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rarararai · 5 months ago

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a better year

a/n: i linked this one to ao3 a week or so ago, but i figured i'd do it now i'm procrastinating the next chapter to adamantine chains lmao this is my take on the bookstore au tags: mentions of sex but nothing explicit, cursing, signs of ptsd, , original female character, retirement from the military, bookstore au 6.7k words summary: He takes her shoes off of her while she insists she can do that herself. He slips the right one off when the fireworks go off outside; the entire town is bathed in their light. "Midnight," she says as Simon rises up on one knee in front of her, ready to tell her goodbye and good night. She kisses him over the mask. She doesn't mention it the next day.

The official order rolled in on plain white paper, an unceremonious carrier of his future. He was the first to go: a sign that the team was being unraveled slowly. After all, they're not young men anymore.

"You'll receive your pension; it's enough that you shouldn't have to work again. And we've made sure that you have an official background. It's not much, but it's what we can do."

Laswell doesn't move her eyes from his, her fingers clutching a pen so hard her knuckles are white.

"It's for the best Simon," she says, setting the pen down carefully on her desk, "and if it makes you feel better: everyone will be released soon. I'm sorry."

He's not dumb; he knows these things only last so long. Forced retirement is something to be celebrated - celebrated that he lived long enough to have one, celebrated that his body isn't rotting in some foreign country, a home for worms. Celebrated that the 141 made it out mostly intact. Mostly together.

Johnny claps him on the back and promises that when Laswell brings him that paper when Johnny gets his own forced retirement, he'll come to find Simon.

Simon doesn't stay in England - he doesn't like the way the gray settles around him. He leaves the apartment Laswell set up for him untouched, a note for Johnny for where to find him.

He finds a small house to rent somewhere in the American Southwest, spitting distance of Alejandro's territory. It crosses his mind more than once to make the trip across the border, to see how Alejandro's doing; to see if Rudy is still scared of fantasmas .

But he isn't a fantasma anymore; he's just Simon Riley.

And it's just Simon Riley who paces the aisles of her bookstore, trying to find something to take his mind off of the fact that he is utterly and completely bored.

"This is the third time you've been here this month. I'm not putting you into debt am I?"

Her accent is different from everyone else's in town - still decidedly American, just not from here American. Simon ignores her, his eyes focused on the row of books in front of him. She sighs heavily, but drops it, leaving him behind to stock the end cap. Last week's murder mysteries replaced by this week's contemporary romances.

"I need to lock up you know - I can't stay here all night." She speaks as if it's not odd that Simon only comes in on Thursday nights - the only night of the week she stays open late to rearrange the end cap displays, to vacuum the floors to perfection.

"You haven't even cleaned the windows yet," Simon replies, pulling a fantasy book from the shelf: something about a world full of malicious fairies and a secret world beneath New York. It's something new.

"For your information, I did that before you got here," she says, pushing herself up from the floor with a groan. "And I have a life. I can't sit here all night and wait for you to pick a random book off the shelf."

"I never said you didn't."

Simon places the book as she dips behind the counter, a lukewarm cup of coffee left beside the cash register. She drinks from it, wincing at the taste as she rings the book up.

"That'll be seventeen forty-five."

Simon gives her a twenty and she breaks the change, counting out how many pennies he's supposed to have on her fingers.

"You going to be back next week?"

"Why?"

"I want to close early next Thursday; I need to know if my best customer is going to be here or not."

Simon doesn't speak as he takes the plastic bag from her hands. She waits for him, eyes never leaving his as she sips her coffee, waiting on him to answer.

"I can come by Friday instead."

"I'm closed Fridays."

"What about Wednesday?"

"I can stay late Wednesday."

He leaves her with just a crinkle of the plastic bag and the chime above the door.

***

He spends too much time at the gym ignoring Johnny's text messages. Johnny tells him Price was next - swearing that he was going to retire to the countryside where he can smoke his cigars in peace. Maybe find himself a nice girl to cook him dinner every now and then.

