rakiyaworldcinema

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blumarine rtw autumn 2o23: inspired by milla jovovich’s portrayal of joan of arc in the 1999 film “the messenger: the story of joan of arc”.

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Slumdog millionaire

"Slumdog Millionaire" is a compelling story of Jamal Malik, a young man from the slums who finds himself on the brink of winning the Indian version of "Who Wants to Be a Millionaire?" Opening with Jamal interrogated by police officers after being suspected of cheating on the game show, Jamal answers question after question correctly. The film flashes back to various chapters of his life, depicting his formative moments. Jamal's experiences intertwine with each question on the game show acting as a catalyst for revisiting pivotal moments in his life. Jamal's impoverished childhood was fraught with adversity and tragedy following the death of his mother in a communal riot. Alongside his brother Salim, Jamal navigates the realities of the slums, exploitation, and violence at every turn. Each episode adds depth to Jamal's character, coloring his background. Jamal's unwavering resourcefulness in the face of adversity makes for an endearing protagonist. His love for Latika, a fellow slum resident, becomes a beacon of hope throughout the film, driving his relentless pursuit to reunite with her despite the formidable obstacles in their path. Vividly capturing the vibrant chaos of Mumbai, immersing the audience in its bustling streets, vivid colors, and diverse cultures. The frenetic pace of the storytelling enhances the film's emotional impact, creating an experience that lingers. Slumdog Millionaire is not just a story of survival; it’s a commentary on the universal themes of love, destiny, and the pursuit of dreams against all odds.

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The Battle of Algiers

The Battle of Algiers plunges into the conflict amongst the Algerian struggle for independence from French colonial rule. The film recounts the tumultuous events in Algiers, Algeria, as the National Liberation Front (FLN) initiates a guerrilla campaign against French colonial forces. The film exists as a docudrama style, blurring the lines between fiction and documentary by employing a realistic approach. The use of non-professional actors and on-location shooting adds a gritty authenticity that makes the film feel like a personal experience. Its portrayal of both sides of the conflict doesn't merely glorify the Algerian struggle for independence, instead, it offers a nuanced depiction of the ethical dilemmas faced by both the FLN insurgents and the French paratroopers. The FLN's tactics of terrorism and targeted bombings are contrasted with the French military's systematic use of torture and oppressive measures to quell the rebellion toeing the line between righteousness and atrocity on both fronts. The toll of war, and tensions are palpable in every frame as the film oscillates between chaotic street battles and intimate moments, showcasing humanity despite its evils. The claustrophobic atmosphere of the narrow alleyways and bustling markets of Algiers amplifies the sense of unease and impending violence. The evocative score further enhances the film’s backdrop, with its mix of diegetic and non-diegetic elements, immersing the audience into the war-torn streets of Algiers. "Battle of Algiers" relevance and timeliness, transcends its historical setting to resonate with contemporary socio-political struggles. The film raises provoking questions about the moral ambiguity of the armed liberation struggle. . Its raw realism, powerful storytelling, and thought-provoking themes make it enduring due to the relevance of its message in the pursuit of justice and freedom.

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Ran

Ran, is the enmeshment of history, tragedy, and human folly. A reimagining of Shakespeare's "King Lear," set in feudal Japan. The film delves deep into the tumultuous world of feudal lords, familial disarray, and the pursuit of power. Following, Hidetora Ichimonji, an aging warlord, decides to divide his kingdom among his three sons, hoping for a peaceful retirement. Yet, this act triggers a chain of events that unravels the very fabric of his existence. The opening sequence introduces Hidetora against the sprawling landscape, symbolizing his once-unyielding power and authority. The use of color, particularly the vivid reds and greens, not only adds aesthetic depth but also serves as a visual motif, symbolizing bloodshed and nature's indifference to human strife. The film is a proponent of the thematic discussion of hubris. Hidetora's decision to abdicate, sets off a sequence of betrayals and power struggles among his sons, each vying for control of the kingdom. Kurosawa constructs this descent into chaos, detailing the erosion of honor, loyalty, and filial piety in the face of ruthless ambition. The battle sequences in "Ran" are a visual spectacle, showcasing Kurosawa's command of the screen. The chaos of war is captured with a visceral intensity, charging armies and clashing swords painting a vivid portrait of the futility of conflict. However, amidst the grandeur lies an exploration of human nature. Kurosawa presents a nuanced examination of characters, flawed and multifaceted, blurring the lines between heroism and villainy. Lady Kaede, driven by vengeance and desire for power, embodies the complex motivations and moral ambiguity that permeate the narrative.

