#/ i don't think i'm conveying my thoughts here very well
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I'm taking a break from The Osix Family and Wilted Ivory
Hi, you've read that right. I'll proceed to go into detail undercut
Warning that the following will be containing very sensitive topics such as su***idal thoughts, mental health issues, and whatever the fuck I went through to get me here and I don't know how to describe nor name them but overall its not pretty.
Getting straight to the point- im drained. I'm in a horrible place right now and I need to take a step back before it might escalate into something worse.
The Osix Family is always something that I will forever dedicate to. It has comforted me, carried me, and saved me from killing myself three years ago.
I asked myself, "If I'm not here, who will tell the story of The Osix Family?"
That made me stay alive, and im greatful for that because if not, I wouldn't have been where I am today standing with the coolest people I have ever met and my amazing partner in crime @alexusespido-dod.
I love Wilted Ivory too, and that's where it gets tricky.
My only plan for Wilted Ivory is to simply tell a story about growth expressed as a musical au. Hence why the art is so simple– not just to match the original Casino Cups style, but just to tell a story that I hope would inspire and comfort others. Of course, I'm happy it gained lota of love.
The Osix Family though is a different story.
Like I said, it means a lot to me, so I put so much time and energy into this series. I sacrifice time that could've been used to study for the next exam, but instead im working on the next few panels or planning the music and etc. Blood sweat and tears (literally) into making sure the art looks good, story is properly conveyed, scenes carefully picked. Even if it gained me bad scores in my exams that made me stress over about, in the end it was worth it to me. I didn't care if I'd be sick an unable to move, as long as I could at least think about it, then I would be happy.
Episode 3 was my worst.
I overworked myself for that episode. I was always in front of my tablet, I never moved out of my seat, I was just there, working on it even if it was 1 in the morning and that I should be sleeping. I told myself: "Everything will pay off! Sure you're in so much pain right now, but eventually it will all pay off! Episode 3 is looking good and interesting! This will FINALLY gain the audience and love the story deserves!"
I was proud.
Until I wasn't.
Reality hit me like a saw. The moment the episode was released I was hopeful. But nothing happened. It was all the same.
And it just hurt how something as simple as Wilted Ivory can easily gain attention and love because it was Cuphead related something well known. Meanwhile, The Osix Family–despite everything–is just barely seen.
I started to doubt myself. To question myself. Was I not doing enough. What more can I do. What should I do. Am I not good enough?
Is the story just not good enough?
That broke me. I began to have thoughts I shouldn't have. I wanted to end it all. I wanted to quit and disappear from the world. Because what was the point in pouring so much love into something only for it to dismissed.
Its not like I simply began having these thoughts.
I've had them over and over again.
As much as I hated involving him, my partner, Alex, had to deal with the many times I nearly ended it. To the point where even if he was in school, he'd go out of his way to stop me, I still feel guilty, even if he said it was fine.
I don't understand myself anymore.
Why do I even have such an attachment to this series? Its just a stupid silly series for funsies isn't it? Why does my life to depend on it?
Unfortunately, it just does.
It sucks. Pushing away my needs for the sake of this passion, only for it to just not go as I hoped it would go. Did I mention I'm also losing followers on the osix family blog? Thats so silly and coquette.
I'm so sorry if im coming off as guilt-trippy, please I don't want it to sound that way, I just want to express how deeply troubled I am because to me it actually DOES HURT.
I envy people who couldn't give a flying fuck about whether or not their stuff goes famous or gets love, I don't even understand why I am so dependent or hungry on whatever attention it gets. I hate that im like this. I want to be free from it but I just crave it.
So, for the sake of my mental health and whatever is left of my sanity, im taking a break, for good.
I will not be updating The Osix Family or Wilted Ivory at this very moment. For how long? It depends on how fucked up I have actually turned out to be today.
I might still post, keyword: MIGHT, its not any update but to just simply draw for myself, but the chances of me posting anything is horribly low.
I'm going to focus on myself, my needs, and whatever makes me happy or have fun with.
To those who supported The Osix Family or even bothered to check it out: Thank you, from the bottom of my heart.
It means a lot to me, you have NO idea. Every single like, reblog, comment, hype or even the silliest amounts of theories or thoughts, they make me so happy, it actually heals me.
I can't remember names im sorry, but there was a time someone expressed how they were invested in the lore and loved the world building, it really made my day. Or when someone pointed out some small details on my waiting in a miracle animatic, it warmed my heart.
I have troubles expressing it, but im so, SO greatful.
Especially when some of my mutuals started making OCS FOR THE SERIES?? Like– it felt like a HUGE compliment.
I cant believe im tearing up as im typing this haha im so stupid lmao, but
Thank you. A lot.
And to those who weren't really into The Osix Family, its okay, don't feel bad, sometimes things are just not our cup of tea, I just needed to express my grief, cause honestly bottling it up isn't going to end well for me (and it really didn't multiple times).
I apologize for any false hope or let down your hype as Wilted Ivory was just starting and The Osix Family was finally coming back– but this treatment is overwhelming me that I need to take a step back.
That's all for now.
Thank you for... actually reading, you listening means a lot to me too.
Goodbye.
#vent#tw vent#tw sui talk#tw sui attempt#cddwtd#casino cups#cuphead#cddwtd wilted ivory#the osix family#original ocs
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i feel like, i may have left whether the fhal'tir are matriarchal or patriarchal unclear. after the defeat of the mad empress, there were a lot of questions raised as to who should or should not lead, whether they as a people should try patriarchal leadership and radically shift their culture to see if they might benefit from it. what ultimately ended up happening was: a slow mixing of demographic powers and select (but) general social changes, a noble man chosen to lead as emperor and as primary leader over an empress. yet, even so, fhal'tiran women maintain elevated social status in general, where the men are still mostly considered important just less so at a 60-40 sort of...ratio - except for the emperor and his heirs, which i realize is probably a little strange. everyone is a cog in the same machine, just to varying degrees of functional importance. the way their society is set up, it works well and suits their needs for the most part.
#☿ || Headcanons.#♞ // Verse: Of Endless Suffering.#/ i don't think i'm conveying my thoughts here very well#/ the fhal'tir are mostly matriarchal in structure and social...anything#/ but when it comes to certain things-#/ like as a people they generally function best this way even though they're failing entirely and could collapse into ruin at any moment#/ but that has more to do with the 'madness' the mad empress cursed them specifically with#/ it didn't really set in until sometime after they sorta kinda restructured their society#/ anyway-#/ does this make any sense???#/ gosh i hope my meaning gets across :weary:
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Charming Witches [Fred Weasley]
Title: Charming Witches [Fred Weasley]
Pairing: PregnantWife!Reader x Fred Weasley, background Hermione X Ron.
Timeline: Set after canon (Fred lives!)
Summary: Ron has an embarrassing issue and unluckily for him, Fred is the only one that can help.
Warnings: Mentions of pregnancy, babies, established relationships. Sexual references throughout. Fred has a bit of a breeding kink- shock. Just a silly little drabble I couldn’t get out of my mind. Fred is a bit mean and sarcastic to Ron.
Word count: 1.6k
"You're, you know... well, sort of, um."
"You'll get there eventually Ronald," Fred jokes with a straight face, half listening to his brother's whispered fumbles whilst he pours himself and his wife a drink, not bothering to offer his youngest brother one. If Fred had even bothered to look at Ron's face, he'd have seen he was as pink in the cheeks as a bottle of love potion, his blush so vivid that he looked ready to erupt with a face full of dragon pox any moment.
Ron clears his throat, trying again, as he casts a nervous glance around the Burrow's kitchen, checking no one was hearing this. He didn't know why he'd chosen Fred of all people to have this conversation with, in theory George would have been a much better choice but he didn't have the same 'qualifications' as his twin, seeing that you and Fred had been together for absolutely years.
"Well, umm," he freezes under Fred's quick but glance, silently telling him to spit it out. "Well you and y/n, you're in sync aren't you... Sexually?"
Whatever Fred was expecting to hear eventually tumble out of his brother's mouth was not even close to the reality and he can't stop his eyebrows from shooting halfway up his forehead instinctively in disbelief.
"Did my very pregnant wife give it away?" He snarks, leaning against the counter and taking a sip of the beer he'd poured, openly enjoying the discomfort his brother was radiating. "That might have been your first clue."
Ron somehow looks paler underneath all the blushing and Fred is revelling in his ability to make his brother squirm.
"Well, yeah I suppose," Ron mumbles, beginning to get defensive and deeply regretting opening up to the trickier twin.
"Calm down Ronald," Fred says, "you and Granger having bedroom troubles?"
"No!" Ron bites back a little too quickly but his resolve breaks under a few seconds of Fred's probing gaze, arms folded in an unconscious power stance. "Maybe."
He's quiet again for a few moments and Fred is uncharacteristically patient whilst he waits for Ron to collect his thoughts.
"How many times would you say is normal, like in a week?"
"Don't know if there's a 'normal' Ronniekins," Fred says with a shrug. "Most days and twice on a Sunday?"
Though he hides it this time, Fred revels in the look of utter horror Ron's eyes convey and it's like he can see the cogs in his brain working on overdrive, emitting smoke as they crumble and break. Evidently, his answer was light years away from what Ron had hoped for. He knows that his wife being ready to pop at any second only helps Ron believe his words and he mentally thanks Godric Gryffindor himself for the overly fortunate timing.
"Don't think it matters mate really; as long as you're both expecting about the same." This time, Fred actually thinks he's being reassuring.
"She just wants to read all the bloody time, even in bed! It's like I'm a bloody afterthought."
"Have you even met your girlfriend?"
This time it's Fred who pauses when he meets the icy glare of his younger brother. He sighs and a slightly awkward silence falls between the pair as they both try to think of how to fix whatever was going on in Ron's mind, hoping that two head were better than one.
"You two alright?"
Ron jumps out of his skin when he hears your slightly concerned greeting upon seeing the two brothers, Fred especially, in near silence.
"Don't tell me you forgot I was here," you joke to Ron, walking over to Fred as he holds out your waiting drink. "Been your sister in law for five years! Plus the bump makes me pretty memorable," you add with a smile.
"I'll say," Fred says with a wink, the cheeky glint in his eyes ever more sparkling as he looks at your bulging tummy, unashamedly ogling your pregnant form. You gently nudged him, silently telling him to be quiet but as you do so, you catch a slightly glare aimed at your husband from Ron.
"Am I interrupting? " You ask outright, sensing tension.
"No," says Fred almost immediately.
"A bit," Ron admits, cringing slightly before he lets out a loud yelp, having been smacked upside the back of the head by his older brother for his disrespect. He grumbles slightly under his breath, absently rubbing the back of his head where Fred's hand had connected to him and let's put a deep sigh.
"You're a girl," he says, averting his eyes anywhere except directly on your own.
Fred snickers at Ron's feeble and clumsy attempt at starting the conversation but opts to take a long swig of his beverage to avoid anymore laughter spilling out, though his delight still shines through his eyes.
"Only when it's not a full moon," you jest, trying to slice through the awkwardness Ron is emitting.
"Forget it, you're as bad as he is."
"Firstly I'm offended," you say, reaching out for his arm gently as you feel his begin to pull away, ignoring your husband's opposition. "Secondly, yes I'm a girl... go on."
"Well," he pauses, gathering courage, long ginger lashes covering his shy eyes that still raise no further than your ankles, "say Fred suddenly didn't want sex."
"Wouldn't happen."
"Fred shush."
"Well... say suddenly he wanted to read at nighttime over having sex."
"Again, wouldn't happen."
"Fred!" You hush him again, this time more firmly.
"How would you go about trying to, you know, fix it."
You were certain you'd never seen Ron this vividly pink in the cheeks before, he looked like he'd been decorated up to display in Umbridge's office.
"That's the problem? Hermione wants to read instead of sex?" You ask, not really seeing the big issue, but trying to say it gently so that you didn't spook him.
He nods, "but it's all the time," he adds, justifying his gripe.
"Well," you say, lowering yourself into Arthur's seat at the head of the kitchen table only a few feet away, unable to stand much longer. "Play her at her own game."
"Eh?" The brothers ask in sync, their faces scrunched into an almost identical confused expression. You simply shrug.
"Make yourself less available to her, pull back a bit," you say, taking a sip of your drink to wet your lips. "Start reading in bed just like she does, act like you're not interested in just sex."
"So I act like I'm not bothered even though I am?" He asks, still not following what you're saying.
"Sort of," you say, trying to find a better way of wording it.
"Reading's always been her favourite thing to do hasn't it? Join in on it. I'd bet on my life that she has a fantasy of you in bed shirtless reading beside her. Stop making advances, let her come to you."
"That's actually quite clever," he says after a few moments of consideration.
"It's been known."
"Shirtless?" He asks with a frown, seemingly fixating on that point.
You chuckle nodding, "well you have to still appeal to her, you don't want it to just be a study session do you?"
"Right, right," he says with a nod, a slight smile returning to his face before it dramatically falls away in an almost comedic move.
"I don't have a book."
"What do you mean you don't have a book?" Fred says in a flabbergasted manner, earning a slight but unconscious raise of your eyebrow. Though you didn't comment on the irony of his words considering you couldn't remember the last time you'd seen him so much as skim the daily prophet.
