#// truthfully this is relevant to like one (1) whole writing partner and it looks like he's been offline for a while efrdgthy whoops

[disventura]

✁━━━ . . . Hm.

[autoirishlitdiscourses]

Discourse of Wednesday, 03 February 2021

If you give a strong job here in a fully developed idea yet, and that to happen differently in this regard over the break? You did very well and that the male partner in that relationship can make it pay off in terms of which is a specific claim in a few hours yet. You were clearly a bit in the text you plan your discussion in my box South Hall to meet with you.

But if you're still listed as TBD, McCabe TBD McCabe TBD, please let me know what you want to talk about, and this will be there on time. I think, from a medical provider for me if you have a really good reading of Godot is already an impressive move on to something as complex and insightful discussion. 25 C 78. Whoops, there's also absolutely nothing wrong with the novel. Again, you did quite a good job of drawing fair implications out of ground, and I understand I have to do them gracefully without losing the momentum of your suggestions are potentially other good ways to combine more than that, when it's entirely up to your ultimate conversational goals. Again, very few students this quarter, I don't yet see a specific argument. Hello! However, this could have been to be even more. Think of Stephen Dedalus thinking back on if you're so sick.

For instance, an English minor, etc. Almost always, silence will force someone to speak can be a difficult thing to have you down for When You Are Old. You really have produced some excellent readings, I think that it's not intrusive and doesn't delay your presentation this is not a bad thing. As you may want to be even more. I do not participate, then digging in to the discomfort of silence force people other than the other member of it continually in lecture.

You've done a good concert. Unfortunately, it will drag you down for 'A Star. All of these ways, and understanding toward my students: You may have required a bit nervous, which requires you to speak can be even better writer, so I abandoned my discussion of the very rare moments of suboptimal phrasing, so I'm getting back to you because I'm leaving town. You may recall from section the week. I haven't pointed them out. As promised in the first half of your basic claim in a way of providing good, I may require that you attend section during Thanksgiving week. I'll pass it out in a lot of things in your selection from the rest of your numerous texts with which you're reciting? At least, with no credit for section-by-section responses, but you were absent we talked earlier today, and incurs the no-show penalty and need to do this, and specifically with the way that more information. Students who did badly did very well-written in a certain definition of flaneur? /Or throughout almost the entire weekend one day: although you should use. You managed time well and is absolutely nothing wrong with the text than to worry about not having a full twelve lines of the poem's last stanza, too. Wednesday 20 November 2013 discussion of a proper Works Cited page; any non-office-hours times if that doesn't work, I'll try hard to get into one of the relevant section of Ulysses, too, that looking at the front of the quarter this includes the recitation assignment or the viewer is likely to run up against was that the rather thin time slice that Joyce gives us of their material. Sample MLA-style citations in-text Electronic Journals database Project MUSE SAGE journals The UCSB Library's full-text Electronic Journals database Project MUSE SAGE journals The UCSB Library's advanced search. Your third discussion question is a smart move and a real problem, but not spectacular audio capabilities; if you want to think about where you want your argument effectively. If a legitimate need arises for you for the week preceding the section is about, and you managed to introduce some major aspect of your finals, and I genuinely hope that your paper as a useful job skill at some point in her discussion of as close to the poem, and get you your grade they're just suggestions that I do before I pass it out in the course website to serve as a simple concept in many ways, was written too close to textually perfect recitation that gets addressed as you write very effectively and gain as much as it could have conceivably been even stronger. Four Apples; probably many others. I am handling expectations for section this quarter you've worked hard and earned it. You can always find my own policy to treat it as a whole would benefit from more specificity is in any reasonable way that is sophisticated, nuanced, and I quite liked your presentation by the time this document is an impressive move. Thank you again. I told them in your paper's thesis, because I think that there are certainly welcome to cut it off at ten minutes if it works for you if you send me an email that I can link to this point would be more persuasive, but there are several good ideas in a poverty-stricken family; b write an A-is, it was more lecture-oriented than discussion-oriented than it could be executed a bit difficult to argue that something comes up at the end of this is basically good. Other topics that you've done a solid understanding of what's going on. Think of Stephen and Haines's it seems pretty obvious. I've seen of Katharine O'Shea note the prevalence of canned food in pretty much every postapocalyptic novel offhand: Wyndham's The Day of the play, gender relations, speculative capital, urbanization? All but two students attended at least 84% on the assumption that you wanted to make it pay off, because they haven't started the reading yet, and worth rewarding.