The recurring motif of the ruined castle mirrors the disintegration of Hidetora's empire and the fragility of human ambitions. The juxtaposition of nature's serenity with human turmoil is a poignant commentary on the transient nature of power and existence.

In its complexity, Ran remains a timeless cinematic masterpiece.

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La haine

"La Haine," is a searing and impactful  look into social tensions, police brutalization, and the alienation of the marginalized in  French suburbs. Iin a gritty Parisian banlieue, the film follows three young friends—Vinz, Hubert, and Saïd—over the course of 24 hours as they navigate their reality.

 The aftermath of a riot sparked by the brutal police beating of Abdel Ichacha, a young Arab resident of the banlieue. The film opens showcasing actual footage of urban unrest and police aggression, setting the tone for the raw exploration of social inequality and  haughty tensions.

Vinz, a volatile individual fueled by a desire for revenge. His character embodies the frustration and hopelessness prevalent among the youth in the banlieue, where opportunities are scarce, and systemic discrimination is rampant. Hubert, serves as the moral compass of the trio, seeking a way out of the cycle of violence through his passion for boxing and his desire for a better life. Saïd serves as a reminder of the cyclical nature of violence and the constant struggle for survival.

The film's captures the trio's interactions, encounters, and conflicts with various residents, including skinheads, drug dealers, and other marginalized individuals. Through their journey, the audience witnesses a microcosm of societal issues plaguing the banlieue.

Kassovitz's directorial style is marked by gritty black-and-white cinematography and a frenetic pace, intensifying the sense of urgency and unrest. The choice of black-and-white imagery  showcases life in the banlieue, emphasizing the shades of grey within a seemingly black-and-white world.

"La Haine" shines a light on the systemic issues plaguing marginalized communities. Its raw portrayal of urban despair, coupled with compelling performances and striking cinematography, solidifies its place as a cinematic masterpiece that continues to resonate with audiences, prompting reflection on the complexities of social inequality and the urgent need for change.

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City of God

City of God is a visceral portrayal of life in the favelas of Rio de Janeiro. It is a tale of survival, violence, and the cyclical nature of crime that plagues impoverished neighborhoods. Set in the 1960s and '70s, the film follows the life of Rocket, a young man growing up amidst the chaos and brutality of the Cidade de Deus (City of God). Through Rocket's eyes, we witness the evolution of the favela from a poor neighborhood into a battleground for rival drug lords and gangs. Beginning with Rocket's childhood, he navigates the perils of the favela while aspiring to become a photographer. His dream provides a lens through which the audience experiences the relentless violence and lawlessness that dominate the City. A sprawling ensemble of characters, each with their own motivations and fates, revolving around the central figure of Li'l Zé is established here. Li'l Zé, a ruthless gang leader, emerges as a symbol of the favela's descent into chaos. His thirst for power, through unflinching violence, enables a series of brutal conflicts and power struggles among the residents. Rocket's proximity to this world, both as a bystander and at times an unwilling participant, disparate lives within the favela. The film is a mosaic of interconnected stories, pervasive in the influence of poverty and crime on individuals from diverse backgrounds. The lives of characters like Benny, a tragically embroiled in the criminal underworld, and Knockout Ned, whose quest for revenge against Li'l Zé only fuels the cycle of violence. The portrayal of child soldiers, the desensitization to violence, and the lack of viable opportunities for a better life highlight the circumstances these characters are trapped within. . Quick cuts, dynamic camera movements, and vibrant colors amplify the sense of urgency and chaos. The use of non-linear storytelling adds layers to the narrative, converging and diverging throughout the film. "City of God" examines the interplay between socio-economic conditions, institutional neglect, and the allure of power in a community where opportunities for escape are scarce. In its raw and unflinching portrayal, the film raises questions about the cyclical nature of violence, the loss of innocence, and the complex dynamics that perpetuate a culture of crime. "City of God" is an unapologetic dissection of the cost of urban poverty and crime.