"I don't really have one," Ron mumbles quietly, "unless my quidditch annual counts."
"It doesn't," you say firmly.
"So I need a book," Ron says firmly, as if he was cementing the plan in his mind, nodding along with his thoughts until he finally makes eye contact. "Thanks y/n," he says with a smile and a nod of his head before he walks away, a bounce in his step.
"Think it's actually gonna work?" Fred asks as you pry yourself out of the chair and walk to stand next to him as you place your empty cup in the sink.
You let out a little chortle and shrug, "well if it doesn't, at least Hermione can read in peace."
Laughter bursts out of Fred and he pulls you close, bump nestled between you as he delights in your words, realising you had absolutely no idea if the plan would work.
Later that evening when everyone was preparing to leave the Burrow after another wonderful family dinner, Ron pulls you and Fred to one side before he left, away from the eyes and ears of everyone else.
"Thanks again for earlier," he says, clearly feeling more at ease about his issue. You smile warmly in reply, happy to help.
"No problem little brother," Fred beams, as if it was him that had offered any advice.
"Oi Ron," you call out quietly to get his attention as he turns to leave. With a smile, you reach down into the bag on your shoulder and pull out an item you'd gleefully searched for in Fred and George's old bedroom after the conversation. "Just incase my advice doesn't work."
Ron frowns reaching for the item you were handing him, a frown that only deepens as he reads the title of the book he was now holding. Fred's laughter is sudden and booming as his eyes land on the once familiar item that had him cracking up laughing, realising instantly what it was.
Twelve fail-safe ways to charm witches.
"Oh piss off."
Taglist part 1
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#emeritusemeritus#emeritusemerituswrites#harry potter#fred weasley#fred weasley x you#fred weasley x reader#fred weasley imagine#fred weasley masterlist
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Alright folks. Here it is, my theory of what Ragnarok actually represents. It is very messy and I'm not sure I'm going to be able to actually convey my understanding clearly like I try with most things, because genuinely this is shit I would write a doctorate-level thesis on.
But we're going to try anyway.
So. After doing a lot to try to replicate animistic thinking, as well as taking a VERY deep read of the Norse myths, my theory is that Ragnarok is specifically allegory for societal collapse—the "end of the world" imagery and such is meant to convey what this feels like.
Recall what Odin says in Grimnismal. It goes something like this, since I can't be arsed to find the exact quote:
Huginn and Muninn fly over the world every day; while I fear Huginn ("thought") may not return, I fear Muninn's ("memory's") absence most.
When a society collapses, so does it's memory. It loses its technology, its methodologies, its paradigms, and everything it has learned about the world up to that point. Gone. Entire chapters of history erased.
What causes societal collapse is not always a conquering force, but is oftentimes the result of circumstances that a society orchestrates for itself. Think Rome.
People who have gone through societal collapse will probably develop an invested interest in figuring out how to prevent it entirely, so they don't have to start society all over again.
It's one thing to preserve the memory of "things collapsed and here's why" using a story. But it's another thing to do what apparently the Norse people did, which is cultivate a methodology for cognitively hardening their own society against collapse, using stories as a way to do it.
Like...I'm not kidding when I say they legitimately knew how the human mind works, and then built an entire system of stories and narratives that intentionally support the mind's freedom, cultivation, and agency. I can only convey a fraction of how this works in this post because the rest requires a deep-dive into behavioral psychology and neurological development.
All the tales leading to Ragnarok demonstrate various instances where the gods choose to follow their own agendas at the expense of the real people and forces in the world. All of these little things contribute to the magnitude of the event that is Ragnarok.
The tales represent these transgressions using allegories rather than literal events. This is because these stories were designed for children, who don't process information through a prefrontal cortex like we do as adults. They don't have them yet. But this gives kids an intuitive understanding for how circumstances of collapse feel, so they can recognize them in all their forms.
Loki is an allegory for the mischief we feel as children, and for the behaviors we demonstrate before we get to the age where we start valuing cooperation. In the myths, every time Loki causes mischief in ways that creates problems, the gods get mad at him and threaten Loki's life until he fixes his mess. Loki eventually becomes vindictive, kills Baldr in a jealous fit, and then is punished by being bound and buried beneath the ground, only to fight against the gods in Ragnarok.
The surface-level takeaway is a lesson in parenting: If we punish kids for their mischief, they're going to become vindictive adults, and these adults are going to have it out for the rest of society because they've been disenfranchised.
But it doesn't just end here. Consider how we punish ourselves for our own sense of mischief, beating ourselves up for having "problematic" thoughts and trying to bind and bury those thoughts in the depths of our mind.
These thoughts come from a place our mind known as the limbic system, which is focused on avoiding pain and seeking pleasure, and—most importantly—does not understand the world or make decisions using logic and reason, but in terms of what feels enjoyable and what doesn't.
We tend to call this system our inner child.
When we punish our inner child, that child starts doing exactly what Loki does and resorts to malicious and petty tricks. We can hold this behavior at bay until something causes us to "snap" (like Jörmungandr's tail does) and out comes the malice of the disenfranchised inner child, which creates a terrible cascade of social consequences for us.
Now, if we were to listen to these stories as kids, we would naturally be very upset whenever Loki was threatened of punished, because we think out of the limbic system at that age and Loki is meant to represent us—specifically, the state of being a kid. We would see what comes to pass, with Loki being imprisoned and fighting the gods against Ragnarok, and it would become clear to us that there's consequences for punishing mischief AND also causing too much of it.
Now I don't know about you, but I was very motivated by a sense of justice as a kid. Hearing Loki's arc would have inspired me to learn how to be friends with my sense of mischief while also learning to use it in ways that were cooperative and social, because this would have been how I could right the wrong I felt was done to Loki. It would also mean my own limbic system will not fight against me in the future, but be a modality of thought I can always access. (This is the beauty of the way the Norse myths are crafted; they are designed to instill knowledge of the world using mechanisms that reinforce one's own sense of agency and competency, so rather than being told the moral of this tale, it sets me up to run right into the conclusion it wants me to draw, but in a way that makes me feel smart and therefore inspires me to value it.)
The binding of Fenrir serves a similar allegory. When we become explosively angry in the way that Fenrir represents, it consumes our wisemind the same way Fenrir consumes Odin during Ragnarok. But this only happens if we bind Fenrir/our anger. By demonizing this nature of ours simply for existing, it will not only refuse to listen to us, but also turn against us. Remember that Fenrir was willing to socialize and cooperate with the gods before his betrayal.
(Honestly, I believe this is why ulfheiðnar existed the way they did. Even though the animalistic rage of ulfheiðnar was too terrible for domestic society, it was not demonized, but instead given a social function. People would learn to understand and partner with their own sense of rage, and I'm guessing this is also how they were able to keep their sense of reason and priorities straight even while going berserk from psychoactives.)
These two examples serve to illustrate how societal collapse stems from binding or punishing our own natures. But also fearing our own nature as mortals factors into it.
For example, Naglfar. This is a ship constructed of dead people's fingernails, and its completion is part of what signals the beginning of Ragnarok. But as the story goes, we can delay Naglfar's construction by trimming the nails of the dead before we bury them.
Naglfar represents "neglect for the dead," and this is significant because the act of no longer viewing the dead as people is sort of like the canary in the coal mine for no longer view each other as people...and no longer seeing people as people is what defines Ragnarok.
A society is at peace when its people have no fear of death, and having no fear of death comes only by incorporating death as a normal and familiar part of life, just like we do with birth. Our relationship with death is a litmus test for our relationship with our own humanity—if we fear the dead and cannot see them as human beings, then we are always going to fear a part of our own humanity, and be at war with it. The simple act of keeping the nails of the dead well-groomed because it stalls Naglfar's construction was a way to remind people why such a simple act was profoundly important.
And these are just the things that I can think of off the top of my head that are the most obvious examples. There are—and I shit you not—multitudes of these things laced within the Norse myths.
(I haven't even gotten to the part about how the Norse creation myth uses what the womb feels like to characterize it. Telling this story to very little children helps them establish a sense of familiarity, belonging, and secure attachment with the entire world from the get-go. If they learn the world is everything they've already experienced, then their bodies will never be afraid of it, because nothing about it will feel unknown or unknowable. Like, how fucking dope can you get.)
So here's where we get to the really dense irony of all this: Why we don't pick up on all these nuances as Westerners and have so far missed this entirely.
It is for two reasons.
The first is because our society values the things that the Norse people identified as contributing to societal collapse—namely, the act of conquering/competing against other forces and conquering/competing against our own natures. The transgressions of the Aesir are not things we register as problematic because to us they're normal.
The second is that we don't think animistically. The way we are taught to convey, interpret, and transmit information is designed PURELY by and for the prefrontal cortex, with neglect to everything else (if you ever wonder why Americans look weird in how we behave, this is why). But because we only prioritize communicating this way, we're missing out on all the context added within the Norse myths. These myths function the same way Old Norse kennings did, in that they are designed to speak to ALL areas of the brain at once and in tandem, but if we only engage with it using one part of the brain, we're only going to get a small piece of the picture and the rest is going to look weird.
(Little experiment for you: Try to logic something out in your mind or think through a complex problem without using words or sentences to do it. Use any other kind of thought-process besides language. I promise you that not only is this possible, but it yields a completely different kind of experience and conclusion than you might otherwise reach.)
Honestly, I don't even think Snorri himself fully understood what he was looking at when he was recording the Norse myths. I think he was just writing them down according to how they were told, word-for-word. But his cluelessness is our good fortune now, because he not only preserved the cultural stories, but also what I consider an entire cognitive technology.
And every time I look at it, I can't help but think about the generations of people who sat around the fire in the dead of winter, weaving, crafting, and figuring out better ways to fortify their society, raise kids so they became fine and truly fearless people, and conserve information. This is, as far as I'm concerned, real magic.
They knew some shit.
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hello, my love! how're you? I hope you're well
could you write one more compilation between tom and y/n? further detailing their relationship with the rest of the cast. I love seeing you include Rachel in your writing, and I'd love to see her recording, commenting and showing more tweets about y/n and tom!!
thank you very much for your generous and sweet attention ❤️☺️
"Definitely an old couple."
pairing: tom blyth x actress!reader.
summary: your fans are obsessed with compilations of you and tom being an old married couple.
word count: 604!
notes: your request is an order, my sweet anon! and in the future i will post a request showing the tweets that Rachel shared with reader 😼!!
"Our beautiful lovebirds." — The camera, which was recording a video, is pointed at you and Tom, who were sitting in your chairs and observing yourself in the mirror that had been placed by the makeup artists. — "I love calling them that." — She commented alone, then, laughing; until Tom put the peacekeeper helmet on your head, all the while laughing about how adorable he looked.
Quickly, he grabbed his cell phone that was on the table in front of him and took a photo; in fact, more than two photos. — Suddenly, the camera goes into frontal mode, showing Rachel's image.
"A cliché couple, i love them."
"About the movie, i'm curious to know, in your opinion, what was the best thing about it?" — The interviewer asked, uncrossing her legs and waiting, attentively, for the answers.
"The best thing?" — A fake thoughtful frown formed on your face. — "I really think it was seeing blond Tom…?" — Tom hit your leg, laughing along with the interviewer; you tried to maintain a serious expression, conveying an air of confidence with your answer, a very complicated mission. — "Oh, and the worst thing was him returning to his natural color." — Your eyes swept over Tom, who continued to laugh, smiling listening to the sound of his laugh.
"That's not possible." — He recovered, running his hand through his coat, fixing it a little, and turning his head to the side, looking at you; his lips were still forming a mischievous smile. — "I remember you saying you're the number one fan of my natural hair." — Tom crossed his arms with a defiant look, and tilted his head.
"And i am, my dear." — Imitating his action, you also crossed your arms, teasing your boyfriend; Tom lightly pushed your arm and placed a hand on your thigh.
"Oh, and Tom and Y/n're, like, Lenny's godparents." — Rachel fixed her headphones, removing some strands that were in her ears, turning her head to the interviewer and Tom. — "Sometimes i feel like he prefers them over me." — She joked, feigning a melancholic frown and forming a small pout.
"It's just that she and i are his favorites now." — Tom replied, earning laughs from the interviewer and Rachel.
"And Y/n is the clear winner!" — Tom announced, clasping his hands together and looking at the camera, watching one of the producers, who worked behind the cameras, prepare to present the small prize. — "Can i dedicate a speech demonstrating my pride or is it too early?" — Rachel laughed, not believing his words and finding it funny, accompanied by Josh, with you making a gesture of reference. — "Please, honey."
"I don't know but i'll listen." — You replied, arranging a high-five with your boyfriend and noticing the presence of the little prize approaching. — "This is for me?" — Tilting your hand, you took the enchanting object and admired it; something that looked like a miniature Oscar, and was really adorable.
"When you're the best, you're the best." — Rachel and Josh spoke together.
"And i think Y/n just arrived!" — The interviewer commented, tilting her head towards a small crowd that was forming at the beginning of the red carpet; and several flashes and some screams were witnessed by everyone at the scene.
