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okay so like is there a reason why no one's ever asked me out or am i just destined to be lonely or something
#is it because i'm reserved and introverted?? bc I've seen other ppl like that get bitches...#also technically thus far in my life I have been asked out once (1) but nothing ever happened and I was never sure how genuine he was being#considering his irl personality ahem#rant#since I have 0 followers I have pretty much unlimited freedom to yap about shallow personal shit#relationship#dating
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Due to popular demand here’s Yarnaby drinking the doey puddle from this video
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So, I have begun watching Scavenger's Reign and been enjoying it. So obviously, my typical second step is to recommend it to my friends, only to remember that they get very squeamish about body horror (guts and organs to be more specific)
So I have been wondering, has there ever been shows/books that seemed very interesting in concept, but you got turned off by some element that you don't like?
The Last of Us show. I made it half an hour into the pilot before I chickened out. I loved the building dread and the dramatic tension of the pre-outbreak additions to the story, but I have very few real phobias and funky mushroom zombies bullseye every single one one of them. Everything I heard about it indicated it was really solid as both an adaptation and its own thing. Didn't matter. Couldn't watch it.
#same but I made it up until the cannibal episode#i think I prob could go back to it it's just kind of a bummer (to put it lightly) so it's not super high up on my list#i may go back to the game that I do have tho... eventually (it's long and has motion blur)
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i kept threating to gijjinka @barrett-leddy's cookie guy and now i just gotta live with it
#YESSSSSS#this is a great follow to the past 2 streams (by which I mean vods)#also thank you for threating
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Have some yuri !!! On the house !!!!
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i think i might be aspec but dk if it's okay to identify as that given my absolute 0 experience with anything relating to romance or ykyk
#devil's tango#not tmi bc i've seen some of the depraved shit some of you all put on here#no one's gonna see this anyway#advice#ish#for the aces who see this#i'm so insecure abt it too like I'm the only person my age who does not have those experiences 😭#(i am a high school senior)#rant#actually this is kinda tmi but fuck it we ball
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idk if i'm depressed or burnt out
#everything i need to do sounds exhausting and undesirable#and sometimes (during the day) i do think I act excited and relatively amicable and stuff#but I can't even tell myself how genuine that is and how much i'm “acting”#idk#rant#sowy#i find it impossible to enjoy making art
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ive been quoting 1.22.37 to myself every morning when i need to get out of bed so i figured why not go one step further. so now falst is on the wall right by my bed peer pressuring me
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mentally ill (depression) problems require mentally ill (autism) solutions. or something
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work: https://archiveofourown.org/works/55139635/chapters/139819849 by @mantequillamcwhoremick
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hi, you seem to be drawing a lot. can you please tell me, will drawing ever become easy? or is it always a struggle?
(because for me, drawing seems like a neverending fight against artblock, and at this point, i start wondering if it's not really artblock, but instead it's just the reality of art making)
It's not so much that it becomes easy. It's more that you'll find new things about it that are hard.
Art will never become effortless because you will start finding new challenges to wrangle with, but the act of wrangling them is a good part of the fun. Finding new visual effects you struggle to capture or comprehend the shape of, let alone put down on paper. You might start off struggling to render shadows on a figure, and then as you progress you start wondering how to do shadows of foliage, or caustics of light projected through water, or how glowing eyes would cast shadows on a face, etc. New complexities reveal themselves as old struggles are mastered.
If you're struggling with something that feels like artblock, the problem might not be in your hands, but in your eyes. What to draw is at least as much of a challenge as how to draw it. If you notice your eyes snagging on small details or vistas and you catch yourself trying to work out how to capture that effect, that's your artist eyes at work, and the better you get, the weirder your artist eyes will make you.
There's an exercise my mom recommends that she got from her old teacher: three life drawings a day. Of anything - a chair, a glass of water, a tree, someone's dog, your own hand. I think this is less about honing your techniques and more about honing your eyes, training them to snag on everyday things and observe their complexities, the nuances, the way they really look, not just the way you think of them looking.
When you're a kid and you're drawing your first landscape, it's probably a house and a tree under a yellow sun in a blue sky. The tree looks like a lollipop, the house looks like a box with a hat, the sun is an egg yolk surrounded by lines, the sky is the bluest crayon you have. Maybe it has fluffy clouds in it if you were thinking ahead, cuz it's hard to draw white crayon or pencil over already blue drawings. This hypothetical drawing is a pure manifestation of art without artist's eyes; it is made entirely of what you understand things to look like, not how you see them. No real tree looks like a green lollipop. The sun is a blazing white ball that shades half of the dome of the sky in painfully bright white, and the sky is only blue in the loosest sense - even without clouds or sunsets confusing things, the sky will always fade to a lighter shade closer to the horizon. It is never uniform blue. Clouds usually look like shredded cottonballs around the edges, not fluffy rounded boubas.
