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Sebastian Stan as Bucky Barnes THUNDERBOLTS (2025)
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accepting that you’re objectively weird & owning it is infinitely better than being constantly desperate to appear normal to people who don’t even matter to you
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THUNDERBOLTS* 2025, dir. Jake Schreier
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look! the moonlight shows us for what we really are. we are not among the living, and so we cannot die — but neither are we dead.
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LJS 28 is a portolan atlas - that is, maps concerned with coastlines and ports. Made in Venice between 1535 and 1538, it includes maps of Britain, the Mediterranean, the Aegean sea, Adriatic Sea, and others, and a map of the world (part 2 of 2)
Online: https://bit.ly/3THQfpQ
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PEDRO PASCAL as Reed Richards/Mister Fantastic THE FANTASTIC FOUR: FIRST STEPS 2025 | dir. Matt Shakman
#i was so impressed with him in this#he disappeared into the role#i wasn't looking at pedro i was looking at reed#the fantastic four#reed richards
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Murderbot 1.08 · Foreign Object
#murderbot#i really need to watch this#everything i have seen or read about it tells me i would love it
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It's Bucky!
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idk thinking about how sometimes you have to show up for people you aren't that close to, because sometimes you're just the person who's there. sometimes you invite a new friend to a party and end up having to sit with them through a panic attack. sometimes you run into an acquaintance on their worst day and they need to talk about what happened. sometimes someone is crying in a stairwell and you're the only one around to ask if they're okay. and none of this is "trauma dumping" or whatever the fuck it's just being there for people because you're the one in the room with them.
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I didn’t take many photos this weekend, but you can enjoy this one that made me laugh.
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PRIDE AND PREJUDICE (2005) — dr. Joe Wright
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Mina Murray is writing a travel log while the captain of the Demeter isn't aware that him and his crew are in a found footage horror movie.
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You know what, fuck people who force writers to reveal their trauma in order to justify the stories they write. No consumer is owed an explanation for the content a creator creates, and no creator should feel obligated to draw from or admit to pain that may or may not be in their life in order to craft a work of fiction.
“I had an idea for a story” is all the justification you need to write one, and all anyone needs to let it be.
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Maleficent doesn't know anything about love, or kindness, or the joy of helping others. You know, sometimes I don't think she's really very happy.
SLEEPING BEAUTY 1959, dir. Clyde Geronimi, Eric Larson, Wolfgang Reitherman, Les Clark
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