His fingers hover over the buttons, almost messaging Price to tell him congratulations. But Simon's not sure it really is.

He's alone at night; no one's in the gym at two in the morning. No one's there to watch the way he slams the weights down when he's done or hear the way he gasps for breath after lifting too heavy - the tear in his chest that never quite healed right burning him from the inside.

The walk home is quick; the stars shine brighter than anything he'd ever seen in England. The closest he ever got to seeing them like this was in the Middle East, but he hardly noticed the stars then. He wasn't expecting to be left looking up.

He sits in the shower at home. He can't stand the way the water hits his skin, but can't stand the idea of sitting in the water either. So he stays huddled in the corner of the bathtub, the water barely touching him.

Simon Riley thinks about death.

He thinks about what would happen if he died right now.

He thinks about what it's like to die twice.

***

The door is locked when he comes by Wednesday; he feels foolish standing there with his hand still pulling on the door, knowing it won't open beneath his touch. Foolish to think that she would-

Foolish when his heart ticks a beat as she comes around the corner. Foolish when he steps inside just a second after she unlocks the door.

"Sorry, my last employee must have locked the door on their way out. So did you like last week's book?"

"It was alright."

The silence is almost awkward as she locks the door behind him.

"Let me know when you're ready. I just made coffee in that pot behind the counter; you can have some if you want. I shouldn't drink it all myself."

She leaves him behind to disappear into the store room. He paces the aisles aimlessly, waiting for something to jump out at him. It's quiet tonight; the music that's usually playing softly over the speakers is absent. Simon can hear her through the storeroom wall moving boxes around, the sound of a box cutter piercing the quiet every so often.

She reappears, a box in her arms that she drops heavily onto the counter. Simon watches her over the bookshelf of non-fiction works as she pulls each book out, scans it into the computer, and stacks them on the counter

When the box is empty, she breaks it down and leaves it on the counter. She looks up, almost catching Simon staring at her. He ducks away, taking a book on the Korean War with him. At the counter, she can barely see him over the stack of books in front of her.

"Last week was fantasy and this week is the Korean War? You certainly have varied tastes."

Simon hands over the fifteen twenty-two he owes her, her hands linger in the distance between them.

"Do you have a job?"

"What?"

Simon's taken aback at her candor. I used to have a job he thinks, as he pockets his change.

"No, I don't."

"Do you want one? I need a weekend worker. It's just me on Saturdays and Sundays now my other guy quit to go to college. I can't pay you a ton, but I kind of get the feeling you don't need it."

He falters for a moment; that's all it takes. If he's being honest with himself, he misses taking orders, missing feeling useful to someone.

"I can do that."

"Can you start this Saturday?"

"I can do that."

She's locked the door behind him before he realizes they don't even know each other's names.

***

Her name's Billy.

"What's your name; I probably should have asked that before I hired you."

Simon doesn't answer, placing the box down slowly before he answers. It's odd, telling someone his name. His real name.

"It's Simon. Simon Riley."

She looks him over, elbows resting on the counter.

"What?"' He asks, uncomfortable under her x-ray analysis of him.

"Just didn't peg you for a Simon. You know with your general countenance; the mask and all that."

She doesn't ask why he has the mask on. Simon gets the feeling that she never will.

She works him like a dog; he's moving some of the shelves around when he thinks that this is probably the reason her last employee quit. It's like being ordered around by Price again, but this time his enemy is the dust. He doesn't stop moving until well after noon; sweat gathering in the small of his back. In her office, Billy is on the phone, yelling indistinctly at the person on the other line.

He doesn't have to watch her to know she's angry when she slams the phone down. He expects her to storm out of her office, to slam the door shut behind her. But she doesn't. When she comes out she's calm.

On Sunday she shows him how the books are organized, and she has him switch around the genres.

"Romance sells best during the spring, and mystery best in the fall and winter. So we need to pull the mystery books up to this front aisle and move the romance towards the back. These shelves roll so they're easier to move."

