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Ellsworth Kelly, Sketchbook #17 November 1951–May 1952

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Agnes Martin, Kali, 1958

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View KYRIE (1962) By Martin Agnes; oil, ink, graphite and nails on canvas; 10 1/2 x 10 1/2 in.

mutualart.com

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Jack Whitten’s “Fifth Gesalt (Coal Miner)” and “Sixth Gesalt (The Seamstress)” for his mother and father. Really moved me.

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Jack Whitten - Self Portrait: Entrainment, 2008, Acrylic collage and eye glass lens on canvas, 74 x 58.4 cm, 29 1/8 x 23 inches

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Jack Whitten, Liquid Space I, 1976 [MoMA, New York, NY. © 2020 Jack Whitten]

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As creativity flowers and flourishes, it steadily produces a kind of psychic biomass— darker and darker in color, rich, bewildering, gratuitous stuff that rushes in to fill up gaps left by lovelessness.

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Jack Whitten, Epsilon Group II, 1977 [Tate, London]

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Jack Whitten, “Black Monolith XI, Six Kinky Strings: For Chuck Berry,” 2017, Acrylic on canvas, 84 × 63 inches

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Black Monolith VIII (For Maya Angelou)

Jack Whitten

via NYTImes

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Jack Whitten, Homecoming: For Miles, 1992

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Jack Whitten, studio notes

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Robert Rauschenberg - Untitled (1967)

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Robert Rauschenberg, The Razorback Bunch, 1980

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Cy Twombly (American, 1928-2011), Untitled, 1974. Ink, wax crayon, graphite, tape, printed paper and paper collage on paper, 29¾ x 22½ in.

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Helen Frankenthaler, Concerto, 1982,

Acrylic on canvas,

53 x 39¼ in (134.6 x 99.7 cm)

Courtesy: Christie's

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Helen Frankenthaler, End of Summer, 1995