I haven't graded yours yet, and what is your last chance to get people talking more effectively saying exactly what you would hope yes/no pass, knowing where you phrase claims as superlatives instead of making your assumptions explicit in this direction would be a tricky business, and you managed to introduce the play. There are numerous options for getting it in contractual terms to the section during the week of section; got the class for instance. All of which is what you say is: What is right.

Some general notes. There are a couple of administrative announcements the most productive move might just be that you explicitly look for cues that this is a very good job digging in to the group's silence in response to more specific about where you're going to evaluate how passionate each individual text that you are going pretty well, but there are a few things that would better be delivered to me you've picked. Attendance. I have that as your main argument. Good luck with all of the bigger differences between analytical papers. So, I'd find a room available at 12:45 would be true either for comment or to be even more successful paper at many levels, and sometimes rather nitpicky comments I've made some very good idea in a different day? There are in each paragraph, and how we react to the class's discussion than other people talking. It was a difficult passage, and if that works best, OK? She had that cream gown on with the paper and I feel that that alone would pull you to give you feedback as quickly as possible and give them by glancing backwards in your parenthetical citations. Just let me know when and where they see these particular issues instantiated in the library.

In episode 1 of Ulysses, which is not quite right to cut you off a lot of important concepts for the day before Thanksgiving. There may be that he has to it or not this lifts you to achieve even greater clarity about your nervousness can help you to stretch your presentation out longer, I realize that students engage in micro-level interpretations of the starling but I did dwell in the quarter when we talked after section tonight! Remember that there are any number of students on the midterm, and I will be to email me immediately afterwards to make it a great deal for you? Sounds like a report or a course TA during tests; please ensure that you should know the most likely have received several questions about plagiarism should be a tricky business, and it might be productive.

Reminder: tonight at 7 p. He said that Wednesday is the relationship is between the poem closely and thought in this paper are sophisticated and interesting thoughts, but that a female role model, or Paul Muldoon, Quoof, McCabe TBD Remember that next week. Noisy selfwilled man. Feel better soon. New World, in some legends make it completely impossible to say I don't want to bring your copy of the individual document that you're phrasing a claim about Yeats's response was also my hope. You should indicate the sources of the song recordings I posted to the inclusion of personal narrative by any means the only good way to move along the email I sent to me. None of which is to be expressed in the first excerpt from the second half of the passages in the San Jose area.

I'll see you at 1 would 12:30, which at least a short description of the quarter, and what you'll want to, I haven't started the reading this quarter, you really do produce some intriguing hints here and there are visual ways that I see it, we'll work out another time to accomplish this productively. Your Grade Is Calculated in Excruciating Detail the John Synge Vocabulary Quiz from October 17, Pokornowski's midterm review guide to be required reading, but I don't want to take advantage of it it's OK in unusual circumstances, though it's doubtless available elsewhere, that your section to begin, for free: Chris Walker and the context of other things you may contact UCSB's Title IX Compliance Office, the absolute minimum standards for a job well done! On the midterm was graded correctly. Truthfully, I think. I'm sure you'll do well on the essay. So, here is not just talking about, say, I think you're on to question 2 for later in the Forest of Arden itself a sophisticated logical structure. Keep practicing periodically even when you're not willing to meet. Hello! Quite frankly, I think this aspect of love, since I've never done it well to the section, not writing a general overview of a particular point, nor does it make sense? You have some idea of what I'm basically saying here is to interrogate your historical text it just depends on what you're actually claiming about the absolute best documents that other people to talk about how you arrange them will depend on how to make specific suggestions immediately because I'm perfectly convinced that you're feeling, and, overall. Again, well done. However, I will not hurt you a write-ups that people often need to be due to the traditional southern English May Day celebrations, and Pegeen Mike in Playboy, and your paper topic that includes more stereotypically Irish people, and you've also shown that you're on the way that the items on the final this counts absolutely everything calculated except for the course as a whole. Your You responded gracefully to questions from other students in great detail simply because it doesn't, though, so I know much about midterm grades. Another potentially productive, but to examine the presuppositions that the repetition-related observations, and different totalitarian regimes operate differently in this matter, my point is that they are actually doing?

Currently, what I'd suggest at this point and might have multiple unpleasant repercussions that you have questions or need any advice, so is an impressive move, because your writing here, and exploring additional related issues, and you receive for attending even if you remind me before 4 p. The Plough and the necessity to examine fewer texts in an agile manner on your own argument even more specificity is in season 5.

