sparkarrestor

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Green whale here ！

I'm sending some of my old works to tumblr, follow me if you're interested in.

（This is one of my favorite character）

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Traintober Day 16 - The Western

So, the entire reason I did these Traintober prompts in the way that I did is that I watched Patrick H. Willems' new video "Why Are Movies So Obsessed With Trains?" and got inspired. (It's a very good video, go watch it and the follow-up.)

One of the primary inspirations I had was old westerns - you know, armed men on horseback robbing trains, cowboys, shotguns, whatever it was Gore Verbinski was doing with The Lone Ranger (2013); that sort of thing.

So I did that. On Sodor. Because why the hell not?

If you squint you may see some similarities to Train Stops Play.

Catch That Train!

The 1990s - When isn’t important

The train stood still under the bright sun of a high noon. It was hot but calm, the perfect day to stay inside, out of the elements. 

The engine certainly thought so - he was a four-coupled design, old as dirt by modern standards, but polished and cared for; still useful. He blew impatient smoke rings into the clear summer sky - he wanted to be somewhere else. 

His crew felt the same, baking in their uniforms as they tended to their charge. The fire was hot in the best weather, and the best weather this was not. They were considering stripping to their undershirts, or beyond, just to cool down.  

Behind them, a mixed train stretched back - short by some standards, but long for them: nine cars - one dry goods van, a trio of open hoppers that were riding empty (except for some loose straw), a trio of flatcars as empty as the hoppers, and then two coaches tacked onto the end - one for the mail, the other a baggage/coach combination. An odd train for sure, but this line was always a little old fashioned. 

The signal was at danger, and so they sat there, in the middle of the fields, surrounded by nothing but high grass…

-

The horses emerged over the crest of the nearest hill. 

There it is! The lead rider bellowed. He adjusted his white coat, dug in his spurs, and his white stallion took off with a will, galloping down towards the train. 

One after another, his fellows trailed behind him, until a fourteen horse gang was charging down the embankment towards the train. 

CLUNK 

The signal dropped, and the engine set off with a roar of impatience. 

The train jolted into movement, and the riders had to push their horses to keep pace. Soon the train was pulling away, and the riders slowly fell back, galloping down the center of the rails to keep their horses from falling to exhaustion. 

The tracks abruptly split underneath them, a long passing loop opening up to the right of the train. One rider, a small man on a huge chestnut mare, took his chance. Gaining speed, he pulled right alongside the train, slowly working his way along the coaches, looking for anywhere that he could hop on. 

The train did not oblige, and its speed began to slowly increase again, in varying steps. Sometimes the horse was faster, other times it was the iron horse. The rider was undeterred, even as his mare worked up a lather. 

A second set of hooves joined his, pounding against the rails of the loop. The lead rider pulled alongside. His stallion was longer in the legs, and he managed to pull ahead. The rest of the group slowly followed, trying to gain ground. 

It was slow going, but they’d have them eventually. All they had to do was make the flatbeds…

HONK-HONK! 

A two-tone note split the air, and the riders scattered as a huge diesel locomotive raced towards them on the loop. Half of them went right, spilling off the track and onto the embankment alongside, while the others slowed down, pulling in behind the train once again. 

The diesel grew larger by the second as the riders on the right-hand side spurred their horses on for another sprint. To the right of them, off the tracks entirely, was an earthen embankment that carried the road. Ahead of them, arcing over the tracks, was the bridge that took the road to the next town…

One rider, wearing black clothes and on a black stallion, took the charge, his horse almost flying up the side of the embankment, hooves pounding the road’s surface. Up here, he could almost gain on the steamer, and he raced onto the bridge just as the diesel slipped underneath in a streak of green. 

The road turned to cross the tracks, but the stallion didn’t. 

With a yell from its Rider, the black horse took a flying leap and cleared the bridge’s brick sides, soaring through the air in a perfect arc. 