This awareness extends to more complicated things. We know glass is clear. When we draw something made of glass, how can we capture that clarity? Do we just draw the outline, maybe some token specular highlights to show that it's catching the light? Or do we render the way it bends and distorts the image passing through it? We know gold is yellow and shiny; do we draw it as a yellow sparkly thing, or do we capture how it reflects the space around it? We know that water is blue and reflective. Do we draw it like we would draw a shiny blue car? Do we render a glass of water like a blue raspberry icee?
Actively perceiving the world as it is takes work and practice, but it's a vital component in all art - even completely fantastical art that is not at all drawn from life references. Skin has a particular luminosity to it, subcutaneous scattering of light that is inobvious if you just know that Skin Looks Like A Color. Even if you're painting a goblin or a mermaid or a centaur, capturing how the light hits their skin can make the difference between them looking like an action figure and looking like a living thing. If you're painting a landscape that isn't earth, it helps to have observed what earth's clouds and atmosphere really look like, how they catch and scatter the light. You have to know the rules in order to break the rules.
I can honestly say it never gets easy, but it does become a lot of fun, and if you're currently struggling to find the fun of it, it will get better the more you hone your eyes.
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Hey, firstly I just wanted to say I’ve been consuming your content for years and thank you and Blue for being the only thing that kept my academic brain from turning to mush during online COVID middle school!
But I’m entering a new academic era, notably Junior year of my very rigorous collage prep program at my high school. I’ve always thought I would go to collage after high school but I’ve recently stumbled into some very interesting ways of making a living only perusing my creative passions (some very scary publishing opportunities). So I’ve been wondering if I actually want to go to collage or not, since going to collage just to be a published writer is an objective waste of money and I don’t want to spend the rest of high school breaking my neck earning collage credits I’m not going to use.
So I was wondering, if you had known you could make a living only perusing your creative passions, would you have spent the time, money and academic energy going to collage for something you didn’t end up doing professionally?
(I would ask my advisor but he’s too obviously pro collage and doesn’t have any experience making a living creatively).
(Sorry for the long ask)
No problem about the long ask! This is a very good question!
I'll start with the short answer, which is that nobody can make this decision but you, and if you decide not to go to college right now, that does not mean you are deciding to never go to college. Especially with Covid, plenty of people are taking gap years, and plenty of full-on adults go to college later in life, simply because the mood strikes them, or they now have income to burn, or they're interested in a career change, etc. This is not a coinflip that will decide the trajectory of the rest of your life.
For the longer answer, for me personally? Knowing I'd be able to earn a living doing art would have no bearing on my decision to go to college. Setting aside that a ton of the literary analysis my job is based on is skills I learned in college, I liked college because it gave me the opportunity to learn a wide swath of things, from anthropology courses to dinosaur science. I like learning new things! College was an opportunity to learn a ton of new things, and even if it was very challenging in places, I thrived in it. I didn't go to college with the goal of becoming qualified for a Real Job - because of who I am as a person I think I'd seriously struggle at most Real Jobs, and I knew that even back then. I was in college to learn, and to learn how to learn. I got my degree in mathematics, a thing I do not use in my Job, but the functionality of mathematics - to logically reason through problems, step by step, comparing it to known problems to map the way to solutions using operations that preserve truth - is an invaluable skill that I apply everywhere there are problems to solve, especially literary analysis. I learned a wide swath of tools with surprising applications, and I couldn't have known when I started how I might use them in the end.
However, there's a big caveat there. This was my personal experience of college as a playground where I could work towards a solid major and also branch out to take weird one-off electives and summer courses when anything struck my fancy. But I was in on a scholarship to cover a good chunk of my tuition, and one of my relatives very kindly paid for the rest. I got to do college without accruing any college debt, and that is an enormous factor. I can only share my personal take, but I'm not going to pretend that things would have been the same if I'd had to enter adulthood finding a way to quickly pay off a six-figure sum.
I've been extremely lucky to get to the point where I can navigate life in a way where money is very rarely something I need to worry about. It was certainly not always like that, and I do not miss those times, but it invariably shapes the way I see the world and the steps I took to get here. For me personally, I do not consider college in any way a waste of time; I think the opportunity to learn is one of the most exciting things out there. But my experience cannot be pretended to be universal.
This decision is yours, and it is also not final. Whatever choice you make, you can always choose again later. You have time.
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I'm pretty sure that whatever part of my fuckass brain that's supposed to take deadlines seriously has been in a state of disrepair for months if not years
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be mine
valentine ♥︎
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birds of a feather
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(((SPOILERS BELOW)))
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#poppy playtime#poppy playtime fanart#it's fine everything is fine#now I'm just hearing michael kovach's lines on repeat but it's fine!!
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actually so excited for the new chapter
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