#//bringing this back for anyone interested

[spydre]

Their lives are so brief; you could blink and miss one entirely. Even the eldest are mayflies.

So, when I noticed, near the end of my Season, one about to expire, one with such a bright life-force, it seemed a shame. It was such an easy thing to reach out, bring him back, if only for another half-blink of time.

“Go,” I told him. “Time is short. Spend it wisely.”

He left, and I forgot about him, and I slumbered until my Season began anew.

When I awoke, he was back at the same spot. He had built a pretty little shrine. And he was not alone this time – a legion of his kind stood ready, wearing thick hides and strong metal, bearing weapons. I admit to curiosity. I made manifest, and greeted him.

“My Goddess,” he proclaimed, descending to one knee. “You spared my life. I have raised an army in your name.”

“So I see,” I answered. “You’ve been busy. And what will you do with your army?”

He lifted his head, but averted his eyes. “We will go forth across the lands, spreading your Word.”

“And the armor, and the weapons?”

“To smite the unbelievers in your name.”

Yes, of course they would be, but I needed to hear him say it. Some of my siblings have no such compunction, but I try to be patient.

“Walk with me,” I said.

The fallen leaves, brittle with frost, crunched beneath our feet – his in heavy boots, mine bare. I led him a little ways from his army, out of earshot, before posing my next question.

“Do you know why I chose the Winter as my domain?”

He seemed bewildered. “I...I thought that you were born to it...that you created the winter, the cold, to bring an end to…”

“Oh, no,. The Winter was here long before my birth.” He still looked confused, so I continued. “Without one of my family as guardian, the Winter was indeed as you thought. Harsh, cold, unfeeling...killing. One of my older sisters brought the Spring, Season of Renewal, long before my time of choice.”

I paused, gazing upon his face. “We thrive on Life, do you see?”

He didn’t answer.

“My choice of domain, the Winter, surprised my family. The Season most barren of life? I was told that I would never thrive, that I would shrivel and come to resemble the cruelty of the cold. But I was determined that I would, rather, give the Winter a kinder face.”

I stopped walking then. We had come to an edge, a sheer face of the mountain. Below us, a valley still clung to a bit of green.

“Look there,” I told him. “Clinging to life in the face of death. That’s how I found you. Such strength, such sheer tenacity. Struggling, against all hope, to survive.”

Finally, the message reached him. I saw his face relax, his narrowed eyes open – just a bit. I extended my hands to him.

“My friend, I have no interest in smiting the unbelievers – their deaths would not strengthen me. Nor would I ask my most fervent followers to die in my name. If you wouild spread my Word, then first you must know it.”

I waited. Waited until he took my hand. Waited until, finally, he met my eyes, and uttered in a hoarse whisper, “Then what is your Word, my Lady?”

I smiled. “My Word is Hope.”

The next few moments were of utmost importance. His face contorted as one emotion chased another across his features. Denial, as the thought of months spent in folly arose. Disappointment, possibly in me for not immediately blessing his mission of conquest. I watched carefully as shame caused his eyes to drop. He took a deep breath...and released it. His next emotion would either be rage, or...

“I will disband my army,” he said.. I’m...sorry to have misunderstood.” There it was. Acceptance, and resolve.

“Oh, don’t do that,” I said. “An army without a leader is more dangerous than an unbridled Winter – they would follow anyone who gave them a purpose.” Patting his hand, I said, “Rather, give them a better purpose.”

As he pondered this, I whispered, “Your lives are so brief. Time is short. Spend it wisely.”

A few moments later, he nodded. I released his hands, thankful that I had not saved his life only to lose it to a pointless sacrifice. He turned to go.

As I dissolved my manifest form, I called out, “Oh, and get them some warmer clothing. Some of them are getting frostbite.”

You’re a minor goddess who saved a mortal on the brink of death. A few months later, he came back with an army to pledge allegiance to you.

[madamechrissy]

Love at First Bite?

🩸Part One (coming soon)

🩸Pairings: Vamp!Gojo x you (main) - (minor) Vamp!Geto x you - (past) Nanami x you (fem reader)

🩸Summary: You lost your parents months ago on that bridge, you can never forgive yourself for being the reason your parents were driving that rainy night. Somehow, you survived, but now you can't feel anything. You're currently rotting away in your dorm room, when your best friends drag you to a frat party. And that's where you meet them, Satoru and Suguru, they're known as the brothers, the most popular guys there are. Suguru takes an interest in you, and so does Satoru, and you start to feel again, fuck you feel too much, but then... you find out things that shake your entire world, things beyond your understanding. Just who the fuck are they, and why did you find a picture of them from the 1800s in a school archive and why does Satoru look like he wants to eat you!?!?

🩸CW: Will be MDNI- light love triangle, based on TVD loosely, violence, some angst, you are Choso's lil sis and Yuji's older sis, College AU, Eventual smut, explicit sex, blood drinking/mentions of blood, a whole lot of back and forth, Satoru is the 'bad boy' Sugu is more the 'good guy' but we all know how that can go, Nanami is reader's ex and now bestie, main pairing is Satoru x reader (he is the Damon here- Sugu is Stefan lol)

FUTURE WIP- It's the Vampire Diaries inspired/JJK crossover NO ONE asked for, and idk if anyone WANTS lol, but I'm thinking of bringing!? If ya'll are interested in this drop a comment!!

Taglist open

[lxvebun]

Highschool au brainrot with sukuna. Please hear me out-

╰┈ Not completely proofread. Sukuna x gender neutral reader<3 fluff! Let me know if you guys prefer small or big text for brainrots like this♡

꒰ა High school jock Sukuna! who had been failing his tests and was now facing the very real threat of being benched if he didn’t bring his grades up. His usual cocky grin faltering slightly as he carried himself around school with a nervous scowl.

The name Ryomen Sukuna stared back at you from the slip of paper the teacher handed to you, their eyes filled with a sense of pity, knowing Sukuna was not the easiest to get along with. The note simply read: “Please, tutor him for the upcoming tests.”

High school jock Sukuna! who was absolutely terrifying to approach. He towered over most, his sheer size enough to make anyone think twice before stepping into his space. With a permanent furrow in his eyebrows, making it look like he was always on the edge of starting a fight, and a sharp voice with an even sharper tongue. Intimidating already, he became even more so around his team—loud, confident, untouchable. Not wanting to deal with that many eyes on you, you decided to wait until after practice, when the hallways had fallen silent, and you wouldn't have the weight of other people’s eyes on you… just his.

High school jock Sukuna! who had lit up in a way you hadn’t been expecting when you explained that your teachers had assigned him to you for tutoring. The edge of confusion in his eyes cleared almost instantly, replaced by something more like relief. He was quick to exchange numbers with you, even quicker to ask if you had time that Friday after practice.

High school jock Sukuna! with whom you surprisingly found yourself in the midst of a blossoming friendship. Yeah, he was rough around the edges, with his jagged personality, sharp tongue, and lack of patience for anything he didn’t find interesting. But when it was just the two of you, tucked into a corner of the library, it was almost like he softened a little. He listened carefully when you explained things to him, followed your instructions on homework, albeit begrudgingly, doodled on the corner of your notebooks, overhauled his backpack to share his snacks, and what you thought would be a nerve-wracking few hours every week turned into something you actually looked forward to.

High school jock Sukuna! who’s crushing so incredibly hard on you, but you’re completely oblivious to it. Perceiving it more as him just being friendly. </3

And really, it’s so painfully obvious he likes you—he doesn’t even bother hiding the way he stares when you’re explaining something, and there’s a certain warmth in his gaze that makes your heart flutter, but you brush it off. </3

(Really, it's a miracle his pupils haven’t turned into little heart shapes yet.)

He’s just glad he’s keeping his grades up with your help so he can continue to play in his games. You convince yourself as he flashes a fanged smile and shoots you a wink as you pass each other in the hallways.

Sukuna just doesn’t want to deal with the hassle of having another tutor assigned to him. He doesn’t want to go through the exhausting process of explaining what he finds difficult in his subjects over and over again to a stranger. Your mind rationalizes as he offers to carry your bag, not giving you any time to respond before he slung the heavy thing over his shoulder with a casual grin. His arm now wrapped around your shoulder. The warmth of his touch lingering as you both walked to the library for your usual study session

It’s just Sukuna trying his best to be friendly and convince you to stay and tutor him. That’s all it is. You're sure! But then… that doesn’t explain why his team jersey, with the bold, bright lettering spelling out his name, is currently neatly folded up in your locker, adorned with a messy little note in familiar handwriting that reads:

“Wear this for me at the game?” ♡

Your fingers hover over the fabric, the weight of it suddenly feeling a lot heavier than it should...໒꒱ ⠀

[erralinadventures]

okay so, I saw this, and decided I was bored again(I'm always bored), and so I shall answer this for Kinnio! He is the only character in Erralin I actually played as a DND character, from level 1.

Yes. Though trauma is usually not something he considers.

Usually saving them from a physical threat, like a dragon or bandits.

Fun Fact: Kinnio is an Illeist. Meaning he refers to himself in the third person, so usually it sounds like he's talking about someone else if you don't know him. But, to the actual question. He would probably be like, 'Kinnio is a super cool warrior king who can vanquish any foe set in front of him'. or just 'Kinnio super strong and cool.'

They percieve themselves well, not really having any problems with themselves, except that he could just be a better warrior.

He stabs into the air a few times, yelling something random.

Thunderstorms. It creates fun battle backgrounds

1994 Toyota Corolla. Why? I've seen too many memes recently.

Eh. I'd say pretty decisive, considering in the campaign he was played in, he made a lot of...decisions. (Nuking a city, nuking a giant stone mech, challenging a demon king, war crimes, buying a tavern, hatching literally every egg he found, including a tarrasque egg.)

Like the entire menu. Not a scrap of that food is being wasted either.

Normally by messing with his hands(Cracking his knuckles, tapping his fingers, cracking his fingers.)

Romantically, he will immediately just be the biggest gentleman whenever he is speaking to them. Also he likes carrying people. Platonically, he'll just be really nice to you and treat you as an equal. Or superior.

I'll just say, there is probably going to be a dead dragon by the end of it.

Silver. While gold is more valuable, he does like the color of silver and normally has his equipment made in that color or with that metal.

He honestly could not care. A little lie isn't one that will hurt anyone.

Strangely, he does like weddings. He doesn't like the people much, but he will usually bring the biggest gift. As a King of Erralin(Modern Day), it isn't unusual for him to appear at weddings, even if it's a commoner wedding.

He is the target demographic for most modern men care products. So like wood and other 'manly' things.

we love the fact you have to specify. Anyways, He likes apples and melon.

Uh, I don't know? I've never heard of this scale, so I'm going to just....skip it. Though it was an interesting google search.

Fighting, and any of the ancient pokemon, or Galarian Zapdos.

White Chocolate.

I don't know any, so I apologize.

He is incredibly loyal and will fight to the death for an ally he trusts.

His trust is hard to gain, and one of the easiest ways is proving a capable warrior.

