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Power, ambition, elegance
(Happy Dragon Age Day!)
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Hello! I'm Elliott, and I run Vermilion Zines, a multi-format studio that usually produces collaborative artbooks aka zines. I have run and crowdfunded several zines in the past and I'm looking forward to doing the same for this pin project. I've loved the atmosphere and architecture of Bloodborne since I first played it in 2015, and these pins are my love letters to them. These pins will be 7 pins total - 3 gold plated, 4 antique nickel plated - two inches tall in hard enamel, with screenprinted texture over the moons.
You'll be able to pick which pin you prefer towards the end of the project, in the survey that will be sent after the project is completed. The first pin will be the Astral Clocktower.
Thank you for reading, and be sure to keep an eye on the project! The estimated launch date is November 15.
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I hope you see my vision
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start testosterone now. the world needs more hot tboys more than ever before now
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not putting my face on this site in case the fae try to steal it but I am proud of this beadwork
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In chapter 28, Marcille lays out why the journey she's been on has been worth the pain: because they were able to bring Falin back. The injuries, the indignity, and the mess of it all - they are tolerable primarily in context of destination she believes she's reached at this point.
In truth, of course, the story is far from finished. In fact, I would argue that this is actually where hers really starts. This scene holds the seed of the very thing the Winged Lion will exploit to lead Marcille to become the Lord of the Dungeon. After all, with a desire as far reaching and deeply held as Marcille's, if the only acceptable outcome is success, what other choice does she have but to bargain with the infinite?
So let's talk about this idea - where it leads her, how Laios' path intersects with it, and how they both help each other move forward in the face of failure.
First though, I want to step back and talk about something else: the shapeshifter chapters.
With these chapters recently covered by the anime, there has, of course, come plenty of fun discussions about which version of each character belongs which other character's perceptions, and what that means.
One thing I've seen pointed out a few times is the fact that both Laios and Marcille's impressions of each other are based around Falin. Marcille's version of Laios is larger and more masculine, because those are the traits that stuck out to her in contrast to Falin. Laios' version of Marcille was directly inspired by her appearance and demeanor when resurrecting Falin.
So why is this important to a discussion about Marcille being focused on success? Well, it shows us where Laios and Marcille's relationship starts: built primarily around their shared love for Falin. It's from that shared beginning that they begin to learn about each other on their own terms.
And this is true for the whole group, to be clear. They are united by circumstance - love for a lost companion, a sense of responsibility, a desire for freedom - but they all grow and help each other beyond that circumstance. They help Senshi bury the ghosts of his past and eat some Hippogriff stew. They help Izutsumi open up to mutual love and friendship. And they learn so much about each other: about Chilchuck's family and Laios' love of monsters and Marcille's desires to live life alongside others.
In the particular case of Marcille and Laios, understanding each other is what lets them save each other. It is not through Falin that Laios talks Marcille down from the edge the Lion has brought her to, nor is it through her that Marcille comforts Laios after the demon is defeated, when it is still unclear how everything will work out.
In fact, it is very specifically the unknown fate of Falin that Marcille comforts him about.
She is willing to accept the outcome - willing, now, to embrace the journey itself, rather than only accepting it as a means to an end.
This is a lesson she learns from Laios, and it's a lesson we watch Laios learn, too.
Just before making her deal with the Lion, Marcille recalls everything that led her to that moment. She lingers on the pain, recalling the worst of their journey:
She only pushes through by remembering her goals: saving Falin, and equalizing the lifespans of her friends to match her own.
And yet, 10 chapters later, when reflecting on why she actually wants to see her goals through, it is the good parts of that very same journey that shine through.
There's an inherent contradiction here, one which Marcille doesn't know how to face. How can the suffering that she tolerates also be the love that drives her forward? How can the loss that she's worked so hard to reverse also be the very circumstance that created a world she, now, cannot stand to give up?
And Laios confronts her with the truth. Because it just is.
Losing Falin forced him to open up to others in a way he never had. It forced him to choose what he cares about, and in making that choice, it gave him the opportunity to be seen. To connect with others.
He has already had to come to terms with the fact that Falin's death has given him something - he would not have been able to kill her again if he hadn't.
There is something here that is fundamental to Dungeon Meshi's understanding of what life even is. Like, I don't think it's a coincidence that part of Laios' speech to Marcille in chapter 85 is actually first seen in the chapter where they fight off ghosts.
In 'Sorbet,' while possessed , Laios thinks that it would have been better if the dragon had eaten him, instead of Falin. The ghosts make people lose their will to live - they are dragged away from life.
When he's pulled back from that brink, Laios realizes that he can't move forward without accepting that she is gone. He even compares the way he was holding on to her to being possessed: it pulled him away from life, from the present moment.
To carry on, he must accept what has been lost, and focus on protecting the life that they still have.
Like Marcille, he has to accept the contradictions of their journey. That life means eating, and eating requires death. That sometimes one must be selfish in order to be kind, and that selflessness can easily be twisted into to cruelty.
That loss will, inevitably, lead you to find happiness that you may not have found otherwise.
This is how he gets through to Marcille. And I think part of the reason he reaches her with these specific ideas is because those contradictions are baked so thoroughly into their relationship.
Marcille only met Falin after she had been left behind by Laios. Laios was able to reconnect with Falin because she left Marcille. They both met each other through Falin, and yet they only really got to know and care for one another after she died.
And of course, that's why Marcille uses the same ideas to comfort Laios, in the final chapter. It is because of Laios that she is able to accept the journey for itself, and not need the happy ending to justify its meaning to her.
Together, they help each other move forward, and accept that they may not be able to bring Falin back.
Which, if I'm being honest... I think this is the reason Falin can come back, narratively speaking, without the resurrection feeling like it takes away from the themes of the story.
After all, she doesn't do it for Marcille or Laios - she does it for her own sake. Her own hunger and her own desire to eat are the things that lead her back to life.
All three of them, together, end the story like this: not clinging to the things they are afraid to lose, but knowing they can choose to move forward together.
And, importantly, this happy ending is no longer the thing that gives the journey meaning. Rather, it is the privilege of the journey itself that is her happy ending: the chance to walk alongside others in the time they have, to get to know each other, and to eat well.
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Chai tea bag + lil but of brown sugar + apple cider packet + 16 oz. mug of hot but not quite boiling water
it will not Fix You but like. maybe. maybe.
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thinking about mid act 3 hawke romancing a near non-responsive anders who's deep into writing his manifesto and planning the grand finale and has checked out mentally, hawke who's lost bethany and carver and leandra. it's very fun. to think about all that
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Well since dragon age is trending might as well post some old stuff I’ve been hoarding
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