sophisticat42

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please consider donating to @save-amal-family.

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MONSE Pre-Fall 2026 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

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i saw a man with cerebral palsy who had top surgery, and lots of people saying he cant consent and assuming things and being ableist.

but the response from people ‘defending’ him was…

cerebral palsy is 100% physical and not mental

he doesnt have any kind of cognitive impairment

i even saw someone say ‘hes disabled not dumb’

i need help with consent, including medically, and theres nothing i want more than top surgery. im so worried about my future

this isnt just abled people, it comes from other disabled people a lot. most people who have been ableist to me have been disabled and use the fact theyre disabled as an excuse to be ableist to me. we need to do better to intellectually disabled people

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I had a weirdass discworld dream where they had a new distinction for days, idk what else to call it. Like you'd have the usual - day of the week, date of the year etc - but now they also had a third thing, they were called Left Days and Right Days. And the way you could tell if it was a Left Day or a Right Day was, you'd take a small fish, preferably a sardine, you'd throw it in the air, and see how it landed.

At first people in Ankh-Morpork were all throwing their own fish, which of course caused much argument. So eventually Vetinari employed an official* Fish Thrower, who'd go out into Sator Square every morning, throw a sardine, and announce to the populace something like "today is the fourth of May, a Left Sunday" and several hundred people watching would groan** and go about their activities. The Times would print it in their daily paper too. There were rumors that this Fish Thrower was an ex-magician who specialized in sleight of hand and purposefully threw the fish to the patrician's specifications every morning.

Also, CMOT Dibbler started selling his own "Always Right Fish, Guaranteed Day Goes Right, Three For Tuppence And That's Cutting My Own Throat!", which all had the left half cut off and replaced with a glued-on right half of another fish. Incidentally, around the same time he also started selling a shitton of fish n chips.

* offishal?

** Left Days were considered worse than Right Days. The general population of Ankh-Morpork had a very straightforward, and superstitious, understanding of adjectives.

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Okay I want to talk about this moment between Morrible and Glinda for a sec because it adds such a wonderfully sinister layer to a scene that is otherwise a triumphant defining moment for Elphaba, and it sets up the dynamics for Part 2 so perfectly.

At this point, we are in the thick of “Defying Gravity.” Everyone’s attention is on Elphaba - and rightfully so, she’s up there declaring war on the Wizard, displaying incredible feats of magic, of course everyone’s attention is on her.

…Everyone, except Morrible.

Morrible has realized that Plan A was a bust, but rather than panicking, she’s already worked over Plans B through Z in her head and has realized that Glinda, not Elphaba, is actually the key figure here. Glinda is actually the best thing that could have happened to them.

Mind you, Morrible hates Glinda. She thinks Glinda is vapid and attention-seeking and completely without talent. It would be extremely easy for her to brand Glinda as an accomplice to Elphaba, have the guards drag her off, imprison her, never have to deal with her again, nice and neat.

Instead, while everyone else is focused on Elphaba, Morrible only has eyes for Glinda. She zeroes in on her, releases her, and comforts her, because she understands what no one else understands, which is that yes, that’s great that the Wizard now has an enemy to unify his people against, but they also need a symbol of hope, something that is the exact antithesis to Elphaba, something to keep everyone at extremes. 

The Wizard himself can’t really be a symbol of hope, because the key to his success is that he remains shrouded in mystery, and yes people think he’s wonderful, but there’s a level of uncertainty and intimidation to him. He is Oz the Great and Terrible, and everyone’s preeeeeetty sure he’s a good guy, but if you have someone like Elphaba out there - who Morrible knows from experience is very smart, very articulate, and has her own sort of magnetism - there’s a potential that she could turn at least enough people against the Wizard to make things very inconvenient.

So what they need, now that they have an enemy, is to have an equally magnetic figurehead representing the Wizard who embodies all these one-dimensional ideas of goodness, someone for the public to adore and fawn over so the association between Wizard and Goodness is crystal clear.

And by bringing Glinda along, Elphaba has unknowingly served that figurehead up on a platter.

Glinda is everything Elphaba isn’t, from personality, to appearance - Morrible has already set Elphaba up by calling her green skin an “outward manifestorium of her twisted nature,” which paves the way for Glinda, who is the perfect conventional beauty, to be an “outward manifestorium” of pure goodness. 

Morrible realizes they need these two lightning rods of Absolute Evil and Absolute Good in order to manipulate people - fear alone isn’t enough; the only way to effectively radicalize the populace is to make sure there is no gray area whatsoever, no room for question: you're either good, or you’re evil. And the Wizard alone isn’t a strong enough representation of “goodness” when by virtue of existing, he has to remain in the shadows. Glinda on the other hand? With her looks and her charm and her openness and her ability to expertly win over a crowd? Perfect for the role.