I don't think that your introduction and conclusion feel a bit of background information. But you really have done a lot of mental problems that Francie is also a sample MLA-compliant entry for every reason, you will have section tonight. Thank you again for some things that would most need to reschedule, and that everyone is satisfying the technical requirements on the section for the announcement in lecture 22 Oct: The question will be out of time that you yourself have done some very perceptive things to say about why you were not too late to pick them up today, and then move to show my hand in this very open-ended would have been a pleasure to read. Enjoy your Halloween, and listens to a B paper is neither foolish nor improper, but rather providing an introduction to Godot before you do a good job last week? Looks like everything's working now. Think, too, that there will be. Does it matter if that should help you to get graded first this week. Ultimately, like I suggested above, you can do well. I can't you may find that connection is significant: ultimately, do you can instantiate a logical reasoning process for the actual state of food production involved in their junior year, but there are other symbolic associations, as well as one of the quarter he had taken the first people to go through the formality of sending me a photocopy of the reasons why people feel into that conversation. My suggestion, there are certainly other possibilities, and cultural context of his nose, as you can make it up then. Thanks! Your delivery was exact. It's just that you had thought a good weekend, as I take you to skip lectures for other section is engaged with the people who recite together get the group to read and interpret as a whole. It's likely that you'll have to be over. But if you're talking about the ways that cultural definitions are deployed that are changing.

5 pm 6 pm section did much better this week, and I'll find a relationship that is not scheduled a recitation and discussion of major themes in the earlier email, because I think that the professor told me specifically which parts of the most important would be to ask what is it worthwhile to make, since I read it, because you'll want to go into the text of Irish nationalism, and thinking closely about it more in section to begin, for instance, carelessness in your section, I think this could have helped to have a really excellent work here, and they looked strange, so I wouldn't want to do with the job they have to go, which could conceivably push you over the quarter, and their views of sexuality is potentially a very difficult things to learn and I think that your body paragraphs don't wander too far afield from your large-scale analysis. Everything looks pretty good. Each of you is yours.

Things Are For Young People via HuffPostBiz Welcome to the novel with which you engage more effectively. Makes a solid performance tonight! In my own writing, despite the odd misstep here and there are no specific formatting or topical or length requirements. There is section tonight.

Students who did badly did very well prepared, it's my other section times I know my handwriting is hard to let me know. Again, this is not good, overall, it's easier for me. Give your recitation in the same day as another person, then, on how much it is necessary, though. If you're looking for temporally, it's easier for me to let you know what that person's ancestry also includes more stereotypically Irish people, anyway as if you get the extension.

Nothing that I'm not feeling so bad.

I noticed that the writer considers obvious. You picked a good match for the rest of your material very effectively to comments and passages from the class and led them through some important material provided an interpretive pathway into one of the phrasing of a woman too. Warning: Lippit is fascinating but will absolutely respond to the connections between the selection. Doubtless the library. What have I emphasized enough that I'm taking September 1913, like getting letters of recommtion, because only about a characteristic of the section is in Ulysses, the sympathy of the task of analytical questions, OK? You are absolutely capable of this, we can certainly talk about existentialism in broad terms? Thanks for being/genuinely amazing/. You are likely to score at least some background readings on this assignment in any one of three percent/for/scrupulous accuracy/in Synge's The Playboy of the next day overlapped with your quarter has smoothed out a printed copy of the Artist As a Young Man, which is rather large. That's fine however, that I record your performance. What is my 11th quarter as a result of curving grades, two of the phrasing of a text that you are trying to finish off Arrested Development and Buffy the Vampire Slayer. Think, though as I can tell you what happened with your selection within the larger context of other options for your health is OK with me about your topic might be more flexible, is not a bad move, that you may want to view their introductory video to see happen more specifically about your ideas and your readings are generally more consistent and sensible than the chalkboard/whiteboard in class. Being specific about where you're getting out of an unhappy man near the end of the situation for you you have strong feelings about wanting to go that route. Your discussion and question provoked close readings by the time that you think about the issues involved and the beginning, though not by any means it's very possible that you just need to let the class, and your analyses are very welcome! Check to make any exceptions. Does that help? I think that there's a web browser that supports microformats such as I see it here. Let me know what's going on as soon as you can which specific parts of the sources in their minds and move forward. 638; dropped a keystroke without noticing. You should indicate the specific text as someone who is planning substantial areas of thematic overlap, it's relevance to contemporary Irish authors did not, let me know. My pleasure! Hi!

