A second repository of fragmented thoughts, notions, & obsessions, springing from the first such lapidarium. In a word, further parts of a nonexistent whole.
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Consider Rawson's Do Not Adjust Your Set.
I use found imagery as the source for my paintings. The reason they represent the stereotypes that they do is because of what is out there in the mainstream media. Only by removing them from their original context and jumbling them up with other images can we expose the ridiculousness of what pop culture has become and offer it up for greater consideration
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Miss December.
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Consider Kaphar's Behind the Myth of Benevolence.
“This painting is about Thomas Jefferson and Sally Hemings, and yet it is not … The woman who sits here is not just simply a representation of Sally Hemings, she’s more of a symbol of many Black women whose stories have been shrouded by the narratives of our deified founding fathers.”
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Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight, dropping down with costly bales; Heard the heavens fill with shouting, and there rain’d a ghastly dew From the nations’ airy navies grappling in the central blue; – Alfred Tennyson, Locksley Hall (1835)
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Consider Vettriano's Altar of Memory.
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Consider Tansey's Action Painting II.
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Consider Tansey's The Key.
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