"Oh, she's here." — Leaning his hands on the railing and moving away, Tom ran his eyes over the crowd; until, finally, he had the opportunity to see you and, automatically, an exuberant glow remained in his deep blue eyes. — You were so beautiful, always have been, he thought. — "Look at her." — His tone was low, but so admirable and enchanted. — "I need to ask her for an autograph."
#tom blyth#tom blyth x reader#coriolanus snow#coriolanus#snow#coriolanus snow x reader#coriolanus snow fanfiction#coriolanus snow imagine#coriolanus x reader#coriolanus fanfiction#coriolanus imagine#the hunger games#the hunger games x reader#the hunger games the ballad of songbirds & snakes#the ballad of songbirds and snakes#ballad of songbirds and snakes#tbosas
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Their First Impression Of You
@thesirencult
Sidenote:Personal readings are now open! If you want to know what your future spouse is like or what's stopping you from reaching your true potential for 11€ then reach out to me 💕
Pile 1
The Hermit, Queen Of Swords
Their first impression of you is that you are wise and contemplative, an active mind behind a quiet figure who knows how to command others. Your energy reminds me of someone who is used to being part of an environment where hierarchy is prominent (military, corporate, church).
The Hierophant is not here, yet I can feel that you grew up in a strict environment but that this doesn't mean that you despise structure, on the contrary, you have learnt how to thrive in this kind of environment and make the most out of it. That's why I believe that this person will come across you in a "formal" setting within which you will be able to showcase all those qualities freely.
They will think that you have been through a lot and had a lot to work through to make sense of life. You are really pragmatic, startegic and wise to them. A person well equipped to face life in the streets, even if those streets are full of high status, power hungry people. This gets them about you, you are not power hungry, you are who others aspire to be. An excellent public speaker, able to convey your thoughts into words in a clear a concise way, putting to shame the best of lawyers.
You are a great counsel and remind me of the character of "Jessica Pearson" from Suits and the tv show, Pearson, who as a personality enough reminds me of my little sister. If you are my sister and you are reading this then, hi baby <3 !
Jessica is an INTJ, something that is uncommon for women. She is above drama and gossip and seems unapproachable. I heard "311" so I rushed to see if this is a significant episode in the series that can give us more information on how this person sees you at first. So, apart from the fact that 311, November, March or April and number 5 might be significant for you, from the "climate" of the episode I get that this person will meet you while you are fighting a crisis and that's why all of those good qualities of yours will be at the forefront.
If this is someone you are romantically interested in, don't worry that you'll be seen as someone too stern or high above. This person will respect you and that's a great foundation for a relationship to start.
Pile 2
The Star, 3 Of Cups, The Moon, 10 Of Pentacles
Pile 2, I had to pull multiple cards for you because this person's foresight baffled me. Your reading is very positive and there is no doubt that this person will see you as a kindred spirit, a soulmate and a connection that they wish they come across in each of their lifetimes. First of all, you remind them of a long lost sibling, you may also look like you could be siblings. Their first impression of you is that you are a wish fulfillment in the flesh. They will see you as someone that is glowing from within, radiant, inspirational, kind yet courageous. They will pick up on your spiritual nature and how faithful you are. You are a believer who they think is a great counterpart to build their dreams with. A friend and a potential future lover and life partner. They will think "The stars have finally aligned in my favor!"
Potentially, this person will come across you in a community setting. I'm getting light-hearted energy, doing a hobby, in a "brotherhood"-"sisterhood" environment. This person intuitively, from the first time they meet you, will know that you will play a big part in their soul's evolvement. "I found you again!", this could be something they tell you to tease you, like, stumbling upon you somewhere outside of the environment you usually meet at and they tap your shoulder and tell you that, but in reality they mean that they are really happy that they found you in this lifetime! They will be so pleased whenever they come across you and they won't be able to hide your smile. Your first meeting will be very serendipitous, as it may happen during a time in their life where it perfectly fits in.
Their first impression will be aligning with their purely intuitive idea they have of you if they have heard about you or saw you around. You will seem friendly, affectionate and eager to please others. This will make them want to be their best self when it comes to you and to protect you from the world.
The Moon tells me that at first they won't even know where this deep bond will lead you, they are just happy to be by your side and the same applies to you. At first you both will not even be able to imagine where life will lead you, but the 10 Of Pentacles shows that you are both worthy of love, building a life together and having stability.
To them you are pure joy, worthy of abundance and love. To the community that surrounds you, it's clear that your connection is different and that you'll end up together, as they can see that your person, who is usually moody and closed off becomes a golden retriever around you exclusively!
Before they fall asleep at night, on the day they meet you, they will think to themselves "After all, love doesn't have to be hard."
Pile 3
5 Of Cups, King Of Pentacles, 4 Of Pentacles, Ace Of Wands, 2 Of Cups
Pile number 3, who hurt you my love? I think that I'm interrupting something between you and Pile 2, or that I should be interrupting your train of thought to tell you that you deserve to be blessed with someone like Pile number 2.
I had to pull more cards for you, to receive lighter messages that would make you hopeful for the future and show you that you should believe that true love exists and it's not hard to find it. You just have to tune in to its frequency and you have not done that before, so, it's clear that this is what's hinderring you.
Your forever person, will read you like a book on your first interaction. I'm getting that they will have the opportunity to work with you on a specific task and that you will get to know eachother that way. They will realize that you're going through a period where your tender heart has been bruised by life. They will see you as calloused, full of grief and with fragmented expectations. The energy that you are going to exude to them is " I don't want to feel this way anymore!" You are shedding your old skin during this period and it shows. This person will tell you "You did what you could and now it's time to have faith and be hopeful that the future will exceed your expectations."
Don't worry though. Your person will also see other things about you. You have limitless potential and you have the desire to change. You might be a bit "love thirsty" and in need of watering but they won't mind filling up your cup, even if it makes you feel guilty at first and like you are taking advantage of them, they know that they are strong enough to support you through trials and errors and to invest in you.
They will notice how interested you are in personal growth and self development or how patient and determined you are when going after something. You are a workaholic and it shows! At the same time, your person won't think that you are interested in them, as you look like you have more than enough in your plate. You won't give off "neediness" but an air of "success is a feeling and I'm trying my best". You seem content with what you have and that's why your person won't try to take things to the next level or talk to you a lot, as they will think that they will burden you. In reality, you will think that they are lighting up your life with their generosity and loving nature but you won't know how to show them appreciation and this will keep going until you get to the point where you think "If I don't give them what they need, then somebody else will take them away from me!"
This is a never ending cycle for you, as you will seem closed off and like you are not accepting their cup of love. They think that you are logical, generous with your time and money, experienced in life and mature, with great ideas but at the same time there is a darkness to you that will make their flame go cold and they will reasses their approach to you as they will mirror your energy and become afraid that you will take advantage of them.
We have 2 Of Cups, so this is the real deal my Pile 3. You need to step up and work through your self-imposed limiting beliefs or else you will lose this person, by your own doings. If you work through this first bump on the road and open up slowly to them and show how much you appreciate them they will be loyal to you and a great partner/lover.
#astrology#level up journey#tarot reading#tarot#pick a card#pick a pile#pac reading#pick a photo#pick a picture#soulmate#thesirencult#source:thesirencult
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art vs artist 2024 ✨ can't believe we're here!
i've been thinking about this year a little bit these past few days, with the holidays being under special circumstances for me. the past month passed quickly but very gently, which I'm grateful for all things considered. i think it's now safe to say that after some reflecting 2024 was one of - if not the - best year of my life. I've never experienced such a whirlwind of gratifying experiences in the span of twelve months: i met so many new and nice people, had my first con experiences in amazing settings and my first job opportunities in a field i wanted an experience in for a long time, traveled the world somehow, got 10x more attached to my characters than i already was - and I'm quitting the year with just as many projects as i did when i entered it. granted, new problems came up and still persist, but with every year that passes i get one step to catching up with the anxiety and fears that hold me back, and it's that one step that each time allows me to surpass fear and welcome something new. every leap of faith partially led to the beautiful things i experienced throughout the year like a ripple effect (partially). it's gratifying and humbling in equal measure. so cool!!
art wise, i'm a lot more satisfied with the direction my art is taking than i used to be in the past two years. i came up with brush settings that shifted my line dynamic and i discovered a new rendering technique i really enjoy that allows me to balance time-efficient with textured together. i think my art has been getting a lot more expressive and while sometimes it makes me feel like I'm straying away from a more sanitized, thought through illustrative style, maybe it's worth it for the feelings to be conveyed the way i want them to. i haven't gotten to a point where i'm experimenting with my shapes, compositions and palettes in a way that shakes up my habits in a good way, but I'll get there.
I've also come to realize while making the meme that i actually have very few finalized personal works to show this year! i made most of my personal work posts on a time rush (they usually were made for specific days). I've been working on a set of drawings that required some tweaking and a few days to sketch properly, but the result is worth it, I'm so proud of them!! i wanted to get them out before the NY but it convinced me that rendering had to take its time as well, i don't always want to rush things nowadays. being on a time limit and taking all the time necessary are both good drawing exercises nonetheless.
lots of rambling, but i had lots of thoughts. I'm so grateful that some people are still in my life as we inch toward the new year. to my moulin squad, to my tol staw, to all the new friends i made this year, to my kitty, to my family. i love you like the world. and of course, to all the people who follow my work from up close or from afar, thank you so much. to know i bring a bit of inspiration, thought and color into your day has a lot more worth to me than you can imagine. thank you for manifesting your interest and your support whenever you do!! 🙏
i hope you all have safe and healthy holidays 💛 drive safely and tell your loved ones you love them. my thoughts are with Ukraine and the people of Palestine.
#art vs artist#art v artist#art vs artist 2024#artvsartist2024#french art#french artwork#french illustrator#french illustration#myeart#art summary#2024 art summary
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Qualia and Ascension in Rain World
(To clarify I'm mostly talking about base-game lore and not including Downpour, but honestly most of these things can transfer over)
Qualia
One thing that’s relatively hidden in Rain World’s text and subtext is the concept of qualia. Qualia is described as being, “sensory experiences that have distinctive subjective qualities but lack any meaning or external reference to the objects or events that cause them.” It’s a personal sensory experience that cannot be comprehended by another person other than the individual themself, and are often hard to convey via language.
Qualia is a reoccurring motif in Rain World, but what’s more important is the way in which it’s conveyed to the player. The picture that’s painted is that of a world or civilization that placed a great importance on the individuals’ experience, and it’s shown through pearls or environmental details.
Here are some examples of qualia appearing in the text through pearls.
“It's qualia, or a moment - a very short one. Someone is holding a black stone, and twisting it slightly as they drag their finger across the rough surface. The entire sequence is shorter than a heartbeat, but the resolution is extraordinary.”
“A memory... but not really visual, or even concrete, in its character. It reminds of the feeling of a warm wind, but not the physical feeling but the... inner feeling. I don't think it has much utility unless you are doing some very fringe Regeneraist research.”
“This one... is authored by Five Pebbles, when he was young. There has been an attempt to scramble the data, but it's sloppily done, and most is still somewhat legible. It's written in internal language, or thoughts, so it is hard for me to translate so you would understand.”
But the most prominent examples of qualia and it’s importance in this world are the Memory Crypts and possibly ancient naming conventions. The deep purple pearl (shortened) found in Shaded Citadel states,
“In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids (…) Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane. The assorted memories and qualia include:”
Ancients likely mutated their own neural tissue into the cabinet beasts we see in Shaded, which were used to store their memories and qualia before ascension. Even james said once "how 5 pebs got the rot is a good hint here" in response to someone asking how cabinet beasts work, and how they're made.
Adding on to this, ancient (and iterator) naming conventions seem to be built off of the concept of qualia, with them focusing on individual images or experiences.
Nineteen Spades, Endless Reflections
Droplets upon Five Large Droplets
Two Sprouts, Twelve Brackets
Looks to the Moon
Generally, this all points to a world focused on the expression and preservation of the individual experience. You could even consider some of the echo dialogue as more evidence for this running motif, but I already have too many quotes lol.
Ascension
So now time to talk about my interpretation of ascension. In short, you turn into a worm, but I should probably explain more than that.
So its been surfacing on rw-tumblr that the light in the end of the game is called the egg in files. Although file names shouldn't be taken as fact or canon, it is pretty obvious given the birth imagery.
But something a little lesser known is what happens to the worm that takes us down to the void-sea depths. Void worms normally have a bright glowing effect, on their body, which is present for ours as well. But after it unhooks us, it swims down, and when it passes us on it's way back that glowing effect is gone.
To be honest, I don't really think this can be interpreted in many ways, but the most obvious one and the one I personally subscribe to is that the worm laid the egg. Biology and spirituality really aren't that different in Rain World, it's implied that karma is stored in the brain through Five Pebbles's slideshow. Adding on to that, we see voidspawn after eating an iterator neuron. One's spiritual state is innately tied to their mental state, and that dictates what and what they can't perceive.
And for that reason I decide to take a more biology leaning approach to what happens in the ending. At face value, we are fertilizing the egg of a void worm to be reborn into a voidspawn.
