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sexymothmanincarnate · 3 days ago

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Grasping at straws: Thoughts about Viktor's disability in Arcane

Disclaimer: In this post I try to give it some credit to Arcane writing from within the narrative. This is a Watsonian interpretation, not a Doylist one. Assume that underneath all of this I am beating Riot with LeGuin tomes.

Bootstraps and Denial

We get a glimpse into Viktor’s sense of self while he’s talking Jayce down from the ledge in S1A1E3: He is extending a sense of kinship to Jayce, who has just been stripped of his research equipment and autonomy by the Council when they relegate him to the care of his mother. He also considers the fact that he’s a faculty assistant in Piltover something he worked hard for, that was awarded to him despite his disability and immigrant status. His visible physical disability, accent, name, are all class signifiers that he must reject and dismiss if he wants funding, accommodation and recognition and it points to Piltover only allowing Zaunites as both a PR token and only if they reject enough of their Undercity culture. This is crucial: Viktor did not earn his position because he worked hard and believed in himself, he was rewarded for assimilating.

Becoming a Specimen

All of Viktor’s screentime in S1 takes place in Piltover to the exceptions of his visits to Singed, both in his childhood flashback and his adult visit to request help with the Hexcore experiment. Two things stand out to me in these interactions: The traumatic experience of being valued as a specimen, and the scrambling to the top of the ivory tower as a response to said trauma. He meets Singed and Rio in the immediate aftermath of a fall caused by his leg’s angle while he kept track of a device he built, a reminder that it would be the defining feature of his career, not his creations. Rio is shown to him as a lively, yet dying, specimen that must be preserved because it is a mutant, because it is defective and that defect makes her extremely valuable. I can understand how a young Viktor would latch onto the idea of saving something because it is faulty and project, and how finding Rio effectively dead and her body used for profit ended in an understanding that defects are only good if you can exploit them in some way, it’s not you, as a person, that they want. Conceptualizing a Viktor that is dead set on convincing the world that his work is important in and of itself goes through understanding that he sees his visible disability as both a hindrance and a weakness to exploit from the Piltover Academy.

Jayce encourages Viktor to do PR for Hextech with him several times, and right before the Progress Day speech, just as Viktor has had a coughing fit and is sitting down to rest his leg, Viktor says he doesn’t want to be seen as his partner, not in front of “them” (them being Piltover’s aristocracy). Viktor sees in Hextech a chance to leave a scientific legacy, and Jayce’s partnership is a way to keep the funds coming without his disability being an issue for investors. He believes in his partnership and Hextech as a joint endeavor between him and Jayce, but he knows what happens when Piltovans see a disabled Zaunite in any position threatening their hegemony. The catch here is that Viktor’s experience with Rio makes it so that this is not so much political awareness, as much as it is an avoidance so hard it loops back to agreeing with the oppressor, just to live a little more, just to make sure the world sees what you did.

When Viktor is diagnosed with Sump disease, a terminal condition caused by overexploitative mining and industrial pollution caused by Piltover’s factories and production exports, the sequence plays alongside an investor PR campaign from Jayce. It’s Viktor, who is already disabled, losing his place in the legacy of Hextech because he is dying at the hands of those who made it possible financially. It’s this Viktor, who sees his hopes of being remembered for his inventions dwindling, desperately going back to Singed and saying “I understand the value of the specimen. If rejecting my personhood buys me time, I will be what they want to see: A cripple, a corrupted Zaunite, a man desperate for power.”

The Hexcore has been trained to heal the subjects it’s used on, but Viktor was the one to train it: He was the one to determine what parts of the subject were considered sicknesses and flaws. To the degree that the Hexcore is, in many ways, a reflection of Viktor’s understanding of disease. It targeting his leg on first deliberate connection is a reflection of intent and desire more than any kind of agency from the device. Sky being used as fuel for the Hexcore’s learning is a point of contention for Viktor at that point because it’s the meeting point of the specimen and the scientist: Some lives are expendable if it means furthering your goal, and your life is the most expendable one. Are you ready to kill, be killed, for legacy? And Viktor panics because he is back, he’s looking at Rio’s corpse, born and raised for dying. Suicide for him at this point is an out, an unhealthy way of trying to go back to when he still had a choice. He asks Jayce to destroy the Hexcore and let him die because at that point he is still capable of dying without becoming a resource.

The Horror of Bioethics

Season 2 for Viktor is him becoming a specimen: Not a person, but a tool used to pave the road to a goal. In this case, Noxus’ acquisition of Hextech weaponry (which Viktor opposed ethically in Season 1, as he becomes the weapon itself in Season 2). He is resuscitated using the Hexcore against his will, a Hexcore containing both Viktor’s inputs for non-human healing and Sky’s research on applying those principles to the human body. He is a machine trained to heal, and he leaves for Zaun not under Viktor’s orders, but under the maxim to heal. He sees the widespread health issues caused by people that Viktor was bootlicking in Piltover, the direct result of him helping care for Rio until she died and was used to synthesize Shimmer as a drug, and where Viktor avoided his association with Zaun, the Hexcore resorts to the inputted instructions: Fix what we have established is broken. Viktor, who rejected his own disability, who rejected his home, his personal history, taught this thing to target the disabled, to target the poor, to target the sick. It is horrifying. The script presents it as vaguely unsettling but well-intentioned when it is blatant eugenics brought on by the loss of autonomy of a disabled man; the horror of it is not the cult, it’s knowing that all of this healing comes from someone having assimilated emotionally, politically, and physically, into his oppressors. It is not Viktor helping Zaun from the inside, it is Piltover’s allegedly meritocratic hellscape grafted onto Zaunites.

Who is allowed to be disabled?

Now, Jayce’s journey in the post-Hextech apocalyptic world is shown as a climb up from the Sump into the top of the Hexgates’ tower, almost reminiscent of Viktor’s journey as he understands it: You’re in a pit with a broken leg, in pain, hungry, desperate and you climb because it’s that or accepting death. You hope whatever is up there was worth the climb, but it’s a leap of faith. It’s remarkable, in contrast, how Jayce’s understanding of that climb is shaped by his own socioeconomic background. Viktor reaches the top and is punished for it, Jayce reaches the top and comes to an enlightened understanding. Viktor grows up disabled and is punished for the climb, Jayce acquires a disability during war time and he becomes the scientist-politician-hero. I appreciate how Jayce, upon encountering Viktor, fully armored even in his mind, can see a back brace, a leg brace, strained tendons. But it is also why a terminal illness resulting from Piltover’s economic chokehold on Zaun is conflated with a visible congenital disability, while they are manifestly not the same: This is a Viktor who got absorbed into Piltover’s vision of legacy, this is a Jayce who has grown up in it.

Legacy? What legacy?

In his final shot with Jayce as they erase the rune-stone, Viktor’s right leg is curving inwards, implying his femoral anteversion is something that he has finally incorporated into his perception, which was absent in every previous shot of this realm. Viktor's acceptance is for his own body, yes, but also for the consequences of giving up on it and dying.

This story as it is presented to us is a tale of avoiding annihilation through denial of one's limitations. While it's not a story that I enjoy, it is the one we were given. My hope is that through understanding it we can all tell better stories about disabled people.

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sexymothmanincarnate · 17 days ago

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"It was affection that held us together."