#//Though mans would prolly take near half of his parts in the ‘Script’ like a maddened man tryna evade the Oracles prophecies in Greek myth
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intcrastra · 6 months ago
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Y’know what? I do love that Stellaron hunters picked up and adopted Sunday into their ranks idea
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19-falls · 5 years ago
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jumbled thoughts on crash landing on you (2020).
ㅡ this is nowhere near what you’d call a ‘review’.
spoiler alert!
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First of all, I might need to say that I initially had no plan on watching this show. It’s pretty understandable considering that I recently lost interest on being the avid drama watcher I was, and now shifting more on films & books. You see...if you watch too many dramas, it’s totally normal to get bored of it (i mean the overused tropes???typical plot???) and just staying away from it. It’s not helping that recent shows I’ve watched are lackluster at best, and I haven’t been able to found a good one in a while. But I was just recently subscribed to Netflix, and this pops up more than I’d want it to, which brought me to mindlessly clicking the first episode due to boredom I’ve had for not watching any shows in MONTHS and the rest is history. I wasn’t that excited for starting this one to be frankly, due to endless spoilers I’ve gotten from twt and I had been mad over it. I was in a state where I knew how this’d end, but goes for it anyways because I have nothing to do.
The scriptwriter for this particular show is also the one who wrote You Who Came from the Stars (2013) and Legend of the Blue Sea (2017), and I wasn’t exactly a big fan of her writing. And the very troupe that I immensely dislike on the afore-mentioned shows was included on this drama as well. This scriptwriter seems to have a huge liking for putting out thriller-like tone on a romance drama, and it didn’t sit well for my preferences. If you’ve watched these three shows, you’d know all the leads are ALWAYS having dangerous encounter with villains and near-death experiences you’d rarely see in romcoms. It bugged me off how much she seems glued to this troupe and constantly having it on three representative shows she’s writing for, and these are honestly one of my ultimate reason for not doing rewatches for her dramas (I think CLOY could be an obvious exception due to the stellar casting choices for the leads; i’ll explain this later). Not a lot of people could do a well-written thriller-romance, and hers weren’t ones of those. It takes a fair and well-balanced tone to make it work, but in these shows, it just feels like constant fillers and a complete try-hard to make this unpredictable, when all we know that it’s nearly impossible to kill the leads (which I might be wrong while making this seamless assumption but okay).
The biggest downside for the writing style for these shows (bcs I’m not just talking about cloy ㅡit applies just the same for ywcfts and lotbs) is the very inability of Park Ji-eun scriptwriter-nim to write at least a DECENT ending for her shows. And that, my friend, is why I wouldn’t give this perfect score despite my unlimited praises in terms of acting, when I knew how good it’d be if she just let go of her obsession for making the ending ‘impactful’ (which seems to be horribly received by the audiences), and just write a proper ending for ONCE. It’s a big shame it didn’t happen on this drama (*disappointed but not suprised*), but I won’t stop hoping nonetheless. She has a knack for writing witty & entertaining script with great cast ensemble, and that’s why despite my dislike for some of the traits of her shows, I still watch them anyways.
Aside for the poorly-written ending, while I found the editing for first half of the show a lil bit tacky sometimes (especially when it needed CGI), Crash Landing on You also suffers from unnecessary lengthy duration (mostly because it hit big domestically and internationally and the creators get greedy which is never a good thing) that could have been made effective if they weren’t spent so long on shallowly written villainous role which seems to be written for the sake of unpredictability (and was acted wonderfully by Oh Man-suk with its limited character background given). It happened as well on YWCFTS and LOTBS, and again, if you’ve seen those two shows, you’d know how similar the pattern for the plot of CLOY compared to them. If you love them, then it’d work out good for CLOY as well, and if it’s not (like me), then you’d know what kind of writing style Park Ji-eun’s best at along with her worst features on the shows.
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DO THESE LISTED-DOWN FLAWS MEAN I’M NOT ENJOYING THE SHOW?
NO.
In fact, I’m enjoying it a whole lot more than I did with ywcfts and lotbs.