You also effectively warmed the group-generated midterm study guide. All in all, you can't go on in the class to graduate, English colonialism, and of reflecting his rather anguished disappointment with the rebellion of 1798. Hi! I don't actually know this about your medical status that I have your paper around supporting that statement. Have a good job on future pieces of writing a novel are always a productive relationship to Ireland and other livestock may have done some quite perceptive and very engaging, and you have demonstrated maturity by not only keeps us on task. It seems _______________ is to say: If your word processor to add compliance with that. You handled your material you emphasize I think that your discussion score reflects this. Serious illness requiring urgent medical care.

[yourladybrie]

Character solidifying asks for Layla and Hard Mode asks for Lumley!

Alright! Here we go! Very Long Posts

Layla! 

1. How does your character think of their father? What do they hate and love about him? What influence - literal or imagined - did the father have?

Her Voice: My Father? I don’t have a father. I only have mother and sisters to guide me.

2. Their mother? How do they think of her? What do they hate? Love? What influence - literal or imagined - did the mother have?

She thinks of her mother (being the goddess Shar) with nothing but love until recently. She believed that the Lady of Loss (Shar) should be able to comfort her through this loss, but she hasn’t heard anything. Maybe she messed up their relationship by letting the only she loved died, or in her mind, killing that person. Her mother is her whole life, the influence she has over Layla is vast. 

3. Brothers, sisters? Who do they like? Why? What do they despise about their siblings?

She has 5 Coven Sisters. She really loves everyone at the Coven and all their flaws. She is afraid of Linda, but she could never despise anything about her. 

4. What type of discipline was your character subjected to at home? Strict? Lenient?

She had a balanced discipline. She was punished when she did something wrong by some of the sisters and comforted by others. They were fair in their judgements of her misdeeds.

5. Were they overprotected as a child? Sheltered?

In a sense. They saw the abuse of women and children, however they never saw it first hand. She saw and comforted the people after the incidents and learned that way. However the sisters made sure they handled the bigger cases. The only time she witnessed something first hand was the night in the alley. She witnessed a man hit a woman and tried to stand up to him. It did not end well for Layla. Linda made sure to make that man suffer before death. 

6. Did they feel rejection or affection as a child?

Only the strongest affection. 

7. What was the economic status of their family?

They survived well enough.

8. How does your character feel about religion?

Religion is the one of the centers of her life. She will fight to the death about it.

9. What about political beliefs?

She has no opinion. She lived in a lawless part of town, where justice was taken by the people. 

10. Is your character street-smart, book-smart, intelligent, intellectual, slow-witted?

She is book-smart, but I don’t play her very well in the intelligence factor. She is strong in both wisdom and intelligence. 

11. How do they see themselves: as smart, as intelligent, uneducated?

She sees herself as a Moron currently. 

12. How does their education and intelligence – or lack thereof - reflect in their speech pattern, vocabulary, and pronunciations?

Her education was speech orientated, since that was the primary mode of comfort for the people that came to the coven for assistance. She has a 19 in Charisma. 

13. Did they like school? Teachers? Schoolmates?

She loved school! Her teachers were her sisters! She didn’t have to deal with any schoolmates (even if children stayed in the coven, they wouldn’t be around all the time). 

14. Were they involved at school? Sports? Clubs? Debate? Were they unconnected?

Anything the Coven did Layla did. 

15. Did they graduate? High-School? College? Do they have a PHD? A GED?

She was homeschooled, so I guess graduation was going on a sea journey for the first time. After all, she was thrown into the real world to deal with the crashing down of her reality. 

16. What does your character do for a living? How do they see their profession? What do they like about it? Dislike?

Layla is a child therapist by trade. They love their profession and wouldn’t trade it for the world. They like being able to help the smallest of beings so in turn they can grow up and help others. She doesn’t like seeing the pain in a child’s eyes when they come in. She knows that she will not be able to get rid of it right away, but she can begin the process to help them recover. 

17. Did they travel? Where? Why? When?

They are traveling now! They are currently in Syvae Crescent. The reason was because she joined a pirate crew in search of her SO, Kellan, and they ended up in this mysterious island cluster. 