No, because he can't read...sometimes. Sometimes he can. Depends on if the book has pictures.

I again, have no idea. I think I'm just stupid.

He would love the drift answer, but yeah, he would just pull the lever. That is, if he isn't allowed to just stop the trolley himself.

Fight his way back up. Failure is not an option.

He usually works out or finds one of his many pets, commonly his dragon, Crimson.

I might as well give up, I don't like not answering questions.

He typically just does whatever the hell you want him to do. He is basically just going to just dedicate himself to you.

The Chaos. Honestly, he is very consistent, but also chaotic, my DM has expressed since day 1 that Kinnio was his favourite character in the campaign, and he has tried killing him off ever since, to no avail.

I'm going to assume you mean a different person's action, and not at all. Canonically, King Kinnio killed a shop owner for retaliating against one of the party members(He also had no idea the party member was in the wrong, he just heard someone yell for help and jumped into action. The party member basically manipulated him into it.)

Not very. Usually, he just acts then thinks later.

No. Especially with his party, there is only one person he trusts more than anyone, and would only talk to him about his plans, if he had any at the time.

Alcohol. Wine, Beer, or any monster drop. He would also be the only character(That I can remember) that you can give old weapons to.

The most beautiful face any person has every seen, next. But really though, of the people he would know, it would probably be a royal he met in the campaign he was a PC in.

A poppy, as in the world wars they were a symbol of a battle fought.

For every character(Except Sparta) I use a random name generator and alter the name slightly.

Meat loversx10. It's probably going to be like 90% meat.

He eats a lot, due to his abilities draining his energy. A lot of it is unhealthy eating.

Wish. He has casted it like 8 times between levels 13 and 16.

It wouldn't really make sense unless you played the campaign, but the royal mentioned before, her husband, Sparta(He was thrown into the campaign hastily bc the DM didn't want to come up with a shopkeep), arnold schwarzenegger(He was also in the campaign)

Himself. He usually doesn't think about what other people might want unless they mention it directly.

DND Ask Meme but it's random questions I've asked other players apropos of nothing within the last 6 months

Does your PC believe it’s possible to save someone?

What does saving a person involve?

How would your PC describe themselves?

How do they perceive themselves?

What is your PC’s idle animation?

What weather does your PC prefer? Why?

So if your PC had a car what kind of car would it be

How decisive is your PC?

If your PC rolled through a McDonald’s what would they order 

How does your PC fidget?

How does your PC show affection?

If your PC had to set up a date, what would they plan for it?

What’s your PCs favorite color

How does your PC feel about white lies?

How does your PC feel about marriage? Weddings?

What scents do you associate with your PC? 

What are your PCs favorite fruits (not including gay people) 

Where would your PCs fall on the futch scale? 

What is your PC’s Pokemon Gym Leader type and Signature Pokemon?

What type of chocolate do they prefer? 

What tarot would your PC be? 

What is your PC’s #1 personality strength?

What is your PC’s #1 personality flaw? 

If your PC found a book that detailed their whole life, from birth to whatever death they’ll have, would they read it and why? 

What are your PC’s charm point(s)! 

How would your PC answer the trolley problem? 

When your PCs hit rock bottom, what do they do?  

When your PCs want comfort, what do they seek out? 

Please describe your PC’s romantic type 

How does your PC flirt? 

What’s your favorite part of playing your PC? 

How much does your PC think about their actions before they execute them? 

How considerate is your PC? 

Is your PC an effective communicator? What is their communication style? 

If your PC was a dating option in a farming simulator (a la harvest moon or stardew valley), what kind of items would they like? 

Your PC meets a trickster being whose face changes to the most beautiful face a person has ever seen. Whose face is your PC seeing? 

What flower represents your PC? 

How did you choose your PC’s name? 

What would your PC put on their pizza? 

What are your PC’s eating habits? 

Does your PC have a favorite spell, and if so, which? 

Who is your PC’s favorite NPC(s) and why?

When your PCs make decisions, who or what are they making those decisions on behalf of?

[lqveharrington]

Loathing | D.M.

summary: you and draco have loathed one another since first year, but you know something happened over the summer before your sixth year. he had changed.

pairing: rival!draco malfoy x potter!reader

includes: fluff, angst, bleeding, both of them being oblivious, both of them taking care of each other

a/n: unadulterated loathing (guess who watched wicked last week?)

The moment you met Draco Malfoy – well, the moment he insulted one of your friends and then wanted to be friends with your brother – you knew you would loathe him for the rest of your life. From every glare from across the room to house rivalries, you loathed him for all you had. Especially when he ruined your Yule Ball experience by knocking the eggnog on you and refusing to explain why, only glaring instead.

But something changed in your sixth year. He changed.

Usually, the second you got on the train to Hogwarts, he would find you and start with the insults, but this year was different. Hell, when you were trying to find Harry on the train when you got to Hogwarts, Draco walked past you without even sparing a glance. He wasn’t even in his Slytherin robes, he was just in a black suit.

Then when the quidditch season started, you learned that he had quit his position as seeker and chance as quidditch captain. You were surprised he lost almost all interest in the sport itself when he used to brag on and on about how good he was at the game. Everything he used to egg you on about was close to nothing, and it worried you just a little.

You knew something was different – he was different – and wanted to know what happened, but you knew your friends couldn’t care less about the Slytherin Prince.

“Hermoine, please tell me you noticed something wrong with Malfoy.” You murmur and enter the potions room, eyes instantly meeting the gray and blue eyes you were speaking of. He quickly averted his gaze and stared down at his potions book instead, making you frown. “He hasn’t been throwing enough insults at us this year.”

“Is that not a good thing?” She creases her brows and takes her seat beside you, pulling her potions book out of her bag. Hermione looks at you with slight unease, not really understanding why you were asking in the first place. “Besides, why should you care? Don’t you hate him?”

You don’t respond, only spinning your ring and bringing your attention back to the Slytherin Prince himself, your teeth kissing your lips in your own turmoil. He looked so tired and… Helpless. You wanted to understand what he was going through despite everything he had put you through. He was still a student at Hogwarts. It may seem out of the ordinary from your usual loathing, but if something serious was going on, you hoped to Godric that he would be okay.

For the rest of class, Slughorn assigned the most ridiculous sounding potion to create. It was supposedly the most powerful love potion in existence and when Slughorn said it could help anyone identify their true love, you doubted it. It was only when Harry properly made the potion did you test the theory out. It seemed like Lavender was having a day with the potion and kept batting her eyes at Ron, making you and Hermoine roll your eyes in annoyance.

When Slughorn called the rest of the class in pairs to come over to smell the potion and describe what they smelled, you still believed people made up with what they smelled. You thought they were just believing they smelled the person they liked. From Hermione smelling freshly-mown grass and new parchment to Harry smelling some kind of sweets, it seemed quite fake.

And you could have gotten away with not having to smell the potion when you unashamedly yawned the second Slughorn turned to look over.

“Miss Potter, since you and Mr. Malfoy seem to have found this task boring, why don’t you both come up and tell me what you smell.” Slughorn beckoned you up toward Harry’s cauldron.

Pursing your lips, you do your best not to roll your eyes as you made your way over to the cauldron, only to be overwhelmed with Draco’s cologne when smelling the potion. You glance at him from the corner of your eyes, noticing he was just as confused as you.

“Maybe tone down the cologne, Malfoy.” You mutter to him and try to find a scent that wasn’t just his stupid cologne.

He rolled his eyes at you and leaned his head down, practically hissing into your ear. “Me? Your fucking shampoo is blocking all my senses right now.”

“Like you can smell that right now.” You turn your own head and glare at him, the tension growing larger and larger.

As if you were in a staring contest of who could hate the other more, you forgot about the class and only the loathing you felt for the blonde in front of you. However, the class soon began to felt the tension, uncomfortable with how you two were behaving. Whispers began to fill the air, but you two continued to bicker.

“Maybe use less product, Potter.” Draco suggested and flicked a piece of your hair off your shoulder, ignoring the way his cheeks flamed at how close the two of you were at the moment.

You crossed your arms and squinted, hating how he had to bend just to be at eye level to you. “Says the one practically bathes in Dior Sauvage—”

“Mr. Malfoy and Miss Potter, please, go back to your seats. We have gathered all the information we need.” Slughorn spoke with an amused smile.

For the rest of the week, it seemed like the entire student body was pointing to you and whispering. Even if you were just switching classes or sitting in the Gryffindor common room with Hermione, eyes averted to you before they eventually turned away when they caught your eyes.

You didn't understand what was going on. It felt like everyone you knew began to have a knew found hatred toward you and it bugged you. Even Harry gave you questioning looks from time to time. You don't remember doing anything cruel and vile.

Eventually, you did give up guessing why everyone was giving you dirty looks. You ignored all their staring and only acknowledged the people you knew didn't mean any harm toward you. It soon became a habit for you to leave the trio alone for a good hour or two, spending time to practice spells in the room of requirements; Mainly casting your Patronus and watching it have the time of its life.

Well, until one day the room began to change on its own.

“Hello? Room of requirements?" You stood abruptly and looked around at the changing room, your Patronus dissipating in thin air.

The room began to shift in size, becoming quite large in size with piles and piles of junk. As you tripped over the old trinkets decorating the room — trying to find the exit to the ever expanding room — you cut yourself on the sudden arrival of a rusted sword.

Holding your cut hand close to you body, you glared at the room like it was your least favorite thing in the entire world. "This is not what I asked—“

“Fuck.”

You heard the voice whisper before you jumped back in surprise when the person banged on something wooden. So someone who needed the room more came. That's why. As you tried to make your way out a give the person privacy, you tripped back into another pile of junk, making you wince.

“Shit.” You mutter and do your best to remove yourself from the pile, pursing your lips when you heard footsteps approach you.

Before you could even try to hide, the said person appeared right in front of you with their wand pointed at your face. You followed the wand up until you met their eyes, making you inwardly groan at your luck.

“What are you doing?” You spoke at the same time, both of you rolling your eyes at the same time.

Hastily, you stood up from your spot on the dirtied floor and dusted your clothes off, mentally cursing yourself for being ever so clumsy.

“I asked you first, Potter.” Draco tucked his wand away, glancing down at your bleeding hand. He frowned and moved around you.

You stepped away from him, still nursing your hand. Unsure of what he was going to do, you simply answered the question truthfully.

“I was using the room to practice my spells, but it changed because apparently your needs were far more important than mine.” You watched him dig through dusted cabinets and drawers, looking for something. “Now answer mine.”

“I don’t have to.” He muttered and pulled out some type of cleanser and a kit, making you recoil at the sight. You hated the doctors and it seemed like Draco was ready to operate on your hand.

“You know? I think I should go before—" You start before he raised a brow at you, looking down at your injured hand and then back up to your eyes. "What?"

“You could get in trouble, you know?” He gestured to your hand before guiding you to sit on a bed that seemed too clean to be one of the old trinkets lying around before. "You need to clean your hand before it gets infected. Everything in here is old and dusted."