She's meticulous; Simon moves the same shelf four times before it's lined up exactly where she wants it. His constellation prize: cash wages handed to him at the end of the day.

"No paycheck?"

Her nails tap against the counter, the white paint chipped.

"I haven't processed your paperwork yet. I can take the money back if you want."

Simon pockets it.

They lock up together. It's warm outside, but she still tugs a hoodie over herself whenever she finishes, tucking her keys into the pocket.

It's a complete coincidence that they set off in the same direction.

Simon wants a cigarette; his fingers itch for the pack in his pocket. But she'd said earlier in the day that the smell was disgusting and she couldn't breathe whenever someone with cigarette smoke on them passed her by.

They split up two blocks away from the bookstore. She motions up to the upstairs apartment of a shitty duplex. It's not the kind of place he expected her to be in.

"This is me. I'll see you next Saturday right?"

"I'll be there."

"Good night Simon."

She doesn't wait for him to say anything; not that he would have known what to say. She's up the stairs and inside (she didn't unlock the door; he has to restrain himself from going upstairs to tell her to lock it next time) before he can think of anything to say.

He smokes a cigarette at the bottom of her stairs; watches the outline of her against the curtains in her window. A fat black cat peers down at him, peers down at the cherry of Simon's cigarette in the darkness. The street lamp is burnt out, the shadows dark. He stubs the cigarette out on the sole of his boot and throws the cigarette butt out in the street.

He's almost certain she'd chide him for that - the same way she did a kid who had the audacity to throw a cigarette down in front of her shop.

His apartment is extra cold when he gets home.

***

"Maybe Price has it right: a life in the countryside. A pretty girl to cook you a few meals. Maybe a dog to curl up at your feet," Johnny drones on the other end of the line. Simon doesn't answer, his focus on cutting the potatoes in front of him into meticulous cubes. Johnny doesn't need him to speak.

"What about you L.T.? What have you been up to?"

"I'm not a lieutenant anymore Johnny."

"You'll always be L.T. to me. And don't ignore the question."

Simon drops the potatoes into a pot, waiting on the answer to unstick from the back of his throat.

"Not much. I go to the gym a lot."

He doesn't tell Johnny how he has to break his gun down and put it back together three times each night before he can sleep.

"That it?"

"I'm working at a bookstore."

"A bookstore! A few months out and you're domesticated."

"Watch it, Johnny."

A pause.

"I have to go L.T.. Gaz is yelling at me."

Their goodbye is the silence that follows.

***

Billy's arguing with a customer when he arrives Saturday morning.

"Listen, dude, I don't care what price you want to pay. This is my business and I set the prices. If you don't like it, you're not being forced to come here."

The customer drops it when Simon steps behind the counter.

"I hate that guy," Billy tells him as she hands him a box cutter. "He comes in every week and tries to get me to lower my prices. It's a bookstore; I'm not getting rich off of this. I can't afford that. Anyway-"

She sweeps her hair behind her shoulders. Simon catches a hint of a tattoo behind her right ear and a glint of cold chain disappearing beneath her shirt.

"Finals are coming up for the local community college so I had two different study groups book the tables in here today. They're usually pretty good, we just have to make sure to keep the coffee pot refilled for them because they'll drink it dry. It's $5 if they want coffee - per person don't let them try to swindle us - but they can refill it as much as they want."

Her fingers tap against the counter. Her nails are blue this week.

"If they ask about selling us their textbooks, tell them to come back next week. I have a shipment of children's books coming in - you can sign for it if I'm busy. Do I need to show you how to use the cash register or can you figure it out?"

"I can figure it out."

"Ok. The code is 4532. For now, do you mind breaking down the boxes in the back room and taking them to the dumpster? It's hard for me to reach to open up the dumpster lid."

She doesn't wait for him to answer before she disappears into the back room.

This Saturday is busy.