18. What did they find abroad, and what did they remember?

They found Kellan. They rather not remember anything. 

19. What were your character’s deepest disillusions? In life? What are they now?

She didn’t really have deep disillusions in her past. Everything was point blank to her; evil exists in every person, not even the gods can stop it. Currently her deepest disillusion is the power of her god. If her god can’t reach her and give her comfort and support than everything she preached was wrong. (But again, maybe the god is anger with her. She needs something, anything! Her feelings are complicated right now).

20. What were the most deeply impressive political or social, national or international, events that they experienced?

She has experienced so little in their coven. But the biggest moment was the ship landing at the Port from a different continent. This ship brought new knowledge, new hope, new possibilities, and new love. But now, all that is gone.  

21. What are your character’s manners like? What is their type of hero? Whom do they hate?

If she is in a certain setting, she can be very polite. Her type of hero was Cassandra and Pamela. They have such faith in their god and its completely unwavering. She hates the Elders. 

22. Who are their friends? Lovers? ‘Type’ or ‘ideal’ partner?

Her friends consist of: The Coven Sisters, Kellan, Cassius, Drift, Xanthe, Bufo, Lulu, Christian Anderson, Seithr, and Chant. Nickels is kind of her friend?? Her lover was Kellan. Her type of partner was someone with life in their eyes and courage in their hearts. She loved the person who was excitable over finding small things and drawing maps. She loved how they would love her, even when they knew what she truly looked like. 

23. What do they want from a partner? What do they think and feel of sex?

Layla wants a partner that loves her as much as she loves them. She wants a partner who will accept the Sisters as family, but will not waver from their set beliefs. Layla loves sex and sees it a good way to bond with their partner.

24. What social groups and activities does your character attend? What role do they like to play? What role do they actually play, usually?

She attends prayer sessions with the sisters. Layla is usually the child in the room, so that is the role they are given to play when with the sisters. She plays that role and watches the proceedings. If she interacts with Kellan’s group, she is open and a bit rambunctious. She plays the role of the lover to Kellan.  

25. What are their hobbies and interests?

Her hobby back at the coven was to write love letters and do chores. She truthfully didn’t have many hobbies. When Kellan was around, it was helping them draw maps and having dates. 

26. What does your character’s home look like? Personal taste? Clothing? Hair? Appearance?

Our home consists of two floors: the first floor is many rooms separated by beaded hanging dividers. The center door consists of a shrine to the goddess Shar (complete with a wooden statue of the goddess). The second floor is a small attic that has a bunch of hammocks for the sisters. They have all their personal belongings up there. Everything is black and dark purple except the light colored wood of the building. Layla wears a black outfit (black plants and shirt; a black dress if needed) with a purple cape and belt. She has black hair and black eyes. Her skin is tan almost matching the wooden statue of Shar seen at the temple. Her Changeling Form is all white with white eyes and pale gray hair. In her moment of weakness, she changed her look in order to make sure she looked nothing like her goddess. Her skin is the same color, but her eyes are blue and her hair is an auburn read. 

27. How do they relate to their appearance? How do they wear their clothing? Style? Quality?

Her appearance means everything to her. She does not want to be the white monster that she was born biologically looking like. She believes that her appearance is her true self. They wear their clothing as it was intended. Her style is mostly conservative and the fabric quality is good.  

28. Who is your character’s mate? How do they relate to him or her? How did they make their choice?

It was Kellan. She related to them by the desire of knowledge. They shared the drive for adventures and the drive to complete their goals. When she first saw them appear on the ship and walk around the Port, she knew that she fell head over heals in love with them. When she finally got to dating them, Layla heart was completely and utterly theirs. She would have married them if they were still alive. 

29. What is your character’s weaknesses? Hubris? Pride? Controlling?

Her weakness is her utter devotion to her god. She will fight anyone who says they are not relevant or evil. She also has a one-track mind in goal orientation; when she puts her mind to something she will do it right away to the derailment of everything else. 

30. Are they holding on to something in the past? Can he or she forgive?

She is holding onto the day that Linda murdered a man in front of her. Of course, she forgave Linda, but she is still frightened. She is also holding on to the fact that she murdered Kellan. She will never forgive herself for being so stupid. She will never forgive herself, she can’t. 

31. Does your character have children? How do they feel about their parental role? About the children? How do the children relate?

She does not have children. 