"Then I will clean my hand on my own, thank you very much." You yank the cleanser from his hands and pop the cap open. You stared at your wound before looking at the bottle, already regretting your choice.

"What?" He looked over your face, noticing the hesitation in your facial expression. "Do you need me to do it?"

"Yes, please." You whisper quickly, shutting your eyes tightly when you felt him lightly dab your cut with the cleanser. You bit your lip when it stung, nodding when he told you it would be over in a second.

“I'm done." Draco murmured and threw the cloth in the trash, watching you slowly open your eyes and look at your now bandaged hand. He nodded at you before standing, finding his way back over to a wooden cabinet.

You looked around the place, noticing the fresh bedsheets and glass of water that surely hasn't been sitting there for Godric knows how long. Tucking your injured hand in your free one, you wandered the small sleeping area before stopping at all the books piled next to it.

"Malfoy, what are you doing in here?" You take a book from the top of the pile and read its title. The Fundamentals of Vanishing Cabinets. You raised your brows in curiosity, looking over at him to find him already staring. "Well?"

“Like I said, I don't have to answer you.” He murmured and stepped toward you, taking the book from your hands.

You stared at him and frowned. His image was even worse up close. You could see the bags underneath his eyes and the gel from his hair completely gone from how many times he ran his fingers through his hair. When he glanced down at you, you were once again millimeters from each other before you both pulled away in confusion and guilt, like your skin was on fire.

“Are you getting enough sleep?" You ask as he walks toward the cabinet again, but this time, you followed him over. "I don't see you eat enough during dinner either."

“You watch me, Potter?” He spoke in amusement, lips turning down to hide the smirk that wanted to present itself to you.

“What? No!" You splutter out and look away, face flamed in warmth. "Only in hatred.”

"Whatever you say." He murmured and began tinkering with the cabinet, placing a green apple on the top shelf. "Stalker." He whispered, earning an annoyed glare from you.

“Just answer the question. Why did the room change to this mess?” You look at the bed you assumed his stayed in and then change your gaze toward the cabinet he seemed so intent on working on. “And why are you spending all your time on this old cabinet?“

He opened his mouth to speak when he winced and clutched his left forearm, making you panic ever so slightly. Draco moved to sit on the bed, pursing his lips and trying to think of anything but the pain being emitted on his arm.

You frown and take his arm in your hands, pulling his sleeve up only to silently gasp in surprise. Draco pulled his arm away and tugged the sleeve down, glaring at you.

“You’re a death eater.” You look at him with wide eyes, stepping back in shock. You looked between his arm, his frantic eyes, and then the cabinet. Your head was reeling at all the information you learned. "You got the dark mark—"

“You can’t tell anyone.” Draco whispered, almost pleading you to not tell a soul. If you told Harry, then everything would go to shit. But when he saw your face clear of all shock and shift to remorse, he knew you wouldn't go against his wishes despite him being a real threat to you and your brother.

“Why? Why did…” You move closer and clutch his arm, pulling his sleeve up again and wanting to trace the design. When he stopped you, you looked up and knew it would hurt. You nodded and thumbed the skin below it, eyes looking over the ink. “You didn’t have a choice, did you?”

Draco nodded and shut his eyes when you continued to thumb the empty space, opening them when you stopped. He knew that the gears were turning in your head when you stared at him like he was you next project — which he knew you would never call him that despite the loathing you had for him.

After seconds of silence, you open your mouth and speak softly, thumb moving over the space once more. “Can't you tell Dumbledore at all? Maybe he could do something to protect you—“

“That’s not how it works.” Draco stopped your movements and tugged his sleeve down. He caught you hesitating to look over the mark again, tilting his head to the side when you took a seat beside him. "Why are you still here?"

"What do you mean?" You murmur and trace the bandage over your hand before looking up at him, meeting his blue-gray eyes. "I can leave if you want me to. But I want to know if you'll be okay if I leave first."

You kept eye contact with him for a little longer before looking away, eyes finding interest in a silver crown in the corner. You weren't sure why you cared so much about him. It was like a switch flipped on in your mind. In all your years at Hogwarts, his taunting was a constant in your life. So when that went away, you knew something was wrong and you wanted to make sure he was okay, even if your brother hated him. It was an instinct you suddenly gained.

"Why?" He stared at the mirror across from him, catching your eyes through the reflection once more. "Is it because you want more material to tease my about?"

"Godric, no." You huff and run your fingers through your hair. "I'm not a monster, Malfoy." You let a small smile slip through when he raised his brow at you. "I'm not a monster!"

"Not saying you are, Potter." He finally smiled at you. But even through the smile, you could see how exhausted he was. With whatever he was doing for the Dark Lord, you just hoped he would be fine in the end. "If I tell you I'll be okay, will you leave me be so I can finish my task?"

You turn your head to look at him properly, looking in between his eyes. You sighed and broke eye contact, "Yes." You look back up and find him millimeters away again, making you squint. "If you don't come to potions tomorrow with any kind of retort, I will be in here waiting for you, understand?"

He rolled his eyes and nodded, "Whatever gets you out of here, Potter."

Nodding, you stand and dust off your clothes once more. Talking with Draco civically was quite a feat, but you knew it was for the better or worse. But just before you could leave the room, you heard his voice ring out to you once more, you first name falling from his lips instead of your last.

"Don't use that strong of a shampoo anymore, yeah?"

You send him a half smile, "Only if you don't apply your entire bottle of cologne."

©lqveharrington - all rights reserved. do not copy, translate or share my work on other media platforms

[that-nerd-who-writes-fanfiction]

Sometimes I think Merlin and Arthur started the sacrificing each other to save each other shit too soon into the series.

Then I remember this scene exists.

(Screenshot from S1E2 - Valiant of Merlin bringing the snake head from the enchanted shield to Arthur to warn him that he’s in danger.)

They moved quickly, but they have a damn good reason for it. I honestly can’t say I blame them.

Merlin learned two things about his destiny with Arthur from this episode:

The first is that Arthur will listen when it matters, but his father’s influence runs deep. Arthur cares more about people’s opinion of him than anything else because he’s been groomed his entire life to become the future king, and Uther is tyrannical in his power so he believes that his is the only way to rule. Arthur picked up bad habits, so while he’s still young and learning what kind of man and leader he wants to be, he could still go either way and Merlin can’t yet trust him to always make the best decisions. (Proved in S1E3 when he enlists Morgana to talk to Arthur about the Afank)

The second thing is that Arthur believes in the systems that Merlin knows to be broken, so he learns it’s better to come to Arthur with results rather than warnings, because Arthur believes the systems in place can help, even in situations where they’d be more of a liability.

Both points are then enforced through season 1 and reinforced by Merlin himself in season 2 onwards.

Arthur learned that Merlin is loyal and honest to a fault, but because of the lifelong grooming as royalty and someone who’s supposed to be “above all others” - as proven when Uther says “his life isn’t worthless, it’s worth less than yours” to Arthur in S1E4 when he denies Arthur a group of men to take to save Merlin - it takes a while for it to really sink in that someone can be loyal and genuinely like him without ulterior motive, and when he finally does recognise that Merlin’s devotion is genuinely sincere, he pushes Merlin away (S2E1) in an attempt to keep himself from getting too close and then hurt by what his father would call his own naivety, rather than just admitting that sometimes people are just bad people who do bad things.

He then subconsciously or not learns that Merlin not being by his side is bad so he keeps him around but at a distance with walls built to protect himself. I can go more into that another time. Uther scapegoats Arthur for a lot, and even acknowledges that he’s a bad parent a few times but never does anything to change the behaviour so his apologies aren’t worth shit. Add that to the genocidal tyranny, and you’ve got a fascinating character who somehow isn’t the main villain of the story. I hate him, he should go play hop scotch on quick sand, but damn is he interesting from a writing/analytical standpoint.

So, yeah, they moved from “if anyone wants to kill him, they can go right ahead. I’ll give them a hand” (-Merlin S1E1) to “…Certain death. Few who have crossed the mountains in search of the Mortaeus Flower have made it back alive” “Sounds like fun” (-Gaius and Arthur S1E4) pretty quickly, but it makes sense when you think about why they moved that quickly with context of how they interact and their (assumed) past experiences.

[kirain]

Just a little Emmrich fic based on @timethehobo's beautiful art here. Had me feeling angsty. 😅

Vae pushed open the heavy oak door to Emmrich's study, the hinges creaking slightly in protest. The room was as she expected: cluttered yet strangely orderly, filled with the faint scent of parchment and pipe smoke. Shelves packed with ancient tomes, scrolls, and artifacts lined the walls, and to the right of it all stood his desk, a chaotic mosaic of notes, quills, and half-finished experiments.

"Emmrich?" She glanced around but found no sign of him. "He must have stepped out."

The old book in her hands felt heavy as she crossed the room and carefully placed it on the desk, smoothing her fingers over its cracked leather binding. It had caught her eye in Dock Town, and she immediately remembered Emmrich's passing mention of wanting to read it.

Satisfied, she turned to leave, but a sudden, eerie green light flared behind her.

"Well, well," a snide, feminine voice drawled, its tone dripping with venom. "If it isn't Volkarin's little paramour."

Vae froze, a feeling of nausea churning in her gut. Slowly, she turned back to face Johanna's skull. The cursed object sat atop its ornate pedestal, its hollow eye sockets somehow teeming with malice.

"Hezenkoss," Vae said flatly, unwilling to give her any more attention than necessary.

"How cold," The skull cackled, the sound sharp and grating. "I was just starting to enjoy the quiet, then in comes the professor's pet. What did you bring him, hmm? Chocolates? Cheese? Some other fatuous notion of romance?"

Ignoring her jab, Vae headed for the door. "Just a book he wanted. Goodbye, Hezenkoss."

"How amusing. I can assure you, he's already read it," she scoffed. "That absentminded fool could never keep track of what he's consumed. He'd open a book, read the first page, then suddenly realise he'd read it years ago."

Vae paused, her hand lingering over the door knob. Against her better judgement, she sighed and walked to the desk, leaning against it and facing the skull.

"What was he like when he was younger?" she asked.

There was a brief silence, as if Hezenkoss hadn't expected the question. Then, her voice took on a grudging edge. "An idealist. A bleeding heart. A coward."

Vae frowned. "You were friends for years. You must have admired something about him."

"His intelligence," the half-lich admitted, begrudgingly. "And his magical prowess, but that's all. Both became the reason I despise him—he never utilized either one, wasting his potential. We could have ruled Nevarra, brought every neighbouring kingdom to their knees, but he preferred to play nanny to wayward spirits and shortsighted students. Pah!"

Vae's eyes narrowed. "I don't believe you. You don't stay friends with someone for decades without seeing something worthwhile in them."

"As I just said. He was a useful duck to bounce ideas off of, but he never did appreciate my vision."

"Your vision?" Vae crossed her arms, her brow furrowing. "Your vision killed innocent people. Turned spirits into abominations."

