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Orange kinetic balls - Viva Technology (2019)

Proudly made at Publicis.Sapient

For its presence at the Vivatech 2019 show in Paris, Orange asked Publicis.Sapient to create an eye catchy architechturale installation conveying the sens of mouvement and acceleration like the Orange Booster Start-up offer.

Scope : Experience design

Credits

Creative director : Julien Terraz

Experience designer : Stéphane Allary

Creative Technologist : Franck Youdine

Hardware / Production : Events Society

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Alcohol Effect (2018)

Arduino, Pedal Shield UNO, Ethanol sensor.

Alcohol Effect est une pédale d’effet qui distord le son en fonction du taux d’alcoolémie du performeur, qui souffle dans le capteur. Pédale initialement conçue pour des performances noise deYpaul de Quarse.

Alcohol Effect is an effect pedal that distorts the sound based on the blood alcohol level of the performer blowing in the sensor. Pedal originally designed forYpaul de Quarse noise performance.

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Seamless Augmented Reality (2018)

Proudly made at Publicis.Sapient

A prototype that I developed to test and push the limit of the augmented reality. The main purpose was to customize real object in AR with a super high precision, seamlessly and with occlusion.

Spatial experience concept

Scope : Creative Direction / Interface Design / Unity3D Code

Credits

Creative Director : Julien Terraz

Spatial Experience Designer / Creative Coder : Stéphane Allary

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Grow #2 (2018)

A week of talks, workshops and exhibition to bring together the community of those who bring together code and creation, art and digital, artificial intelligence, generative systems and visual culture. A week also to introduce to a curious public this new culture and its languages.

Event by Grow

Opening event 12/11/2018 at 10h, exhibition till 16/11/2018

At Ground Control,  81, rue du Charolais 75012 Paris

Exhibited works - Data Icons

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Obsolescence Déprogrammée (2018)

From mapping to sound installation, robotics and machine learning, a unique opportunity to enter the magical world of innovation and autonomy.

Exhibition curated by L’ARC (Action et Recherche Culturelles)

Opening event 25/05/2018 at 18h, exhibition till 26/05/2018

At Recy-K, Quai Fernand Demets 55 Anderlecht, 1070 Belgique

Exhibited works - Data Icons

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A Dada #2 (2018)

This exhibition is part of a desire to celebrate the centenary of the birth of the dada movement. This is an opportunity for Micr0lab to put his contemporary practice, often funny and punk, in a historical perspective. The goal here is not to tell it, but to honor the elderly, those punk people of the time who wanted to break everything to come back again. Founded in 2010, this multi-disciplinary group composed of associated artists around the creation, the diffusion and the sharing, is today a network which claims a widened opening to the various means of expression. Like this crazy collective, the exhibition will present a multiplicity of forms on the topics addressed (surrealism, body, humor, misappropriation, history ...) as on the techniques used (drawing, engraving, silkscreen, lithography ...).

Opening event 01/03/2018 at 19h, exhibition till 29/04/2018

At Le Jardin Moderne, 11 rue du Manoir de Servigné, Rennes

Exhibited works - Data Icons

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Datas Icons (2018)

Wood, Acrylic, Gold leaves, Plotter, Video Projector, Openframeworks algorithm.

Data Icons est un travail d’interprétation libre et de visualisation de données de navigation « touch » sur mobile. Données captées lors de l’utilisation des applications phares Facebook, YouTube et Snapchat. Ces icônes de type byzantin, ces artefacts semi-fictionels, représentent l’utilisation compulsive des 3 Apps les plus utilisées … comme une prière moderne.