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Amelie

"Amélie" revolves around the life of a young woman, Amélie Poulain, played exquisitely by Audrey Tautou. Set in Paris, the film details the power of small acts of kindness, the beauty found in the ordinary, and the pursuit of personal happiness. The story begins with an introduction to Amélie's childhood, marked by a sheltered upbringing due to her overprotective parents. Following a series of quirky incidents, Amélie moves to Montmartre and starts working as a waitress at the Café des 2 Moulins. Her isolated yet imaginative world takes a turn when she discovers a small tin box hidden in her apartment. Determined to reunite it with its owner and witness the joy it brings, she embarks on a journey of anonymous acts of goodwill, touching the lives of those around her. Amélie orchestrates various mischievous but well-intentioned schemes to impact the lives of strangers, ranging from reuniting a lost treasure with its owner to anonymously improving the lives of her neighbors. Amidst these endeavors, Amélie encounters Nino Quincampoix who shares her passion for small pleasures in life. A budding romance adds a layer of sweet innocence and hopefulness to the narrative. Jeunet's direction in "Amélie" is visually characterized by vibrant colors, and playful cinematography, mirroring Amélie's eccentric personality. The film is a modern-day fairy tale, blending magical realism with everyday charm. The film's strengths lie in its ensemble cast of eccentric characters, each with their unique quirks and stories. From the reclusive artist who paints the same picture over and over to the hypochondriacal tobacconist, every character adds depth to the vibrant tapestry of Montmartre and Amélie's life. The film supported by a score by Yann Tiersen, ties these characters' lives together, emphasizing the interconnectedness of human experiences. Amélie herself, while bringing joy to others, grapples with her sense of isolation and longing for love and companionship. However, through her altruistic actions, she discovers fulfillment in making a difference in people's lives, ultimately finding her happiness in the process. The film culminates in a heartwarming resolution, where Amélie finds the courage to pursue her happiness and embrace love. It concludes on a note of hope and optimism, celebrating the healing of kindness and human connections.

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Parasite

"Parasite seamlessly blends genres all while challenging social hierarchies, and offers a biting critique of economic inequality. The film follows the Kim family, who find cunning ways to infiltrate the lives of the wealthy Park family, leading to devastating consequences.

At its core, "Parasite" is a story of two families at opposing ends of the socio-economic spectrum. The Kims, living in a cramped basement apartment, struggle to make ends meet. Their lives take a turn when Ki-woo, the son, secures a job tutoring the Parks' daughter, Da-hye. With charm and manipulation, the Kims insinuate themselves into various roles within the Park household.

As Ki-woo infiltrates the Park family, other members of the Kim family follow suit. His sister, Ki-Jung, poses as an art therapist for their young son, while their father, Ki-tak, becomes the chauffeur, displacing the loyal driver without the Parks' knowledge. Chung-sook, the mother, secures the role of the housekeeper by orchestrating the dismissal of the original employee.

the film's brilliance lies in its ability to shift tones, starting as a dark comedy and evolving into a tense thriller. Bong Joon-ho's masterful storytelling is complemented by the performances of the cast, capturing the nuances of each character and their complex relationships.

The Kims discover the existence of Moon-gwang, the former housekeeper, who has been secretly living in the basement of the Park residence. This revelation sets off a chain of events that unravels the delicate web of deception. The plot escalates into a riveting climax, revealing the harsh consequences of the parasitic relationships that have formed between the two families.

The film deftly explores the consequences of unchecked capitalism, as the Kims exploit the vulnerabilities of the Parks to escape the confines of poverty.

