sleepycreatureinc

[sleepycreatureinc]

please consider donating to @save-amal-family.

[sleepycreatureinc]

Please, spread this for those who might need it right now

U.S. suicide hotline: call or text 988 (available 24 hours)

U.S. trans lifeline: (877) 565-8860 (when you call, you’ll speak to a trans/nonbinary peer operator. full anonymity and confidentiality)

Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline: 1-800-662-HELP (4357) – provides 24/7 confidential support and referrals for individuals and families facing mental health and substance use disorders, including panic attacks and anxiety.

LGBT National Help Center: (888) 843-4564

Trevor Project: Call (866) 488-7386, text START to 678-678, or chat online.

Take care of yourself and each other. Please stay safe ♡

[sleepycreatureinc]

I came out to my dad as bisexual at 14 and I was PANICKED because I had a crush on a guy in my Boy Scout troop and thought I was Going To Hell Forever and he was so kind and understanding of my distress, but he had NO idea what bisexuality was. He just said “yeah but you like girls too? This is normal. Everyone is like this.” And I love my dad and trust him with my life to this day and the idea that the concept of bisexuality had not occurred to him had not occurred to me so I put it off.

By 16 though I had a crush on like THREE boys. Three entire boys in my Boy Scout troop. I felt like my sin was slowly advancing, until like an untreated cancer it had become metastatic. I remember bawling my L’il limp-wristed sissy eyes out in his big rumbly truck on the way home from a scout meeting and him telling me that it was OK, that he still loved me if I was gay, but that he knew I wasn’t gay because I still had crushes on women and that meant I was straight. I didn’t quite know how to explain that those felt *~*different*~* and that I felt like I was losing a fight to evil inside me but I again felt comforted by his reassurances and his genuine fatherly love.

At 18 I was like “hey I’m realizing all my friends are going on missions. I don’t wanna do that. Idk how to say that and I don’t have a ‘good enough’ reason to not wanna go.” So I just put it off. Again, my parents were extremely supportive of the information I gave them (I blamed it on perpetually forgetting to start the paperwork.) and one day my mom texted me that she had done the paperwork for me! And that all I needed was to get a physical! So I did that (it was awkward af tbh, my hernia check was done by a trainee doctor and she spent like 3 minutes fishing around my inguinal canals before her attending rescued me) and was sent to Mexico City where I learned that in addition to dipshit himbos with strong hands and scruffy guys with artistic hearts I was REALLY into chubby Latin men with strong personalities who bullied me a little when I lived in Mexico.

I remember my first companion got annoyed with me during an argument and said we were just gonna wrestle and whoever won the wrestling match won the argument (I stg I am dead serious this happened.) I was like…SWEATING when he tore off his tie and threw his white button-down shirt onto the ground (I won btw, don’t ask me how).

I remember one of my companions with this really intense, almost manic energy telling me that he was gonna make sure I was safe in a new area I didn’t know very well. He cooked breakfast for me and we’d go shopping together on P-Days and in the mornings before breakfast he’d jog around and do pull-ups with his shirt off and I’d do anything but look at him because my face would break out in a sweat so intense he’d think I was crying and come over to see if I was OK and somehow make it worse. He let me play D&D with myself in the evenings even though it was against mission rules because he knew how lonely and stressed I was.

I remember one of my companions was a big chubby man with a loud voice and a great sense of humor. He was kind and direct when addressing conflicts with me, and always bragged about how he knew the secrets of women’s minds and it felt like he really did since it almost always boiled down to “Treat Them Like People and Love Them a Lot. Don’t Stop Being A Person For Them. Also Eat Them Out Sloppy Style.” Our P-Day activities sometimes felt like dates, and it seemed like he was more attentive to my emotional state than I was since he was always the first to suggest we slow down our Divinely Mandated, God-Ordained, Super Sacred Work and Wonder to get a snack or check out a Pawn Shop (I love Pawn Shops).

I remember another companion who asked me to bully him every time he did something against his goal of losing weight. It was like he gave me Carte Blanche to take out my crush on him by being a nuisance and I LOVED that. I remember having a breakdown one day after we’d spent the afternoon frantically cleaning our disgusting-barely-habitable mission house to make it look less vile that it was (not our fault imo?) and I started bawling and he pulled me into a hug and he smelled good and he told me he knew it wasn’t just the house and that I was mad at him for being a Huge Dickhead for about a week (true) and that he would work on it. (He’s also a huge chaser but that’s a separate thing.)