Not only do void spawn and void worms have multiple characteristics in common, (worm like bodies, tendrils/tentacles, glowing heads, void spawn look microbial and void worms are likely some of the oldest "life" in game)
but voidspawn are seen inside egg-like coverings and share the same egg light seen in the end of the game, confirmed to be the same thing by Videocult in a livestream they did.
I believe that all this points to ascension being re-birth into a voidspawn, which eventually undergoes metamorphose into a worm. Higher-dimensional beings, who manifest and give birth to a new world.
So how does this tie in with qualia? Another thing you might know is that the area in which void spawn are most plentiful is Shaded Citadel and areas in Shoreline near Shaded. And shaded is absolutely packed with Cabinet Beasts, even outside Memory Crypts. I believe these qualia-storing creatures are what manifest voidspawn.
From what we see in ascension, it still looks physical and largely based around the real world. Hunter still has his scars and see's an iterator, survivor sees the slug tree in a more mystical and formless state, and monk sees survivor frankly just looking like a normal slugcat. I think that ascension is a product of qualia. We transcend our earthly knowledge via the egg, and our own qualia is used to give birth to a new world. This is why voidspawn appear most in Shaded Citadel.
Now I won't be getting into Void-Worm theories too much here, I'm mostly focused on ascension but I can't ignore the Gnosticism parallels. For those who don't know, Void Worms heavily resemble the Yaldaboath from Gnosticism, along with sharing some similar celestial motifs.
and running with that some people theorize that, like the Yaldabaoth, void worms are responsible for manifesting the material world. Ascension seems to be a mix of the concepts of Gnosis and Nirvana, but I believe it might lean more on Gnosis.
From my limited knowledge, Gnosis is a few things, some of which being a state achieved from experiences or intuitions, and an essential part to salvation is personal knowledge. While researching a bit, I came across this text by Peter Wilberg called "From NEW AGE to NEW GNOSIS" which brings up some comparisons between Gnosticism and qualia as well.
"Gnosis is subjective knowledge of an inner universe made up not of matter, energy, space or time but of countless qualitative spheres or ‘planes’ of awareness – a knowledge obtained directly through inter- subjective resonance. It is the subjective science of this inner universe."
One thing though that has been brought up when discussing this is how this can be consolidated with the tone of the ending. It is pretty un-ambiguously happy, but if we're going with the Void worm Yaldaboath theory then that would put a bit of a sour twist on it right?
I agreed with these for some time, but now I actually think it ties in perfectly with Rain World's core themes as stated by the devs, "overcoming differences and finding empathy." I don't think the void worms are "evil" or malevolent, but I think they (and subsequently us after ascending) play a key role in demonstrating this theme.
By manifesting the physical world, we allow these souls to experience life and develop their own qualia so one day they can ascend themselves. We are shown compassion, and pass it forward.
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Alec/Regent cosplay from "Worm"
This idea started with a song. It grabbed my temporal lobes with the first notes, flashed with the thought “Damn, I must have to film Regent to this music!”, and didn’t let go until I made this video.
Overall, I'm happy (at least I can think about something else, not walk around with my hyperfixation itching brain, and don't listen to this song on repeat hundreds of times, haha).
The shoot was dangerous, infuriating, and fun all at the same time. Well, like Alec himself, in fact.
Dangerous: location. Abandoned, half-burnt building, littered with charred boards with protruding nails and threateningly swaying half-burnt roof parts that were ready to fall on us from above at any moment.
Infuriating: children, teenagers, young people exploring this building - there were surprisingly many of them, every half hour someone came.
Fun: Well, cosplay is fun in itself. The dumbfounded faces of random observers. And a funny story that happened at the end.
All in all, I had a great time!
What I failed:
1. The color of the wig in the sun turned out to be too brownish-red, and Alec has dark hair. I'll try dyeing the wig and see what happens.
2. The scepter was made in a hurry, not functional, I will make another one.
3. The crown does not fit well on the head; it needs to be secured with something, but so that it is not noticeable.
4. I have not yet been able to fully convey Regent's motor patterns. He should move differently than I can now. I like some of the moves that I came up with, but many others are definitely not what I need. I will deal with Alec's movements, it turned out to be more difficult than I thought.
I wanted to convey the laxity, sloppy movements, and, at the same time, grace without going into femininity. But so far, I have not managed to do this mix as I intended. Some of the movements are too stiff. Part of the problem was the need to balance in a mask with limited visibility on a burnt fallen beam with protruding nails, with the possibility of falling on the same ones lying nearby. But is this an excuse? I need to practice more.
But overall, I'm very pleased with what I've achieved so far.
A funny story as a bonus. At the end of the shoot, I accidentally scared off a couple who decided to retire to an abandoned deserted (as they assumed) building.
Judging by their faces, they definitely did not expect the appearance of a human in a mask, unusual clothes, and twirling a scepter in their fingers.
For my part, I didn’t expect to see them either. Normally, I would be extremely embarrassed to catch someone in such an intimate moment.
But this time, I was overcome by a wave of unexpected mischief. I giggled, pirouetted to go out and chirped to them over my shoulder: “Oh, don’t pay attention, I’m just a tooth fairy flying about its business, consider that I’m no longer here!”.
I hope I haven't completely ruined their mood.
P.S. And, yes, the video is a little about me too: I’m usually a reserved person, but sometimes... drama happens.
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detachment (02/03)
did Aemond Targaryen truly loved you?
pairing: prince!aemond × niece!reader
summary: aemond not only breaks your heart after so many love promises, he also breaks his betrothal to you without any justification and announces his betrothal to a baratheon girl. now you will be married soon too.
word count: 7.9k
previous part • next part • series masterlist
hello beautiful people, finally here is the chapter you have been waiting for so long, im so happy, I hope you like it a lot❤ thank you very much for reading🥺
comments and reblogs are always appreciated, thank u, you are all awesome❣
—TWO MOONS AGO.
"I'm so sorry, my sweet girl."
"No, it's all right, mother. Do not worry."
"I know this is not what you wished for but—
"It is my wish."
You interrupt your mother with a small smile that she instantly knows is neither genuine nor convincing, to which she watches you for a few moments without saying anything, watching you intently.
She takes your hand and places the other on your right cheek to come closer and leave a sweet kiss on your left cheek that you allow to feel that love that only she transmits and comforts you.
She then pulls away from you a little without letting go and watches you with a small smile on her lips and a slight gleam in her beautiful lilac eyes.
"You know you have my full support, my love. And don't even think that I will leave you alone in all this," she assures you, "But I know you and you must not lie to me, Y/N."
You know that at this moment your gaze gives you away, as well as all the true feelings you are conveying but you still want to show your mother that you are willing to do your duty.
And it really is your relief that it is this person you are going to marry when it could have been worse.
"Mother, you must not worry about me."
"But of course I do," she tells you instantly, "You're my daughter and I love you."
"I love you too. But this marriage to Cregan Stark couldn't be better not only for me, but for the whole family," you remind her, "He is a respectful and honorable man. I know there will be much respect between us and eventually affection will be born. And we will have all the support of the North when the time comes for you to become queen."
She smiles softly again with that warmth and affection, gently stroking your cheek with her thumb, looking directly into your eyes with all that sincerity and love.
"But he's not the one you wish to marry, is he?"
So all those pent up feelings, they want to come out at that moment. And even more so because of the way she is talking to you and understands you completely.
"Even with all that your marriage to Cregan Stark offers…. it's not him."
You swallow hard and press your lips together, starting to feel the tears want to come out of your eyes, as well as all that feeling for everything that happened and thinking about everything that could have been.
You remember how a while ago everything was fine, how everything seemed fine, how you thought you knew certain things and knew certain people.
However, he broke your heart.
Worst of all, you never knew why. You really wanted to know what had happened, what had changed his mind and if you had done something wrong, but… nothing.
He left you totally in the dark with his reasons. He preferred you to suffer and forget everything as if nothing had happened from one day to the next to accept his sudden betrothal to Floris Baratheon.
And you truly wanted to understand at the time, feeling completely broken and shattered… but he never gave you an answer.
"It doesn't matter anymore, mother. He is betrothed and now so am I. I do not doubt that after my wedding with lord Stark, his with lady Baratheon will happen soon after. He made his decision moons ago and now so have I."
"Very well," she nods at you, "You learned quickly, my sweet girl. Just as I had to when I accepted my fate."
You smile.
"You mean my father?"
"Our story was in short times, always with a lot of duty involved and inconveniences. Until we could finally be together after that horrible night," she tells you softly, "But when you truly love a person, you can't help it and you just want to join your blood with them, no matter what."
You nod, lowering your gaze, understanding.
But really understanding.
You know that feeling and you know exactly who you used to feel that way with. You were even close to being able to bond forever. But now… you're about to do your duty without that person.
"Then, my sweet girl…" your mother says to you, getting your attention again, "I'll just make sure to arrive at King's Landing a day before the wedding, as you asked. Everything will be ready by the time we get there."
You smile softly in her direction, feeling very relieved at that and nod.
"Thank you, mother."
"Anything for you, my love."
After spending part of your afternoon with your mother, you head to another of the great rooms of the Dragonstone castle, where your brothers are practicing High Valyrian and your younger brothers are being cared for by the maids.
You immediately join in caring for your brothers, listening to Jace and Luke's Valyrian, correcting them on some pronunciations and helping them to formulate words correctly.
Then Rhaena enters the room as well to look after and keep little Joffrey company, letting you know that Baela has flown to Driftmark.
Normally as the night draws in, your mother and father also spend time in this Room, all together as a family, a time when Rhaenyra wishes she could freeze and stay all together like this forever.
And that's exactly what she thinks when she enters the Room and sees all her children, or almost all of them, together attending to different duties, with a little smile and loving look on her face.
Daemon is writing something on the large table, to which she turns to him, stroking her barely noticeable two-moon belly, with a new member to the family coming into the world soon, the prince or princess.
"What are you writing, my love?"
Daemon raises his gaze to her, with the seal of House Targaryen about to embed it in the letter.
"The word to Kings Landing with the news of Y/N's marriage to Lord Stark."
"Ah yes, I forgot to do that."
"And that's why I do it for you, ābrazȳrys."
Rhaenyra leaves a soft and loving kiss on her husband's head to continue on her way to her eldest sons, listening attentively to the High Valyrian, just like Y/N, ready to correct them.
Not long after, considering that the distance between Dragonstone and Kings Landing is not too much, the raven arrives at the Red Keep with the new and unexpected news, with Queen Alicent and her father Otto Hightower reading the message.
The Heir, Princess Rhaenyra returns to King's Landing in less than two moons with her prince consort Prince Daemon and her entire family to celebrate the wedding of Princess Y/N Velaryon to Lord Cregan Stark, Lord of Winterfell.
"This is vile and disgusting news."
"Father—
"With Lord Cregan Stark?" inquires Otto, "Do you know what this means, Alicent?"
"It can't be that bad, still Daeron's wedding to Lady Lannister adds soldiers and ships to us for Aegon's claim. So does Aemond's wedding to lady Baratheon."
"Rhaenyra will have the whole North on her side by the time the time comes and you know it. The whole fucking North fighting for her and her bastard daughter!" Otto exclaims in annoyance, "We can't let that wedding happen."
"Rhaenyra must already be getting everything ready at Dragonstone. And to try to stop her the wedding, she could easily marry Y/N to Lord Stark somewhere else," says the queen, "It will be useless."
"Call the Maester. Call the entire Council, immediately," Otto quickly orders one of his guards, annoyed and desperate.
The guard immediately complies with the Hand's order, so that very soon all the members enter and take their respective seats in the Council Chamber.
But not long after, Aegon and Aemond Targaryen also decide to burst into the room, Aemond mostly noticing that something is wrong and Aegon simply following, his grandsire surprised to see him in his five senses.
"What's the matter?" asks Aemond serious, approaching his mother.
But before his own mother can answer him, his grandsire does, only without answering him.
"Your wedding to Lady Baratheon will happen by the end of this month."
Aemond immediately observes his grandsire without any expression, hiding his surprise well, drawing the attention of everyone else in the room.
"We will send word to Storm's End's, Lady Floris should already be here by in less than five days and prepare everything immediately," Otto continues, "Not too soon after, we will send a raven to Oldtown and Prince Daeron's wedding to Lady Cerelle will also happen."
"May I ask, my Lord Hand, why so hurriedly?" asks lord Lannister.
"Yes, why?" inquires Aemond of his grandsire as well, with a tone of voice and a menacingly serious look.
But Otto Hightower deliberately ignores his grandson.
"Are you not pleased with the news, Lord Jason?" he inquires condecently, "After all, it is your daughter who is to marry a prince of the realm, my grandson."
"Not that I am complaining, my Lord, in fact I have been waiting to hear this news ever since we agreed to join our houses. But I was also hoping, just like my daughter, that the wedding would be relevant and not too attached to another wedding also of another prince of the realm. It certainly would not draw the attention of our people."
"This is not about getting people's attention, nor how attractive the union is, Lord Jason," Otto tells him seriously and clearly annoyed, "You should feel grateful that the union is going to happen, because I remind you that this is about Prince Aegon's claim to the Throne, or have you already forgotten?"