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Touki Bouki

"Touki Bouki," a pioneering work in African cinema, offers a bold and avant-garde detailing of post-colonial identity, aspirations, and disillusionment in Senegal. The film follows Mory, a cowherd, and Anta, a university student, as they navigate their desire for a better life amidst the complexities of urbanization and societal change. The film opens with a series of vibrant and stylized sequences that immediately immerse the audience in the pulsating energy of the city of Dakar. Mory, a rebel and a dreamer, drives his motorcycle adorned with a cow skull, embodying a desire to break free from societal norms and pursue a more prosperous life in France. Mory's aspirations for a new beginning in Europe are juxtaposed with Anta's disillusions with the limitations of her current circumstances. They embody the dichotomy between tradition and modernity, rural and urban, and the quest for personal freedom in a rapidly changing society. Mory and Anta embark on a journey filled with symbolic encounters, capturing the dissonance between their dreams and the stark realities they face. Their journey is marked by highlights of the cultural, social, and economic complexities of Senegal. Mambéty employs a blend of surrealism, symbolism, and non-linear storytelling techniques to convey the characters' inner struggles and the socio-political landscape of post-colonial Senegal. The director's use of imagery, sound, and editing creates a visually arresting and emotionally evocative experience for the audience. The editing style, characterized by abrupt cuts of disparate scenes, mirrors the fragmented nature of the characters' aspirations and the disorienting effects of societal change. The film's soundtrack, a mix of traditional Senegalese music and contemporary sounds, adds another layer of depth, reflecting the clash between tradition and modernity. Central to "Touki Bouki" is the exploration of identity and the yearning for a better future. Mory and Anta's rebellious spirit and quest for escape symbolize the aspirations of a generation caught between tradition and the allure of Western modernity. Their attempts to break free from the constraints of their society reflect the universal desire for self-determination and personal agency. The conclusion, open to interpretation, leaves the audience pondering the characters' fate and the broader implications of their choices. "Touki Bouki defies traditional narrative structures and coupled with the film's striking visual language, it cements its status as a timeless and influential masterpiece that continues to captivate audiences with its bold exploration of identity, aspirations, and societal transformation

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Turtles can fly

"Turtles Can Fly" entails the plight of refugees in the aftermath of the Iraq war, directed by Bahman Ghobadi. Set in a Kurdish refugee camp on the Iraq-Turkey border just before the 2003 invasion, the film offers a raw and unflinching look at the struggles, resilience, and the indomitable spirit of the displaced people, particularly children. At the heart of the story is Satellite, a resourceful young boy who serves as a de facto leader in the refugee camp. Earning a living by installing satellite dishes for fellow refugees, he strives to keep the community informed about the impending war and the world beyond their confined existence. The film's title, "Turtles Can Fly," encapsulates the parallel between the children in the film and the metaphor of flightless turtles. These children, despite their resilience and adaptability, find themselves trapped in a harsh and unforgiving reality, much like flightless turtles trying to soar. As the narrative unfolds, the daily struggles of Satellite and the other children are grossly apparent, navigating the treacherous landscape of war-torn Iraq. The general of atrocities: the scarcity of resources, and the loss of loved ones, cannot be overlooked. The most compelling aspect of the film is its portrayal of children's resilience in the face of adversity. Satellite's character embodies courage and determination as he takes on responsibilities beyond his years, caring for his sister, Hengov, who has lost her arms due to a landmine explosion, and overseeing the welfare of the younger children in the camp. The arrival of a young boy named Agrin and her traumatized brother, rendered mute due to witnessing their parents' brutalization, layers emotional complexity to the narrative. Agrin's stoic demeanor and her haunting silence serve as a reminder of the irreparable nature of war. The film confronts issues of trauma, loss, and the plight of refugees in a war-torn region. However, amidst the desolation and despair, moments of resilience and fleeting hope emerge, highlighting the human spirit's capacity to endure even in the darkest of times.it's a powerful commentary on the resilience of the human spirit. It sheds light on the overlooked struggles of children caught in the crossfire, portraying their innocence amidst a landscape marred by violence and tragedy.