I remember one of my companions waking up early (and our schedule is already built for sleep deprivation) to make me a “birthday cake” from knock-off Nutella and bread. He used matches for candles and woke me up, lit the ‘candles,’ pulled them out, then smashed it in my face and took a bunch of pictures while I was still madrugada and disoriented as fuck. He had the same sense of humor as one of my HS crushes and I could push his buttons pretty easily which was so fun.

I came home from my mission and started back at BYU where I became actively and aggressively suicidal. I had a stalker the year I moved up there and my dad’s solution to that was to get me a gun. I know he wouldn’t have bought me a gun if he could have read my mind, but I had a loaded pistol under my bed during a trifecta faith/sexuality/gender crisis and that was not helpful. I remember that the day I decided to kill myself I figured I’d call the BYU CAPS and see if I could get into therapy because it felt like what I was “supposed to do” so I could check my suicide boxes. My therapist was the guy who’d helped me pick a major the year before and was this drop-dead gorgeous Hawaiian man who cried when I told him how I’d been feeling.

A few weeks into therapy I met another stunning man with soft eyes and a scruffy illegal-at-BYU beard he kept pushing his luck with. He was funny, kind, patient, married, and wouldn’t give me the time of day if he knew I was crushing on him. We were in my history of psych class, which was inarguably the worst psych class I have ever had, and we studied together for every assignment and test and I realized that my feelings for him and for all the men I’d already mentioned were in direct conflict with my faith and relationship with God. My already agonizing spiritual conflict became even more wretched and as a result of this plus some other tightly-packed experiences with Mormonisms bullshit, I left the church.

After leaving the church I decided to move back to AZ and transfer to ASU. My mom helped me get a dog since I think it had started to dawn on my family that my mental health was barely getting me through the day, and she knew that we both loved dogs. Madi made my last year at BYU livable while I got my shit together and transferred. In that last year, I went on a date with quite possibly the only semi-openly-out trans person on BYU campus. It was not a great date imo, I was not doing well, but the person I spoke with was fun and fascinating and talked to me about Gender Dysphoria and it really cemented my need to go. To leave and never come back to that fucking school.

I started at ASU a month after my last semester at BYU and within a very short time frame it felt like I was coming back together, like a puzzle magically putting itself together in an environment that wasn’t slowly draining that puzzle’s will to live.

On the 4th of July, the year I started at ASU, I saw a transition timeline photo of a gorgeous happy beautiful happy radiant happy woman and her former Mormon missionary self and I realized the light that was on in her eyes was the light that was off in mine. I looked into transitioning for 3 days, sleeping about 10 hours total during that time. I started talking to other trans people on Reddit (one of whom is now my beautiful fiancée @cintailed) and after about a month of making preparations to be disowned and kicked out, something I was not sure would happen but was ready to go through to Turn On The Lights, I came out to my family and it was amazing. I started HRT a month after that. I secretly dated some dorky guys for about a year while I applied to grad schools. I got into a great grad school for me and my needs. I got FFS. I did my trainings and classes. Me and my fiancée moved in together after some LDR shenanigans. We’ve lived together now for 4 years of basically marital bliss. We have a cat named Grandmother Esmeralda Weatherwax who bites the hell out of my feet about three times a day. My bi-cycle continues to be part of my life but now it’s not as scary. Baby gays in my life have started to look to me for advice. Idk how this all happened so fast. When the years, months, weeks, days, and hours seems to crawl by so slowly now they are rushing past me so fast it’s almost bewildering. Whereas before I felt like I was living on borrowed time, past my ‘expiration date,’ now it feels like I can Fucking Breathe. I’m training myself to slow down now and it feels worth it to Live In The Moment.

Idk why I wrote this. Idk why these thoughts only seem to come up on Sundays when I’m supposed to be writing my dissertation. Idk why I’m crying rn or why I feel so happy. I’m gonna post this shit then get on with my dissertation I guess. Read more Terry Pratchett and give yourselves the time you need. Get a pet. Talk to someone. Re-examine the events that brought you here. Be gayer. Love y’all 💕

[sleepycreatureinc]

quiz enjoyers! i am now inviting you to come create something in my workshop❕

[sleepycreatureinc]

Dropping this here for anyone who may not already know about it. paywallreader.com

[sleepycreatureinc]

HOW TO JUMALANPELKO CLANGEN

Once I get my clangen working again (My computer really said NUH UH to it after the update and ive been too lazy to try again) i will play Jumalanpelko with it.

I have done it once before. And no i dont mean with the og characters.

If someone wants to try these are the """rules""" of how I played it (feel free to do whatever you want tho):

-No leader/if there is a leader they only have one life (just kill the bitch 8 times)

-no healer/Suncat is the only healer (it is more fun if suncat is warrior tho) we are here living on the edge

-When a suncat is around a year old you kill them and choose a kitten to be the next suncat.

