#+ the devil in my brain that makes me not want official merch that i could totally make myself <- delusional

[made-nondescript]

the devil is in my brain and she is telling me to try and make not one but two plushies even though i didnt finish my last one but what if this time was different. what if

[monkey-network]

Why Sam & Max IS the Best

Seing a vid by B- Mask on The Devil’s Playhouse and honestly, it made me think a lot about how Sam & Max essentially got everything it wanted as a franchise. For a long time, after playing the third and final Telltale season, I’ve been craving for a season 4; at least one more season after a long time to just give the dog & rabbit an easy string of adventures like old times. But after seeing that video and remembering the beautiful story that was Sam & Max's third season, it made me realize how much the duo was able to offer over the decades and how Telltale’s third season was a definitive send-off. Call this a big brained take, expanding on that video, but to me Sam & Max is what would’ve happened if Calvin & Hobbes was marketed outside its comic strip. 

If you know the latter’s history, you’ll know that Bill Watterson had a strict rule against Calvin & Hobbes being merchandising beyond its comics or continuing in any way after the final comic in ‘95. “This isn't as hard to understand as people try to make it. By the end of ten years, I'd said pretty much everything I had come there to say. [...]  I've never regretted stopping when I did.” I’ve always admired Bill’s stance on this, especially after seeing my declining interest in stuff like The Simpsons where I’ve realized that sometimes a good thing doesn’t need to exist all the time, less it becomes a zombie of its former self. With that in mind, it’s amazing that Sam & Max managed to not adhere to Bill’s philosophy yet be able to have the most simple yet cleanest franchises I’ve seen in history.

It was in 1987 when the comics started, a pulp detective comedy centered around the duo basically doing whatever they want to both stop the bad guy in question and get a laugh from the audience. They’re vigilantes at best, antagonists at worst where while they aren’t total monsters, they’ll gladly treat anyone and anything they see as a part of their playground. From the beginning, Sam & Max are kinda the Rick Sanchezes of the late 80s if Rick was more casual and optimistic about not giving a shit. The comic as a whole is actually not big in content, but engagingly dense in what it offers. With lots of cockroaches cuz I guess a bug really had an impact on Purcell. It was clever, happily mean-spirited, sometimes dark, and after 6 years of making the comic, we soon got the biggest hit that is... 

Hit the Road honestly was the key to Sam & Max’s popularity. During the era of Point ‘n Click Adventures, it was the most fitting game genre in existence for the characters. Exploration was always Sam & Max’s forte, their special sauce of the comics outside the duo’s chemistry and bizarre encounters, so to center a game around a cross country road trip where the two fuck around in order solve a case is sheer brilliance. It of course captures the style of the comics, only in bright colors but the most memorable voice acting. This was where they had more of a voice. The game’s popularity would lead to them getting a cartoon which I say works well differently...

While Hit the Road was about the duo interacting with the world around them, the cartoon more adapted the comics where it was about the two getting in different situations; a day in the life if you will. For only 24 episodes, they certainly made the most of adapting the easy going yet absurd aspect of the comics for a younger audience. I mentioned before in a review long ago that it’s Freakazoid’s Pulp Fiction and it still holds up as such, where with this and Hit the Road, it’s credulous to believe that Sam & Max always worked better animated. To get the verbal and lively reaction of our duo is as equally compelling if not more than the subtler yet static page of a comic. And while it’s still a shame that while both the animated series and LucasArts got shut down, the new Telltale Games would pick up the slack and give us the next round of content. 

Season 1 and 2 of the Telltale series go hand in hand where they shrink the scale of Hit the Road in favor of having one off adventures all tied to one big final boss at the end. Many have called them repetitive but I say they work well for they are, with the dialogue and special moments picking up for what could be considered formulaic by design. It’s still Sam & Max, only made a little easier to enjoy the story more. While I wish I could say this for Bone, it was these games that put Telltale on the map; what they were known for in the early era. As such, it’s sad to say that when the third season rolled out, looking back now, Sam & Max was truly reaching its end.