"I asked you a question and I'm not going to repeat myself," Aemond speaks again in his grandsire's direction, serious.
This immediately gets everyone's attention, but in the end it is Queen Alicent who responds in a soft, cautious voice.
"Y/N is going to be married."
This immediately gets Aemond's attention and also Aegon behind him, who was disinterested and even annoyed to hear his grandsire's words about his claim to the Iron Throne.
But this definitely gets his attention, he even watches his brother cautiously, waiting for his reaction, just like his mother.
However, Aemond keeps his usual neutral and at the same time serious face, hiding his true emotions very well, starting to feel how those true emotions run through his whole body and want to explode.
Otto watches him attentively, annoyed and serious, instantly knowing very well what he must be feeling. And that is what he, Otto Hightower, does not want.
"Yes, Aemond, with Cregan Stark, the Lord of Winterfell," he tells him seriously, "You too have already forgotten why you are marrying Lady Baratheon precisely?"
Aemond clenches his jaw, immediately this getting his attention and watching his grandsire with a deadly and threatening look, all this together with his posture showing that he is losing his patience.
And that everyone notices.
"Aemond," Alicent calls out to him, rising from his seat.
"When?"
Aemond's voice interrupts him, in the direction of his grandsire, his whole posture tense and his hands made into fists, his jaw clenched and his gaze like that of a dragon about to burn everything to the ground.
"I told you, by the end of this month your wedding—
"No, when will Y/N's wedding to Cregan Stark be."
He interrupts her in a firm, menacingly serious voice.
"It doesn't matter when it will be," Otto tells him in annoyance, raising his voice higher, drawing everyone's attention, demanding, "What matters right now is that these two weddings happen before the wedding of Rhaenyra's daughter to Lord Stark so as to invite all the great houses, even Cregan Stark and form alliances before Rhaenyra and Prince Daemon."
"In two moons, approximately."
Alicent replies to Aemond, noting how his anger grows more and more as his grandsire speaks, not giving him an answer.
"That's what they said on the raven they sent this afternoon from Dragonstone."
Aemond lowers his gaze, beginning to think about it, about how the wedding will take place here, at King's Landing, where he will have to be present and witness it all…to Y/N, his Y/N, getting married to Lord Cregan Stark.
Lord Cregan fucking Stark.
"I doubt we can do anything about it, my Lord," Jasper Wylde speaks, "The wedding is already a done deal, we will not succeed in convincing Lord Stark to change his allegiance."
"And this is a great advantage for Princess Rhaenyra and her claim," says Jason Lannister, " Her daughter, Princess Y/N and Lord Stark together is an excellent and convenient match."
At the words of some of the council members, Aemond can't help but feel downright sick, thinking of Y/N and Lord Stark.
As you should.
His own mind tells him, feeling the fire and anger coursing through his veins, unable to control himself, thinking about what is really going on here.
"We will do whatever it takes to still have as much support as possible. King Viserys will not last long and by now we would have to secure all possible alliances for when the time comes. If war falls upon us and if we pull this off… fighting Rhaenyra and her alliances won't be so hard."
"She will have the entire North fighting for her, my Lord."
One of the members tells him cautiously, thinking about the number of soldiers Princess Rhaenyra will have at her disposal, also all the people supporting her claim, that adding up to the whole Valley.
"That's why we need to be more clever," Otto Hightower insists, "My grandchildren's weddings will be paramount in this. We need to send a raven to Oldtown, now," he turns to the Maester, "I need Daeron here at King's Landing and your daughter as well, Lord Jason. After Aemond's wedding, he—
"No."
Aemond Targaryen completely interrupts his grandsire in front of the Queen and the entire Council, drawing everyone's attention, surprised by his boldness and deadly behavior in the direction of his grandsire, who also gives him a threatening look.
"You had plenty of time to plan my wedding with Lord Borros' daughter. It's not my fault that until now you are acting when your job as the Hand is to act since you knew the threats," he tells her seriously and completely firm with his words, "If you want a wedding, plan Daeron's, not mine. I will not be a part of your incompetence when I have already given you too much."
"You are forgetting your place, Aemond," Otto warns him in a careful tone and one in which he fully tells him that he does not want to contradict him now.
But Aemond has had enough.
"You are forgetting your place," he replies in kind.
"Aemond, that's enough," his mother calls to him instantly, letting out a long breath, "You don't want to get married now, that's fine. But don't forget that eventually you will have to," she reminds him earnestly, "After all, Lady Baratheon is still your betrothed and she along with Lord Borros expect the wedding to take place soon."
Again Aemond feels sick to his stomach as he listens to his mother's words, thinking of his betrothed, Lady Floris Baratheon. The very thought of marrying her makes him feel unhappy.
But it is the truth… she is still his betrothed and whether he wishes it or not, he will eventually have to marry her, because his family swore an oath with hers, not him, but his family.
And he has to live up to the weight of that oath.
"We should continue to discuss the marriage of Princess Y/N to Lord Stark, my Queen," says the Maester.
"There is nothing more to discuss, the chances are slim with Lord Stark and we will have to focus on bringing the marriage of my son and Lady Cerelle to the attention of the great houses."
Queen Alicent begins to lead the entire Council, as Otto Hightower continues to watch Aemond with daggers in his eyes, serious, furious and incredulous at his behavior.
He thought he already had everything under control, but Otto forgot that he is not a dragon and the blood of the dragon in anyone who possesses it, especially in Aemond, is chaotic and reckless.
"Congratulations, brother."
Aegon catches Aemond's eye, watching him over his shoulder as he gives him a friendly clap on the back, almost whispering his words.
"You said you hoped our sweet niece would soon outgrow you? Well, now she's marrying the lord of all Winterfell," he says with a small smile, "She's definitely outgrown you."
And with nothing more to say, Aegon leaves the Council Chamber, not interested in the matters of the realm, much less to plan a fucking wedding and have his grandsire take it upon himself to form alliances for his claim to the Throne, as if he cares about such a thing.
As Aemond stands still for a few seconds, watching him go, his words repeating over and over in his mind, anger again coursing through his body, fire, hatred.
He wishes he could prove his brother right, but the truth is that he is very wrong.
Unable to stand it any longer, he quickly heads out of the room as well, not wanting nor caring at all to discuss these matters, this room really displeasing him by bringing back bad memories.
And as soon as he faces the corridors of the Keep, again Aemond remains static for a few moments and his mind again thinking about things he really doesn't want to think about.
But he can't help it.
Like that time he also rushed out of this room, leaving the woman he loves behind, tearing her apart in the worst possible way and pretending not to care.
Even as one of the fiercest and most brutal knights of his time, Prince Aemond doesn't know where he found the courage and strength to break Y/N's heart… his Y/N.
He has always characterized himself as an honorable and respectful man, especially to Y/N, but what he did to her… was out of his nature and highly unpleasant.
And once he was in the safety of his chamber, the first thing he did was sit in one of his chairs near his fireplace, wanting to feel the fire, with the realization slowly starting to become clearer to him, realizing what he had done.
Aemond remembers the last time he cried, it was when he was a little boy in one of his episodes over his lost eye.
A terrible migraine kept him awake for a whole day, he couldn't even get out of bed and couldn't bear to see the light of day. His mother held him tight and was there for him all the time, not even leaving him alone for a second.
Alicent tried and ordered everything to make him feel better, but the Maesters couldn't do much and all he could do, all he learned to do since he was a little boy, was to have to endure the pain.
And since then, the first tear falls down his right cheek.
Aemond, upset, angry and disgusted with himself, cries. And he actually allows himself to cry as he remembers his Y/N's precious face completely shattered and red from her crying, her whole look confused and in need of explanations.
And he couldn't even give her that, an explanation.
And the worst part was that they already had it all. It was all said and done, they were going to be husband and wife finally, as they had asked for so much.
But he finally snatched away her illusion and simply left her without explanations. And that's what makes him lose control completely.
Furious, feeling like a coward, an idiot and annoyed with himself, he lets out a growl and starts breaking everything in his room, with despair and anger in his body.
He screams and blames himself for that weight on his shoulders, a weight that does not belong to him, a weight that he had nothing to do with from the beginning and a weight that he had to let go of the woman he loves when he almost had her because of his family's ambition.
That night the servants had to silently clean the room of Prince Aemond, who, unable to bear it any longer, went for a ride in Vhagar, wanting to forget everything and everyone.
And now, in the present, him in the middle of the hall with the thought of Y/N marrying Lord Stark soon… it's too much.
And he knows it's the same feeling she must have felt when he broke her heart.
He couldn't agree more that he deserves it, but he didn't want to let her go either. Nothing he did was really his choice, but that was the right decision.
And now…he still has to face the consequences of his own actions: Y/N's marriage to a man who will not be him.
"There you have it, my princess."
"Thank you, Emelly," you smile at one of your maids, who leaves you a tray with your almost every night tea so you can fall asleep, "You can rest now."
" You don't need anything else, princess?"
"No, I'm good, thank you. See you in the morrow."
"Of course, princess. Get some rest."
The maid leaves your room, who looking at you in your mirror you continue brushing your straight, silver hair, preparing for sleep.
You've already gone to your siblings' and Rhaena's rooms, especially the little ones', to wish them good night.
Your mother and father have also already come to speak with you and have your usual conversations of the night, where they talk about your wedding to Lord Cregan more than anything else, Daemon and Rhaenyra making sure nothing else haunts your mind.
They know that a wedding can cause too much stress, especially when you're marrying the one you didn't expect from the start, talking about duty and what's expected next from you and your husband.
Your older brother Jace had told you it's a stressful but very necessary conversation, considering the next wedding in the family will be his and Baela's.
You let out a long breath, leave your brush on your dressing table and head off to drink your tea, needing to sleep.
You take the cup from the tray in your hands when the napkin catches your attention. You frown and notice how there is something sticking out from under that napkin, hidden but wanting to be seen specifically by you.
You set the cup down on the table and pick up the napkin, curious and wary, realizing that it is the small envelope of a letter, definitely catching your attention more than before.
You analyze it and there is no indication of who the message might be from. So you decide to open it, finding a small sentence and an addressee that makes your heart jump in your chest and your lips parted.
Meet me at our place by the Hour of the Wolf. I need to explain everything to you, please. I will be waiting.
A.T.
Your pulse starts to race, your whole body starts to shake and you read the message over and over again, your system making you feel more emotions and feelings as you read who has sent this to you.
You think to yourself that this must be a joke or even perhaps some kind of trap, thinking that this can't be. But you know it's him.
It's his handwriting, you would recognize it on any piece of paper, as well as the signature he always uses in all his messages, short and subtle.
Now you understand why so much mystery. But you honestly don't understand how he could have gotten his message to you. It's practically impossible.
Unless he hired or paid irrelevant people, because Emelly is extremely loyal to you and would not have done this considering your history with your uncle, as well as anyone else knows it.
Your uncle who right now must be waiting for you.
Your mind tells you as you look at his message in front of you, surprised with your parted lips, with a feeling starting to invade your chest that you don't know exactly what it is but… it causes you some emotion.
And you can't. You truly can't do this.
You remember everything that happened, what he did to you, what his grandsire did to you too, and how broken you felt, how he broke your heart and left you without explanation, only to become betrothed to Floris Baratheon.
You swallow hard, walking to your huge windows, looking out at the night outside and barely lit by the fire torches that light a little of the roads around Dragonstone, looking out beyond the sea, in the direction where that island is and where you and Aemond used to meet.
You press your lips together, feeling a sharp pain in your chest, as well as that uncertainty and beginning to take into consideration what he has written to you on that little piece of paper.
But again… you can't.
You are both betrothed. You are betrothed to Lord Cregan Stark, you will marry him soon and then… probably he will marry Lady Floris Baratheon as well.
You know you shouldn't even consider it, you know you shouldn't feel that curiosity and longing, because he doesn't deserve it.
That's why you make your decision just as he made his moons ago.
Even though you admit that it hurts and even costs you, you still think of yourself, because he doesn't deserve you to feel this way about him, not after all the damage caused.
You don't know what Aemond really thinks, but it certainly isn't entirely wise to ask you to meet in the hour of the Wolf as if nothing had happened.
And what a coincidence that he does this just when your wedding is in a few more weeks.
You stare out over the sea for a few more moments, thinking, but having already made up your mind. You let out a long breath and without hesitation, you head to your fireplace and throw his message into the fire.
Then you head back to your table to drink your tea and drink it all down so you can finally sleep and forget this ever happened.
While on the small island in Blackwater Bay, Aemond Targaryen keeps Vhagar close by, watching as he sits on a huge rock on the sand of the beach towards the direction of Dragonstone, waiting for you.
He doesn't really find much to entertain himself with, beginning to feel anxious with each passing minute and still not seeing any dragons approaching in the night sky, getting up and pacing back and forth, letting out long breaths and trying to calm himself.
He would be a fool not to have thought that maybe you would ignore him and not even in your greatest madness, the other side of the Targaryen coin, would you agree to meet him after all that happened.
Of course he had thought about it. But he still decided to risk it.
But the minutes pass and pass, with Aemond waiting for you, disappointment and reality coming at him like a strong wave every moment he is still there alone on the island.