Steel horseshoes sparked off the roof of the diesel as the horse landed mid-gallop, charging down the length of the passing train, against the direction of travel. 

The Rider looked to his left, mentally juggling three different speeds in his head as the steam train whizzed by on the other track. There went the hoppers, then the flatbeds…

The end of the diesel’s passenger coaches were quickly approaching…

Coaches, there. 

With a swift command from the Rider, the horse jumped from one train to the other, landing atop the first coach with sure-footed ease. Seconds later, the white stallion of the Leader landed atop the second coach with a thonk. 

Looking back, the rest of the group, now led by the young gun with the chestnut mare, continued down the road. Once it straightened out, they steeplechased their way across the lineside hedges and rejoined their fellows on the tracks in record time. 

Now then, onto the real prize. The two riders looked at each other, and spurred their horses on yet again, moving forward up the train. 

Reaching the end of the two coaches, they took a jump, and landed on the third flatcar with a bang. 

There! It was the Young Gun, pointing further up the train. Third hopper!

The two riders turned as one, and started up the train, their horses jumping the gaps between cars with practiced ease. 

The Young Gun watched them from the line. They’d find it, he was sure of that. 

HEY! His head whipped around. There, standing in the doorway of the coach, was a hired Guard. He took one big step out the coach, and onto the first flatbed. 

He wielded a shotgun. 

The Young Gun didn’t even think. With one shout to his associates, he stood up on the saddle of his mare, judged the gap, and leaped for the train. 

The Guard didn’t hear him coming, and he tackled the man to the deck of the flatbed. The gun went skittering off the side of the train car, falling away to the lineside. 

The Young Gun was fast on his feet, and tried to pin the Guard to the deck. Unfortunately he was built like a string bean, while the Guard’s muscles strained out of his shirt. With one move he was halfway across the flatbed, while the Guard looked for his weapon. 

Finding it gone, he reached for his belt. With a vicious look, he grabbed a small object and flicked it. The man exuded an aura that said he didn’t need a gun. An extendable baton would do the trick. 

The Young Gun was momentarily at a loss, before a shout from his fellows drew his attention. One of his associates tossed something his way. 

A mallet. 

The Young Gun suddenly felt more confident. This, he could work with. 

The two men stared each other down,  waiting for the other to flinch. 

A shout rose up from the hoppers. They’d found what they were looking for!

At the exact same moment, a cry of What is going on? emerged from the open door of the coach. 

The two men realized that it was now or never. 

They readied their weapons

They charged.

----------------------------------

A few minutes later

“I’m sorry,” Said the police constable, not for the first time. “But you’re going to need to take this from the start.”

“Polo is our game!” Said the man on the left. He held the reins of the white horse. 

“Polo,” The constable repeated. “The sport on horseback?”

“That’s right!”

“And…” The constable held onto his pen and notepad like a lifeline. “What exactly does polo have to do with chasing down a train?”

The man on the right, the one dressed in all black, spoke up. He at least had the good graces to look slightly aware of the situation’s ludicrous nature. “It’s the gentleman’s rules of polo.” he said quickly.

“The… Gentleman’s Rules.”

“Yeah.”

“Would you mind elaborating on that a touch?” The pen, it has to be a lifeline. 

“Well,” the white-dressed man started, before his black-suited companion stopped him. 

“Clancy. Please.” He looked to the heavens for support. “that's the rules of our game. One ball, no out of bounds. Play doesn’t stop until the horses tire or the ball is destroyed.”

Oh no. Things were starting to make sense. “And would I be right in assuming that you hit the ball onto the train?”

“You would be.”

“So, you were chasing it down to retrieve your ball?”

“Yes.” The one in black was looking more and more chagrined. The one in white was suitably oblivious.

“Did it, at any point, occur to you that it might be wiser to treat the ball as lost?” They’re going to say no, because this island is full of nutters. Why did he accept the transfer from London? Was it the lie about peaceful country life, or the lie about Sodor being boring?

