#/ ALSO I'M SORRY IDK WHAT THIS IS
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kabru and mithrun's fun succubus adventure
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nariism · 1 year ago
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neuvillette is aware that he shouldn’t have let you get so close. but he did, and now he’s lamenting the fact that your hands are grasping at his soft horns — his fucking horns, of all places — and he might like it.
uptight and strait-laced, you’ve never known the chief justice to be someone so easily flustered. yet here he is with heat crawling up his neck, so warm that you can feel it against your palms as they ghost over his skin.
you can’t help but laugh at his current situation.
he was vehemently against you coming anywhere near his hair at first, grumbling about how his horns were on the sensitive side and he would rather not have to go into work feeling uncomfortably aware of their presence on his head.
however, you were hard to deny with that little smile on your face and such soft hands grabbing at his arms, tugging him closer. a sweet voice chanting, "please, honey? pretty please?"
neuvillette has never been good at denying you what you want.
it’s how he ends up sitting at your shared vanity. you comb through his long hair, watching him with amusement in the mirror as he huffs and jolts with every brush of your fingers against his horns.
the fact that he was letting you get anywhere near them was surely a testament to his trust in you. he was completely vulnerable here, at your mercy.
“sorry,” you mumble disingenuously, clearly enjoying seeing your usually serious husband falling apart with a simple action. you quickly tie off the end of his hair with a bow and he sighs in relief, thinking that the torment is over.
it's far from over.
he draws a sharp breath when you lean forward and press two gentle kisses on him; one on either side of his head just beside his horns.
neuvillette glowers at you in the reflection, disapproval written all over his face. "stop that," he scolds.
you do, but only because you're worried he might melt into a puddle before your very eyes if you continue.
it becomes a daily routine after that, with him sitting patiently in front of the mirror while you brush and tie off his hair. and you always end it the same way: two kisses, a soft "have a good day at work," murmured against him, and a mischievous little smile that makes him sigh.
he responds everyday with the same two words. "stop that," with a narrow-eyed glare.
the day you do stop, he's confused and irritated.
not only because you have the audacity to throw a wrench into routine again, which you know he hates, but also because he can't figure out why he misses your lips so much.
"what are you doing? i am going to be late."
"hm?" you peer up lazily from your spot on the bed, still half asleep.
"you have to do my hair."
"i thought you didn't want me to, so i slept in today."
your husband is eerily silent for a moment as he mulls over your words. then, he carefully perches himself on the edge of the bed, back turned to you expectantly and still wordless.
no, he would never admit he likes it just a little bit — the vulnerability, the trust, the feeling of your hands threading through his hair, the intimacy of it. hell no.
but neuvillette doesn't have to say a lot of things for you to understand; not when the way his skin heats up says it all; not when you're the first person to touch his horns in centuries; not when he’s saying stop that with such an affectionate glimmer in his eyes.
you give him four kisses that morning, two on either side.
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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vaguely-concerned · 1 month ago
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thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:
the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)
it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.
"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)
as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.
that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.
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autiacorart · 1 year ago
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i was asked to give connor this and here we are
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vizsic · 2 months ago
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special
Mini Rats SMP comic
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lazylittledragon · 6 months ago
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ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:
i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???
#ramble#sorry i'm currently in a phase of 'of course this happened' and 'oh i deserve this because i didn't give him what he wanted'#like he knew i was grey ace since the start. and he let it go on for SO long after i said i might be vaguely aro as well#if that's a dealbreaker for you bc of your love language then FINE but NIP IT IN THE BUD#he said he put it off because he didn't want to hurt my feelings but it only hurt me MORE#like you're an adult. grow the fuck up and communicate like one#holding your negative feelings in hoping somebody notices you're hiding them is what TEENAGERS do#and also i told him VERBATIM: i didn't think anyone would ever love me because i'm not comfortable with xyz. and he just confirmed that#idk i still feel like i'm being selfish because how could i expect someone to be in a relationship with me when i can't give them anything#also tmi but it's not like we did NOTHING. we still held hands/cuddled/were close. he just didn't have his tongue down my throat anymore#so obviously i'm assuming by 'missing affection' he just meant sex and as an ace person that just fucking sucks#also oh my god i HATED how much he would imply we were going to have sex. i would have to keep SAYING 'i don't like doing this'#he always spoke like it was inevitably going to happen and it didn't click how GROSS i felt about it until recently#also ALSO not to go there but i never told him WHY i struggle with it (it's sensory issues)#and like. what if something had happened to me that made it hard for me and i just wasn't ready to tell him. and then he did this#again sorry to overshare this is still just a lot for me and i have no idea if i'm being unreasonable#if you're ace and in a relationship please let me know bc i'm starting to think it'll end this way every single time
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s-38-n · 6 months ago
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This is just shitpost but I kinda had to do it. So dndads characters as the weezer album covers
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teaboot · 5 months ago
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if ur a murderbot nerd now do u have any fun opinions abt it yet?
Oh my goddd you have no idea
I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.
A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.
To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.
While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats
Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.
I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.
Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.
People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure
Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?
It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?
I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?
Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?
Yeah, that resonates.
I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened
And now I have to just. Keep going
Into... what?
It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.
So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.
So, uh. Yeah. Read Murderbot, I guess
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alexpression · 1 year ago
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disasterman-snz · 11 days ago
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Dating Sim Demo!
Hello everyone!
Merry Christmas! I come bearing a gift... or well, a part of an upcoming gift haha.
I've been working on developing a snz-centric dating sim! And I'm very excited with how things are finally coming together.
With it being the holidays, and me having some time off work, I've finally been able to take all the art, writing, and voice acting I've been working on to create a functioning draft of the first scene of the game!
It's very short at the moment, but there's a lot more to come!
That said, I'd love feedback! (And even some suggestions, although keep in mind the amound of work that goes into writing, drawing assets, voice acting, and coding, and adjust expectations accordingly lol... this is my very strange hobby after all!)
*NOTE: I know mobile support was a big issue on my last game (it's unfortunately an issue I can't really fix atm). This game WILL have mobile support. It technically will run on a mobile device now, but the text is really hard to read because it isn't loading my custom ui elements for some reason. I'm going to figure out a solution of some sorts before the full release of the game :)
Please feel free to message me or send in asks with any feedback, bugs, suggestions, etc. I hope everyone enjoys <3
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kiwikiwiandkiwi · 1 year ago
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HARRY BEING HARRY ON TOUR — Love on Tour: UK + Europe Leg, 2023
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scienceismygirlfriend · 7 days ago
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who is your oldest blorbo, by which i mean: which of your blorbos was created the longest time ago? mine's probably archie goodwin (1934)
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accirax · 11 months ago
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🌟🍬🤖🎈Congrats to Wonderlands x Showtime for finishing their 4x4!🌟🍬🤖🎈
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yangjeongin · 1 year ago
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HYUNJIN | [skz log] stray kids : 어쩌다 촬영한 하루|2023 stayweek
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soonhoonsol · 2 months ago
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"i thought i saw you out there crying, and i thought i heard you call my name" - DK, 'Lost Stars' (Orig. Adam Levine) ⭐️
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lazylittledragon · 6 months ago
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i keep trying to think of funny/poetic ways to talk about all the things i'm feeling right now but i honestly can't so. i'm really sad about what happened with my partner. i know he was an inconsiderate prick about it and that i didn't do anything wrong and i couldn't have prevented it but i'm just really fucking sad.
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