Simon's about to snap at a kid who won't shut up about how the comic section is too small when Billy appears beside him.

"I'll take over here Simon. There's lunch in the back room."

He's thankful for her in that moment.

He's more thankful when the storeroom shuts behind him and locks. The table has a small bag with his name written on it. A sandwich from the deli across the street and a bottle of water inside.

There are no tomatoes on the sandwich.

Just like he always orders it.

***

He smokes a cigarette again outside her apartment. But this time he tucks the butt back into the pack. He'll throw it away at home.

***

"I want to put a coffee shop in here," Billy tells him when the store is slow. She traces the right side of the store with her fingers.

"And I want to open the shop up earlier and stay open later."

"Why don't you?" Simon asks without looking up from his task of the day: putting 'half-priced' stickers on books that aren't selling well.

"I'm not making enough money. I have just enough to pay you and my weekday employee and the overhead cost of this place, plus pay myself. There's not any extra coming in. The bank-," she pauses, red nails scraping at a piece of tape on the counter, "the bank is willing to give me a loan on the coffee shop stuff - the machines and all that - but I don't have the money for the renovations. My contractor told me he'd have to build the cabinets, open up the drywall and put an extension on our water pipe. A water filter needs to be installed. It's just - it's just a lot."

She slides the stack of books he's already put stickers on off of the counter and into her arms.

"Maybe next year."

***

The next time Johnny calls, Simon can hear the strain in his voice.

"It's my turn L.T.. Laswell said I failed the psychological and I can't stay."

"You going to keep good on your promise to come to be my annoying neighbor Johnny."

"Not yet. I want to go home to my mom for a little bit. Maybe next year L.T.."

"Next year's going to be a big year I guess," Simon says more to himself.

"What's that L.T.?"

"Nothing Johnny. We should be happy we made it out."

Simon knows Johnny's not happy: not happy he never received the rank he wanted, not happy he has to go back home and take care of his mom again.

"You're right L.T.. I'll call you again when I'm home. How's the bookstore thing?"

"It's going alright. Bye, Johnny."

"Bye."

In the silence after the call, Simon thinks he should get a cat. Something to make the apartment less quiet; something to give him purpose when he's there.

Something that won't crawl all over him at the end of the day.

***

He needs something to do with his hands.

That's what he tells Billy when she arrives at the store on Saturday morning and Simon's ripping up a portion of the carpet, a stack of flooring waiting to be installed.

"So you have to do it when I'll have customers here?"

"Tell them it's a new addition; they'll be alright."

"I'm not paying you extra for this."

"I didn't ask you to."

Billy looks at him, one foot tapping a sharp staccato muffled by the carpet.

"Fine."

She pauses for a moment, Simon's knife running down the carpet to separate it from the floor beneath. She picks up one of the pieces of flooring, turning it over in her hand.

"What is this?"

"It's vinyl. It's waterproof in case you spill something."

Billy drops the plank back onto the stack and leaves to unlock the front door.

Simon revels in the way his shoulders burn at the work, the way the rough concrete scratches his knuckles once everything is pulled off the floor and he has to start laying down the underflooring. He revels in the way his back cramps as he's bent over.

In the way he feels useful.

It takes him all day to get half the flooring down.

Billy doesn't speak to him about it, doesn't ask where he got the money from, or why he's suddenly doing free renovations on the place.

Simon knows she appreciates it by the way she drops down his lunch - no tomatoes, just a water to drink- beside him without expecting a thank you. By the way, she chides the little kids who come over to ask him a million and one questions, he doesn't know how to answer and brushes them away from him.

She catches him smoking in the back alley on his break. She's polite enough to turn back when she realizes he has his mask down and keeps her back turned to him.

"That shit's going to kill you."

"It can only hope."

Simon can tell she's giving him a withering look at him from her position half inside the doorway.

"If you come in smelling like that cancerous poison I'm not going to talk to you for the rest of the day."