The white-dressed one puffed himself up. “We are not cowards! What’s a spirited ride down the railway line to a skilled group of horsemen like us?” He gestured broadly to the group of polo players, who were all being interviewed by what had to have been every police officer in Suddery. 

“Aside from him being a skilled instigator,” The black dressed man said with a hangdog expression. “We didn’t bring another ball.”

“I see.” The constable made a few notes out of sheer desperation. Somehow he knew that the other side of the story was going to be just as implausible. 

“Now then,” He turned slightly, and addressed the private security guard, who looked ready to explode. “What’s your side of this whole business?”

“I-” The man started. “We. Are from Securicor. You know, the security firm? We are escorting a highly valuable shipment from Brendam to Newcastle. I am doing my job-”

The man was turning puce, and the constable cut him off. “Yes, yes, I’m aware. Cash transport on behalf of Northern Rock. We are kept in the loop on this sort of thing.”

“Then you know how valuable this shipment is!” The burly man continued, waving his arms around. “And so I hardly see why I am being questioned about how I did my job and protected my shipment from- from- from a group of bandits on horseback!” 

Here we go. “You’re being questioned primarily so that I may have a full understanding of what transpired, but also because you drew a firearm on these two men right here, and then proceeded to get into a fight with another whilst on a moving train.”

“A fight that he lost, I daresay.” The white-dressed rider spoke up again. His black-dressed compatriot put his head in his hands. 

“They jumped onto a moving train!” The guard protested. “What was I supposed to do?!” 

“Win the fight, I might say.” said the white-dressed man. 

“Why you-!” The guard turned a different color, and looked like he needed to be restrained. 

“Oi!” The constable cut in. “Leave it! No more of this instigating while I’m right here.”

“Oh fine.” The white-dressed man said calmly. “It’s all the better that he lost, anyway. We’d have never gotten the ball if young McColl hadn’t distracted him.”

He produced a small white ball that helpfully said “POLO” on it.

The Securicor guard went several colors at once. “All that, for that?!” He bellowed, and lunged for the ball. It took all of the constable’s strength, plus several other men, to wrestle him to the ground. 

-

Several hundred feet away, Edward watched the rapidly unfolding calamity with bemusement. “I say,” he wondered aloud to the Chief Inspector for Suddery. “Isn’t that the new man that London sent up?”

“A-yup. ‘E’s been here ‘bout a week.” The inspector said as a group of men restrained the security guard. 

“How has he been fitting in?” 

The guard broke free, and the new constable had to tackle him to the ground. 

“I think he still needs to get used to the place. Not used to the country life, I think.”

“Few are.”

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So…

Perspex Thomas huh?

Here’s the link

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Dirty Work

DEVIOUS DIESEL HAS EJECTED DUCK FROM THE TIDMOUTH POLYCULE

Dirty Work is a very important part of the wider story of Duck and the Diesel Engine, but how does it hold up on it's own? Is it a satisfying, self contained story? Or does it need other stories to fall back on? Join us in our newest episode to find out!

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Traintober Day 6 - "The Comedy"

Hey it's Traintober! I have a couple of things written for this - more will be revealed if/when circumstances allow.

This one is just written for me: "What if I re-wrote arguably one of the worst Chris Awdry stories but also made it extremely topical? What's that? It's basically a shitpost?"

Yah anyways this is Drip Tank but it's also not.

Dripping

The Present Day - 2024

“Chaps,” Thomas said one evening as he arrived back at the sheds. “What is ‘the drip,’ and how can someone have it?”

“No.” Percy said firmly. “We’re not doing this again. It was stupid last time and I won’t be made the fool a second time.”

“This week.” Toby murmured under his breath. 

“What was that?” Percy glared. “Was that a constructive comment telling Thomas that we’re not playing dictionary games in public ever again?”

“Thomas, in what context did you hear that?” Toby ignored Percy. 

“I don’t know,” Thomas explained. “It was a group of children standing on the platform.” 