-the new suncat has to still have the kitten sprite to be fit to be a suncat (if you want to you can change this up. Like maybe the apprentices can also become suncats but they wont live to be a year old? Idk up to you)

-it is up to you how you want the Suneve to happen. Like if you want it to be super strict (aka suncat is 1 year and there are no kittens? Cult is dead, game over) you can! If you dont want to, then dont!

-If you want to, you can give rules to how long a suncat can live depending on their sex and fur color (like maybe full sun furred female can live 12 moons, partly sun furred female 11, sun furred male 9... ect. It is up to you)

-Guard is chosen as a kitten and trained by one of the senior guards

-Guard is made suncat's mentor OR you just put them always on the same patrol (you can choose what kinda of rules you want to give for patrols. Can suncats go for patrols? Do you have to proceed? Up to you!)

-You can give cats nicknames! It is not easy without the names (i didnt have names and i was very much going WHO???? the whole game)

-If you want you can make one cat and make them Her. Just make it so that She cant have kittens (or maybe you want She kittens i dont know you) and code Her back to life every time She dies lmao. I didnt do this but it would be funny.

Like i said, feel free to do whatever you want!

ALSO IF YOU DO THIS PRETTY PLS TELL ME HOW IT GOES YOU CAN SEND AN ASK OR WHATEVER

[sleepycreatureinc]

Some OCs based off of @jumalanpelko 's comic!

My Suncat (They/She) is the most insufferable creature in existence, at least according to her guard. Guard (They/Them) wants her DEAD and is praying to Her every night for this menace of a cat to die already.

Suncat is a lot though, so Guard is a little justified. Are they abusing their power? Yes. Yes they are. They're living it up and causing as much chaos as possible in the short amount of time she has.

I'm not hyper fixated on these two though. The subject of my current brain rot is Suncat's sibling(she/them)! They are SO glad they weren't chosen, and this feeling only grows after each suneve. They're horrified by the God's killing of cats, and are astonished that no one else seems to care. Since they're mostly ginger many cats think they should have kits, and one tom in particular is a LITTLE obsessed with them. But they don't WANT their kit to be the Suncat, so they refused the tom's advances. After persistence from the tom, and a LOT of pressure from their parents especially, they finally gave in and had kits with him. She went into labor on the Suneve and tried desperately to escape Her, but she was too late. Her single son (trans tom he/him) was the Suncat. They left soon after he was settled, taking on the name Birdie.

I love this comic so much. I had fun doing this line less! It's nice to practice something that I'm not used to.

[sleepycreatureinc]

Been doing some warriors designs again :p

Reblogs appreciated more than likes, and the quality is probably better when u click on the image

[sleepycreatureinc]

Revising some of my horse drawing tips pages, starting with necks!

Corrected some muscle names and added more explanation/ method.

[sleepycreatureinc]

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

[sleepycreatureinc]

A new viewpoint on antlers reveals the evolutionary history of deer (Cervidae, Mammalia)

fullview recommended!

something i've wanted to do for a while now. i've scoured the internet for something like this and can't find anything that compares all the different types of antlers together. except one recent study on their evolution, which is also very interesting on its own! i simplified it to provide a visual reference, while still trying to be scientifically accurate. some things differ between this and trophy scoring terminology like where the beam is and whatnot, so if something looks weird that's why.

small additional note, this study and others provide a lot of evidence that eld's deer should be in their own genus as it doesn't appear similar enough to barasingha and schomburgk's deer. however this doesn't seem to be adapted anywhere yet, so they're still in Rucervus for this guide.

🔴 KO-FI

⚫ COMMISSION INFO

[sleepycreatureinc]

everytime you reblog gambit runs into another tree

[sleepycreatureinc]

If you’re on mobile, you may have to click on the images for better quality!

Plain text version with image descriptions is under the cut.

Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.

[Plain text description:]

First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing

This slideshow is brought to you by @the-merry-otter on tumblr

ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!

Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.

[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]

[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]

Second slide: Underwear (ooh la la)

Now with nasty pocketses

[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]

So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.

[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]

There is evidence for supportive shifts for busy support, like this one from the fourteenth century!

[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]

There’s also this bra like fragment found in Austria, but that is a whole debate so.

[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]

Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.

[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]

[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]

Third slide: your dress, or the cotehardie. (Pronounced coat hardy)

Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.

(Sidenote: fuck sleeves, all my homies hate sleeves)

[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]

Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).

[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]

[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]

The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.

[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]

Clothing was a lot more colourful than the movies would have us believe lol.

[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].

Fourth slide: Dress two; electric boogaloo

[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]

You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.