The Devil’s Playhouse is the biggest S&M adventure, one the developers were plotting to make the whole time. While each episode has a different style and scenario, everything plays to one continuous story where for the first time in this series’ history, our duo are actually challenged. Max isn’t just the sidekick, he’s both a playable character in the game and a huge target thanks to his newfound importance. This makes Sam show more concern than usual where the idea of losing his best friend can leave him feel irrelevant to devastated. While the two still fire off jokes at each other and others as usual, there’s the looming threat of them being forced apart; the real antagonist is the story’s increasing rift between Sam and Max. The Devil’s Playhouse essentially dissects the franchise’s heart, finally putting the two’s friendship through the wringer to a point of no return. It all somehow makes sense, both Max’s reality warping ability and Sam as a character on his own especially with the 4th episode. Not everything about the duo is revealed, but enough was where I unfortunately have to repeat that Sam & Max was “at its end”.

Before, our duo literally went to hell and back, fought a variety of monsters and villains, and have bent reality to their will countless times. The two could go on many absurd adventures as possible afterward, but where can you go when you finally rattle the core of the franchise? Devil’s Playhouse ties up not only loose threads for fans of the previous seasons, but flips the script on what the series has built overall. There were a couple times beforehand where the comical shtick was dropped and things got serious for the duo, but they weren’t as climactic and revealing as the third season. As good as it sounds to reboot the series, since the season ends on an optimistic note, to return back to Watterson’s words. “I said pretty much everything I had come there to say.” We got two games with Sam and Max making irreverent cameos and later merch, but The Devil’s Playhouse is otherwise the last we truly see of the two. No official talks of a comeback and for what it's worth, that’s enough.

I brought up the Calvin and Hobbes comparison because Sam & Max is where I say if Bill decided to market the comic, this is what the best outcome would be. From the comics to the games, not only have they got a sense of clean finality but every step of the way, Steve Purcell was there to handle it. Beyond the cartoon getting toned down for obvious reasons, it never felt like Sam & Max was warped to please execs or turn into something unfamiliar. Steve’s vision got to exist through and through with The Devil’s Playhouse being the best finale. Purcell’s moved on and with Telltale’s sour shutdown, I’m not sure how S&M could come back. It’s impossible to think of how this could’ve ended like The Simpsons, Garfield, Spongebob, etc, but it feels like bonafide luck that we got Sam & Max as is. It’s not the biggest comic or video game franchise around, but I can never argue that it’s a franchise that stayed true to itself all the way. I'll never know what the future holds for Sam & Max, if there truly is one anymore, but I at least have some belief that it’ll be there for our boys.

Cuz after all, isn’t that the beauty of this whole series?

[aion-rsa]

Psych 2: Lassie Come Home Easter Egg and Reference Guide

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The following contains spoilers for Psych 2: Lassie Come Home.

As fun as 2017’s Psych: The Movie was, its 2020 sequel Psych 2: Lassie Come Home will likely supplant it in Psych-Os’ hearts, because it’s got 500% more Carlton Lassiter (Timothy Omundson). But how does it stack up to its predecessor in terms of Psych callbacks and pop culture homages? Using our Spencer powers of observation, we’ve tried to catch every recurring inside joke between Shawn (James Roday Rodriguez) and Gus (Dulé Hill), plus all the episodic-specific bits. It’s a feature-length Hitchcock homage, but it’s also the toughest Easter egg hunt of your life. C’mon, son!

Psych 2: Lassie Come Home Easter Eggs and References

The title is a reference to Lassie Come Home, the 1943 Lassie movie about the beloved dog making her way home from Scotland. A German-language remake came out early in 2020.

It’s always a treat to hear the Psych theme song “I Know, You Know,” performed by creator Steve Franks and his band The Friendly Indians.

Lassiter wakes up to Shawn and Gus hovering above him at the recovery clinic is a throwback to when they kidnapped him for his bachelor party in “Deez Nups” and he came to with them screaming “Surpriiise!”

Morrissey the rescue dog reprises his role from Psych: The Movie in being adorable, incredibly nosy, and oblivious to Shawn’s hissing commands.

Sarah Chalke’s nurse character Dolores is most likely a nod to San Francisco’s Mission Dolores church and cemetery, the location for Carlotta Valdes’ grave in Vertigo.

Right out the gate, Dolores is treated to the requisite Gus nickname: “My name is Shawn Spencer, and this is my partner Bill Poopingtons.” However, Shawn and Gus take a sidebar for a very meta argument about their ongoing bit (while fitting in another bit):

“Gus, don’t be the night your dad fell asleep inside your mom. We can’t just stop doing bits we’ve been doing for ten years. We have fans, they have expectations, there’ll be a huge backlash.”