“Oh, so it is like last time!” Percy was irate. “We. Are. Not. Doing. This. Again!”

Thomas ignored him too. “They were talking about someone getting a new jacket, but it didn’t seem to be a bad thing. I think it was a compliment.”

“So it’s a compliment now?” Toby was curious. 

“Maybe.” Thomas looked pensive. “They could have been trying to be mean, but I didn’t get that sense. The boy they were talking about wasn’t even there.”

Percy wondered why he continued to like them all as much as he did. “Just, just, stop, you two. This is idiotic. Just ask the kids in the morning when you take them to school. Then we’ll know.” 

He paused. “Wait. Have Henrietta ask them when you take them to school, Toby. Then we’ll get the actual reason.” 

“I’m taking them in the morning, thanks very much.” Thomas said cheekily. “So I’ll ask.”

“You?! Since when do you take the kids? Since when does he let you?” 

“Since they’re resurfacing the main road tomorrow.” Toby said. “All the children are going by train because the buses are too big for the detour. “Unless you would like to take Henrietta, Victoria, Annie, Clarabel, and one of the big main line through coaches on the first down train tomorrow?” 

Percy quickly backpedaled, much to everyone else’s amusement!

-

The next morning, Thomas scanned the platform for someone he knew. He didn’t have Toby’s encyclopedic knowledge of the line’s children, so he had to wait for someone… there! “Rachel! Rachel Kyndley!”

Rachel Kyndley was definitely too old to count as “children” - she was commuting to the University in Suddery, for goodness’ sake - but Thomas definitely didn’t recognize anybody else.

“What’s up, Tommy?” She said, blissfully unaware of the question she was about to be posed with. 

“Do you know what “drip” is?” Thomas asked innocently. “I’ve been hearing children talk about it, and I don’t know what it means.”

Rachel made a series of facial expressions, before burying her head in her hands. “Who said this to you and why?”

Thomas explained what he’d heard, and Rachel took a long blink. “I’ll be back in one second.” She walked away, towards the carriages. 

A minute later, she came back with a younger boy in a blue satin jacket with “MIGHTY MORPHIN POWER RANGERS” written across the front. “Is this who they were talking about?”

“I believe so,” Thomas said after a moment of thought. “They said his jacket “had the drip,” but I don’t know what that means.”

The younger boy made an indescribable facial expression. “Rachel, I’m not doing this.”

“Yes, you are, Roy McColl.”

“No!”

“This is your fault!”

“Mine?!”

“If you don’t help I’ll tell your sister!”

“And I’ll tell yours!”

The two stared at each other. “Fine!” “Fine!”

The young boy started first. “So, what d’you wanna know, Thomas?”

“What is drip, and how do you have it?” It really was not a difficult question, and if they took much longer they’d be late setting off.

The boy - Roy - took in a deep breath. “It’s my jacket, see? It’s got drip, which means that it looks real fly. I got that rizz right now.”

Rachel looked defeated. “Roy. Think about what you just said.”

“What? It’s the truth, innit?”

“You explained a word that he doesn’t know with two other words that he doesn’t know.”

“He doesn’t know what rizz is?”

“I don’t know what that means!”

“Uhghh, fine.” He thought hard for a second. “Drip is… like when you look real good, innit? Like you’ve got some clothes that look real nice, gives you a bit of a swagger. Fly is sorta the same thing but it’s like what old people say - maybe more good looking and not a swagger thing, understand?”

“If you think that old people say “fly,” you’re going to have a rude awakening in about five years.”

“I thought that only helicopters and airplanes could fly,” Thomas chipped in unhelpfully. “I guess I’ve learned something.”

“Roy…” Rachel glared. 

“Alrigh’ fine!” He recoiled. “So fly and drip mean that you look real nice and fresh. Like, you look good and all that.” He explained again. “You got me?”

“Okay…” Thomas said carefully. “What was that other thing?”