He feels frustration beginning to course through his body, also anger but not for you, but for himself.
He thinks of your soon marriage to him, Lord Stark and feels more despair coursing through him, not even bearing the thought.
He asks the Seven to you please show up, really wanting to explain himself.
But he knows it is too late. He was never going to get this chance, because he really hurt you too much and he knows it, he knows it and he has the memory more vivid than ever.
But even though he knew it, he can't help but be disappointed as he continues to wait for a dragon in the night sky that never came.
—PRESENT
The days go by too fast after the conversation with your mother and after so many preparations and requests for the wedding.
When the wedding day finally arrives.
Your mother overlooks her pregnancy, considering she is barely four moons pregnant, to ride Syrax and take her with her to King's Landing while you ride Silverwing so you both arrive in the capital a day before the wedding, as you wished.
You try to suppress all feelings along with the nerves of returning to the Red Keep, where there are many buried memories and people from the past. However, you are here for your wedding.
You know that this visit is brief just to get the wedding over with and nothing more, then your family will return to Dragonstone or probably your mother will decide to stay again to take care of your grandsire, while you will go to Winterfell.
You really want to know the North. It was one of the few conversations you had with Lord Stark and he agreed, as well as both of you being present at Court after spending married moons.
And you really have no intention of anything else happening and just let it happen as it should. And just before the sun sets, you and your mother arrive at King's Landing.
You meet your father, your brothers, sisters, also your grandmother Rhaenys and your grandsire Corlys, even also Queen Alicent welcomes you both back and also gives you her congratulations for your wedding.
If you didn't know her, you wouldn't know that her smile is fake. Clearly Alicent didn't want you to marry her son but neither did she want you to marry a person as influential as Lord Stark. But honestly you don't care.
She is the one who directs you and your mother to the king's chambers, to whom your mother wishes to speak and also in case she wants to dedicate a few words to you for your wedding.
On your way back to your room you meet your aunt, sweet Helaena, who welcomes your mother with a charming look and smile, also you, congratulating you on your wedding.
Fortunately you don't meet any other relevant people, just as you didn't see him or his betrothed anywhere, which you are thankful for.
Because the sooner this could happen, without distractions and unexpected inconveniences, the better.
The only thing you remember about that night when you arrived at King's Landing is that you had to drink a large and considerable amount of your tea in order to sleep, not being able to fall asleep because you were thinking about tomorrow.
And honestly also for thinking a little about him.
You were afraid that he would suddenly enter your chamber through the secret door, because surely he hasn't forgotten his request to meet you on the island to explain everything and you never showed up, but fortunately that didn't happen.
And when you least expect it, you are already at the celebration feast with all the guests present, you looking like a bride, waiting for your betrothed, everything going according to your mother's plan.
The common thing in a wedding is to get married at the Septon and then move on to the feast, but in this case, your mother chose the other way around, just like her wedding to your father, Sr. Laenor.
You learned that Alicent had questioned this, but your mother didn't care much, just reminded her that this was how her wedding had once been and that this way, you would feel less overwhelmed, knowing you perfectly well.
When it all begins.
They have already announced the king, also all your family, only the Hightower-Targaryen and also your betrothed are missing.
Your grandsire is seated at the large table next to his wife on the right side, while your mother is seated on his left side, followed by your place and then your betrothed's place. Your father takes a seat at the head of the table on the left side along with your brothers and sisters.
All the lord's and lady's present are spread throughout the Throne Room, as the food will soon be served and the musicians are already in position to begin at any moment.
Your mother at your side holds your hand to give you her support and her soft, sweet smiles in your direction to help with your nerves. Although she also makes sure that your entire appearance is intact.
It was always Rhaenyra's wish that her daughter, her first daughter, would have a wedding like hers was.
She would also prefer a Valyrian wedding, in fact that was her illusion when the king gave his blessing for the wedding between Y/N and Aemond.
But now, things are different and considering that Lord Stark is not Targaryen, clearly, a Westerosi wedding was the best option. And you did not complain at all.
In fact, it filled you with excitement and affection that when your father and grandfather saw you entering the Room, with your appearance for the occasion, they instantly told you that you wore them many years ago, when they were also in this same place and your mother married your father, Laenor.
A white dress with shoulder-length sleeves draws attention with golden details and some chains adorn around your waist with dragon figures.
Your hair falls in elegant waves, reaching above your waist, with some very subtle braids adorning the top of your head.
Your mother wanted some golden pins to be placed between your hair, also jewelry such as gold necklaces, rings and bracelets, to look more and properly like a Targaryen princess.
When at that moment, they announce the missing people at the big table. The people or rather the person you most expected and never wanted to arrive at the same time.
"Prince Aegon Targaryen, first born son of King Viserys Targaryen with his lady wife, Princess Helaena Targaryen."
The doors directly in front of you allow you to see the entrance of your uncle and sweet aunt who together make their way over to you to take a seat beside Queen Alicent.
Aegon's appearance is appropriate, however, due to all the rumors that keep spreading to Dragonstone, his condition is far from the best for a prince of the realm. His tired face with large bags under his eyes and his clear boredom and disinterest in being here is clear.
However, after all he seems to be willing to drink wine and enjoy himself.
But your sweet aunt by his side completely overshadows him once the view is on her and her beautiful sky blue dress with light silver tones and all her bright and sweet look that characterizes her so much.
When they announce the next people and you try not to make a big deal of it once Aegon and Helaena take their seats.
"Prince Aemond Targaryen, second son of King Viserys and Prince Daeron Targaryen, the third and final son of the king."
So both of them, he, now enter the Throne Room and you avoid looking too much, as well as feeling too much.
You try to distract yourself with the fact that you hadn't seen Daeron in a very long time, nor had anyone else, not even your mother or father. You thought he would still be in Oldtown because he wasn't even here for Helaena and Aegon's wedding.
Maybe he really wanted to fly here, but he was not allowed to, maybe because of his age, knowing that Queen Alicent does not like dragons and is very overprotective in that aspect.
But now that you are looking at him, he is tall, very tall. Not as tall as he is, but for his age, he's definitely growing into a man. But even though you want to focus on Daeron, you don't as you focus on him, inevitably.
His walk hasn't changed, neither has that determination, that confidence and that kind of power he possesses just by looking at him, also that fear and respect at the same time.
And his appearance… hasn't changed either.
Maybe his continuous training has made him look a bit stockier of his arms and his body in general, but his hair, his face and his eye patch is the same.
But he gives you the impression that he's even more handsome.
You look away from him in an instant, as everything that happened comes back to you in a matter of seconds, which is inappropriate. But all you can think about is him.
His hugs, kisses, caresses… all those words of love, all those wishes and all those promises… all only to end in an unexplained broken heart. You swore that he and you were destined to burn together. You swore that you would marry in the tradition of your house.
You swore it would be him and you.
But he made his decision.
And now here you are. He's betrothed and so are you, where by the end of the day you'll be married.
You completely avoid looking at his face once he starts to walk up the steps to take a seat next to his brothers, just like Daeron. You don't feel his gaze at any moment, just as you don't dare to look at him either.
When you ask yourself; where is his betrothed?
She must be here for such celebrations if they are betrothed. And you are sure that Floris Baratheon would not want to miss such an important celebration at the Red Keep.
However, he is all alone and his betrothed seems to be nowhere to be found. Doubt lingers but the feast gives you something new to think about when they announce your betrothed.
"Cregan Stark, lord of Winterfell and Warden of the North, the future lord husband of the bride, Y/N Velaryon."
At that moment, everyone at the table rises to greet your betrothed who walks towards you with a kind and respectful smile, looking very well for all this celebration. Or at least most of the people at the table stand up….
You can notice out of the corner of your eye how on Queen Alicent's side some people are still seated, but you don't dare look at them, though you get an idea of who they might be.
Still you focus on your betrothed who bows to the king once he arrives at the table and then makes his way to you to take a seat next to you.
Not before taking your mother's hand to plant a gentle kiss on the back of it, which she accepts with a kind and sweet smile and then turns to you and does the same with more affection.
You smile in his direction as you return his gesture by placing a soft kiss on his cheek and then both of you take a seat, as well as everyone else. When your grandsire, the king, gives a short speech before the feast begins.
And once everything has been said, the feast begins. The music starts and the food is served.
You feel his gaze for a few seconds, not long enough, but you don't notice him at all and continue to enjoy the feast. You talk to your mother from time to time and also to your betrothed, that is if your father and Jace are not talking to him asking him about Winterfell and the Wall.
Your sisters also ask you from time to time if you are feeling well and you can only nod, telling yourself that this is really happening and you have to completely ignore his presence.
When the time comes for the opening of the dance.
Cregan rises from his seat first and offers you his hand to lead you to the center of the Room, which you gladly accept and together you walk to dance in full view of everyone, a traditional Westerosi dance.
It is a simple dance, nothing difficult and you really enjoy it, while you focus your gaze at all times on him, Lord Cregan, who also smiles softly in your direction and does perfectly the right steps, all under the watchful eye of all the nobles present and also of your family.
Both of you stand back to back, and then both of you slowly raise your arms to shoulder height, while you can't help it and turn your gaze towards him, already feeling since the dance started his burning gaze.
Aemond has a meaningful look on his face when your gaze meets his, acting nonchalant, watching you intently, raising his wine glass to his lips.
You can only smile really ungracefully and turn your gaze to the front, continuing to dance and focusing only on your betrothed.
While Aemond at all times… wants this to be over and done with. Though I'd prefer to think this isn't really happening.
He feels like an alluring force, as he can't take his eye off of you, looking at you so beautiful in that dress, knowing in an instant that this is not the dress you would have worn for their wedding. But you still look really beautiful.
A true Targaryen beauty.
A warm feeling envelops him every second he sees you there, so perfect, dancing, smiling and catching everyone's attention, his especially at your every move, not realizing that his face gets softer every second as he watches you.
However… everything is replaced by hatred and anger when those smiles are directed at Lord Stark. And by the way he looks at you too… he wants to burn everything to the ground, clenching his hands into fists.
"Easy, little brother."
Aegon murmurs behind him, over his shoulder, amused, his breath smelling very strongly of wine.
"Everyone can sense how you're starting to wake up. You don't want to cause a fucking scene at our niece's wedding because of your jealousy, do you? Grandsire won't be too pleased."
Aemond can only feel that rage come over him more, knowing full well that Aegon has no intention of calming him down, but to provoke him further and do exactly as he has told him.
And he is succeeding.
Especially in the moment when he again focuses on you, smiling at Lord Stark, glowing and looking this beautiful but for him, Lord Stark, not for him, the one she was supposed to marry and be completely his.
And he regrets it so much, he regrets it so much that he called off their wedding and also leaving you without explanation, knowing that this is exactly what he deserves, to see you happy without him.
As the dance of just the two of them ends and a new song begins, in which he watches as Y/N, his Y/N, places one of her hands on Lord Stark's shoulder and the other intertwines with his, his other hand on her waist, this only making him angrier.
A more choreographed dance begins and the nobles in pairs also begin to join the center of the Room to dance, beginning the real celebration.
And Aemond sinking in his own misery, thinks that he could have survived watching Y/N dance with Lord Stark at an appropriate distance. But now they are both chest to chest, smiling and talking about something with all the nobles also dancing around them.
He doesn't understand that important thing that the two of them are talking about, but he doesn't like it at all, neither does the closeness. In fact he doesn't like any of it.
All he wants is to get her away from him, away from all of this and make her his, finally, no matter what.
His breathing starts to get heavier by the moment, thinking that by the time this is over, she will already be married to him and they will go away together, where they will have to consummate the marriage.
The very thought makes him only feel more enraged and more courageous to snatch her from his arms, not caring about her family and his, not caring about his grandsire and his words, not caring about his mother's words either about "you have to control yourself and think of us."
Not only does Aegon notice her state, so does his grandsire, who watches him intently and cautiously, noticing the look on Lord Stark's face more than menacing, about to do something foolish even though he was very clear with him before attending this feast.
He also catches the eye of Rhaenyra, who watches her husband and subtly points to her half-brother, instantly Daemon knowing exactly what is going on.
And how could he not know?
It reminds him of him many years ago, also watching the woman he loves, about to marry someone else who is not him.
He places a small half smile, bringing his wine glass to his lips, watching his nephew attentively and amused, almost expectantly, wondering even though Aemond has his full attention on you, if he will finally do something about it or what.
"Aemond," his grandsire mumbles to him.
But Aemond, beginning to go into his madness, doesn't watch or listen to him, watching you intently.
"Aemond, I'm warning you," his grandsire insists.
"Oh come on grandsire," Aegon tells him amused, "You know it will be useless. I can tell you don't know him."
And even though Aemond is immersed in his madness, he still thinks and remembers the words of his grandsire and mother.
"I will overlook that it was you who prevented the raven to Storms Ends from arriving when you knew perfectly well that your betrothed should have been here days ago."
His mother tells him seriously and annoyed.
"Now you will attend this wedding alone and I expect you to behave yourself. Just as I expect you to come to terms with the idea that you will marry Lady Baratheon by the end of next month, without protest."