"Sacrifices are necessary to achieve greatness," she spat. "I'm no hypocrite. As you can see, I made the ultimate sacrifice. Volkarin will do the same, should he pursue lichdom."

"It's different if it's yourself," Vae argued. "But not when you force it on others. That's not a 'sacrifice', it's just murder."

"No difference, same outcome."

Vae flinched, disgust welling in her eyes. "I can't imagine Emmrich ever being friends with someone like you," she said, her tone ruthless. "Which means, at some point, you must've changed. I just can't help but wonder if it was before you became a lich or after."

"Lichdom doesn't change anyone's personality, morals, or thoughts. I'm the same person I always was," she asserted. "If you want the truth, the old man's too trusting. Too softhearted. He wants to befriend everyone, even if it means adjusting his own interests to suit their needs. I'm sure you've seen it."

Vae swallowed, thinking back to all the times Emmrich went out of his way to ensure his colleagues' comfort at the cost of his own. Hiding his skulls, refraining from discussing necromancy in front of Taash, choking down one of Harding's ham sandwiches, afraid he'd insult her if he didn't try it—and then all the times he fussed over Vae herself.

"He's kind," she countered, though she knew it was sometimes to a fault. "He said you were, too. Once."

"Pah! You mistake kindness for naivety. I was young, with no concept of reality." She groaned, as if cursing her former self. "I grew out of that. Volkarin didn't. Beneath his grey hair and wrinkled skin, he's still a child at heart, always seeing individuals over the collective."

Vae shook her head. "Do you feel any guilt at all for what you've done to him?"

The skull chuckled, a bitter, humourless sound. "Guilt? For what? He impeded my plans. I did nothing to him."

"You had him on a hit list."

"Yes, because I knew that bleeding heart would never stand for my glorious uprising. Better to crush him, and that ridiculous pile of bones he drags around, than risk his interference. It wasn't personal, you see? Just collateral."

Vae's jaw clenched, her hands balling into fists. "You have no idea how lucky you are to have that 'bleeding heart' in your life. The rest of the Mourn Watch wanted to seal your skull in a tomb, alone, for eternity. But he fought to become your caretaker, because he couldn't stand the thought of you rotting in solitude. Even after everything, he pitied you."

Silence fell over the study, save for the faint crackle of energy within the skull. Hezenkoss said nothing, but her glow dimmed slightly.

Vae huffed and rose to her feet. "He's taking your betrayal harder than he lets on. You should be grateful for his kindness."

The half-lich grumbled, a note of frustration in her voice. "I was never loyal to him. There was no betrayal.”

"Yes, there was," Vae's temper flared. "You could always go to him, always talk to him. You were friends. He cherished that, cherished you, but you threw it all away—and for what? A broken existence? Eternal imprisonment? Loss of all feeling? You'll never be able to walk again, smell again, enjoy someone's touch on your skin. You had it all, but now it's gone. Was it worth it?"

For a long while, Hezenkoss said nothing, Vae's eyes boring into her sockets. Then, with a soft, almost incredulous hiss, she said, "I will escape."

"Maybe," Vae nodded. "But if you do, know this: I will never let you hurt him again."

Hezenkoss' laughter rang out as Vae moved towards the door. "You won't have to worry about that, darling. The decrepit old fool probably only has a few years left anyway!"

Vae tensed but didn't look back. Gritting her teeth, she wrenched the door open—and froze. Emmrich stood in the hallway, his expression a mixture of shock and pain, the weight of the overheard conversation hanging heavy in the air.

"Emmrich," Vae whispered, stepping into the hall and closing the door behind her. "How long have you been—?"

"We were friends once," he whimpered, his eyes drifting to the floor, "...weren't we?"

Vae reached out, her fingers brushing against his cheek. He was so hurt, and it killed her to see. Without another word, she pulled him into a hug, her arms wrapping tightly around him. Almost immediately he melted in her embrace, burying his face in her shoulder, his hands trembling.

"I'm sorry," she murmured.

He didn't respond, but the way he clung to her spoke volumes.

[hollowed-theory-hall]

I saw your post about Harry, Ron, and Hermoine not telling many people about the horcruxes.

This brought me to an interesting question: how much do you think they told Neville? Neville's not exactly the general public. He killed Nagini, he was running the DA and the Hogwarts resistsnce during 7th year, and he is closer to Harry than most other students.

I also know you, like me, are a fan of the DADA Professor Harry headcanon, and I like to think those two got very close while they were both professors. I think that even if they didn't tell him everything, they certainly told him more than everyone else. I'm just not really sure where that would start and end.

Hello 👋

(Referring to this post)

I think Neville and the Weasleys know more than the general public. Like, I'd like to think they told Bill more about why they broke into Gringotts after the war. I think he'd like a word.

And Charlie is definitely gonna ask about the dragon...

I think the fact they hunted down Horcruxes would be more well known. Not exactly public knowledge at first, but, like, the Weasleys would know, Neville would know, a good chunk of the DA would probably hear about the Horcruxes too. Like, I can see them just sitting down together for butterbeers or something after the war, all the remaining DA. And Seamus would be like: "Why did you break into Gringotts?"

And Dean would go: "Yeah, what were you guys doing?"

And the rest of the DA would turn to the trio curiously and Harry Ron and Hermione would look at each other and Harry would sign and explain they were hunting down Horcruxes.

The DA: ???

Hermione then explains the broodstocks of what a horcrux is and the DA is super impressed and they leave it at that. I don't think Harry tells them, or, anyone really about him being a Horcrux until much later. I don't think they really told anyone Harry died. Like, I imagine that's a little insane to think about, even for wizards. and with the scare of Voldemort's immortality... I think Harry would just laugh it off and say he played dead for a bit (technically not a lie).

And that would be the truth that starts coming out in the years after the war through interviews with DA members like Zacharias Smith and others. They'd tell what they know about the Horcruxes and the fact Harry and Co destroyed them (not that they'd know much. Like, they wouldn't really know how or what or when. They'd just know breaking into Gringottswas was part of it), but Harry being one and dying would not be part of it. Some Death Eater in Azkaban (let's say it was Rowel) was questioned by Rita Skeeter with a special visit permit and he kept insisting Potter was hit with the Killing Curse again, that he really died and wasn't playing dead. But, this still stays in the realm of unconfirmed rumor that's disputed by the public even 20 years post-war for the most part.

I mentioned in the past that I think Harry would struggle post-war. Trauma, so much death, the loss of a piece of his soul, finally getting to choose for himself and live in a way he never could. Finally, there's no more sword over his head, and while that's freeing, that would also be terrifying. And he has a baby to take care of (but Andromeda would help. I'm sure if he asked her, she'd advise him to go back to 8th year).

But, I really agree about Harry and Neville becoming closer friends while they're both teaching at Hogwarts (more about my Professor Harry agenda here). Neville would be the Herbology Professor & head of Gryffindor and Harry would be DADA Professor and Deputy Headmaster for McGonagall (at least I like the idea).

And, I can see, like, a year or so after the war, Harry and Neville sit together, maybe a little tipsy after a Christmas celebration at the mostly rebuilt Hogwarts, and Neville would bring it up. He'd be like: "You did give yourself up after you promised you won't. I mean, I kinda knew you would, but I didn't... I... Why?"

And then Harry would break down. It would be the first time he talked about any of it since the week of the war (because Harry tends to bottle shit up). And he'd explain he was a Horcrux, and Dumbledore planned for him to die, that it was the only way. And Neville would be a little awkward, and pat Harry on the shoulder in an attempt at comfort Harry would appreciate.

And then Neville would ask the million-dollar question: "Then how are you alive?"

And Harry would just laugh in response before saying: "I have guesses, but hell if I know,"

They fall silent for a bit before talking about the stupid prank Roper and Bletchley got Peeves to cooperate with last week and how it took Flitwick an hour to put everything back in order, but that it was good for the student's morale. They would become closer from talking about it, and I think it'll help Harry process everything, you know? I think it'd be good for him.

(Unrelated note, but Teddy probably makes an appearance as a baby at Hogwarts if Harry is the DADA professor. He's the teacher's helper and everyone coos at him. Though, I assume he'd be staying with Andromeda a lot too. I like to think Harry and Andromeda would grow closer post-war. Harry deserves more family, and Andromeda just lost all of hers)

I don't think Harry and Neville talk about it much, but I'd like to think Neville knows. I'd also like to think Luna knows. And if we're going with the epilogue (which I don't tend to do), Ginny would know too.

But, that's basically it when it comes to knowing Harry was a Horcrux and that he actually died. I don't think Harry would want to tell Arthur & Molly if I'm being honest. They'd be told about the Horcruxes in general, but not that Harry was one and literally died. At least, Harry wouldn't tell them. I don't think he'd want them to worry or be sad for him. Not after Fred died.

Like, can you imagine Harry saying he died and came back but Fred didn't? Right after Fred died? No way is he doing that to the Weasleys. To George. Ron and Ginny would be the only Weasleys that know and they'd be sworn to secrecy by Harry.

[puckpocketed]

Trying to absorb everything there is to know about ice hockey within the shortest amount of time possible really does strange things to a person. You come up against questions such as what do defensemen even do aside from skate backwards and do tummy time to protect their goalie? (Broadcasts aren’t the most informative) What the hell makes defensemen effective? What do the casters mean when they say “gap”? What are defensive details?

I love watching games back, I love trying to understand the game. I love hockey <3 But sometimes it’s nice to have help, and sometimes my favourite writers/podcasters collaborate!!

Here is part 1/3 of a podcast mini-series about defending, putting it here so I can have a copy of it in case it ever gets taken down + wanted to share with everyone some of my findings! (All episodes are available if anyone just wants to listen to them!) Transcript + edits done by me, all mistakes are mine.

Published 6th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #1 - by Hockey's Arsenal, hosted by Greg Revak (apple / spotify / youtube / bonus substack link)

part 2

[START Transcript]

Greg Revak: On the Hockey IQ Podcast today, we open up a new segment: we’re bringing back our favourite Will Scouch. If you’re on the Hockey IQ Newsletter you know his work by now.

Will, good morning. Earlier than most of us probably normally get up, but it’s a good day.

Will Scouch: Yeah, Greg, thanks for having me, it’s a lot of fun. Me and Greg go way back. We’re boys from years ago and I’m excited to hop on the show. I’m a keen listener, keen reader. 

[They exchange pleasantries]

GR: Beautiful. Well, today we’re gonna talk about three concepts. We’re gonna break it into three spots though, so everyone’s gotta come back next week and the week after that.

We’re gonna talk about defensemen, because everyone knows they’re important but how do we actually play the position well?

WS: Yeah, I mean, it’s a position that’s still, to me, being explored; both by, I’d say youth and junior coaches and pro coaches alike. There’s a lot of different ways that you can do it.

I mean, I watch a lot of hockey from around the world, all kinds of different levels. I’ve watched guys develop from 15 to 24 at this point, and just seeing how their games evolve and everything, and how effective various versions of this position is. And I think it’s a very interesting area that’s still being explored in a lot of really interesting ways, for sure.