“Am I really gonna tell Thomas the Tank Engine what rizz is?” The boy said quietly. 

“You brought this on yourself…” Rachel said darkly. 

Thomas looked on expectantly. Seeing young people get so flustered about this sort of thing was one of the few perks of getting old. 

“So, rizz is when you got that charisma, that charm, that style. You know, if you ever wanna get with someone, you might wanna rizz them up, be a real gentleman about it.” Roy said it with an ever-increasing look of dread, as though he had never heard the words spoken aloud until they were out of his mouth and unable to be retracted. Rachel Kyndley looked like she wanted to die on the spot. Inside his cab, Thomas’ crew were in hysterics. 

Thomas wasn’t sure if he should be worried or impressed that this explanation made sense. “So, drip and fly are similar in that they mean you look good, and rizz is when you’re particularly charming?” 

A strangled noise from the platform said volumes, and his crew were now bent over in laughter.

“That’s almost -” Whatever Roy was about to say was cut off by the guard’s whistle. “Oh, well looks like I’ve gotta go-” 

“Nope!” Thomas’ driver gasped out between chuckles. “If you don’t get this right now, we’ll never know for certain. Get in here!”

“I don’t think that’s strictly necessary-” Rachel started. 

“You too lassie!” the fireman chortled. “This is the funniest thing I’ve heard all year!”

“I-uh, well-” Rachel hemmed and hawed, wondering if she could do a runner and then call in sick.

“Oh, come on dearie!” Said Clarabel, who had been watching the proceedings with amusement. “We’ve all been so curious!” 

“Oh my god.” she whispered, and followed Roy into the cab with a sense of impending doom.

-------------------------

Later

A few days later, Thomas headed off to the works for his annual inspection.

“Nothing’s too wrong,” The manager of the steam shop said as he went over the list. “We do want to get you in for a new coat o’ paint, though. Starting to look a little tatty ‘round the corners.”

Thomas was not one to turn down a new coat of paint, and so a few hours later he was being sanded and stripped of his old paint, ready for the new coat. In the corner of the paint shop, a few of the workers were hunched over an old Ford Anglia, polishing it to a strangely-sparkling finish. 

“Allrighty,” the paint shop foreman said, entering the room with a few swatches of paint. “We’ve got some new variations on the old blue and red. See, this one is going to show up much better in bright sunlight, while this one is - well, we’ve managed to get a hold of the retro-reflective stuff that they put on road signs; might make you a touch easier to see in the dark, if we do the red lining with it.”

Thomas looked at the samples, before turning his attention to the car in the corner. “What are they doing with that?” he asked. “It’s so… sparkly.”

“Oh that?” The foreman said. “It’s someone’s project. I think they’re mixing in pearl with some metallic blue. Really makes it shine, doesn’t it?”

It was shiny even from across the room, and Thomas felt an instant, impulsive attraction to it. “Can you do that to me?”

The man was taken slightly aback, but nodded. “Sure we can, but, are you sure? It’s not exactly something that you can take off once the novelty wears off.”

“I’m sure it’ll be fine!” 

---------

Later still

A day later, they rolled Thomas out of the paint shop to a flurry of camera shutter noises. The paint shop crew had jumped at the chance to “tweak” Thomas’ paint, and he sparkled in the sun like a pearlescent gemstone. 

The younger members of staff were especially pleased. Most of the time they had to work within the constraints of “history,” and “tradition,” and “but I’ve always been this colour,” so seeing their creativity on full display was very rewarding. 

“Wow,” Thomas said as he inspected a picture of himself. “I look great!”

“You really do, mate.” One of the painters said as he took a selfie. “We gotta see if we can get Gordon or someone to do this.”

“Oh, he’ll never go for it,” Thomas rolled his eyes. “I don’t think he could handle this level of drip.”

Dead silence followed this. 

“What?” Thomas looked around. “Did I say it wrong?”

“No, and that’s the scary thing.”

