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My short film (23 minutes long) a comedy/fantasy about an immature vampire struggling with her worldly purpose. She dreams of swords, blue skies and nobility during the day but stalks burger diners(striking up conversations and taking rides with her kills) at night.

Would it give your life more meaning to be a martyr or a perpetual fool?

Is danger ambiguous?

Written, directed, edited and (primarily) shot by Chloe Drallos

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Hiking the Lost Coast Trail

California

1993

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Ball People (2023)

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Sherman’s March (Ross McElwee, 1986)

#84

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Pier Angeli at Villa Adriana, Tivoli, Italy, 1968

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Pier Angeli fandom on a vintage postcard

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Leonard Cohen letter to Marianne Ihlen, Saint Jean-sur-Richelieu, 26 June 1961

Leonard Cohen met Marianne Ihlen on the Greek island of Hydra in 1960. The pair shared a long and chaotic romance that inspired a catalogue of Cohen songs — like So Long Marianne, Bird on the Wire, and Hey, That’s No Way to Say Goodbye — and left behind a legacy of over 50 love letters.

Cohen admits that although it’s been a year since they last saw each other, he is unable to move on — and is departing Hydra the next day to see her in Norway. He writes, ‘I must see again what happens to us when we are together, perhaps it will be nothing, perhaps everything. Anyhow, we shall see and speak and touch and if it is nothing we shall say so. If it is nothing I’ll get on with my life and you with yours and all we’ll keep of one another will be a few months of sun and a long journey north. At least we will be able to say goodbye, something we have never managed.’

He wouldn’t manage that goodbye until the very end of their lives, when he heard that she was dying and wrote her a final letter in 2016. It ended, ‘You know that I’ve always loved you for your beauty and your wisdom, but I don’t need to say anything more about that because you know all about that. But now, I just want to wish you a very good journey. Goodbye old friend. Endless love, see you down the road.’

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Norwood Hodge MacGilvary (1874-1949), Birth of an idea, c. 1920

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Julio Le Parc, Double-Mirror, 1966 Julio le Parc, exhib., New York, Howard Wise Gallery, nd

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This year I’m putting most of the annuals in containers. Rabbits, slugs, and snails aren’t very happy, but the annuals stand a better chance of surviving. If they need more sun, I can move them around. In case of a late frost, I can move them into the garage. Each pot is filled with 2-3 varieties of plants. Plus a time release fertilizer.

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Jason Schwartzman and Kirsten Dunst on the set of Marie Antoinette.

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Sofia Coppola’s home office, photographed by Bruce Weber for Vogue, 2000.

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Tropico - 2013

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The Skin I Live In (2011), dir. Pedro Almodóvar