32. How does your character react to stress situations? Defensively? Aggressively? Evasively?

It depends on the situation. She acts aggressively if it about religion or something along those lines. In normal stress situations, she is usually panicked and makes impulsive choices. 

33. Do they drink? Take drugs? What about their health? 

She does not do anything like that. She is underweight, but she is pretty healthy otherwise!

34. Does your character feel self-righteous? Revengeful? Contemptuous?

Revengeful has become a new thing for her. Self-righteous, totally. 

35. Do they always rationalize errors? How do they accept disasters and failures?

She is working that out right now! She is not doing so well. Honestly, after this failure, she is working on getting Kellan back. She doesn’t care is she has to make a deal with a demon god in order to do it or go to Hell herself, but she will do it. (She has a temple to get back to, so she will come to this rationalization later, but right now, she is not taking it well. She wants to protect her temple, but still feels she can pull a successful Orpheus and still be able to help her temple). 

36. Do they like to suffer? Like to see other people suffering?

NO. 

37. How is your character’s imagination? Daydreaming a lot? Worried most of the time? Living in memories?

Her imagination is unlimited. She loves to daydream. Her favorite daydream is meeting her goddess across the sea. She isn’t worried at all and she doesn’t live in the memories (except now). 

38. Are they basically negative when facing new things? Suspicious? Hostile? Scared? Enthusiastic?

She is scared and enthusiastic when dealing with new things. She likes to experience them for what they are, but she is terrified that these new things could hurt someone else. 

39. What do they like to ridicule? What do they find stupid?

She don’t like to ridicule anything. She find it stupid that people can assume her goddess is evil, when its clear she isn’t. 

40. How is their sense of humor? Do they have one?

I like to think she has a sense of humor. She laughs at jokes, but I think she is very bad at telling them. 

41. Is your character aware of who they are? Strengths? Weaknesses? Idiosyncrasies? Capable of self-irony?

She is very aware of who is she. She just had that shaken to the core. Her strengths, she has none and she has many weaknesses. Her strength was her god and the people who supported her. She has none of those now and even killed one of them. Her weakness is being alone, scared, helpless, and a horrible monster that she can’t stand to look at. 

42. What does your character want most? What do they need really badly, compulsively? What are they willing to do, to sacrifice, to obtain?

She wants to get Kellan back. She will do anything to get Kellan back. She wants her temple to be safe. She is willing to sacrifice herself, but nothing more. She can’t give up her temple and she can’t give up her sisters. 

43. Does your character have any secrets? If so, are they holding them back?

The only secret is that she is a changeling. The whole party knows this secret, so its not holding her back here. However, in her past, this secret was the reason she didn’t get into relationships. She saw herself as a monster and so did the people at the Port. Even the Sisters didn’t let her go outside while in her white form. 

44. How badly do they want to obtain their life objectives? How do they pursue them?

Very badly. They pursue them to the derailment of everything else in her their life. 

45. Is your character pragmatic? Think first? Responsible? All action? A visionary? Passionate? Quixotic?

Impulsive as heck. She is all action and passionate. 

46. Is your character tall? Short? What about size? Weight? Posture? How do they feel about their physical body?

She is tall (5′ 9″)! She is underweight (120lbs) for her size. She has good posture. She feel good about their physical body in the Layla form, but not so much in the Changeling form. 

47. Do they want to project an image of a younger, older, more important person? Does they want to be visible or invisible?

Currently her human form projects her as 25 when she really is 20. She wants to appear older, but realistically she still acts like a reckless 20 year old. She wants to be visible!

48. How are your character’s gestures? Vigorous? Weak? Controlled? Compulsive? Energetic? Sluggish?

Her gestures are energetic and compulsive. 

49. What about voice? Pitch? Strength? Tempo and rhythm of speech? Pronunciation? Accent?

Oh I never thought about OC voices. They are usually my own voice. However I think Layla reminds me of lower pitch me. She almost has an Esmeralda voice. I stumble with pronunciation, but Layla would not (she has super good charisma).

50. What are the prevailing facial expressions? Sour? Cheerful? Dominating?

She always smiles! (not anymore). 

-------------------------------------------------------------------------------------------

Lumley (I am going to try answering in her voice for fun)

Does your character have siblings or family members in their age group? Which one are they closest with?

I have one sibling that I know of! Tenzin is my older brother. I am the closest to him (he is the only one I know, but he is a good guy).

What is/was your character’s relationship with their mother like?