Data Icons is a work of free interpretation and visualization of mobile  « touch » navigation datas. Datas recorded when using the leading applications Facebook, YouTube and Snapchat.These Byzantine-type icons, these semi-fictional artifacts, represent the compulsive use of the 3 most used Apps ... like a modern prayer

Exhibition

- A Dada #2 at Le Jardin Moderne at Rennes, 01.03.2018 - 29.04.2018

- Obsolescence Déprogrammée at Recy-k at Bruxelles, 25.05.2018 - 26.05.2018

- Grow #2 at Ground Control  at Paris, 12.11.2018 - 16.11.2018

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La Poste Easy Life, Easy Dance - Viva Technology (2018)

Proudly made at Publicis.Sapient Labs

For its presence at the Vivatech 2018 show in Paris, La Poste asked Publicis.Sapient Labs to create an eye catchy interactive installation to show the new brand key message "Easy Life, Easy dance". We created a giant virtual dance party where the user are recorded real-time and then added in background in a Memphis inpired design.

Scope : Artistic Direction / Openframeworks and Kinect code

Credits

Head of lab / Design : Julien Terraz

New media designer / Creative Coder : Stéphane Allary

Hardware : Mvision

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Repli 00 (2017)

Paper print, Openframeworks algorithm.

"Repli 00" est une vue de Rigny-Saint-Martin le 7 Mai 2017. Cette image peut être vue comme une exploration hasardeuse de la contingence entre le territoire géographique et les orientations socio-politiques de ce même territoire. Mais "Repli 00", c'est aussi et avant tout, une manière de révéler ces orientations politiques : une population qui choisie de se mettre le plus possible en vase clos, une population qui se ferme sur elle-même, se met dans un repli du territoire. Ou alors est-ce le repli naturel du territoire qui est le terrain fertile du repli social ?

"Repli 00" a été réalisé pour le Fanzine « Chambre Pâle#4» aux éditions micr0lab, « Chambre Pâle#4» ayant pour thème : « Plis, croûtes, et zones humides »

"Repli 00" is a view of Rigny-Saint-Martin on May 7, 2017. This image can be seen as a risky exploration of the contingency between the geographical territory and the socio-political orientations of the same territory. But "Repli 00" is also, and above all, a way of revealing these political orientations: a population that chooses to put itself as much as possible in isolation, a population that closes on itself, puts itself in a fold of the territory. Or is it the natural fold of the territory that is the fertile ground of social withdrawal?

"Repli 00" was produced for the Fanzine « Chambre Pâle#4» published by micr0lab, « Chambre Pâle#4» whose theme was : « Creases, scabs, and wet area »

A post shared by Stéphane Allary (@poulpizator) on Jun 27, 2017 at 7:58am PDT

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La Poste Tree - Viva Technology (2017)

Proudly made at Digitas LBi Labs Paris

For its presence at the Vivatech 2017 show in Paris, La Poste asked DigitasLBi Labs to present its innovative and humane offer of services through a booth experience against the flow.

With the skills of Publicis Event, we have developed one of the most emblematic stands of Vivatech 2017, a unique and memorable place, as a metaphor for innovation at La Poste: a tree that draws its energy from startups that surround it and produce fruits of unparalleled quality; namely La Poste services.

Scope : Design / Creative direction / Technologies consulting / Prototyping

Credits

Concept & Project Lead (DigitasLBi & Publicis Event)

Labs Director: Julien Terraz

Creative technologist: Stéphane Allary

Creative directors : Richard Arnaud, Julien Terraz & Stéphane Allary

Screenplay writers: Romain Boudruche & Jérémy Sitbon

Lead motion designer : Javier Sacristan Rodriguez

Illustrators : Cyril Calgaro & Patricia Grivet

Motion designers : Cyril Calgaro, Guillaume Lanoiselée, Lionel Darras, Valentin Tesson, Loïc Kessler

Software developers : Franck Youdine & Maximilien Jourdain

Producers : Matthieu Carton, Fabrice Beaugonin, Mathieu Collet, Régis Elatri, Valentine Louët

Account directors : Remy Garnier, Stephany Niogret, Catherine Cante, Caroline Pierret

Project managers : Maxime Decarpentries & Cécile Sallaind

Strategy (Publicis Conseil)

Head of strategy : Eric Forest

Strategic planner : Etienne Averseng

Stage design (Epatant)

Head of design : Etienne Villotte

Stage designer : Chloé Grésillon

Case Study (DigitasLBi)

Writer : Nolwenn De-La-Pintière

Video producer : Javier Sacristan Rodriguez

Sound production (Prodigious)