GR: Yeah, I think back to David Savard; he comes out of the [QMJHL] as this high-flying offensive defenseman, and if we just forgot about the rest of his career and you just saw him today as this great shutdown, defense-first player, you’d be absolutely shocked.

I mean, you think about Rasmus Dahlin — kid didn’t even play full time defenseman until his actual draft year, he was still playing forward a ton. There’s so much to be explored here.

I feel like [to get a lot of] — for you NHL fans — to get a lot of value in the later rounds out of your defensemen, take those offensive players first, and we can find a lot of hidden gems later.

WS: Well, yeah. I mean, actually, I’ve said this a few times but your listeners probably don’t know, but I did a presentation during the pandemic at the Ottawa Hockey Analytics Conference about this topic exactly; how, when you look at the numbers and the defensive value of players in the NHL, I found that there were just as many in the top 50 defensive value of players in the NHL, there were just as many undrafted players as there were second round picks, second and third round picks combined.

So the draft isn’t really a great historical gauge on defensive ability. Offense is a different story from defensive players, which we could probably get into a little bit.

But I find, personally, that evaluating defensemen and projecting defense to the NHL is still really spotty and questionable. And I don’t know, in my line of work, watching a lot of defensemen, a lot of the ones who I think are some of the better defenders kind of go a little unheralded, because a lot of the time you don’t need to be particularly noticeable to be a good defenseman, but scouts are always looking for the noticeable guys.

So it’s a very interesting world and it’s a very interesting thing to pick through, but there’s definitely a lot of case studies you could dig into, and a lot of players you could look at as cases of, “Oh yeah, nobody was really paying a whole lot of attention to them!” or maybe people were thinking about them the wrong way. But if you think about things a little bit outside the box, you might be able to see something really interesting there.

GR: Yeah, so let's dive into why that may be. Classic example would be Lane Hutson, so maybe we'll pick on him a little bit, but I definitely want to talk about Rasmus Ristolainen, because he is an interesting case study that we wrote about on the newsletter.

So where I want to start with this is just modern day defending. How are defensemen defending today versus old times? A lot of times it was the big hit, separate the head from body. The puck’s somewhere, but let's separate the head from the body, and we’ll worry about the puck later — that is going bye-bye.

Every coach I talk to now, they prefer having the puck rather than having a head on a stake. So for me, it comes back to this old saying of, “position before possession.” We're gaining body positioning, we're not so much separating head from body, but puck from player.

All right, so we've got position before possession. It's super valuable in gaining the space that you need to have first whack in a puck or put the puck where you want it, or just push it to a teammate. Just having the idea of owning space and there's no better league at this and no league that values it more than the NHL. If you don't do this well in the NHL, sooner or later, you're going to find yourself out of a job making a heck of a lot less money in a league that probably no one really cares that much about. You want to be in the show, the big lights: you have to value this more than anything.

And this is actually the one thing that I noticed about Hunter McDonald. He's in the Flyers’ system now — he was an overager, but I was like, “This guy is unbelievable!” He’s a huge frame, you can’t miss him out there. He would just get the positioning before possession, and I was like, “Okay, that’s interesting, let me watch him further.”

And I feel like he’s going to be one of those bottom of the lineup guys who, unlikely, made it out of being an overager in the [United States Hockey League], going to college for a few years, but has those little details of a defenseman that you see in modern day play, which is positioning overall, which is an NHL trait to the nth degree.

WS: No, I know. I think I would definitely agree. Those are the players that are always really, really fascinating to me because you look at a guy like Hunter McDonald and the production just isn't amazing. But it doesn't — to me, when you look at defensemen, it almost doesn't really matter. That's kind of a very secondary-slash-bonus style of thing that comes with a player.

I see a lot of defenders every year and it seems like a thing where a lot of them, maybe at the lower levels, there is a little bit more of that “separate the head from the body”-type of player. And I think there are NHL scouts who still gravitate towards those guys but, at the end of the day when it all comes out in the wash, it's a lot of the time the guys that are kind of, I hate to say ”boring”, but just very effective, and just they're always in a good position.

The guy I always reference as a young defenseman who, I think, is just a really, really high-end defensive guy is Kaiden Guhle in Montreal. We're going to talk a little bit about Lane Hutson in a second, but Kaiden Guhle is a guy who, when he was in the junior level, just played such a great, balanced style of defense.

He was a good skater, but he had really good length. He was a guy who didn't just lay the body every single time, but he certainly could if he needed to. It was about his lateral mobility, it was about tracking rushes, keeping inside the dot lines, and preventing chances from inside and leading with his stick, but then finishing with the body if he had the opportunity or the need to do so. And he seemed to have a really good read of just how to do his job really, really well.

And so that's been a lesson for me for sure. He was a really interesting case study a few years ago, and he's become a pretty solid NHL defenseman. I mean, on a team this year that’s kind of struggling defensively I think he’s been one of the brighter spots on that defense group there, [he’s] doing a pretty good job at least suppressing chances against.

GR: I don’t watch as much as you do, prospects, but Guhle I did catch. For me, the play style wasn’t very good. He had elements of it, you could see the flashes, but he was just really brash. His decision making and his reads were quite poor. But the tools were there, and it was like, “Can he adjust?” Which I think he’s done a phenomenal job [of], and I think Montreal is probably the perfect place for him to develop a lot of that.

So I think you're spot on like, “Okay, how does he actually apply?“ Having assets is one thing, having the tools is one thing, but how do we properly apply those assets, those tools that you have in a good way? So I think another piece, for me, is if you do have the speed, is just making sure that you're controlling speed and then you're also keeping small gaps.

And just knowing with my high school team that no one knows what a gap is, let's define that real quick, which is: the difference in space between the forwards and the defensemen. So the space in between, “How much space are you [allowing]?” in hockey term slang. It's underneath you versus on the other side, which is above you or behind you. So, “How much space, what's that gap between D and O?”

(Editor’s note: He says O instead of F here, I assume because the person attacking isn’t always a forward. As in, “How much space between the defenseman and offenceman?”)

So you got the speed, shrink that gap as much as possible. Don't give them the space to operate or work in, or, I even call it the space to think, which [it often becomes] for forwards, especially unsophisticated ones.

WS: Yeah, I mean, that's really the bread and butter of a lot of the position. It's so much of this, like you said, gap control. I actually just did a bit of video work for a really high end player, [an] NHL draft pick playing in Sweden this year, who is producing really well.

But in terms of the defending side of the game, he's not the most incredible skater you've ever seen, he's not the biggest guy in the world. And a big thing that I noticed, that even at the professional level that was kind of a bit of a work in progress, was that gap management. Especially because the footwork wasn't amazing, [he was] keeping his feet a little too stationary, gliding backwards and sort of allowing that gap.

And when you watch the NHL that's the point of the whole exercise, watching the NHL and how they play. Forwards are fast and they're smart, largely. The guys who can score are the guys who know how to get through soft defensive pressure, the guys who know how to find lanes and cross up defensemen, and if you don't have the footwork or the mobility or the reach or all of it — all of the above — to track all that and manage it, then it's going to be a lot tougher to do your job.

But the interesting thing, though, is that there's a lot of different ways that you can get defensive jobs done. That's always been very interesting to me; seeing how different players approach the position in different ways and seeing the efficacy of that come out in the wash, and how their offense balances with their defensive ability. It's a very interesting world to dig into, for sure.

GR: Yeah, I think you've got a rabbit hole there. You just kind of opened up around defensive skating. What do clean feet look like? What does defensive posture look like, that actually allows you to have that kind of mobility?

So we'll leave that for another day. If anyone wants to go check it out on the Hockey IQ Newsletter, they can do so. Just look up defenseman skating development. We've got two good pieces there talking about building and maintaining defensive posture and keeping clean feet, which — actually massive base for anyone.

It allows you to have the proper gap that allows you to kill plays early, and ultimately, it's a lot about just controlling speed. You don't want McDavid building up to full speed. You don't want MacKinnon building up to full speed. You don't want anyone coming up to you at full speed. It's very hard to maintain that kind of speed going backwards [that we] even generate in the first place. 

How do you kill it early? How do you get a hand on someone? Or, my favorite example is just proper pivoting. A guy dumps a puck on you, how are you going back? What does that pivot look like?

I'll let you open that up because at the NHL it's almost too good, where you can't see what a bad example looks like, but you can see it's everywhere.

WS: Yeah, I mean, it's a make or break skill in the NHL. It's where a lot of defensemen die. I mean, it's a cliche at this point to talk about pucks in deep, to talk about [getting] pucks deep in the offensive zone, get below the goal line, dump and chase. People make fun of dump-and-chase kind of stuff. But if your team is built to do it, you can do it.

You can take advantage of defensemen in the NHL who just don't have the speed or the agility or the skating ability that some of your forwards might have. It is a lot easier to skate forwards than it is to skate backwards. That's just, you know, anecdotal, but also pretty factual — you're naturally going forwards.

I think an interesting trend that you're seeing a little bit more of [is] what they would call ‘scooting’. You're the coach; I don't know if that's exactly what the terminology would be, but [it’s getting] your defensemen in the neutral zone, kind of pinching a little bit more and having them skate forwards, tracking play towards the boards.

So it's not necessarily that they're doing their backwards crossovers, it's not necessarily that they're entirely skating backwards, but you see guys who are really talented skaters or do have a lot of quickness driving play to the boards in a more aggressive way than having the play in front of them. It's about them sort of tracking that play laterally, which is an interesting thing I think you're seeing more of now.

I think there are definitely coaches and systems that love to play their defensemen more that way, and the weak side defense can sort of fill between the dot lines for them and sort of leave the weaker side of the ice a little bit more open. That's kind of what I mean. There's a lot of different ways to achieve these kinds of goals, and I think you're seeing a lot of different things popping up to adapt to this. 

In situations where you have a dump and chase or something like that, or just getting pucks in deep or whatever you say, when you have a defenseman who has trouble with their footwork and turning around… Trust me, I'm a defenseman, when I play hockey, I strap on the skates — I play defense myself and that's where I fall apart, when I do fall apart. Which is often. But definitely, when play turns around and I’ve got to change directions or change my area of flow, it can be tricky. And in the NHL, I can only imagine how tricky it can be there. 

GR: Yeah. I mean, a good pivot you're looking at three steps total, like boom-boom-bam and you're there. You watch an amateur game and it could be like five, six, seven, eight chops before [they] finally get going and [it’s] looking like a proper forward stride again. [Or just] getting into a good defensive posture and positioning. It's total scramble mode.

A big one for me, too, is just the direction that you pivot. Do you wait for that offensive player to commit to their lane? It's just a great defensive habit in general, letting the offenceman make the first move. If you're making the first move, you're the one showing your cards. It's kind of like showing your cards first in Poker.

Let them make the decision and then you can pivot into them. Now you can get that position before possession, or at least get a chip on them, slow them down. You can either make it easier for yourself or your partner. So one, there's the clean footwork on the pivot, and two is making sure that we're controlling the speed and we're pivoting properly in the direction that we want to pivot.