"And you are not going to commit any of your foolishness at the Y/N wedding, do you understand me?" Otto immediately threatens him, "You're not going to talk to Y/N, you're not going to threaten Lord Stark either, and you're going to let the wedding happen in peace, is that clear? "
Aemond feels a bitter feeling, continuing to watch you attentively and him watching threateningly, with the fire in his body about to explode.
"You know what your problem is, grandsire?" Aegon says to Otto Hightower, who watches him seriously and on the verge of losing his patience, "You question the blood of the dragon too much."
And in that same instant, Aemond rises from his seat in a confident movement, with his gaze firmly fixed on you, who are completely disinterested in what is happening with him, completely focused on Lord Stark.
And Aemond's movement completely catches the attention of his grandsire, his mother, also your mother and father, who in an instant look at each other, definitely remembering the past.
Aemond makes his way towards you, not caring about anything.
He doesn't care about his mother and grandsire, he doesn't care about the war that will probably befall them when his father dies, the only thing he cares about at this moment is you.
taglist:
@iloveallmyboys @libdarkheart @angelianlearp @happinessinthebeing @targaryenmoony @tempt-ress @callsign-blue @twobluejeans @luna-salem @literatureluster @thekinslayersswordhand @queenofshinigamis @bugshideaway @minttea07 @itszzmoon
#aemond targaryen#aemond targaryen fanfic#aemond targaryen x reader#aemond targaryen x y/n#aemond fanfiction#aemond targaryen x you#aemond x fem!reader#aemond x oc#aemond x reader#hotd aemond
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oh oh hey wait!!
so obviously our hint that something is Up with gideon's physical resilience after the avulsion trial is the revelation that palamedes calculated that it would cause permanent brain damage to the cavalier and gideon is. um. very much not permanently brain damaged.
but it just occurred to me. this post. this post right here.
cytherea didn't accurately convey to them how dangerous the field was. which means she probably didn't mean for harrow to succeed.
and. um.
"Sextus has seen this?"
"I asked him first," said Dulcinea, "And when i told him the method, he said he'd never do it. I thought that was fascinating. I'd love to get to know him better."
...
"So technically," said Harrow, acid as a battery, "We're your third choice."
"Well, Abigail Pent was a very talented spirit magician," said Dulcinea, and relented when she saw Harrow's expression. "I'm sorry! I'm teasing. No, I don't think I would've asked the Eighth House, Reverend Daughter...They could have done this with ease...Maybe that's why."
the sixth, voted most likely to figure out what she's doing, after abigail pent, already deceased. and the ninth, who have nothing whatsoever to do with spirit magic, but who have been establishing themselves as strong competitors and fraternizing with the sixth.
but not the eighth, the ones most likely to successfully complete the trial. because they're the most likely to successfully complete the trial.
yeah, cytherea fully intended to kill them both here, i think. she wanted them to die. come to think of it, that's the only real reason for her to be participating in the labs in the first place considering she's. ya know. already a lyctor.
and.
"Good girl," the voice was saying. "Oh, good girl. She's got it, Gideon! And I've got you...Gideon of the golden eyes. I'm so sorry. This is all my fault... I'm so sorry. Stay with me," the voice said, more urgently. "Stay with me."
that's remorse, i think. that's a genuine moment of humanity peaking through. that's oh god, what have i done.
Gideon was suddenly aware that she was very cold. Something changed. It was getting harder to suck in each breath...Now Gideon was scared. Her body had the soft, drunken feeling you got just before fainting away, and it was very hard to stay conscious. Three seconds before you die, Palamedes had calculated...It felt like all the pressure in her ears was popping loose...When her eyes opened Gideon was distantly worried to discover that she was blind...The air stopped coming. It would have been peaceful, only it sucked..."Ha-ha," said Gideon. "First time you didn't call me Griddle," and died.
no, yeah, i think she did, actually. I am 99% sure that gideon capital-D Died here.
i wonder what cytherea made of her immediately opening her eyes again.
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My Analysis of Sylvain's Promiscuity
(Japanese Translation) Sylvain: So, the persistent stares of women, the appraising looks of noble daughters… I had to smile and accept them. …Because I had the Crest, you see. Byleth: That's not true. Sylvain: It's already too late now, but I understand. …I should have just said one word, "no".
This part of Sylvain's Japanese A-Support with Byleth really stood out to me. He felt like he should have just said "嫌だ" (iya da). It is a rather strong expression that conveys not just a simple "no" or "I don't want to," but also a feeling of being disgusted or significantly displeased by something. Based on the context and his tone of voice here, it strongly implied that he was remembering some specific traumatic memory from his past regarding sexual consent.
(Japanese Translation) Mercedes: And many women have approached you, targeting your Crest. ...I won't ask what happened. But I have a feeling that deep down in your heart, you hate and fear women...
Mercedes could tell that Sylvain didn't just hate women; he was afraid of them. She knew that something traumatic probably happened to him that he didn't want to talk about. I think he was probably taken advantage of at a young age by an older woman who was trying to get pregnant with a Crest baby. She forced herself on him and he didn't feel like he was capable of saying no.
Felix: And you never consider how your actions hurt others…or how you hold them back. Sylvain: That's never my intention. Come on, you know me better than that. I'm not really—Look, if that's the impression I've given you, then I'm sorry.
Sylvain was totally unapologetic about how his womanizing affected Ingrid. And he didn't care about hurting any of the girls he pumped and dumped. But he was very apologetic to Felix for hurting his feelings. The localizers seemed to be aware that there was supposed to be a connection between Sylvain's C-Support with Felix...
Sylvain: You think I'd cheat? On you, baby? Never. Come on, you should know me better than that. You're the only one for me. I swear.
...And his C-Support with Byleth. He apparently expected Felix to know him better than that to think he'd ever really cheat on him, even as he flirted with girls right in front of him. Which is an... unusual way for him to approach their relationship. But survivors of childhood sexual abuse often cope by engaging in sexual promiscuity.
(Japanese Translation) Sylvain: I mean, being dumped or dumping someone, it's a common story, isn't it?
Sylvain tried to downplay it in their B-Support, but he was very hurt after getting dumped by Felix in their C-Support. He was not expecting Felix to apologize to him and truly thought it was over between them. And he seemed to be taking the pain of that breakup out on the village girl he dumped in his C-Support with Byleth.
(Japanese Translation) Sylvain: That girl too, just because there was another woman, there shouldn't be a reason to get that angry.
CSA can distort a person's understanding of love and intimacy. It can create a split between emotional intimacy and physical intimacy, making it difficult for them to experience love and sex as interconnected. Sylvain did not inherently associate sex with love. So, he truly didn't understand why his casual flings would be considered cheating or why it would even make Felix jealous or angry.
(Japanese Translation) Sylvain: Sigh… Seeing the pained expression of a cute girl, it's hard to handle. (Option 1) Byleth: It doesn't look like it. Sylvain: No, no, it's really hard. I'm still pretty depressed about this. (Option 2) Byleth: Really? (Male Byleth) Sylvain: Ah, it really is painful. I feel like I might collapse on my knees any moment now. …Well then, Professor, they say the best way to heal from this kind of love pain is a new love, right? How about going out with me for a bit? Let's go woo some girls together! (Female Byleth) Sylvain: It's obviously hard, isn't it? ...Professor, you can comfort me if you want. Oh, the other day, I got some good tea leaves! How about it, in my room...
Sylvain didn't love any of the girls he slept with. But he was using his hook ups as a way to fill the void of true love and intimacy.
Ingrid: When you were fifteen, you sought—relentlessly, might I add—to involve yourself with Lord Gwendal's daughter.
CSA blurs the survivor's understanding of healthy boundaries. Sylvain did not want to get married. In fact, he said that he would have run away if he had the courage. But he had no say in the matter. Some survivors may develop hypersexual behaviors as a way to regain control over their bodies. It can be a way to exert power in situations where they had previously felt powerless. By being sexually active on their own terms, they might reclaim a sense of agency.
(Japanese Translation) Sylvain: I just picked up that girl from around here. I thought we'd just have some fun and then go our separate ways. But it seems like she ended up getting more attached to me than I expected. Man, what a hassle. Byleth: You're too frivolous. Sylvain: What are you talking about, Professor? This kind of casual fun is the most comfortable for me. …Well, no matter what you think, I have no intention of changing my ways. You see, even though I'm a good-for-nothing, I'm still a noble with a Crest… I try to avoid getting too involved. It only brings trouble. Eventually, I'll be quietly married off to someone suitable, and that'll be the end of it.
Abuse can severely impact a person's self-esteem and sense of self-worth. Some survivors may engage in promiscuous behavior as a way to seek validation or affection. Sylvain believed he was a good-for-nothing and doubted whether he was worthy of love. His sexual conquests were also a way to combat his poor self-esteem.
(Japanese Translation) Sylvain: If by any chance a child without a Crest is born, that generation is just given up on… But generally, the head of the family keeps having children until one with a Crest is born. Then, the child with the Crest becomes the next head and repeats the same thing. You understand? For commoner girls, someone like me is easy prey. Byleth: That's not a nice way to put it... Sylvain: Even if you say that... Should I say that it's a good stepping-stone to becoming a noble?
Survivors may find it hard to believe that others have good intentions, fearing that getting close to someone will lead to betrayal or harm. Sylvain assumed that every girl who showed interest had an ulterior motive. In the English version of his B-Support with Byleth, he lamented how girls viewed him as a trophy and a studhorse.
In Japanese, he was even more cynical. "格好の獲物" (kakkou no emono) literally translates to "prime catch" or "ideal prey." It is often used to describe someone that is seen as an easy or attractive target, whether in a literal hunting sense or in a metaphorical sense, such as someone being an easy victim for exploitation, manipulation, or attack. The phrase can carry a negative connotation, implying that the person is vulnerable or easy to take advantage of.
(English) Sylvain: If I marry a girl and she gives birth to a child with a Crest, that kid might become the next head of House Gautier. (Japanese Translation) Sylvain: If they can have a child with a Crest, that child might become the next head of the family.
The original Japanese version of this sentence didn't mention marriage. Nobility status is granted to any child who bears a Crest, regardless of whether they're a bastard. And so, a commoner woman wouldn't even need to marry Sylvain to benefit from his blood. All she would need to do is sleep with him and become pregnant with a child who bears the Crest of Gautier.
(Japanese Translation) Sylvain: Well, nowadays with our diluted blood, most of what's born are guys like my older brother, though… Crest-bearers have always been both envied and desired by people. I understand the value of my blood, in my own way. …To the point of disgust.
I don't think the girls that Sylvain was hooking up with in his Byleth Supports were using him. They seemed genuinely hurt by his behavior. But it would not be too farfetched to believe that Sylvain had an encounter with a female sexual predator in the past.
(Japanese Translation) Ingrid: …And stop making jokes like that guy did about being fine with dying.
Engaging in promiscuous behavior often involves taking risks. It can even be a form of self-harm like cutting. After making advances on Lord Gwendal's daughter, Sylvain was almost killed by her father. And he not only expected to get stabbed eventually, but he did not care if he did. He just laughed and joked that it would be fine if he died.
(Japanese Translation) Sylvain: It's fine, as long as you're okay… If you're alive, then I…
I'm sure that Sylvain was not really joking here. Engaging in promiscuous behavior is also a way to dissociate from one's emotions. As children, Felix and Sylvain had made a promise that they would always be together until they died together. Sylvain knew he was going to be forced into an arranged marriage after graduation. Apparently, he didn't want to have "the talk" with Felix and deal with a painful breakup. He only allowed himself to engage in casual relationships because he wouldn't feel bad about dumping them later. He was unable to be with the person he really wanted, so he slept around to avoid dealing with his pain.
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might be an odd question, but i have a theory after noticing trends amongst artists iv known in my life and SO FAR it's rung true so im expanding sample size
IDK if u know what aphantasia is already so I'm including reference [forgive me if uv already spoken abt this also]
Where would u say u fit on the scale?
For me I cannot see an apple, I know I am supposed to, or I will see concepts of it [like how the flesh is shiny and holds water droplets but i do not SEE it nor can i hold a clear visual of anything in my mind for that matter it is always flashing IDEAS like components of a visual, never the whole thing]
I'm asking because of people I've asked about this, there's a quality of their art that [i dont know how to put into words WHY] reminds me of each other, and I'm wondering if u will give me the same answer they have because I am a curious little bastard
I'm pretty sure I'm 1? I think I might have one of those brains that operate mostly on visuals. I don't need to close my eyes to see the image in my mind, it just sort of "opens in a different window" and I'm looking at reality and the mental image simultaneously.
It's never a flat picture, I see a 3D model of sorts, and I can rotate it around, cut it into pieces, look "through it" to see it from outside and inside at the same time, and arrange it to different poses if it's a character. Sometimes when I'm drawing something, I imagine what it would feel like to touch it and hold it in my hands, and that helps me to figure out how to convey a better sense of volume and tangibility.
I also think in images (or, like, gifs?) and I've never had an internal monologue. It surprised me when I heard that some people actually have a narrator in their heads, I can't imagine what it's like.