Now the tricky part for Morrible is taking into consideration that Glinda and Elphaba love each other. But we also know from earlier scenes that Morrible is a master at manipulating emotions. Right from the start when Elphaba is having trouble with her magic, Morrible casually brings up the “Animals should be seen and not heard” disturbance from class, spoon-feeding her just enough to get Elphaba upset, triggering her magic, after which Morrible makes sure to give her assurance and praise to keep Elphaba optimistic about her power.

She’s also aware that Glinda does have quite a bit of influence over Elphaba, because when Elphaba flees, Morrible immediately tasks her with winning her over, rather than simply relying on the guards or even going after Elphaba herself. She knows if anyone has a chance at roping Elphaba back in, it's Glinda.

Obviously, Glinda isn’t successful in getting her back, but while this puts a dent in Morrible’s plans to get control of Elphaba, it does give her an extra weak spot to exploit in Glinda.

So now, at the height of “Defying Gravity” when Elphaba has officially taken her stand against them, Morrible sees Glinda, and Glinda is at her most vulnerable, her most emotionally fragile. Not only is she heartbroken and in shock, she’s also just witnessed in real time exactly how easy it is to turn an entire nation against someone. She’s scared, she’s powerless. She’s just lost the love of her life her only friend, she has no one to turn to - Morrible has definitely picked up on the fact that even though Glinda has countless people who fawn over her, none of them can be considered a true friend except for Elphaba, which means Glinda is completely isolated. Glinda also has a very limited understanding of the bigger picture of what the Wizard is trying to accomplish, and because she’s never been a victim of the system the way Elphaba has, she is still desperately clinging to the idea that everything will be okay as long as she plays by the rules of the people in power.

She has been perfectly primed for Morrible to begin manipulating, not through violence or intimidation, but by offering her comfort when no one else would - when not even Glinda’s only friend would - when no one else is even paying attention to Glinda, because they have the very real and present threat of Elphaba quite literally hanging over them. In this moment, Morrible chooses Glinda, which Glinda has been striving for since the beginning. Elphaba has chosen her principles, the Wizard has chosen his enemy, but Morrible has chosen Glinda, and in this moment of being so alone and so afraid and so betrayed, that makes all the difference.

We also get kind of a parallel shot too - Elphaba really sealed her fate the second her hand closed around the broom. But here, Glinda seals her fate when she gives in and reciprocates Morrible’s hold on her.

THIS is the moment that sets us up for Part 2, with Elphaba and Glinda as our lightning rods for Absolute Evil and Absolute Good, but more to the point, it makes it clear that they’ve BOTH been used, they’ve BOTH played right into these respective roles Morrible and the Wizard need in order to be successful - even if it wasn’t how Morrible originally planned for things to go.

I just love it, because “Defying Gravity” is Elphaba’s song - it’s triumphant, and it’s heartbreaking, and it’s everything a defining moment should be for a character. But by injecting this little moment between Morrible and Glinda into the scene, we also get an underlying current of dread because we know we’re about to see the consequences of Elphaba’s defiance versus Glinda’s compliance and how both serve to benefit the Wizard/Morrible’s propaganda.

TL;DR - when I said "I want to talk about this scene between Morrible and Glinda for a sec" I clearly meant "I'm gonna write a whole essay. Like a nerd."

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everyone trying to own trump about the "he doesn't know sex isn't determined at conception" thing really fundamentally does not understand what the point of that was, and learned basically nothing from his first term. he is not invested in scienve, biology, or any rational discussion where his provably false beliefs would be subject to scrutiny. he is signaling to everyone in the country that it does not matter what you say, he will never care and he will take every action to enforce these views and embolden his followers with the same rhetoric. you cannot logically talk to a person like this when they are reasoning with emotion, not logic. you cannot dunk the transphobia away. someone post the vonnegut quote.

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Ages ago I made the decision that I was going to pick a hobby and intentionally never discuss it on social media, so I had at least one thing I knew would never be at risk of becoming an online side hustle. There are plenty of other things I don't really talk about on social media, but I wanted to intentionally choose a hobby to enforce it with.

I encourage others to do the same if they can. Turning everything into content and a side hustle will kill you.

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i want you all to know that there is an artist (carmen papalia) who, after he started using a white cane, assembled a 12 foot long white cane and began using it in downtown vancouver. the length of the cane made it functionally useless as a device and the only purpose it served was making him an obstacle for sighted people. dare i say… 2019 goals

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Portrait of a White Cat Seated Before a Mirror

— by an Austrian cat painter, Carl Kahler

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in absolute tears about the pride module at my work