“Shawn, we are two dumbasses, we do not have fans.”

Compromise: Gus gets right of refusal until they land on a nickname he prefers. And so:

Bill Poopingtons > All the Pips in One

Ding-Dong Ditch > Claude O���Dern > Big Poppa Pump > Lemon-a Lemon-a Lemon-a Liiime

Leggo My Eggo > Norman Brown Butter > Dijon Hounsou

Gus also calls himself Jermajesty, channeling some Jackson Five energy.

“Black Jello” was Gus’ nickname in their adult dodgeball league.

The Herschel House is likely a nod to Herschel Daugherty, who directed over two dozen episodes of Alfred Hitchcock Presents…

Gus and Shawn are still bickering over driving the drivers ed car, even if we don’t see it in the movie. They do manage to be just as bad at turning the right direction when riding a motorcycle together.

“Now I know this ‘goofy little white guy/sexy black dude’ routine the two of you have going like the back of my scrubs.” Sarah Chalke played Elliot on Scrubs, whose JD/Turk bromance walked so that Shawn/Gus could run.

Shawn calls Dolores “the nurse from Color of Night,” the 1994 Bruce Willis erotic mystery thriller that won a Golden Raspberry for Worst Picture.

The boys get Jamba Juice because you never turn down an opportunity for a Jamba.

Shawn likens Gus’ pubic hair to Eddie Murphy’s mustache in his 1987 stand-up film Raw.

Shawn offers the dismembered hand to Gus to “knuck it up softly,” per their penchant for fist-bumping. 

They later do fist-bump outside the old Psych offices, but not before channeling Han Solo and Chewbacca in Star Wars: The Force Awakens: “Gus, we’re home.” “[Wookiee sound]”

Psych has become a French-themed cat café… for now, at least. It’s not an alternative universe from Spider-Man: Into the Spider-Verse, but the current subletter’s pop-up business. The proprietor (not the girl from Orphan) is played by Allison Miller, James Roday Rodriguez’s co-star in A Million Little Things.

“I am a psychic. He is a sympathetic pooper.” Poor Gus’ intestinal system gets called out again.

Henry’s (Corbin Bernsen) put-on voice gets compared to Tom Waits, Kathleen Turner, Harvey Fierstein, and Diedrich Bader.

Shawn neglected to tell his landlord that he’d moved, which tracks with his behavior in the series finale “The Break-Up.”

Henry reveals that in addition to telenovelas, he enjoys zeitgeist-y sobfests: “You left behind a slow cooker with a three-pound roast in it. You nearly This Is Us-ed the entire block.”

“This Is Us—Dad, why are you watching that show? They have the same show on ABC but newer”: Shawn’s shoutout to A Million Little Things.

Lassiter mistakes Reese Kessler, his supposed shooter, for country music singer Conway Twitty.

Lassiter’s to-do list includes “tape Galavant,” the short-lived musical comedy fantasy series created by Dan Fogelman (This Is Us), in which Timothy Omundson played King Richard. It also includes items poking fun at Lassiter’s crankiness (“yell at nature,” “chirping bird d-day plan”) and tenacity (“solve black dahlia”), and heartstring-tugging items (“pre-register for ironman” as in the triathlon). He also has written down Shawn’s S.E.I.Z.E. mantra from his short-lived career as Lassiter’s life coach in “S.E.I.Z.E. the Day”: Seize Eggs I don’t know Zebra Eighties.

Juliet (Maggie Lawson) lying to Shawn sounds strange, though not as strange as Lupita Nyong’o—the Tethered Lupita—in Jordan Peele’s Us.

Shawn’s “romantic dinner” for Jules is the menu from A Charlie Brown Thanksgiving (jelly beans, pretzels, buttered toast, popcorn, and ice cream sundaes) because it’s all they had at the gas station on the way home.

That prompts an iconic “C’mon, son!” from Gus.

Gus’ ringtone is “I’m Mr. Bootyman,” which is both Henry’s ringtone and the song featured in Buzz McNab’s bachelorette party stripper routine in “Deez Nups.”

Gus’ (technically Jules’) green snuggie bears a striking resemblance to official Psych contest merch.

Lassiter spotting mysterious bleeding figures out his window is an homage to Rear Window.