There's a ton of times where I see, especially the lower levels, players coming up, they're in a bad spot, they're skating forward, defenseman skating backwards and they just chip it off the boards. And the defenseman is like a dog just following the puck and it ends up in the middle of the ice where the forward actually went. Again, the NHL is the best at this so it's really hard to see bad examples of pivoting into and controlling the space of the opponent.

WS: Yeah. I do a lot of work outside the NHL, and the biggest thing I notice is not necessarily the number of chops it takes, but the amount of time. You can see guys taking two seconds, maybe more, to get themselves turned around, tracking pucks below the goal line.

To me hockey is a game of milliseconds a lot of the time, right? I was working with someone years ago who really shared the idea with me that, in the NHL, generally goals are not scored if you have the puck on your stick for more than either half a second or a second.

I can't remember off the top of my head, but it's so fast in terms of; when you score goals in the NHL, it's when you touch the puck for a very short amount of time in the offensive zone and get a puck on net. And so, if you have guys who take too long — and “too long” might not be very long… If the difference is relatively short at the time you're making those pivots or those changes, but the [opponent has] got a lot more speed than you and you're [taking more] time to then start generating that speed to match the opponent, you're in trouble.

And in my opinion, I think that you want your defensemen to be more assertive. I always fall back on the strategy of; make them make a decision, make them commit. That might imply that you do the committing first, but that's where the importance of footwork and tactics come into question. 

You have to have strong support, whether it's from backchecking forwards or your partner. You want to be able to adapt to quick players who might fake one way, go another, and be able to use your stick or use your feet or both to be a factor regardless of what happens. 

It's very interesting to watch defensemen play. I find it really, really interesting to see the different approaches of different players and especially how they evolve and get into the NHL.

But yeah, I mean, [it’s so pivotal], the skating ability; defensemen who can skate, it unlocks so many doors for their career. If you're an elite level skating defenseman, it just unlocks so many doors that interest me. If you're not, and if that's not a strength of your game, then it can be a big struggle, especially against faster opponents. Even if you're big and physical and pretty good throwing the body or whatever, there's a lot more of the game in the NHL these days. Very, very interesting stuff. 

GR: I think that's actually the perfect segue into someone who, early in his career, threw the body too much and sold out too much on plays that he probably shouldn't: Rasmus Ristolainen.

Great case study, great case study from when [John Tortorella] started working with him to where he is now. Will, I'll send in the link here from the Hockey IQ newsletter so we can track a little bit better with each other. 

I found him to be a fascinating player. High draft pick, 8th overall in 2013. Really pretty, smooth skating, big body — has all of the tools that you would traditionally say, “Yep, that checks [out].” And then you looked at his stat profile and it was just abysmal. His micro stats were terrible. I think the only thing he was good at was D-Zone Retrievals, which, being able to take contact, it was kind of an easy thing for him.

WS: Yeah. I remember watching Ristolainen when he was in junior hockey, because that was the earliest years of me being kind of curious about that side of the game, and I did not really recall that being a premier area of his game.

I remember him being big, but pretty mobile, and has some skill to play around with. He did have a bit of a physical edge to him, but it feels like it was that tail end of an era in the NHL where those big, mean, physical guys were kind of in vogue, and people were kind of curious and needing guys like that. And I guess that's what Buffalo drafted him to be.

I remember being very surprised that he was in the NHL the year he was drafted. It just did not look like it was really working out there. And Buffalo just seems to have been not a great fit for him, they kind of turned him into something that he wasn't, but I do think that he's turned into some sort of serviceable defenseman.

But he, to me, is a great example of one that I always look back on and go, “Man, what if?” Like, what if things went a little bit differently for him? Because there was good stuff there, it's just I feel like the development was focused in the wrong areas.

To me, 65% of the work [is] scouting, and developing — the easy part is drafting good players, the hard part is developing them and bringing them along into being good NHL players.

So to me, if you can find the most amount of things that get in the way of that process being easy, then you're doing a really good job. And with Ristolainen, I feel like in his case they inserted more things to make that journey more difficult and sort of turned him into something that he wasn't, which is always a scary thing for me to think about doing to a player.

But it's not over for him, obviously. He figured it out. Obviously, Tortorella found something for him to do, and he has shown a little bit better. But yeah, he's always been a what-if guy for me.

GR: I always liked how Tortorella, after the 2022-2023 season, was doing his media stuff and he was like “Yeah, he's our most improved player.” You're a guy who's getting paid big bucks — I think he was making five million plus that year, still is, probably — and even him, he was like, “I was just bad the first half. And then around Christmas break, I started getting going. The second half was much better.”

Basically, the first half, they were just trying to rebuild his defensive game, and this is true for anything. Zach Benson's another good example of this. If you can't play defense in the NHL, you're going to be out quick. Benson can play defense despite being — I think they list them at five foot 10, but there's no way.

WS: Yeah, no, no. I know. He's a little guy, but he's another great example of a player where I, in my work, I do not care how big you are. I just care about how you play. Even in the NHL. And I feel like Benson's a really, really good example of that; a guy who, just forechecking alone is a really… The easiest way to defend is if he can cause turnovers in the opposing team's offensive zone, a guy like Zach Benson does that extremely well.

And if he needs to track guys through the neutral zone and backcheck, he'll do it, and he does it really well, and he does it at a speed that I found to be projectable to the NHL. And again, that's another one where I was a little surprised to see him in the NHL so fast, but he didn't really look out of place there.

He's had a bit of a slow start this season, but just a really, really talented player, and one where you kind of do look at and go, “Yeah, these smaller guys can definitely defend.” They just — the expectations are a little bit higher, and maybe for good reason, but he checks all the boxes for sure.

GR: Yeah. So for Rasmus (Ristolainen), there's two big things that, when I dug into this, that Torts was working at. At this point, I was so intrigued [that] I was tracking every single time Torts spoke and Rasmus spoke to the media. So I was like, “I wonder what they're actually doing?” Which, Torts can be tight-lipped, but he gives it away if you follow long enough.

The big one was just inside, like too much, he was finding himself, Rasmus was finding himself on the outside. So whether that be outside the dots, outside on bad ice, for whatever reason, or just finding yourself outside, like losing defensive side positioning to the offensive player.

If you finish contact, but now you're on the wall and your player's got to step to the net, that's trouble. There's a great, great clip the other night featuring, I think it was (Aliaksei) Protas [who] ended up scoring the goal and K’Andre Miller of the New York Islanders. So Caps — Rangers, not Islanders — Rangers… Where [Miller] went in soft, didn't really take positioning, got beat back to net, and Protas just put out a stick and just tapped it in, Igor Shesterkin never had a chance.

A similar idea of; okay, good, maybe you got some contact, you tried to make the stop, but you still need to maintain defensive side positioning. You still need to finish on the inside. So if you're doing contact, you can't overreach.

You just can't do that. You have to stay in good positioning.

And the second piece was just, finishing with contact to get stops, like stopping movement. Offensive play is a lot about movement, and defensive play is about stopping movement, AKA getting stops. So he would maybe make a play, or get a poke check, but the puck was still moving and could be easily on the other team's stick. 

So how do you make sure you're always staying in good positioning? Staying on the inside, as Torts put it. Or the other piece, which is getting stops, or finishing with contact — but smartly, not chasing the contact for contact’s sake? Being tactful in your play.

I feel like Risto really just learned how to play defense smartly. He was actually thinking and being intentional about what he was doing, rather than like, “I see a puck and a player, I'm going to go end that!” And then, boom, in the big scheme of things, it’s a net negative. Even though at the moment, it may have, especially to him — otherwise he wouldn't make the play — seemed like a positive, really it was a negative for the team.

WS: Well, that's the interesting thing too, going back to talking about junior players and the context in the draft and how defensive players might go a little bit underreported or undervalued in a sense.

I see this all the time, especially with North American defensemen, especially with Canadian ones, but there are definitely players who everybody talks about how good they are defensively, everybody talks about how solid they are. They're big, they're physical, they're mean, blah, blah, blah. But then when you watch things in detail, it's this sort of Ristolainen-style thing. You're talking about K’Andre Miller where it's like, they're along the boards, they're doing the thing along the boards, but they're losing.

They're allowing guys to get low on them, get through them, and even in the junior level, right? What good is it if you're trying to pin a guy against the boards and they give you a little shove, crouch down a little bit, chip the puck three feet out from you, you don't adapt to that, they get three feet of space on you, throw it out in front of the net, and boom, you got yourself a scoring chance, right? I see that all the time.

It's the focus on the body and not focus on the turnover, turning that possession back over, that really seems to be a tough lesson for a lot of defensemen to get over. I find that a lot of defensemen from the age of 18 to 23, in the grand scheme of things, their style of play doesn't drastically shift all that often.

And so, when I see things like that happening, I'm going, okay, I gotta either hope that this guy puts in the time in the gym and becomes, just, a strength nut, and pins that guy to the boards so they can't do anything, or they figure out a way to get into those situations, take a step back, chip at the puck. Really battle for the puck rather than focus on the guy.

Because I've seen it so many times with guys who are bigger and more physical, they apply it in a way where I feel like coaches will go, “Wow, look at you go, you're playing hard, you're playing the thing!” But then they escape, this opponent might escape, and create a little bit of space for themselves. And again, this is a game of inches, it's a game of a couple of feet, and every inch matters.

So in some cases, yeah, you get those situations where guys like Ristolainen, yeah, you're doing the thing, people clip the hits, people clip the physical play, but then five seconds later, someone's got some space on you and they generate a scoring chance. And so what do you really value, right? Personally, fewer scoring chances would be ideal.

GR: I love it. Last piece to wrap this up, because I think it'll go well into our next piece, which is point play. Shorting the zone.

I was able to find some phenomenal clips and do some photos of this for the newsletter. But the concept of; if you're watching a game in the NHL, if you can see all five of the people trying to break the puck out, low in the zone… A lot of it, you think about the NHL today, is like a swarm. We're going to do close support. I'm going to try to crowd the puck out.

A good way to respond to that is to short the zone, which basically means your defensemen, instead of hanging out at the blue line, are going to go into the offensive zone. And they're going to start with small gaps, they're going to be [at the] top of the circles, if not a little bit lower.

Tortorella is another big fan of this, so you can see it with the Flyers a lot, too. I would say [Sheldon] Keefe is another example of a coach who does this a ton. So you saw a lot in Toronto, now you'll see a lot more in New Jersey, which is  the perfect d-core to make all of this work. So I think Devils are going to be good for — that's going to be a great fit.

But just the idea of crowding in the space, setting small gaps, so when you do start defending, you can either cut a play off early — it's an easy pinch there if you don't have to go very far — you can cut it off. Or, 2; create a turnover in a much better spot than what is in your own zone. Why not make it in the o-zone? So from a positioning standpoint, phenomenal place to start, good way to kill plays early.

Before they can get going, before the team can build speed, and just being able to put yourself in a good spot to take advantage both from a defensive standpoint, but offensive standpoint.