He must smell because she doesn't speak to him for the rest of the day, not even saying goodbye when they depart at her apartment.

Simon hides the cigarettes in a drawer when he gets home.

***

It's Price that reaches out to him first, a quick phone call, a holdover from their days in the field.

"Are you holding up?"

Not "how are you holding up?", but "are you holding up?" The difference between three letters is so vast Simon doesn't know how to cross it.

"I'm doing fine."

"Johnny told me you've got a job?"

"Just something to keep me occupied."

"Is that all you've got?"

"What more do I need?"

The receiver is filled with the sound of Price inhaling a cigar; Simon can almost smell him through the receiver.

"You're not Ghost anymore Simon. It takes more than that to survive this."

Survive this . As if this is the most dangerous mission Simon's ever been on as if being forcibly retired has some sort of great mortality rate.

"Understood."

He listens to Price's dial tone for five minutes before he hangs up.

Maybe it does.

***

He paces the town at night. Once the gym doesn't become enough to wear him out, doesn't help his brain relax, he walks the streets.

He thinks more than once that someone is going to call the cops on him and report him for being suspicious.

But Simon Riley isn't Ghost anymore. Simon Riley is someone not worth noticing.

It's almost surprising how well the little town sleeps with the remnants of Ghost stalking through it; how now one seems to have any idea of what he was once - and still is - capable of.

He steals a lot of time sitting on people's steps, on the stoops of little houses, picking the petals off of the flowers in big pots, and lining up the shoes and toys that were left disarrayed in the chaos of the daytime. He wonders if someone is going to catch him on their security camera and name him the town freak, but no one does.

He keeps up at it enough that he can feel the shift in the air, feel winter creeping in. He notices it in the way more and more boots are left outside, by the plants with plastic coverings over them, protecting them.

He finds himself, more often than not, taking the long way around to stop at the bottom stairs of Billy's apartment. Most nights the lights are off, and the window open. He wants to tell her to stop doing that, to lock the window, but he doesn't know how to say it without giving away his nights. So instead he keeps watch, hands buried in his pockets as he counts the moths in the streetlights.

Sometimes though the lights are on and he can hear the sound of her house through the open window. Sometimes the cat peers down at him as if prepared to leap through the window screen at him - sometimes she grabs the cat, never looking down at Simon; more often than not the cat curls up in the windowsill without budging.

A few times he could hear her talking to someone, the conversation muffled from above. He wondered about who she could be talking to so late at night. Why she was up in the middle of the night to talk to someone?

He makes his way home as the town starts to wake up.

***

He moves once - to a tiny house in the middle of town, just enough to have a yard big enough to cross in two strides.

He tells Johnny it's because he was tired of the noises of the neighbors.

He tells Johnny it's because he's taken up woodworking and needs a spot for the tools.

"What are you building you old bastard?"

"Some cabinets."

"For what?"

"Mind your own business, Johnny."

It takes weeks to get them perfect. Eventually, though, they're good enough to put in the back of a rented truck.

He does it on a Friday when no one is around. He tells himself that it's easier that way, no one walking underfoot.

That night he lets himself admit - just for a moment as he sits on the shower floor - that he didn't want to see her face if she's disappointed by it.

***

She refuses to open the door for him the next day, opting to yell at him through the glass instead.

"You cannot keep making renovations to my store without asking me!"

"It's no big deal; open the door."

"No big deal: you put a floor down, you handbuild cabinets, and you broke into my store to install them!"

"You gave me a key."

"Not for that!"

It's a stalemate: Simon poised with his hand on the door handle, her hands tucked into the pocket of her jacket.

"I still have to do the plumbing."

She massages her eyes before leaning forward to turn the lock. Simon steps inside with the biting wind.

"You're fucking irritating, Simon Riley."

I know .

She makes him put up the Christmas tree - a fucking monstrosity that takes up the entire front window. It takes him all day to get the decorations to her standard; her yelling through the store at him to move something incrementally to the left or right.