Richard Schiff (as Dr. Herschel) was Dulé Hill’s co-star in The West Wing.

Potterhead Gus wants to know if there are any people hiding in the pipes of the Herschel House, “speaking in their own tongue, perhaps Parsel.”

The Psych boys’ map of suspects briefly includes the Hell Hag from Gus’ dreams in “A Nightmare on State Street.”

Shawn has only been to Norway once with his brother-in-law Ewan O’Hara (John Cena), but they don’t talk about that… Maybe that’s where Psych: The Movie went after its cliffhanger ending?

Ova’s Norwegian song/chant toast at the Viking’s Ice Den is very similar to the Swedish toast in “Right Turn or Left for Dead.”

Ova’s violent son Per is first described as “the bearded Daryl Hannah.”

Shawn’s excuse to Detective Buzz McNab (Sage Brocklebank) for being in Santa Barbara is that he forgot a frisbee signed by German writer/director Florian Henckel von Donnersmarck.

Shawn’s first reaction to Jules potentially being pregnant: “You know the windows in the loft don’t even fully close, right? I’m gonna have to replace them, otherwise this is Baby’s Day Out all over again.” As Gus reassures him, he always did get worked up over John Hughes’ worst idea.

At the old Psych offices, Shawn pulls out the jousting lance from “100 Clues”—as well as a pineapple! He looks about to ask, “Should we cut this up for the road?” (his question during the pineapple’s first appearance in the pilot, plus at the end of Psych: The Movie) but stops himself.

When Lassie believes that fellow patient Mr. Wilkerson (Kadeem Hardison) has been walking around, Shawn and Gus have to go “full Dirty Rotten Scoundrels” to interrogate the supposedly catatonic patient.

Shoutout to Jessie Spano’s infamous “I’m so excited, I’m so excited, I’m so scared!” speed speech from Saved by the Bell.

If it’s not Scrubs, the boys are getting compared to Ren and Stimpy.

Mary Lightly (Jimmi Simpson) returns in another incredible, extra-hallucinatory look into Shawn’s brain… this time as a baby, since Shawn’s got fatherhood on the brain.

“We got jackaled!” Gus shouts upon learning that Wilkerson can walk—a reference to “hitting the jackal switch,” or going into stealth mode.

Shawn has always had a thing for singer Jewel, even after the Civil War movie (1999’s Ride with the Devil) and the Bollywood song.

Of course there’s a nasty dance when Shawn and Gus figure out who they think is behind everything.

Gus declares that “I am not going to let you shoot Shules’ baby!” only for the Chief (Kirsten Nelson) to ask, “What’s a Shules?” That’s the fans’ name for Shawn/Jules, a cute nod to a series OTP.

And of course, we can’t forget the fact that Jazmyn Simon, who plays Selene, is Dulé Hill’s real-life wife.

More than once, Shawn quotes The Handmaid’s Tale in reference to Gus and Selene’s baby: “Praise be” and “Blessed is the fruit.”

Dolores compliments Lassiter’s “chest of hair plentiful enough to wake all of Destiny’s Child.”

Shawn comes up with possible names for Gus’ child: Shaft, Shaftie, or D’Shaft—just like Gus’ nickname Sh’Dynasty (with a “God’s comma,” or apostrophe) from “Santabarbaratown.”

They also both coo “c’mon son” to Selene’s womb.

Selene’s proposal to Gus includes his negotiation that he and Shawn have adjacent homes with connecting pools, a callback to Shawn and Gus talking about their dream setup in “The Break-Up”; as well as Pluto! She asks, “Will you make me the happiest woman on this planet, on Eres, and Pluto?”

Shawn tells Juliet that “you’re my person,” the iconic Grey’s Anatomy line (though one would argue that Gus more accurately is his person).

When Lassiter stands (shut up, you’re crying) to meet Marlowe (Kristy Swanson), they place their palms together—like they did when he would visit her in jail, like they did at their wedding. My heart.

Join us on the Easter egg hunt—let us know what references we missed!

The post Psych 2: Lassie Come Home Easter Egg and Reference Guide appeared first on Den of Geek.

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[sagehaleyofficial]

HERE’S WHAT YOU MISSED THIS WEEK (1.8-1.14.20):

NEW MUSIC:

·         Record Store Day went on social media to unveil its 2020 date, which is set for April 18th. Last year, a special edition turntable manufactured by Crosley Radio was available at select record stores.

