queerfinalboy

[queerfinalboy]

It looks like the lock is broken. I can't open it.

textless version and original sketch:

[queerfinalboy]

send me a ☕️ and a topic and i’ll talk about how i feel about it

[queerfinalboy]

There’s hardly a frame of Argento’s Suspiria that doesn’t feature at least a glimmer of red somewhere. The walls of the demented ballet school that serves as the film’s nightmarish setting are blood red, both inside and out. When the walls aren’t red, the backlighting is, frequently casting a red glare over everything. The lipstick on the pale faces of Suspiria’s unwary ballerinas, and their nail polish, is red. And when the horror comes, it’s sumptuously, terrifyingly red as well. […] Argento’s Suspiria put red everywhere, right from the jump, because the evil within the dance school was everywhere — and so was the bright red creative passion that fueled said evil. The film’s emphasis on color made death dazzling; it transformed its witches’ gleeful bloodlust into a sensory-overloading, overwhelming breed of terror.

SUSPIRIA (1977) — Directed by Dario Argento

[queerfinalboy]

ART THE CLOWN being silly in SPENCERS

[queerfinalboy]

remembering the time I called american psycho (a satirical film about toxic masculinity) a dark comedy and the overwhelming response was 'oh so u think men killing sex workers is funny? u think THAT'S funny?' like no I find a patrick batemen listening to 'i'm walking on sunshine', killing jared leto while wearing a clear raincoat and giving a dissertation on huey lewis n the news, using 'I need to return some video tapes' to get out of awkward situations, throwing a hissy fit about business cards, dropping a chainsaw down a flight of stairs, thinking an atm is telling him to feed it cats, and crying hysterically under a desk is funny. but thank u for ur wonderful insight

[queerfinalboy]

self-flagellation

[queerfinalboy]

/REWORK

crystal lake queer camp

[queerfinalboy]

the big dykey killer as a metaphor for the female protagonist's own repressed masculinity which she fears and sees as monstrous. escape as a series of events that have the latent butch protagonist gradually masculinized by circumstances beyond her control

[queerfinalboy]

JEFFREY COMBS as MILTON DAMMERS THE FRIGHTENERS (1996) dir. Peter Jackson

[queerfinalboy]

[queerfinalboy]

Jennifer's Body (2009)

[queerfinalboy]

Crimson Peak (2015) 🎬 Guillermo del Toro

+ IMDb trivia

[queerfinalboy]

THE EVIL DEAD (1981) dir. Sam Raimi

[queerfinalboy]

had to do this with these goobers

based on this tweet

[queerfinalboy]

[queerfinalboy]

Idk if I posted this but I made this back in January when I first got into the game