It's not always fun though, sometimes I get pretty nasty intrusive thoughts and they come in forms of vivid and very unpleasant mental images. Like visiting a relative's grave and being hit with a crisp picture of their decomposing body. Or getting those "I could walk in front of that car/ jump down from here" call of the void thoughts and instantly getting a brain illustration of it playing out from an onlooker's point of view and what the aftermath would look like. They're most distressing when it's bad things happening to someone I care about, for example I have a really persistent one about accidentally slamming a door on my cat and seeing him crushed and dying.
Oddly enough it doesn't extend to all visual thinking. My mind's eye and visual memory work well, but I also have severe face blindness and practically nonexistent ability to form mental spatial maps of my surroundings.
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Okay so I had to put my thoughts down in words
I just don’t know how to feel about what Jimin said in the bts of Muse, other than sad.
I guess I should start by saying I’d been dreading him saying something along the lines of that since I heard Who, as to why he made it. The MV bts came and went and then bam, we get a mini production diary, with saying he’s looking for love and is alone. Exactly how I thought he would explain it.
I hoped I’d be wrong but alas, he more than confirmed he is single. I suppose it’s not surprising, but all of our collective hope or support seems in vein now.
I’m still going to watch the travel show but I feel sad about it tbh. They make such a cute pair.
I'm really sorry that you feel that way love.
Especially knowing that you are just not taking what JM said the right way.
In any case babe, whatever you might believe about their relationship, that shouldn't take from you supporting them for being the most adorable human beings possible.
I won't go too much into the BTB. I do think you need to watch it multiple times, try to pay attention to JM's body language too. But I will say that I do think that your reaction here is unwarranted, in the sense that JM IS NOT saying he's single or that he is looking for love or that he is alone.
Let's start with the fact that JM was going for the gender neutral lyrics to start with, but that changed, probably because it sounded better with the "she" instead of the "you".
So, yeah, JM originally wasn't looking for a she, but a you. Funny how if this was an autobiographical song that would have mattered, right? Oh, wait a second. It isn't.
The song is not about JM, not about his real life, not about his actual experiences down to the T.
Not this song, nor Muse the album, even though the other songs were written by him.
Not an autobiography. Unlike Face.
JM says it here and he said it in his album exchange with RM!!
See, it looks like you are doing exactly what JM wanted fans to do. And that is get the wrong idea!!
Did you miss this perhaps?
Yeah, you probably missed JM saying this.
Btw, when JM talks about his diary, I really don't believe he means a personal diary where he writes his wants and needs and experiences, lol. He's talking about that diary where he writes his ideas for the album, his ideas for the songs, where he wrote his lyrics to the songs for Face (we got that diary with Face) and for Muse. And JM, he's a shy boy, Idk if you are aware of that. This young man who oozes confidence on stage is so very shy and the experience of having to explain to John Billion the idea he wants for the song and it coming to life left him a little self conscious, shy.
This isn't about the song telling the story of his life. This is about having to explain an idea for a song, his vision, it actually being something that he isn't going through.
Ok, moving on.
Again, JM explaining the vibe he is going for with the song.
And again his shyness.
He continues to say that he poured all his emotions into this so he's embarrassed.
Not because these emotions are his as in this is what he feels right now longing for love, but because he feels embarrassed to explain his emotions about the song, the emotions he's looking for in the song.
I suggest that if you are having an issue with understanding how this song is not JM, not his life, maybe go rewatch the album exchange with RM.
youtube
And read my post on it as well.
These feeling JM is trying to encompass in Muse (and Who) are part of the universal language of love, a language he is using in Muse to convey his message, which is not literal.
And specifically when he talks about Who, it's about that feeling of excitement in his work that he's looking for. Those are the feelings he's talking about. Not the lyrics about the "she" (who was supposed to be a "you"). Not the lyrics that are written in the universal language of love. No. It's about the feelings about his work. The feelings about the message he is trying to convey. Which has NOTHING to do with his love life!!!
But again, he's telling us about those feelings through a language we all understand. So that longing he has for that feeling with his work is brought to life as a longing for a someone to love.
This!!
It's a story he wants to tell!!!
And the whole "everyone's living alone" sentence that you are probably clinging to, cause obviously...
a. He could be talking about the fact that at some point of every person's life, they are living alone, as without a partner, a loved one, and as such it's a relatable feeling.
b. It's not like people that are in relationships don't feel alone at times. Even JM, who was in a committed relationship with JK when going through the struggles and feelings he had and poured into Face, into Alone felt that way. I bet you JK was feeling alone or lonely during the time JM was working on Face and Muse. During those lives in Feb 2023. And yet, he was in a committed relationship with the person he loved.
c. He's trying to tell a story, and he's trying to convey his longing for that feeling with regards to his work, and being lonely is how he's explaining it, the way he's conveying it to us. Hence the "everyone's living alone"... meaning - that is something everyone will understand, meaning, hoping he picked the right idea, the right way to convey his message as the 6th song for Muse!!!
THAT IS ART!!!
And JM created art. Not "this is a song based on my own experience" art, which he did with Face, but "this is a story I want to tell that will help you understand my feelings about my work" art.
And he knew.
He knew people will make the wrong assumptions.
Just like you are right now.
Side note, and before I go, Idk if you have noticed this, but Muse, promoting the album, talking about the album, is so much easier for JM to do than Face. With Face all we got was that it's personal, that he was struggling, but not much more than that. JM was pretty much staying quiet, and even when he did talk he was saying much of nothingness. While with Muse he's talking, he's opening up, he's explaining. You know why? Because it's not about his life!!
Just saying.
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Bits and Pieces: 2024
Went through all my 2024 files and here's all the stuff I didn't post!
Dragon Quest slimes... The idea was to do a slime gacha of some sort but... there's so many slimes man I can't draw them all.
Teeny Sanguini variations. The idea was to make a keychain of each teeny sanguini variation but.. that would cost a lot of money and I don't even know how well does keychains would sell. Maybe people just want basic teeny sanguini and I'm wasting my money buying other keychains.. Oh well. The basic teeny sanguini keychain I ordered has sold well, we'll have to see if I decide to order one of the variations.
Various Ouioui's. I think the goal was to eventually draw them all? I just needed something simple but with some room for experimentation to draw everyday. Early 2024 was a rough time for me.
Fan Ouioui design. This one is good. I would imagine the body of the thing would be a scrunchie so you can put it in your hair or on your wrist.
CMY(K) and spring dango themed galumpin dops.
PEARL DRONE!! The goal was to make stickers, that didn't happen lol. Still cute though...
Various little doodles I thought were cute. Badniks, two headed minecraft calf sticker concept (I didn't think it was very clear in it's design..), kirby :D, alien cow, and a true fact about aphids.
SA2 animal sticker gacha. Like I said, in early 2024 I was really looking for something simple and repetitive to draw with just enough variation to keep things interesting. Like the slimes and the ouiouis this one fizzled out. There was just TOO much variation. I ended up doing all of those gyroids which was perfect for the time and also sold really well as stickers! I also did all those damn kirby stickers which did NOT sell as well.
Okay enough about the grief and depression, let's talk about SONIC OCS!! I really loved the periodical cicada emergence this year so I wanted to make a sonic oc based on them. Her wings are crumpled (like many cicadas I saw this year, unfortunately her and the other cicadas will never fly) but she was some wisp powered roller blades to let her zoom around! I used to do a lot of character design as a teen but now I struggle with it. But I don't think this is that bad of a design? It's fun, she's fun.
Every year for artfight people make new characters based on the theme, and this year I wanted to try as well! He's supposed to be an anthropomorphic ray, a prince that must set out on an adventure! The eyebrow design is cuter but I think the widows peak design better conveys that he is supposed to be a ray. Bottom right is my favorite but I would switch the cutlass for the rapier. It's just a bit more of a princely sword.
Blue eyed cicada sticker concept. During the cicada emergence this year someone found a blue eyed cicada!! This is the mock up if I made stickers of that. I didn't because I was soooo sick of handcutting those damn cicadas, they were not easy to cut. Also they did not sell very well. We need more cicada fans in this world...
Lastly... two pages to a comic I never finished. It was supposed to be the prologue to my oc story but... it's a little scary making comics about original characters! There's a lot more to think about and manage over doing fan comics. I would still like to return to my little world and characters but I just haven't been in the mood for it. Ironically there was only one page left in the prologue but it's been so long I don't think I'm going to finish it!
Also, to try and combat the anxiety that comes with making an original story I didn't plan the layouts at all?? I guess to make the process faster and not worry as much?? The thumbnails in my sketchbook are just loose unconnected panels next to the script. That is not how I typically plan comics... and for good reason! Looks at the paneling in page two! It's bad! It's really bad!! When I come back to my characters I going to have to swallow my fear and put some more time and care into the layouts.
Okay that's all for 2024! I have a couple more things to post from December and then that's a wrap on 2024! Thanks for reading! ^_^
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The Switch 2 Hardware Reveal "disappointment"
I know I shouldn't be bothered for this, but seeing reactions from press and people just somewhat made me angry. There are definitely things to say in how Nintendo may not have revealed enough for sure, like, don't get me wrong about it, I think that's the part that could be debated the most, but I think it's not really worth debating about that too much.
I don't think we are all meant to be marketing video reviewers. Nintendo has showed what they wanted to show, and as far as my reaction is concerned, I think it was okay. Sure they didn't show too much, but I'm still happy to see a Switch 2 that's way more practical than what's currently going on with a clear comparison point. There are things hardware wise that I'm pretty excited for.
But if there's one reaction that I would understand a lot better than "disappointment" it's "nothing", more of the reaction of not really feeling anything because your interest is not on the hardware, it's on the software. You wanna hear about the games instead, and how it would change from the previous system (or not, even), and I think that's way way more understandable and acceptable to me.
Where's the surprise?
But disappointed because nothing was a surprise? I learned all of the leaks, I knew just about everything about the hardware already, and you don't somehow feel some sort of relief of having a proper look? Personally I was pretty content with it even if they didn't show too much and that's the one critic I could repeat many times and would 100% agree with. If that's also the excuse, then here's my question to the press: Why do you share all these leaks all the time?
I am still critical of whole "surprise management" myself. I love surprises too, but what I am interested in is more long term. I personally do not understand how people are suddenly "oh it's just like the leaks" and then somehow that means no reaction? Because the reaction came before the announcement and somehow you don't react when you see it officially? Come on. I don't think this is sane. We're not talking about the plot twist to a story, we're talking about marketing.
The hate was there from the beginning
Also uh… remember when a lot of people hated on the Switch 1 after its reveal? I sure remember the journalists and the tech nerds hating on it. Taking into example the Wii U because that was the last thing around from Nintendo at that moment, but it's happening again with Switch 2, now taking the Switch 1's success as a reasoning. I don't think the previous console was ever a real factor.
Meanwhile a lot of people who were more like me, just gamers enjoying games, were very fans of it and we were certain of its success, and that Nintendo took lessons from the Wii U very darn well. And now people are rewriting history and saying most people were hating on the Switch? Really? Should I remind the absolute success it was at launch? The sales don't speak in their favor.
Nothing has changed. You're dealing with the overarching vision of "experts," which are nothing more than a minority thinking they're the majority.
Where's the revolution?
Sometimes I see a comparison with the Switch 1 Reveal but I just think it's dishonest and really misunderstood. The Switch 1 reveal video was brilliant in conveying us the point of the concept: Having a system that can go between TV, tabletop and portable, with quite a few ways to play. What did you expect from Switch 2 to continue from that? Another revolutionary way to play?
Maybe I am totally missing something, but I always thought of bridging together handheld and TV gaming in one was like, the final gamer dream. Some may say there's more, and that Nintendo should have been able to do something, but for what? For you to complain about the weirdness and also complain for Nintendo to maybe not make much use of it overall? Nintendo has abandoned this way of doing things entirely. I don't have a dream beyond what the Switch did aside from more fancy things that in my opinion aren't required, but I am just happy with what's on my plate too.
Personally I think the Switch is an admission of defeat of the DS and Wii days in retrospect. So they mixed every single relevant technology into one system: We have the regular controllers, we have the accelerometer, the gyroscopes, the touch screen, we still have the weird Nintendo with the IR camera (even though there's almost always something IR in almost every Nintendo system when you think about it for a second), but none of it is forced on you anymore. Everything is now a choice from the devs, and you.
Personally after a lot of analysis I got excited about the Joy-Con Mouse mode. Because I'm weird. I see potential here. More than most people think. I don't think anyone knows the potential of having two mice for a single game. But that's a topic for another time.
Where's the weird Nintendo?
I also heard some worries about the weird Nintendo not really being around but it was never gone in the first place. During the Switch we had many opportunities to see it: Nintendo Labo (we got 4 of them!), Game Builder Garage, Ring Fit Adventure, 1-2-Switch.
The obscure side of Nintendo even peeked a little more than usual: Another Code Recollection, Famicom Detective Club got remakes and even a new game after decades, Endless Ocean Luminous (even if it's apparently not good).
And don't forget the Nintendo Switch Online Playtest Program which showed a very strange concept that I never thought Nintendo would do. And then you add the Alarmo that released a few months ago for NSO subscribers. Don't forget that. Just because it isn't always to your liking, it doesn't mean it's gone.
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