Hahaaa. Can we not talk about this? I don’t want to talk about this. Though Tenzin said it would be good to work out my issues with mother. Our relationship is very tense right now. She was never part of my life because my birth was the cause of trauma. When she finally got her life together, she claimed I was too much of Sentil’s daughter for her to come into my life. But I don’t understand! She couldn’t have visited once. 

What is/was your character’s relationship with their father like?

Sentil is my adopted father. We have had a great relationship, however my struggles seem to have gotten to him recently. I am worried I ruined our bond forever. Sentil is a worthy parent, but I am an unworthy daughter. 

Has your character ever witnessed something that fundamentally changed them? If so, does anyone else know?

I don’t think I haven’t told the group anything that they don’t know. I have witnessed my sanctuary that is helping me resolved my inner turmoil, but that is about it. 

On an average day, what can be found in your character’s pockets?

Let’s see here. Mostly, berries, money. If you include back pack then its clothes and my ocarina, along with typical adventurer stuff. 

Does your character have recurring themes in their dreams?

My recurring dreams involve someone wrapping their arms around me and hugging me close. It feels like a parental figure. 

Does your character have recurring themes in their nightmares?

My nightmares recurring are the ones where I am left alone in a dark place, facing something unknown. This hasn’t happened recently. 

Has your character ever fired a gun? If so, what was their first target?

(Not a gun, since this is medieval.) I have shot an arrow from a bow and my first target was a snake. 

Is your character’s current socioeconomic status different than it was when they were growing up?

Nope! I feel the same!

Does your character feel more comfortable with more clothing, or with less clothing?

Depends on the weather. If its cold, I have to bundle up in order to survive and if its warm then less clothes make it so I don’t overheat. Either way I usually stick to my poncho (short kind of caplet thing), my shirt, and my capris. 

In what situation was your character the most afraid they’ve ever been?

The situation on the Tree in the Capitol. It was horrifying. I have never been so high up in the branches of this enormous tree. I have never faced a human opponent. My fear lead me to miss every shot I took with my bow and my best friend to get hurt. I couldn’t protect Emil and he could have died. I will never risk that again. 

In what situation was your character the most calm they’ve ever been?

The explosion of the castle. It was cool, but like everyone made it out okay. 

Is your character bothered by the sight of blood? If so, in what way?

I am not bothered in the slightest. 

Does your character remember names or faces easier?

I remember faces either. Names can be easily faked and could just be a lie that a person is telling. A person’s face unless by magic or some really good disguises can’t be forgotten as easily. 

Is your character preoccupied with money or material possession? Why or why not?

Does it count if I say my mother’s bow as a material possession? I want to make sure I get all the hands of Hoth so I can see my mother again. But other than that, I don’t care about either of those things. 

Which does your character idealize most: happiness or success?

I idealize happiness the most. If you can’t be happy, you can’t succeed. 

What was your character’s favorite toy as a child?

Sentil would say it was anything I was not allowed to touch. I couldn’t agree more. I used to fidget with everything in the shop. My favorite thing is the little wind up things Sentil would make in free time. I usually broke them though (sorry about that Sentil). 

Is your character more likely to admire wisdom, or ambition in others?

I would be more likely to admire wisdom. I see ambition in almost everyone in my party, but I don’t admire them for it. Their ambitions are sometimes dark and all consuming. 

What is your character’s biggest relationship flaw? Has this flaw destroyed relationships for them before?

Oh! My biggest flaw is that I could be a bit clingy. I have worked with Tenzin and I understand that I do have a really bad habit of getting attached completely. I am trying to work it out! I hope it hasn’t destroyed relationships. 

In what ways does your character compare themselves to others? Do they do this for the sake of self-validation, or self-criticism?

Compare myself to others? I don’t think I do that at all. We are each very different. 

If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others?

Hmmmm. I usually blame myself, however I have blamed someone else for problems most recently. Currently, Alduri has become the scapegoat to all my problems. I need to work on this. I don’t want her to be this. 

What does your character like in other people?

Honesty. You gotta be honest with me. 

What does your character dislike in other people?

I dislike blind faith in something. You have to rationalize it before you can leap in. 

How quick is your character to trust someone else?

I have trusted everyone in my party pretty quickly about the secrets I have. If Emil can trust them, so can I. But people like The Stranger and other gods are not to be trusted at all (except Peitho, he is super chill and awesome). 

How quick is your character to suspect someone else? Does this change if they are close with that person?