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The motorcycle diaries

"The Motorcycle Diaries" traces the formative experiences of a young Ernesto "Che" Guevara and his friend Alberto Granado across South America in the 50s. Directed by Walter Salles, the film is an adaptation of Guevara's own diaries, offering a glimpse into the defining moments that shaped his political awakening. Ernesto, a 23-year-old medical student, and Alberto, a biochemist, embark on a road trip across Latin America on a rickety motorcycle named La Poderosa (The Mighty One). A carefree exploration of the continent's beauty and youthful escapades transforms into a soul-stirring expose, revealing the harsh realities of the impoverished and marginalized. The journey commences in Buenos Aires meandering through various terrains, diverse cultures, and socio-economic conditions. Ernesto and Alberto bear witness to the profound disparity between the affluent and the destitute. Their encounters with the marginalized and oppressed challenge their preconceptions, igniting a social consciousness within them. This awakening acts as the catalyst for Ernesto's transformation from an idealistic youth into the revolutionary icon, Che The pivotal moment occurs when Ernesto and Alberto volunteer at a leper colony in Peru. The experience profoundly impacts Ernesto, challenging his views on healthcare, societal inequality, and the exploitation of the vulnerable. Witnessing the suffering of the patients and the lack of resources propels Ernesto's commitment to serving humanity, planting the seeds of his future revolutionary ideologies. The film beautifully captures the breathtaking landscapes of South America. The cinematography underscores the duality of beauty and hardship, emphasizing the dichotomy between the picturesque landscapes and the harsh reality faced by marginalized communities. As the duo traverses the continent, the motorcycle becomes a metaphor for their evolving perspectives and the transformative nature of their expedition. "The Motorcycle Diaries" is not merely a travelog; it's a coming-of-age tale that chronicles the awakening of social consciousness and the birth of revolutionary Ultimately, shedding light on the humanistic values that fueled Che Guevara's unwavering commitment to social justice and equality. It stands as a testament to the transformative potential of travel and the power of witnessing inequality firsthand.

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Yo soy cuba

 Yo Soy Cuba, directed by Mikhail Kalatozov and released in 1964, this film stands as a testament to the power of cinema as a medium of storytelling and social commentary. While capturing the true essence of Cuba 

Each frame showcases the beauty of Cuba in a way that feels intimate and grandiose. From the bustling streets of Havana to the serene countryside, Urusevsky's camera work weaves emotions, painting a vivid portrait of the country's landscapes and the natives.

Cuba's narrative structure is uniquely innate and divided into four distinct vignettes; each segment tells a compelling story of individuals grappling with the socio-political landscape of Cuba during the pre-revolutionary era. Interconnected by a common thread of struggle, resilience, and the yearning for freedom.

Moreover, the film's bold and innovative techniques, such as long tracking shots and stunning camera angles, highlight the director's approach to storytelling. Kalatozov's use of the camera brings a sense of urgency and intimacy to the narrative, effectively immersing viewers into the heart of each story.

The first narrative introduces Maria, an impoverished sugarcane worker living in rural Cuba. Through long takes and immersive camera movements, we witness the arduousness of her labor and the exploitation faced by the peasants at the hands of American-owned sugar corporations. The camera, a silent observer, flows through the fields and huts, portraying the harsh realities of poverty and oppression.

The second narrative focuses on a young revolutionary, exploring disillusionment largely imposed by the Batista regime. The ideological fervor and the desire for change simmering among the educated youth, juxtaposed with the brutality of the government's is illustrated through their dissent.

The third narrative transports us to Havana's nightlife, a stark juxtaposition of the privileged elite with the struggling masses. The opulent parties and hedonistic pursuits of the wealthy stand in contrast to the poverty and despair seen in the earlier segments. The camera glides through extravagant hotels and bustling streets, revealing the egregious social divide.

The final narrative implores the impact of American influence on the island, focusing on the plight of a peasant family whose land is being confiscated by an American company for the construction of a military base. Explores the intrusion of foreign powers, highlighting the loss of traditional ways of life and the erosion of Cuban culture due to external interventions.

"Yo Soy Cuba" is not merely a historical account; it's a visual poem that resonates with themes of oppression, revolution, and resilience. It serves as a testament to the enduring spirit of the Cuban people amidst turbulent times, leaving an indelible mark on cinematic history with its unparalleled visual prowess and poignant portrayal of a nation in flux.