What ultimately sets cloy apart from the two shows is the leads’ acting compability. With ywcts and lotbs, it’s no doubt and much obvious to see that Jun Ji-hyun greatly overshadowed her acting opponentㅡplaying on roles she’s best at, be it as a spoiled popular actress and clueless mermaid. She’s just that good on playing roles that doesn’t have any calmness to it; and more like crazy and freeing women who knows no boundaries. Although her emotional acting was very much in good quality, as well. And because of this very fact, both her costars couldn’t have the equal amount of spotlight, mostly because the characterization for her character (and how she added flavor to that) is much stronger compared to what could be expected from the male leads who, most of the time, don’t share similar traits like hers. I still say that Kim Soo-hyun’s performances on ywcfts are definitely good enough to pair up with Jun Ji-hyun, but I couldn’t say that he’s on his best role despite it prolly being one of his widely known ones.
On this show, Hyun Bin and Son Ye-jin could be said on a similar level for acting capability. Though Son Ye-jin wins out more because of the scriptwriter’s tendency on making her female lead stood out due to their strong characterization, it worked okay because Hyun Bin does match her energy and it just contributed to the fact that he’s a visually good looking actor but still manage to be very damn good at acting as well. And it’s rare to see actors like that on dramaland, you know. Most of widely popular actors seems to stick on one role and never grows from that, but despite his flopped works (yes I’m still bitter on how ineffectiively used he was on Hyde Jekyll and Me) before he started to hit big again after Memoir of Alhambra, ones that had paid attention to his works would know that Hyun Bin, is indeed, good at acting, especially on showcasing his detailed expressions added to the role he’s given. His performances on Secret Garden still awes me to no end, and I’m happy to see that powerful raw acting capability again while he potrayed Ri Jeong-hyeok in this show. 
And Son Ye-jin?This show is just another valid proof that she’s more than a “Melo Queen” people seems to have loved her for. The bratty, spoiled and even brazen acting she’s showed on the drama was incredibly well-acted. Her chemistry with her co-stars were fantastic. Of course, I shouldn’t have to say anything about her acting qualityㅡshe’s just THAT good.  And I love her more on roles like this; where she could  freely show off her capability as an actress on a broader spectrum, rathen than her usual melancholic roles in most of her films. I thought she was a lil bit wasted when she chose to play on Something on the Rain, so thank god she accepted the offer for this show!
And their chemistry is totally off-the-charts, fyi. I might have recently added them on my personal top list for being the most visually good looking couple I’ve ever seen on kdramas with explosive chemistry which I greatly appreciate, and YES I have seen a lot to know that their magnetic presences for each other is like no other. A lil bit biased but okaayyy.
From the leads alone, this is just an absolute must-to-watch show. It’s incredibly rare to see such good performers to helm a show on romance dramas these days. And the most suprising thing is how they doesn’t lose out to the second leads. Seo Ji-hye and Kim Jung-hyun were great on their own feet, but Hyun Bin and Son Ye-jin were just so good on this show that I ALMOST couldn’t care less about the second leads. They grew on me though, and THAT ENDING HURT ME.
And the rest of the casts???Just pure goodness. Everyone has their own color, from the neighborhood moms, the clueless & silly team but still one of my favorite bits to watch, to the villainous role. Everyone’s just doing so great on their role that I couldn���t pick on anything about them. All the characters are the the life of this show. If you’re more of a character-driven drama person, you’d enjoy this immensely.
And it’s so fascinating how they could maintained the light-heartedness of the show to the very end albeit a couple of finale episodes getting so dramatic & hits more emotional beats than usual. I mean, THIS SHOW FEELS LIKE A COMICAL TYPE OF DRAMA SOMETIMES BECAUSE IT WAS THAT HILARIOUS T.T One of the best traits from Park Ji-eun’s scriptwriter, if I might add. Not to mention, the soundtracks!My favorite is Davichi’s by the way :)
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I still have a lot of praises for the acting part, because it feels refreshing to see such a well-acted drama while getting so much popularity at the very same time. With dramas like Descendant of the Sun, Goblin, and more internationally well-received kdramas out there, I still find it hard to choose a drama that has leads with equal amount of respect, trust, and purely in love just as much as they are to each other like this one. Most of romance dramas heavily relies on either the woman or man to be a lil bit more in love with their respective partners, but it wasn’t the case with this one. And that is why despite my constant rant & nitpick for the show, I still consider this as one of my great watch in recent years (not that I have many that I had watched lol).
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Watch it for you’re in for witty dialogues, constant hilarity between the characters, and explosive chemistry & well-acted performances from the leads & the rest of casts. 
Do not watch it for you’re not prepared for the flaws I’ve listen down, and how this is not directed for ones that seek a realistic watch. Ultimately, Crash Landing on You is best watched if you’re not using your brain for it. 
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