·         Green Day took to social media to share a GIF announcing their new track “Oh, Yeah” will be released later this month. Additionally, they also confirmed a rumored tracklist that was anonymously sent to a fan earlier this month.

·         Spanish Love Songs announced the release date of their third studio album, Brave Faces Everyone, on February 7th via Pure Noise Records. The band also released a new single “Kick” with an accompanying music video.

·         New Found Glory announced that they are looking to include fans in filming a new music video. Recently, guitarist Chad Gilbert took to Instagram to tease that the band have been working on a new album, which will follow up their 2017 release, Makes Me Sick.

·         Silverstein announced a release date for their next studio album, A Beautiful Place to Drown. They also dropped their latest single off the LP, “Infinite,” featuring Underoath and The Almost musician Aaron Gillespie.

·         In a very recent interview, Senses Fail vocalist Buddy Nielsen revealed what he thinks will be the title of the band’s eighth album, calling it Hell is in Your Head. The frontman also talked about the relationships between this new album and their 2006 record, Still Searching.

·         Evanescence dropped a music video for their cover of Fleetwood Mac’s song “The Chain,” which was featured on the soundtrack for the video game Gears of War 5. Singer Amy Lee also lent her vocals to the game’s launch trailer just prior.

·         The 1975 announced the debut of a new song titled “Me & You Together Song,” set to drop this Thursday. Their fourth studio album, Notes on a Conditional Form, was then pushed back from its original release date on February 21st to sometime in April.

·         Halsey took inspiration from country music in her latest single “You Should Be Sad” off her upcoming album Manic, dropping this Friday. She revealed on Twitter that the track was inspired by some of her favorite female artists of the genre, namely Carrie Underwood.

·         Creeper announced the release date for their upcoming album, Sex, Death and the Infinite Void, along with a brief tour in the UK. The band teased fans on Twitter prior to the announcement by posting a series of periods and short videos.

·         PVRIS dropped a haunting acoustic version of their song “Hallucinations,” originally the title track of the band’s latest EP. Singer Lynn Gunn also shared it on her own Twitter feed, saying “It’s chill.”

·         The upcoming film Birds of Prey is getting its own soundtrack, appropriately titled Birds of Prey: The Album. The soundtrack features Halsey, K. Flay, a collab by Megan Thee Stallion and Normani, and more internationally-acclaimed female artists.

·         Paramore frontwoman Hayley Williams teased what could potentially be a lyric from her upcoming solo project debut, Petals for Armor, releasing January 22nd. Clues of the new project surfaced on Instagram and city streets with a release date for some time this month.

·         A recent video shows Halsey in the studio with Bring Me the Horizon’s Oli Sykes and Jordan Fish. It appears that the video is referencing her new song for the Birds of Prey soundtrack titled “Experiment on Me.”

·         Alexisonfire dropped a new single titled “Season of the Flood,” which marks their third new song in 10 years and premiered on BBC1’s Rock Show. Last year, the band dropped two singles, “Complicit” and “Familiar Drugs.”

·         Point North’s new song, titled “Into the Dark,” just dropped, featuring current tour mate and Sleeping with Sirens‘ singer, Kellin Quinn. The bands are currently on tour with Set It Off and Belmont.

TOUR ANNOUNCEMENTS:

·         Bonnaroo Music & Arts Festival announced the lineup for the festival’s 2020 dates. This year’s headliners include Tool, Lizzo, Tame Impala, Miley Cyrus, Bassnectar, Flume, Oysterhead, Lana Del Rey and Vampire Weekend.

·         The Almost frontman Aaron Gillespie recruited his Underoath bandmate Tim McTague to join him on stage during a show at the Orpheum in Tampa. Gillespie shared photos of the evening, touching on the “unnecessary friction” at The Almost’s formation in 2005.

·         In anticipation of their upcoming release Father of All… next month, Green Day announced that they want to host a wild party at a fan’s house. In a video posted to Instagram, Billie Joe Armstrong talked about wanting to play in one very lucky fan’s backyard in California.

·         Halsey announced the dates for the North American installment of her Manic World Tour. It was also announced that CHVRCHES, Omar Apollo, blackbear and PVRIS will all join her on select dates of this tour.

