne Wireless Network Signs Software Development Agreement with Thinking Different Technologies

[digood223]

ISE 2017: digital signage and displays

With ISE 2017 just a few days away, here’s a selection of some of the new display and digital signage products to be seen on the show floor.

 Absen’s HDV series, designed for the corporate market, is being unveiled for the first time in Europe at ISE 2017. With a depth of 65mm, the panel boasts quick and easy front access to simplify and speed up maintenance. Three models boast brightness of up to 1000 nits and a refresh rate of 3840Hz, with pixel pitch ranging from 1.25mm (for the HDV1.2) to 1.92mm (HDV1.9). Each HDV module is imbued with the strength of its distinctive honeycomb cellular design, to aid flatness and prevent warping across its 160° ultra-wide viewing angle.

 Among the five new projectors being announced at ISE by Digital Projection are two new lamp-free models for its 3D-capable E-Vision range, offering picture-in-picture as well as edge-blending and geometry correction as standard, alongside a real-time clock for automation. The Digital Projection E-Vision Laser 4K-UHD is a single-chip DLP projector, adding a 7,500-lumen option with 4K resolution. The new E-Vision Laser 10K adds greater brightness to the range, delivering 10,000 lumens at WUXGA resolution.

 infinitus-1-a-new-ranges-outdoor-displays-pic-smaller imotion INK, a new product line based on e-paper technology, will be on show from Infinitus. The outdoor digital signage vendor is presenting two units – the imotion INK 13.3in module and its video wall alternative imotion INK 2 x 13.3in – as an independent solution and as a solution integrated within a classic ‘bus stop’ sign. These displays can be used for simple visual communication, such as passenger and visitor information. Extremely low power consumption and integrated 3G and WiFi allows these displays to be placed in locations without mains power. Depending on usage, power can be sourced from battery or even solar panels.

 LED Blade is the name of a new LED strip visual technology system and the company that makes it. LED Blade creates depth of space or three-dimensionality; it enhances edges, expands the visual area or links together to create any geometric design. LED Blade adds extra dynamic to the video design toolkit. Demonstrated on the stand will be the original LED Blade Stripe, as well as the first chance to see the new LED Blade Curve.

 leyard-and-planar-1-a-directlight-series-launch-pic-2On view at the Leyard stand will be the Leyard Direct Light Series of fine-pitch LED video wall displays. The new series expands upon the success of the Planar Direct Light LED video wall family by enabling ultra-slim, front service installations in more indoor environments. The Leyard Direct Light Series includes a choice of four fine pixel pitch models from 0.9 to 1.8mm. They feature an adjustable wall mount and full front service access, as well as a remote power supply with optional redundancy, full hot swap capability and the ability to reduce the number of required power circuits.

 More than two years in development,mitsubishi-2-a-npp-display-launch Mitsubishi Electric’s new narrow pixel pitch display will be on display. Designed specifically for control room and other demanding indoor visualisation applications, the 130 in full P1.9 indoor HD LED display is composed of individual LED units measuring 480mm x 540mm. The display offers direct view LED, delivering an impressive light output and contrast from a 90mm depth slim form factor. The new screen is based on a 1.5mm pitch, 3-in-1 SMD LED package.

nexcom-2-a-ndis-b426-picNexcom International’s NDiS B426 edge server, featuring GPU-accelerated system responsiveness, aims to give bricks-and-mortar retailers a firm grasp of their customers’ interests through smart retail insights. The server can identify traffic flows, measure customer engagement, and find behavioural patterns, offering retailers valuable information to optimise shelf assortment, craft marketing strategies and increase in-store sales. The NDiS B426 can interpret real-time video footage captured by up to six full HD in-store cameras and incorporate cloud services to create a clean presentation of analysis results.

 The recently launched ZU510T ProScene WUXGA 5,500-lumen compact laser projector will be on show on the Optoma stand. Designed for 24/7 operation and with 30,000 hours of life – said to be 50% longer than competing products – the projector has been independently tested and certified with a IP5X dust resistance rating. The ZU510T has a 1.8x manual zoom, ±30° vertical, ±30° horizontal, with four corner keystone correction and a range of I/O options including 3x HDMI, VGA, HDBaseT, audio in, mic in, VGA out, audio out, RJ45, RS232, 12V trigger, and two powered USB ports.

 peerless-av-3-a-new-outdoor-and-indoor-displayNew launches on the Peerless-AV stand include a 75in indoor digital signage kiosk, and the new 49in High-bright Xtreme outdoor display. The Xtreme Display features a 1500-nit high-brightness panel, capable of producing clear, sunlight readable images in any outdoor environment, according to the company. Peerless-AV claims that Xtreme is the only outdoor display that is dust tight, fully immersible in water and completely impervious to grime, ice or insects. It also claims it has the widest operating temperature range of any outdoor display (-40˚C to +60˚C).