--------

Later still

Thomas’ new paint was the talk of the Island for several days. Most of the opinions were positive, however some engines had a less-than-complementary view on the situation…

“Who does he think he is?” James grumbled to nobody in particular at the big station. “Gallivanting around in this shiny paint like that, it’s likely to cause an accident!” 

Gordon, at the next platform, raised an eyebrow that said volumes, but otherwise stilled his tongue. 

“Oh please!” Tornado said from the platform on the other side of James. “He looks so good in that paint. I’d say that you’re just jealous.” 

“Jealous? Me?” James retorted at a suspiciously high pitch. “I’m just pointing out the obvious here! If everybody keeps looking at him they’re bound to run into something sooner or later!”

“And it’ll be worth it…” Tornado whispered in a sing-song voice, leading her crew to roll their eyes in unison. 

“Don’t mind her,” Said the driver, who Gordon idly noted was one of the youngest girls he’d ever seen on the footplate. “She’s just blinded by Thomas’ incredible drip.”

“Completely rizzed up.” agreed the fireman, who looked like a child. “Totes delulu.”

“Mood.”

Any further conversation was cut off as the signal dropped, and Tornado steamed away, lost in her own imagination. 

James continued on indignantly. “And that’s another thing! People just keep saying things about him like they’re supposed to make sense!”

Gordon looked at him out of the corner of his eye. “Nobody will tell you what any of it means, will they?”

“No!” James wailed. “And I have no idea why!” 

“One wonders…” Gordon said snidely. 

“Oh, as if you know what an “on point drip” is!” 

“I have better things to worry about than the idle slang of children.”

“Oh, so they won’t tell you either!”

“I never said that!”

“Oh really? Then please, professor, educate me on what drip could mean in relation to Thomas! Has he sprung a leak?!”

Just then, Edward emerged from under the station canopy, and drew up to the signals. “What, Thomas?” He said conversationally. “Personally, I think he looks fly as hell, but then again I’m a boomer, so I could be tripping.”

He looked like he wanted to say more, but the signal dropped. “Ah well, gotta bounce, TTYL!”

And he puffed away, grinning widely. 

Gordon and James took about three seconds to process that. 

“Edward, who taught you those words?”

“Edward! Get back here and tell me what that means! EDWARD!”

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We truly are the backbone of the nation. Providing a reliable service while dealing with inefficiency isn’t easy, you know!

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Outdated locomotives on the scrapline, as they should be.

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This year I have once again dawned the moniker of British Railways.

Be prepared, the axe does not discriminate.

Hoping to make this a better railway!

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So, I listened to the newest episode of Railway Series Book Club about Pop Goes the Diesel, and as such I have been looking through the illustration for that story, and I believe I have made an observation.

In this illustration of Duck and Diesel, there are two workmen standing nearby.

Then, later on at the end of the story, there are again two guys watching as the trucks laugh at Diesel, and they both look somewhat similar to the people seen earlier.

Ok, so there are some differences in their outfits, but I would really like to believe these are the same people, because that would mean they've been in the yard watching Diesel make an ass of himself the entire time.

"We diesel's don't need to learn. We know everything. We come to a yard and improve it. We are revolutionary."

"What did he just say?"

"More Importantly, did he just say that to Duck? Duck, as in The Greatest Shunter in the British Isles."

"Right, how long do you think it will be before sudrian karma kicks him in the rear?"

"...I'd give it an hour."

"Christ, he's bad at shunting."

"No kidding, I'm pretty sure he just derailed one of the vans in the last siding he desecrated."

"Hold on... What the f- What's he doing now?"

"Is he... Is he really going to try to move those trucks?"

"Those haven't been moved in years. We just use them as rubbish bins!"

"Well I'll give him one thing, he sure is persistent."

"Is he still trying to shift those rotten things?"

"Yep..."

"Do the sounds of dying geese coming from the brake rigging not mean anything to him?"

"Forget the trucks, his own engine's making some horrible noises too."