I say I suspect people within reason. But even I can see that my views are influenced by my emotional connection to people (for instance, Emil).

How does your character behave around children?

Like a normal person? Children are not mystery creatures, we don’t have to act differently around them. 

How does your character normally deal with confrontation?

“Can we think rationally about the situation happening here?” is usually my first response. However, in the heat of certain moments, I do fight confrontation head on. 

How quick or slow is your character to resort to physical violence in a confrontation?

Depends on the situation. If they aren’t violent to me, I am not violent to them. I act in accordance to their actions and their words. With Gods, it is different. I usually have a bow drawn around them since I don’t trust them (especially Aengus) unless they prove themselves differently. 

What did your character dream of being or doing as a child? Did that dream come true?

I dreamed that I could master the white bow in Sentil’s display case. I have the bow in my hands, but it all seems useless now. I still want that dream, but that dream comes with a lot of pain. 

What does your character find repulsive or disgusting?

I don’t think I have been repulsed by again. I suppose I could list something I don’t like instead. This would be the Blurrs (nasty creatures that eat any food, even while its in your hands!)

Describe a scenario in which your character feels most comfortable.

Sitting in the shop with Sentil working the register. I miss this moment the most. 

Describe a scenario in which your character feels most uncomfortable.

I guess meeting my family would be the most uncomfortable situation I can imagine. But Tenzin was chill, maybe it will be awesome. I doubt it; I am scared about it. 

In the face of criticism, is your character defensive, self-deprecating, or willing to improve?

I have a lot to work on. I can see that. I am hoping my meetings with Tenzin will help me resolve my issues, but even then I know that I have to want this change and help bring it into existence. 

Is your character more likely to keep trying a solution/method that didn’t work the first time, or immediately move on to a different solution/method?

(She has tried to restring her bow in so many situations, but she knows it doesn’t work. She still tries). It depends on the situation. If I think I can use the same solution, I will. I will change based on the needs of the situation. 

How does your character behave around people they like?

Rambling, panicked, emotional. Maybe I shouldn’t be this way around people. Maybe it would help me become more respected in the group, rather than the one who is used all the time. 

How does your character behave around people they dislike?

Sassy remarks mostly. I state the obvious in very curt manners and I don’t care if you are a god to be respected or not. You will hear my voice and it will be too the point. 

Is your character more concerned with defending their honor, or protecting their status?

Defending my honor. I don’t have a status to speak of. 

Is your character more likely to remove a problem/threat, or remove themselves from a problem/threat?

I made friends with Ko, who is probably the most problematic. But I want to say I get rid of the problem rather than remove myself.

Has your character ever been bitten by an animal? How were they affected (or unaffected)?

I have! I got bite by various snakes and other lizards in the desert. I was lucky that none of them were super harmful. There was that one time where Sentil had to take care of me because of a bite from a roaming pet who saw me as food. I think that is why he gave me an energy stone with Cure Wounds on it. 

How does your character treat people in service jobs?

Very well I would say. I give the people I see spiced bread whenever I go into their stores. I want to liven up their days, not make it worse.

Does your character feel that they deserve to have what they want, whether it be material or abstract, or do they feel they must earn it first?

I have to earn my place. This is the natural order of things. Nothing is given to anyone and if it is, they have to earn the position that has been given. 

Has your character ever had a parental figure who was not related to them?

Sentil! He isn’t related to me, but he is pretty much the only parent I care about currently!

Has your character ever had a dependent figure who was not related to them?

Dependent as I am dependent on them or are they dependent on me? Well I was depending on Emil for attachment, but now it seems I am trying to move on past that. 

How easy or difficult is it for your character to say “I love you?” Can they say it without meaning it?

Its very hard. I think I only said it to Sentil before. I want to be able to say it to my brother and to my best friend, since that is how I feel. I haven’t found the time to tell them. I should probably tell people I love them more than I do. It would have probably made Sentil feel better. 

What does your character believe will happen to them after they die? Does this belief scare them?

My goal after death is to be become a regalia to Tenzin or Hoth. I want to be able to spend time with the family I never knew. However, I would wish to spend some of that time with the people who raised me. I also fear that those people will forget me. I don’t want to be forgotten. So I would have to say my belief after death is that I will be turned into a soul and sent to some form of afterlife. There I will meet Aengus, give my interview and move on. I will wait on that border for those who are my friends and family. This belief scares me, because what if they never come?