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IM CRYING WHAT

they have him set up on a pool chair

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Well damn

Hey again creepypasta fandom I made my own like story and version of slenderman!

The writing is shit tho sorriez

Reblogs are appreciated!

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Idk chat, felt like drawing Matt. So I drew Matt’s last birthday >_<

PLEASE IGNORE HOW I DREW HIS CLOTHES WRONG.

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Near but mello

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My September

I CANT WAIT FOR HELLOWEEN AAAA

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they would get along i think

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Canon

They got tired of the drama and eloped... together...

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Please reblog if YES so your followers will know!

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Amazing

Jeff the Killer Gif Collection (2011-2013)

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IM CRYING WHAT

Two steps ahead.

Dipper was two steps ahead.

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This is great

happy pride. or whatever

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Yippee

Random drawings I did while in the hospital

Drawing a biblically accurate Jeff is satisfying af

Plz give my other art some Sugar too

Vacation sketches: 30th july 2024

Drawing them so cartoony feels so nostalgic

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Skibidi

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Bros real form

real

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THISBIS COOL WHT

Silly death note au

Mamoru Asahi is a famous theater and movie actor. Ryuzaki Yamaguchi is an aspiring star. Both auditioned for the roles of Light and L in Death Note: The Musical (no manga/anime, only musical in this au). Both are lawlight fans and write fanfics about them on ao3. And both can't stand each other's works, not suspecting who exactly is their author.

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HUH?!

this is canon, by the way

(original)

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Matt pretends he doesn't care much about L. He knows that if he begins demonstrating any interest in their shared predecessor, Mello will feel threatened by the possibility that Matt may also aspire to become succeed L, so Matt doesn't really bother mentioning it at all.

However, he is intrigued by the ghost that haunts Wammy’s, a stranger that the children have spent their entire lives reaching out towards. Matt may not have obsessed over grades as he knew Mello had, but his hard work was evident in the fact that he consistently defended his position as the House's Third. There is something paternal, albeit distant, about L; for a boy that never knew his parents, Matt seeks comfort in his own personal idea of the detective.

A quiet man, but one who smiles warmly when he notices you approach. Matt envisions him as a listener, someone to whom you could confess yourself without judgement, but instead recieve a deliberated word of advice. Matt sees accents of himself in L. He wants him to have the same shade of red hair as he does or the scattering of freckles across his nose. He wants L to find it difficult to sit still, to maintain focus. He loves Mello but cannot relate to him in his sharpness, his ability to plan and carry it through without distraction. In L, he sees someone obsessive, yes, but human.

Matt thought that he would be more affected by L's death than he actually was. By this time, the concept of the L had transcended the man himself, and Matt decided to speak to him for the first time in the seclusion of the bedroom he had shared with Mello until he left without saying goodbye. Matt struggled with this, and he wondered what L would do in the shadows of such loneliness.

He asks L, but receives no answer. L is, after all, not a father.