As well as fashion, they would have been used for extra warmth, and so were usually made of wool.

[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].

Common people would have only owned a couple of different outfits, as fabric was super expensive.

[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]

A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.

Belts would have been worn underneath the surcoat.

[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].

Fifth slide: Hair and headwear

Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.

Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.

[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]

[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]

All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.

[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]

I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.

[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].

[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]

Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?

[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].

Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.

[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]

Sixth slide: Cloaks and hoods

These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).

Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.

They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.

[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].

[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]

[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].

Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.

Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.

[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]

Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.

Seventh slide: Feet (not in a weird way)

Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.

[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]

Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!

Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!

Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.

[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].

Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.

[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].

[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]

Eighth slide: Accessories

These are a few other items that might have made up a working woman’s outfit.

Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.

[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].

Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.

[Image ID: five gold brooches, studded with different jewels and pearls. End ID].

They had a funny sense of humour as well… and they weren’t all prudes.

[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].

Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.

[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]

Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.

[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]

Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.

[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]

Ninth slide: Fancy Shmancy

There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).

Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.

[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]

[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].

Fancy headpieces for rich bitches only.

[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]

Fancy dagged edged on hoods, sleeves, dresses, etc.

[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].

Brocade gowns! So pretty!

[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]

Fancy sleeves!

[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].

Dresses that were two different colours.

[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]

And of course, some of the funky fun fabric choices.

[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].

[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].

Tenth (and final) slide: In summery

(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).

Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.

Note: I probably even got some stuff wrong by the way.

If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.

If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️

[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a dark blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]

A list of helpful YouTubers:

Elin Abrahamsson

Morgan Donner

Opus Elenae

Miss Joss (her instagram is more active).

Now go hydrate!!

[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]

[sleepycreatureinc]

People said that Tumblr isn't a great place to post original art that isn't fanart, but I'm doing it anyway because I haven't got the motivation to draw anything else

Happy pride month lads! 🧡💛🤍💙

from an aroace potato :)

[sleepycreatureinc]

immortality as theft (you have to steal life from something else) immortality as parasitism (there is something else inside You that is keeping you alive and you become less of yourself more and more the longer it stays in you) immortality as violence (everything is trying to kill you because everything is supposed to die and the universe will always try to find a way to right the wrong that is You) you understand

[sleepycreatureinc]

An incomplete list of things that employers commonly threaten that are 100% illegal in the United States

"We'll fire you if you tell others how much you're making" The National Labor Relations Act of 1935 specifically protects employees who discuss their own wages with each other (you can't reveal someone else's wages if you were given that information in the course of work, but you can always discuss your own or any that were revealed to you outside of work duties)

"If we can't fire you for [discussing wages/seeking reasonable accommodation/filing a discrimination complaint/etc], we'll just fire you for something else the next day." This is called pretextual termination, and it offers your employer almost no protection; if you are terminated shortly after taking a protected action such as wage discussion, complaints to regulatory agencies, or seeking a reasonable accommodation, you can force the burden onto your employer to prove that the termination wasn't retaliatory.

"Disparaging the company on social media is grounds for termination" Your right to discuss workplace conditions, compensation, and collective action carries over to online spaces, even public ones. If your employer says you aren't allowed to disparage the company online or discuss it at all, their social media policy is illegal. However, they can forbid releasing information that they're obligated to keep confidential such as personnel records, business plans, and customer information, so exercise care.

"If you unionize, we'll just shut this branch down and lay everyone off" Threatening to take action against a group that unionizes is illegal, full stop. If a company were to actually shut down a branch for unionizing, they would be fined very heavily by the NLRB and be opening themselves up to a class-action lawsuit by the former employees.

"We can have any rule we want, it's only illegal if we actually enforce it" Any workplace policy or rule that has a "chilling effect" on employees' willingness to exercise their rights is illegal, even if the employer never follows through on any of their threats.

"If you [protected action], we'll make sure you never work in this industry/city/etc again." Blacklisting of any kind is illegal in half the states in the US, and deliberately sabotaging someone's job search in retaliation for a protected action is illegal everywhere in the US.

"Step out of line and you can kiss your retirement fund/last paycheck goodbye." Your employer can never refuse to give you your paycheck, even if you've been fired. Nor can they keep money that you invested in a retirement savings account, and they can only claw back the money they invested in the retirement account under very specific circumstances.

"We'll deny that you ever worked here" not actually possible unless they haven't been paying their share of employment taxes or forwarding your withheld tax to the government (in which case they're guilty of far more serious crimes, and you might stand to gain something by turning them in to the IRS.) The records of your employment exist in state and federal tax data, and short of a heist that would put Oceans 11 to shame, there's nothing they can do about that.