Billy leans on the counter, shuffling through official-looking papers and refusing to look at Simon when he's finished.

"Thanks to you," she says, never looking up at him, "I have to start getting the paperwork processed to be able to serve food and drinks here."

"Is it difficult?"

"It's not easy."

Their conversation pauses just long enough for her to check out a customer. She turns back to Simon as soon as the door shuts.

"Why are you doing all this Simon?"

He doesn't answer, and he realizes as he stands there, hands folded behind his back and spine rigid that he needs to tell her something, but all he notices is the black ink mark on her cheek. She doesn't pressure him to answer, but she doesn't let her eyes leave him.

Simon breaks first, eyes cast down to the floor.

"Ok," Billy whispers under her breath, "you don't have to answer, but just let me know when you're going to do something else. Can you text me next time before you start?"

"I don't have your number."

She doesn't ask for his phone, instead, she tears a corner of a piece of paper off and scribbles her number on it. Her hands don't shake when she holds the paper out to Simon, but his shake when he takes it. Simon can tell Billy notices. He stuffs the paper into his pocket, pushing it past his keys and his phone.

"Hey, Simon," Billy chews on her lip.

"What?"

"Are you busy tomorrow night?"

***

Johnny's chatting his ear off, Simon's barely paying attention to him as he stares at the shirts thrown out on his bed.

"- L.T.? Simon?"

"What? Johnny, what?"

"Are you even listening?"

"No, Johnny. I'm not."

The static of Johnny's disapproval.

"What could be distracting you from my wonderful conversation?"

"I'm busy Johnny."

"With what?"

"Nothing Johnny. I just have somewhere to be later - I'm trying to get ready for dinner."

"Dinner? Like with someone else?"

Simon hangs up on him.

***

Simon wants to pretend that he doesn't have the path to her house memorized; doesn't have each step calculated to know when exactly to stand on the bottom step at 6:59 so that he can knock on her door right at 7. But he does, so he hovers on the bottom step for an extra minute.

She doesn't answer when he knocks; she yells through the door for him to come in. In his pocket his phone buzzes every few seconds, Johnny sends another message insisting that Simon tell him who he's eating dinner with. Simon thinks for a moment about blocking his number for the night.

Billy smiles at him from behind the counter, elbow-deep in bread dough. All at once, Simon feels overdressed taking in the large shirt covered in flour Billy's wearing.

"Hey. Sorry, dinner's going to be like 30 minutes later than I said. I couldn't get this shit to rise properly for like an hour."

"It's alright."

Billy must sense his apprehension because she jerks her head at a chair pulled up to the counter.

"Come sit down."

Simon appreciates the order. Billy rolls the dough out on the counter, measuring the thickness with her knuckle with a precision Simon would expect out of her. He has to keep himself from staring at her; instead, he analyzes the rest of the apartment.

He can see everything but the bedroom from his one spot; that door is firmly shut. It's clean but the type of clean houses have whenever someone new is coming over and everything is thrown into a closet. After a few minutes, Simon thinks he needs to speak.

"What are you making?"

"Rolls. I made - uh - what is the fancy word for it - beef bourgine?"

"Beef bourguignon?"

Billy smiles down at the dough as she cuts squares out.

"I'm glad one of us can say it - I can cook, I just can't speak French."

"Do you always cook like this?"

"Only on special occasions."

Special occasions .

It's awkward at first for Simon to sit there while she moves about the kitchen, putting the rolls in the oven and cleaning the counter; Billy doesn't speak much and Simon knows she doesn't feel the need to fill the silence either.

His phone buzzes again - under the counter he checks it.

Johnny:

don't leave me hanging lt tell me whos it is

"Your girlfriend?" Billy teases without turning to look at Simon from the other side of the kitchen.

"Not exactly," Simon says, muting the phone and shoving it back in his pocket.

"Do you have one?" Her voice is prying, but she doesn't look at Simon as she pulls bowls down from the cabinet.