"At this rate, the couplings gonna snap any mi-"

"And there he goes! Popped off that train like a damn weasel!"

"Hah! Deserved."

"Oh look, Duck's back. That's good, he'll have this all cleaned up in no time."

[sparkarrestor]

A redo of my Edwards Exploit drawing from ages ago, now in traditional mixed media!

I felt like I didn't capture the mood I wanted last time when I looked it over again (to the horror of everyone who got to see this early. Thank you for gassing up the old one, and keeping me motivated through the making of this)

this version is much more directly studied off the Peter and Gunvor Edwards' illustration, because I've grown into the opinion that the model adaptation of exploit was really weak (technical limitations!!! what a shame) and i want to get back into studying these illustrations, there's a lot to pick apart in them.

Here's a bunch of perspective lines i drew over it when I was sketching. (I don't normally do that when I redraw, but that's usually because I'm drawing from model era screencaps and I can rely on those being proportional, most of the time) Edwards face breaks perspective here just a bit to add more drama to the scene, everything else is proportional.

some in-progress pictures, during which I absolutely HATED how it looked and wanted to switch to digital because I feared I'd messed it up irreconcilably 😭 good thing I was able to look at it with fresh eyes after staring at it for like four hours, the first session of drawing ended at 1am. Believe me, if you hate how your drawing is turning out, put it down and come back to it later!!

Edward is also more referenced off a real K2 here because I really like how they look. Unfortunately they have painful geometry.

something frustrating about my traditional drawings is how they can't be viewed from multiple angles online. I use silver gel pen to highlight some parts (here it's Edward's handrails and the damage) but it doesn't show up well when I photograph it head on. I hope this picture shows a little bit of how it shows up in real life!

(if you can't see, look at the bottom of Edward's boiler bands)

Hopefully you enjoyed reading under the cut :] I like explaining my process and I appreciate it immensely when someone shares my enthusiasm for it.

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shoutout to steam trains for having an unparalleled grimey mechanical look that i love so much

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“What were you THINKING, you silly engine?!” scolded his driver.

“…I had concepts of a plan,” Diesel replied feebly.

[sparkarrestor]

So yeah, this is Traintober 2024. Or, rather, it's a Traintober, because I started making this list a few days ago and got beat to the punch by @tornadoyoungiron by about a day. Sorry about that!

Anyways this is the fun, scrappy, alternative Traintober. Feel free to be creative with the ideas contained within. I'm always interested to see what people come up with.

Also, to answer an ask I got a little while ago, no I'm not dead/on hiatus. I just work a lot, and real life often gets in the way. Also I have fallen victim to the endless pit of "fanfictions you never seem to finish." That being said, expect some output from me later in the year!

Art is by Russell Smith, the image is edited by [ALAN SMITHEE]. Thanks a lot for the help with this [ALAN]!

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Traintober 2024

#traintober #traintober2024 #tttetraintober

Here's my personal Traintober list for 2024! I've given it to a few people who have asked but since a lot of people are asking, I've decided to release it so people can start to plan.

I had a few ideas I wanted to get out of my head, so this list is what resulted. Feel free to use it if you want or make your own.

Good luck and I can't wait to see what you do with the prompts if you decide to participate.

[sparkarrestor]

Face it Long-Frames, your railway is dying.

And you and your brother aren't exactly getting any younger either. How old are you both again? Doesn't matter.

But I can tell you're meant for so much more.

How about we make a deal? I'll help you save this crumbling old line, and all I ask is for one little favor in return.

What d'ya say...

So I've recently been re-watching Gravity Falls, and the idea of Proteus-Cipher has returned enough for me to decide to draw this.

Consider this scene to be connected to this post from about a year ago at this point.

[sparkarrestor]

Rusty is very proud of their work as the maintenance diesel on the Skarloey Railway.

Even so, they can't do everything, so another diesel, named Fred, was built to help.

Whether or not Fred actually chooses to do so...

Well that's another story.