WS: Yeah, I love when I see this being deployed. I think, again, I'm a geek, like I'm a math guy, and even just thinking about the numbers here, it makes such a difference if you think about it.

The offensive zone from blue line to goal line is 64 feet. So you're looking at the difference between a guy standing at the blue line being maybe 75 feet from the net or at the top of the face-off circle where you might be 20 feet closer, maybe 20, 25 feet closer. So you're cutting down the time at which you give the defense to adapt, the goaltender to adapt. You're cutting that time down by a third-ish, a quarter to a third. I'm ballparking here, but that automatically is just based on where you are on the ice.

If you can compress the offensive zone on your opponent, you're laughing. The second thing I wanted to mention here is this is, again, why skating ability and quickness and speed are so important to me. Because it is objectively a better position to be in when you're in that position — closer to the top of the face-off circles for your defensemen.

But if you do have a situation where the opponent has possession of the puck you have to get set up, you have to cover that gap, you have to cover for yourself, or you have to have some sort of system in place where a winger can cover for you if you're caught in the offensive zone. Ideally, you have your defensemen who can wheel up, get some speed going, get positioned well to counter that attack, and have a system that can swarm whoever has that puck in the offensive zone.

I think it's a really interesting trend for sure. It's a simple little thing, it's a concept that you see definitely a lot more now than you used to, but I'm all about it. It just makes sense mathematically, and it plays into exactly the styles of player that I always look for: guys who do pinch a little bit more aggressively, but have the mobility and the skating ability to cover for themselves.

I would rather have a player who tries something creative, or tries some sort of play that could lead to a high scoring chance, but may relinquish some space on the ice, but has the ability to cover for themselves.

And I can at least as a coach, rely on them — not that I'm a coach — but rely on them to cover for themselves. To go, okay, I can rely on them to try these things, because I know that if it doesn't maybe go their way, which happens in hockey all the time, I'm not going to be upset at this player, but I know that I want them to backcheck, cover for it, because I know they're capable of it.

I think that that's sort of the trade off that you have to live with, but I'm totally cool with it.

GR: All right, so we're going to call this end of the day on some modern day defending, and we'll pick up on point play in episode two.

[END Transcript.]

part 2 <- convenient link at the bottom <3

[rey-jake-therapist]

JDP: [T]hat was the very crown with which Sauron himself was once killed. So taking ownership of it and using it as a weapon comes full circle. The victim who had been killed by the crown in episode one is now the aggressor able to use it for his own ends. We also know it's a powerful artifact that had the ability to…banish for hundreds of years a Maiar as powerful as Sauron. Being able to use it as a weapon that could penetrate Galadriel's collarbone, we knew that it would do some serious damage. PM: Spiritual damage in addition to physical damage. JDP: If I'm playing Dungeons & Dragons, I don't even want to know the damage potential of an artifact like Morgoth's Crown.

--Patrick McKay, J.D. Payne - The Rings of Power Season Two Finale Explained (Vanity Fair)

(Presentation 'stolen' from @fluffycakesistainted's post, only to avoid hacking it, I hope you can forgive me :) )

So I got curious following this line about Dungeons & Dragons... Why did JD Payne bring it up? I know absolutely nothing about Dungeons & Dragons, but I made a little research out of curiosity....

In D&D,

An artifact is a rare and powerful magic item in Dungeons & Dragons. The means to create artifacts are either unavailable to mortal ken, or else long forgotten. Artifacts are often unique or finite in number, and cannot be destroyed except by specific means.

Sounds like Morgoth's Crown could indeed belong there. For fun, I looked for the list of artifacts that are available in D&D, and oh oh, what did I find?

The Crown of Horn

Now doesn't it remind you a bit of our Crown...

The history of this Crown of Horns is very interesting:

The Crown of Horns was an evil, intelligentartifact of great power.[4] While its origins were murky, the Crown was believed to have been forged either in ancient Netheril,[2] or by Myrkul, the former god of Death.[6][3] The artifact carried with it a long history of corruption, mayhem, and tragedy.

Myrkul, Melkor, Morgoth... God of death, Dark Lord....

Right under this description of the crown, there's a quote from a female character named Laeral Silverhand. It gets more and more interesting:

"We found an artifact, the Crown of Horns, and I in my pride decided that my powers of will and magic were sufficient to counter the evil I sensed within it. I wore the Crown, and it claimed me as its own. Years went by, terrible years during which I lost Laeral and became the Wild Woman, the Witch of the North. I remember little of those years, which in many ways is a blessing." — Laeral Silverhand, in a letter to her nephew Danilo Thann, Ches 3, 1368 DR.[8]

I'll go back to Laeral Silverhand later on. Before, here's what they say about the powers of the Crown of Horns:

It is unknown what powers the artifact had before it was possessed by Myrkul other than its sentience and its capability to interfere with the minds of its wearers. After its possession however, the Crown imbued the wearer with several considerable necromantic powers.[10] They were granted an aura of undeath similar to those that surrounded liches, became immune to necromantic spells[4] and all manner of death magic.[3] Following the god's destruction, the vestiges of Myrkul could strongly influence the actions of whomever wore the Crown of Horns, making suggestions within their consciousness, possessing them outright, and even altering their moral and ethical outlook to more closely resemble his own.[4] No individual could remove their crown unless Myrkul's essence wished for his artifact to find a new host.[3][5][10] Over time, anyone wearing the crown became increasingly paranoid, specifically about their possession of the Crown itself. Eventually, they succumbed to the call of madness and undeath, and became a lich themself.[3][4][5][10]

The description keeps going on, I won't copy/paste it all, but basically, it sounds like this crown has powers of control and fascination similar to the One Ring.

Now about Laeral Silverhand:

Laeral Silverhand (pronounced: /ˈlɛərɔːl/ LAIR-awl[15]), born Anamanué Silverhand and formerly known as the Witch-Queen of the North[3] and later the Lady Mage of Waterdeep, was one of the Seven Sisters, a Chosen of Mystra,[14] and the Open Lord of Waterdeep during the late 15th century DR.[3] Together with her partner Khelben "Blackstaff" Arunsun, they led the Moonstars, a dissident faction of the Harpers, which sought to guide the cities and countries of the North toward a shared destiny.[

She had a fascinating life, not very different from Galadriel's actually, who may have been an inspiration? They're both witches with a lot of powers in their hands, for a start. I don't know, but here's what's said about her connection with the Crown of Horns:

Under an assumed name, Laeral eventually established herself as a hard-drinking and fearless adventurer, coming to lead an adventuring band known as the Nine. In the Year of the Wandering Maiden, 1337 DR, Laeral and the Nine discovered the ancient Nethereseartifact known as the Crown of Horns in Yûlash. The Crown was actually planted for her to find by the Netherese lichAumvor The Undying, who wished to use the Crown to influence her to marry him. The plot failed when Laeral donned the headpiece and the Crown's powers conflicted with Laeral's spellfire and drove her into madness.[30]

(The Nine... they seem to be very different characters from Sauron's Nine, but it's nevertheless a funny coincidence).

"The Crown was actually planted for her to find by the Netherese lichAumvor The Undying, who wished to use the Crown to influence her to marry him.".... Well well well, Inchresting....

It's also said that the Crown's powers "drove her into madness" and "claimed her at its own".... I wonder if something similar could happen to Galadriel, because of the wound left by Morgoth's Crown? But it would be Sauron who would claim her, perhaps?

It is also said that "Laeral ceased her prolific creation of magical items after she was freed from the Crown of Horns", which isn't without reminding me of Galadriel who said "I will diminish, and go into the West, and remain Galadriel."

To be clear, there's no mention of stabbing using the Crown of Horns as a weapon. But the fact that JD Payne mentioned Dungeons & Dragons and what an artefact like Morgoth's Crown could do in this context give me pause, especially considering the similarities between these two crowns, and Galadriel and Laeral...

[rainbowsmagicandshit]

Modern Merlin au anyone?

“Wait, you’re Emrys?” Arthur asks, befuddled. Merlin nods. “The one the druids practically worship?”

“Yep.”

“The one they speak of as the most powerful warlock to ever walk the earth? Magic incarnate? The protector of the Once And Future King?”

“That’s what they like to say about me, yeah,” Merlin answers with a casual nod.

“You.”

“Yeah me. Problem with that? Because I can just go if you don’t want me to deal with your griffin problem,” Merlin replies. Arthur purses his lips.

“…No. I just thought…”

“You just thought…” Merlin prompts, raising his eyebrows. Arthur looks to the side for a moment before meeting his eyes again.

“I just figured with all that you’d be older.”

“Hm. Magic doesn’t care much about age,” Merlin says. “Also you know that age spells exist, right? Can make someone both younger or older.”

“Oh?” Arthur asks, perking with interest. “So you just use magic to be younger. That makes sense.”

“No, I’m really this old. I was just saying,” Merlin says, and Arthur looks caught out. Merlin doesn’t try too hard to hide his amused smile. “Also, Emrys is more a title or stage name, you could say. I usually go by Merlin.”

“Right then. Merlin, it is,” Arthur says, clearing his throat.

“Yep. And your Arthur.”

“I’m the king,” Arthur says.

“I’m aware,” Merlin replies with a smile.

“Well, you can’t just call me that,” Arthur says.

“Oh, my apologies, my lord,” Merlin replies, giving a little bow, meeting Arthur’s eyes the entire time.

“Griffins are this way!” Arthur says, voice louder, and turning sharply, striding off. Merlin grins as he starts to walk after him. With a snap of his fingers, his white motorcycle morphs into a white dragon that shines under the sun and happily trots after him.

“She likes to play motorcycle,” he informs the gaping guards and knights as he pats Aithusa’s neck. Arthur looks back for a moment, eyes Aithusa, then continues forward. Merlin smiles as he walks with Aithusa at his side.

He wouldn’t normally take a job like this, his position as Emrys meaning it bad to align himself with a nation. But, Arthur is not an ordinary king, he is the Once And Future King. It is something only a very few know, not even Arthur himself is aware, but Merlin is looking forward to the future he’ll bring.

The legend they’ll make.

A king hired a new official court sorcerer expecting a elderly white haired human in a robe not a raven haired haired 20 something riding a motorcycle in a leather jacket and aviators but he can not deny their efficiency.

[zephyr-ro-emenki]

Ok, I have 3 days of RBH's to make and post today to make up for me missing the past 2 days. So, let's hit the road!

Random Batfam Headcanon's #22: The Adoption Habit Trilogy!

The Batkids have unknowingly inherited Bruce's patent for Adopting things, but the things they adopt are vastly different.

Dick: he has a bad (or sometimes good) Habit of Adopting new hobbies and interests at the flip of a dime. This is most likely just his old circus lifestyle + his ADHD catching up to him in his older years, but he can't keep still or do any 1 career for too long without it being monotonous. The only exception is Vigilantism because each night is vastly different than the night before.

Barbara: Babs has the habit of adopting the many regulars at Gotham Library as under her protection like Jason with Crime Alley.