"A girlfriend?"

"Yeah."

It bubbles inside him - just once - the urge to tell her about himself . He swallows it down.

"No."

"Not even back home?"

"Back home?"

She grins at him slyly, setting two glasses of water down in front of the two of them.

"Why do you think I have to keep paying you in cash? Your um….paperwork didn't exactly list you as being an employable American. And you have - you know - an accent."

Simon doesn't realize he's leaning toward her until his elbows hit the counter.

"No, not back home."

She seems satisfied by that answer - or she doesn't have time to ask anything else. Behind her the oven timer beeps and she turns to pull the rolls out. They're barely out of the oven whenever she ladles the stew into the bowls and pulls two rolls off one for each of them.

Pushing the bowl towards Simon she opens her mouth - Simon thinks she's going to ask something else but she just shakes her head.

"I'm going to eat over there, so you can eat too," she says passing him a fork.

"No cameras?"

"None you can see."

She retreats to the other side of the room and drops down on the couch so that she's facing away from him. Muffled behind a door to the right, Simon can hear her cat meow once.

They eat in silence; Simon knows she's only eating slowly to give him time to finish without her accidentally turning to see his face. He doesn't need it: he realizes he hasn't had a meal that hasn't consisted of a sandwich or some form of potatoes in weeks; he eats fast, slowing down just as he finishes to keep from embarrassing himself.

He sets the bowl down with enough dramatics that she can tell he's done without having to turn around. It's quiet again when she comes into the kitchen and takes his bowl to rinse it out in the sink. The sound of the water makes his skin crawl; it clashes with the domestic feeling of being taken care of.

She laughs quietly to herself as she dries her hands on her shirt, lifting it up just enough to expose the little shorts she has on underneath.

"Something funny?"

"Not really funny," she says, hands stilling in her shirt, "I don't know - it just - I - well it's about this time of dinner that guys usually try to take me to the bedroom. I was just thinking about how different this night would be with anyone else."

With anyone else .

That bothers him some.

"I don't suppose that's what you came here for," she grins at him as she speaks, resting her elbows on the counter. "Besides we don't even know each other."

"We work with each other every weekend," Simon retorts, not sure why he feels the need to prove her wrong.

"And we barely speak the entire time."

She points at him, her bright yellow nails glinting in the light.

"I've never seen you in anything other than long sleeves, even on the hottest day. You could have like fucking tentacles under there and I wouldn't know. And you don't even know anything about me."

For once, Simon doesn't think - he does.

He pushes his sleeves up slowly, each one nearly to his elbow. Billy leans forward, just enough to see the tattoo ink and scars that mar his forearms. Her fingers twitch against the countertop like she wants to reach out and touch him, but they stay still.

"Do you - do you only have tattoos on your arms?"

Simon reaches up to hook one finger in his collar and pulls it down just a half inch - just enough to show her the ink there.

"Your turn," Simon says, dropping his hand down. Under the counter, it lies fisted on his thigh.

"My turn?" Billy asks eyebrow cocked at him.

"Do you have any tattoos?"

She licks her lips once; Simon can see her thinking. After a pause she reaches down to grab the edge of her shirt - Simon's heart clenches. She lifts the hem up, just enough to show him the edge of a tattoo on her side, disappearing beneath her shorts and rising above where she lifted. She laughs a little as she drops the shirt.

"Is that all we need to know about each other?"

"It's a start."

***

He finally tells her he was in the military four Sundays after the first one. She'd told him at work she was too tired to cook and apologized, promising to make it up to him. So when he showed up at her door with a pizza and a promise that he was just dropping it off on his way home, he was surprised when she asked him to come in.

Each week they coaxed something new out of each other: a snippet about their families, about their travels. He loves Kentucky; she's from the East Coast. Her father died young. He's from England.

She's curled up in the recliner the cat on her stomach - they're watching something on television but they're both not really paying attention to it. So he blurts it out - a new confession in this weekly therapy.