·         Circa Survive announced that Polyphia and Gouge Away will join them on their Blue Sky Noise 10-year anniversary tour. The band took to social media to announce the supporting cast for the tour.

·         Billie Eilish, Gwen Stefani with Blake Shelton, Aerosmith and Lizzo will all take the stage at this year’s Grammy Awards on January 26th. R&B songstress Alicia Keys will again host the ceremony.

·         Post Malone was announced to headline the “Bootsy on the Water” pop-up event at one of this year’s Super Bowl kick-off parties in Florida. Fans have the opportunity to see the rapper live, but tickets range from a hefty $1,000 to $150,000.

·         The Maine announced their second edition of 8123 Day to celebrate their 13th anniversary as a band. The event will offer fans fun opportunities such as an online scavenger hunt, contests, new merchandise and more.

·         My Chemical Romance’s return show grossed nearly $1,500,000, making history as the highest-grossing show at the venue ever. A Paradigm agent, Matt Galle, spoke with Variety last December about how everything came together.

·         Joe Rogan, Jim Jefferies and Whitney Cummings are joining forces to appear at Stand Up for Australian Fires, the Australia wildfires benefit show taking place on January 26th. Proceeds from the show, co-produced by Kevin Lyman and Joe Sib, will go to Wildlife Warriors.

·         After announcing their first full U.S. headlining run last month, Sleep On It finally announced the opening acts for the “Pride and Disastour.” The band’s upcoming tour, which kicks off at the end of February, will be supported by Bearings, Between You and Me and Neverkept.

·         Sleeping with Sirens revealed a stacked co-headlining run with the Amity Affliction kicking off in April. The tour will begin April 15th in Reno, Nevada, and conclude May 23rd in Milwaukee with support from Stray from the Path and UnityTX.

OTHER NEWS:

·         The Maine drummer Pat Kirch married his longtime partner Shacara Nemetz, with his bandmates, family and friends in attendance at the ceremony. Last September, the couple also announced they were expecting their first child together.

·         One talented drummer took on the challenge of combining 50 My Chemical Romance songs in 10 minutes. The fan in question, Sage Duvall, is a member of Florida-based indie band Raggy Monster and impressively recorded it all in one take without the use of a click track.

·         Bad Religion announced the release of their new book, “DO WHAT YOU WANT: The Story of Bad Religion,” which is set to drop on August 20th by Hachette Books. The autobiography is a deep examination of the band’s four decades in rock music.

·         Music IP investment company Hipgnosis Songs acquired 157 songs from alternative icon Tom DeLonge‘s catalog. “All the Small Things” and more Blink-182 hits were reportedly acquired.

·         Ice Nine Kills joined numerous musicians in fundraising to help put an end to the Australian wildfires plaguing the country. The band is selling a T-shirt featuring a kangaroo dressed as horror icon Freddy Krueger, with all proceeds going towards Australia’s relief efforts.

·         The upcoming film Birds of Prey revealed its second official trailer, which may reveal what happens to Jared Leto‘s Joker character. Recently, lead actress Margot Robbie, who plays Harley Quinn, confirmed that Leto would not be in the film.

·         Featuring a red, black and white color palette, Vans’ latest “I Heart” shoe collection recently hit their online store. The line showcases the phrase “I heart boys, I heart girls” in a continuous pattern.

·         Neil Peart, iconic drummer and lyrical voice of legendary Canadian prog-rock act Rush, has passed away. Rolling Stone reported that Peart had succumbed to aggressive brain cancer at age 67 after a brave three-and-a-half-year-long battle.

·         The Umbrella Academy fans were surprised last week when the comic series appeared as a question on the game show Jeopardy!. The show is currently hosting its “The Greatest of All Time” tournament, which has three record-breaking former contestants playing.

·         Blink-182 joined the relief effort toward stopping the Australian bushfires by releasing a new merch collection. Proceeds from the shirts will go towards Australia Zoo, which is giving medical help and rehabilitating to sick, injured and displaced wildlife in the country.

·         Blink-182 drummer Travis Barker is partnering with Barrett-Jackson to sell a few of his vehicles to the highest bidder. There will be three cars up for sale – a 1941 Cadillac 62 Series convertible, a 1960 Cadillac Coupe Deville and a 1972 Chevrolet K5 Blazer.

___

Check in next Tuesday for more “Posi Talk with Sage Haley,” only at @sagehaleyofficial!