Jason: He, ironically enough (and never let Jason or Bruce hear this), is the most like Bruce, because his adoption habit is ALSO towards traumatized orphan Kids (and normal kids with a little bit of a sad life. We don't judge), except he's set his scope a lot smaller than Bruce's in that he tries to limit his range to just Crime Alley. Of course he fails spectacularly and has a small caballe of International Children he's picked up on missions living together in Crime Alley, always having their various apartments directly across the street from his most secure Safe Houses. He also has an inexplicably near-complete collection of every variant of Jane Austin Novels.

Tim: Tim Collects Photos and used Coffee Cups. Does he also only save those coffee cups so he can extract the persons DNA into a vast database of his so that he may clone any of the Batfam (or all of humanity if needed) in case of world disaster events? Don't worry about it :)

Steph: Steph is probably the most normal when it comes to her Adoption/Collection because she has a very vast collection of random knickknacks that she's found or acquired over the years.

Cass: Cass has been testing out her sowing skills alot and so has conducted her own small game at her apartment in Korea (not that she doesn't bring it home to Gotham with her). And that's the fact that she's begun swiping up damaged bits of everyone's costumes after fights, and just random weapons or costume parts that the Batfam leave around the Manor, and she takes them back to Korea to stitch all the random pieces back together into her own version of the Batcave's suit display cases. So far the only suit she hasn't been able to start is Barbara's Batgirl suit design, but even then she's looking at that display case every time she's visiting like Indiana Jones trying to steal that golden statue.

Damian: Damian, Being both Bruce's direct blood relative and being raised by the Eco-Terrorists that are the LOA, adopts any random animals he can find, especially those that have naturally occurring Bat Shaped Birth Marks.

Duke: Duke is the kind of Whippersnapper to collect indie Rap mixtapes. You know, the ones from up and coming rappers who stand outside a 7/11 trying to sell anyone their debut mixtape for only $9. He has a pretty vast collection.

[audiart]

I like your post series ideas, I'm interested in the fate of two characters who were deprived of a happy ending: 1. The first is Doll. Since Uzi was able to bring back Cyn, what's the problem with bringing back Doll? + besides, maybe it's just a stylistic element or Uzi's tail with the first image of her new design has redness.

2. The second is J. Since Cyn got a second chance, J deserves one too. + your designs of Nori and Cyn are super cool. Let's hope that at least Porter won't get psychological trauma

Hehe you're the first to point that lil detail out!

Yes, Doll is in there. She's a silent observer and hasn't made Uzi aware of how close she is to the surface.

The Absolute Solver is a hive-minded network that all users are connected to; to be infected with the Solver means your consciousness and neural network exists far beyond your body. ("I have backups")

If the main host of the solver knows who they're looking for well enough and how to do it, they could theoretically bring any Solver host back to life in a new body.

But Doll is just so so tired after her long fight, her consciousness just floating in the AS Network with fleeting visions of how the world's moving on without her is enough for now.

As for J, she has a lot of trauma to recover from. She's the sort to lash out at friends and isolate herself and isn't coping well with ANY of the changes to the monotony that was her life.

She spent decades denying Tessa's death, decades pretending their mission was anything more than meaningless genocide, hunting down rogue/patched Solver Drones, and preparing for ASCyn's arrival.

Sometimes on their flights V, N and Uzi see J in the distance but their pings never receive a response. She's often found around Pod landing sites but doesn't stick by long enough for anyone to find out why.

And thank you!!! Porter's time will come. She has some big shoes to fill and bigger expectations to meet; let's hope she won't crack under the pressure.

[sol-lar-bink]

Halaro New Ref!!! Halaro New Ref!!!

A revised, finalized look, and a lil deeper look at his electric magic (: ... I prooobably should have designed another outfit for when he's on Venostar, but the Casual look will work for now.

More info under the cut!

Name- Halaro

Age- 25

Gender- Male (He/Him)

Species- Floralian Spider

Sexuality- Bisexual

Occupation/ Job- 

During Sectonia's reign= Royal Cleaner/ Butler

After the events of Triple Deluxe = Works at Castle Dedede & also works with Puffe as part of Haltmann Works Company, Galactic delivery services.

Future - Works with Medea in her bakery 💙🧡

Bio- Halaro is a Floralian spider who grew up in Wild World with his parents. He worked for Sectonia for a few years before her demise in Triple Deluxe. Afterwards, he remains at Castle Dedede, only for adventure to drag him away from Planet Popstar and explore the galaxy!

Halaro himself is a pretty standard spider that you'd expect from Floralia. Black horns with cool ivory tips, a band of orange separating the segments. He has 6 orange diamond shaped spider eyes, two pure white eyes and orange fangs. His hair is a warm grey color, and is rather spiky, pointing downwards. The top of his hair is smooth. Six floating hands in white gloves, with a dark orange cuff and triangle pattern on the back of the gloves- and the thumb too.

As a kid he was happy and bouncy, always making friends, happy to help others... but once he got older, his personality shifted (Mostly due to his first jobs boss being such a terrible person). He keeps to himself, he gets easily irritated, he can get loud if pushed over the edge, but deep down he's still trying to be nice. The people he does care for help bring him out of that secluded shell.

Story: He grew up with his mother and father in Wild World, living in an jungle beside one of the many golden pyramids. His father was a chief leader, while his mother came from Royal Road. Halaro was a wild kid, but as he grew, he became more interested in his mothers live in Royal Road. They would go to yearly festivals, and he loved them. This was the spark that made Halaro want to live and work there.

Fast forward to him as an adult, he worked at a blacksmith with a Bonkers boss who abused and overworked him. Despite living through this nightmare, he would eventually meet Taranza, who offered him a job in the castle as Halaro had unknowingly been tending to some of the castles pieces, including some of Sectonia's jewelry.

After two long years of waiting to get in... by the time he arrived at the castle, the Queen was no longer recognizable to him.

His time in the castle was tough, but leagues better than the prior job. He started out as a simple polish boy, but would quickly become one of the main butlers.

He'd befriend Taranza and Medea, one of the maids- as well as meeting his mirror counter-part, Halara, whom he pretends is a long- lost cousin or step sister... they could never agree on an idea.

After Sectonia's fall, and Dedede destroying the Dimensional Mirror, Halaro and most of the others end up living in Castle Dedede, after he so generously offers a place to stay while Sectonia's castle is in need of repair.

Life seems chill for once, until they realize Halara can't get home with the mirror being shattered. Its pieces cleverly scattered across Dreamland by Dedede, so that it won't harm anyone again.

Halaro, Halara, Medea and a People of the Sky (PotS) named Petalia go in search of the mirror shards. Halaro teams up with Marx at one point, which leads him to sneaking into a Haltmann Works. Delivery Ship, where he would be whisked away with one of the mirror shards in his pocket.

Puffe, the delivery driver immediately punishes them and takes them to headquarters, where Susie decides the two boys must repay their actions through work. Halaro gets paired with Puffe, while Marx gets paired with Pierce.

It would be this decision that leads Halaro and Puffe on a strange quest across the galaxy, finding mirrors of similar power scattered around the various planets.

One of such is Venostar, where Puffe's ship is attacked by a strange creature, crash landing on the planet and separating the two. It is on Venostar that Halaro meets Toxecia, Sylvette, Galene and the Mage Sisters; Zan Partizanne later teaching him electric magic, sensing a potential in him.

There's more to the stories to come, but I'll save that for later!

[vonlycaonwife]

May I ask if you could write a Lycaon x AMAB Reader whereas the reader was patiently waiting for Lycaon to return while helping the proxy and suddenly gets kidnapped by the ethereals?

This was an interesting idea! Though I do apologize that I didn’t stick with the ethereal part of this! I hope you enjoy it either way!

Warnings: kidnapping

Oh, I don't think anyone has seen him lose his composer any worse than this moment.

It was just any other day, and he was returning home from work. He expected to be greeted by the sight of his partner on the couch doing his daily activities. But instead all he could see was an empty home.

He didn't think much of it, besides it being odd. But it was only once he sensed an odd smell that he realized what could've happened.

He searched the area frantically, searching for any clues he could find about what took place. That's when he would find a note from the kidnappers, some petty gang members from the fake Mockingbird that wanted revenge.

Oh he was pissed, he's immediately sending a message to Phaethon asking for assistance. While he would rather rush in, he knew it would be better to have a proxy just in case.

Once the quick preparations are met nothing is stopping him from rescuing his partner.

He doesn't hold anything back while fighting, most likely scaring the proxy siblings. But they don't blame him since they understand his anger.

Once they find him, Lycaon is quick to dispatch anyone in his way. His fighting is much less refined and more like a wild animal as he tries to get to his partner's side. He would be close to killing some of them if he noticed his s/o being badly injured, nothing could really stop his wrath then.

But once he's successfully saved his partner, he immediately brings him to urgent care. Once his partner is in proper hands, he's giving a quick call to the other members of Victoria Housekeeping, giving them a quick explanation for him not being able to work for the next few days.

He's not gonna leave his side for awhile after this incident, and definitely will take extra measure to ensure anyone he slights in the future won't use his partner as a way to get revenge on him.

[covermysticart]

Spooks on Bluesky had an idea so I wanted to deliver on it. And as always I overdo everything by a mile and a half!

So first I needed a design for Alastor as the beast and then Luci.

I’m currently working on Lucifer’s design as Bell (coming soon’ish) and quickly realized that Lucifer and Alastor would have a quite different relationship

I imagine that Lucifer would be:

A tiny guy, who genuinely doesn’t understand that he is small and thus should be afraid, he is as aggressive as a small dog and pain in the ass, who constantly tries to escape,

and tho Alastor is annoyed with it at first he quickly becomes more interested in the small powerless man’s increasingly complex escapes attempts. And just enjoys how frustrated and angry the tiny man becomes when he doesn’t get to escape, the tiny guy hates everything in Alastor’s castle therefore Alastor enjoys dousing the man in unwanted attention and affection.

He feeds him, bathe him and treat the man like he is a small pet.

Lucifer is absolutely not having fun and is genuinely trying to escape from the beast using everything he can think of. He is too proud to admit that he is struggling to escape and will always tell Alastor that he wasn’t even trying to escape, or that he just wanted to test something for when Lucifer finally will make his ‘REAL LUNATIC ESCAPE (TM)’.

Spoiler alert: Lucifer becomes more attached with each escape attempt as Alastor brings him back to cuddle and shower him with attention and manipulation. Okay that part sucks but that’s why he will escape!!!

Thus it’s very complicated and difficult for Lucifer to explain why the adrenaline and fun of it is slowly turning his opinion of the man towards a more positive one. It is not rational and he can’t stay!

But when Alastor is nearly killed in one of these escape attempts Lucifer saves him. If anyone ever asks Lucifer about this incident he would not speak about it further than ‘ what’s the fun in escaping if the person who is supposed to witness it is not alive to be gloated at after it.’

I may write a fic about this. But yeah these are my brainstorming thoughts.