"I was in the military."

"I guessed. The British Armed Forces?"

"The SAS."

She frowns and Simon stiffens.

"Is that like a unit or something?"

"Yeah."

This time she grins.

"Is that why you always lock my door behind you when you come in?"

"No. I do it because you never know who could come in when you're alone."

"You mean when you're not here."

Yes.

"No."

She rolls over, clutching the cat to her chest so as to not dump him on the floor until her feet hang over the arm and she can eyeball Simon across the room.

"I can shoot straight."

"Can you?"

***

She can. She takes him through the desert on Friday afternoon, bundled up against the cold. Out where they can target practice without anyone bothering them.

She hits every target.

***

"Christmas is this weekend."

"Yeah."

"So you know we're closed right? I'm not paying you time and a half."

A pause longer than he's used to.

"Are you doing anything for Christmas?"

"No."

"Do you want to come over?"

***

She makes Chinese on Christmas. A tradition she says because when she was younger the only places open were Chinese restaurants and her dad couldn't cook. They didn't have real dinners until she learned to cook herself, but it was always Chinese on Christmas.

The cat has a bell around its neck for the holiday and it latches onto Simon for the night. She wrinkles her nose at the cat and calls him a traitor. The cat doesn't seem to care.

"I didn't get you a present," she says, putting her bowl on the coffee table. From his spot in the kitchen, Simon speaks.

"I didn't get you one either."

"Well, you're slowly building me an entire coffee shop."

"That's not present."

"Well, it's not exactly in your job description either."

He leaves his half-eaten bowl on the counter to drop down on the couch. She's sideways in the armchair, shirt riding up and a bruise on her shin. She's back to white nails.

"I can make out with you for Christmas; other guys have liked that present."

Simon's heart nearly stops.

"Excuse me?"

"I'm just kidding Si."

Just kidding .

***

She begs and pleads with him to please go out to the bar with her for the new year. He doesn't have to drink, she says, she can drink enough for the both of them.

She does. She doesn't even make it until eleven.

He carries her home on his back. Her door is unlocked and wants to think about how dangerous that is, but all he can think about is her warm breath on his neck.

He drops her unceremoniously onto the couch - he thinks about carrying her to the bedroom, but that's one place the door has always been shut to.

He does take her shoes off of her while she insists she can do that herself. He slips the right one off when the fireworks go off outside; the entire town is bathed in their light.

"Midnight," she says as Simon rises up on one knee in front of her, ready to tell her goodbye and good night.

She kisses him over the mask.

She doesn't mention it the next day.

***

By summer, Simon has the entire cafe portion of the store finished. He's embarrassed when she hangs a sign over the area: 'Simon's Spot'.

"What?" She asks, peering down at him from the top of the ladder. "You built it."

***

He breaks during the summer. Billy calls him on a Tuesday, asking if he knows anything about air conditioning systems.

"You built the cafe, so I know you're handy."

He doesn't. But he can figure it out.

After hours the bookstore is sweltering. Billy has the blinds pulled down in a futile attempt to keep out some of the heat and the setting sun. Her shirt, already cropped short, clings to her with sweat when she unlocks the front door for Simon.

It takes him two hours but he figures it out. When it kicks on she looks up at him, one arm resting on his shoulder, and tells him he's her hero.

He makes it all the way to her apartment - the promise of something for dinner and a cold drink as for payment the ruse - before he does it.

It's dark inside, dark enough that when he locks the door behind him, he slips his mask off. She turns to ask him something - he doesn't hear it; he's too busy kissing her, pushing her back against the kitchen cabinet.

It's messy - the kissing - he can't remember the last time he kissed somebody like this - all teeth and tongue and need.

When they stumble into her room, he doesn't take his shirt off, and she doesn't ask why.

***

"Come visit me L.T.. Scotlands beautiful this time of year."

"I'll have to book two tickets Johnny; that's not cheap."

"Alright, you cheap bastard you can afford it."

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