Producer : Clement Bonnet

Sound engineers and Sound designers : Sidney Guillen & Florentin Foucault

Voice-Over : François Lidove & Geoffrey Bateman

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Dior Eyes (2017)

Proudly made at Digitas LBi Labs Paris

Dior is a very famous House in Fashion and Perfumes, known for the exceptional craftsmanship of its fashion collections, high-end perfumes and cosmetics. To strengthen the strong emotional link with Millennials fashionistas and key clients, Dior wanted to create an outstanding experience to explore the brand content. The main objective was to trigger the interest of their consumers for the perfume and make-up categories, while expressing the modernity of the brand.

DigitasLBi Paris had been briefed by la Maison Dior to breathe new life into the customer experience. The Labs was chosen to design and manufacture Dior Eyes, the most innovative and ergonomic virtual reality helmet in the world. Users of the Dior Eyes will enjoy 360° visits in the backstage of the fashion show or iconic Dior places.

Dior Eyes is an avant-garde virtual reality helmet. Designed for men but also and especially for women. Matte, shiny, polished, leather and gold: the textures and colors are perfectly mastered and contribute to express the timeless elegance of the Dior House.

Scope : Design / Creative direction / Technologies consulting / Prototyping

Credits

Concept & Project Lead (DigitasLBi)

Labs Director : Julien Terraz

Creative Technologist : Stéphane Allary

Creative Director : Jean-Francois Ziegelmeyer

Digital Producer : Matthieu Carton

Account Director : Stéphane Le Flohic

Project Manager : Maxime Decarpentries

Creative Coder (Android App) : Franck Youdine

Creative Coder (Back Office) : Maximilien Jourdain

Art Director (Android App) : Aymeric Pepin

UX Designer (Android App) : Sebastien Calvez Jimenez

Press Relation : Sarah Coutin

Logistic : Wahid Sellami

Case Study (DigitasLBi)

Motion Lead : David Sultan

Motion Designer : Javier Sacristan Rodriguez

Art Director : Sarah Scherrer

Director of photography : Valention Tesson

Design (Eliumstudio)

Head of Industrial Designer : Pierre Garner

Senior Industrial Designer : Arthur Farre

Industrial Designer : Thibaut Barbedette

Packaging Designer : Nieves Contreras

Mechanical production (Novall)

Head of Mechanical Engineer : Ronald Bosch

Mechanical Engineer : Ludovic Lauer

Prototyping (Euromodel)

Head of Prototyping : Stéphane Millot

Prototyping Assistant : Karen Villanova

Packaging (CNC)

Packaging Manager : Paola Pruvost

Mechanical production (LCO)

Project Manager : Samuel Fontanel

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La Poste Hubiquity - CES Las Vegas (2017)

Proudly made at Digitas LBi Labs Paris

La Poste offers amazing services, for companies and people's everyday life, in the IOT field. But the issue is that nobody knows that they made a breakthrough in this field with these services. For the Las Vegas CES 2017, we designed Hubiquity, a stunning immersive experience based on cutting edge technologies to show how the Hub platform made by La Poste gives you almost an ubiquity gift while your privacy is tottaly protected by the high level security policy managed by La Poste : a never seen before experience, for a never seen before service.

Scope : Design / Creative direction / Technologies consulting / Prototyping

Credits

Head of lab : Julien Terraz

New media designer / Creative Technologist : Stéphane Allary

Account team: Stephany Niogret & Maxime Decarpentries

Creation direction : Laurent Nuyen, Luc Deveze .

Production : Matthieu Carton

Video production : Fighting Fish / Fix Studio / No Gravity 

Filter product design and production : Elium Studio / Axindus / LCT

Booth and event management : Publicis Event / POne / Espace Commun / Prodway

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Panopticon Live (2016)

3D printing, Arduino, Computer, Laser, Electromagnet, OpenFramework algorithm, Smoke machine.

Panopticon Live, inspiré du projet de prison de Panopticon de Jeremy Bentham et des travaux prédictifs de Foucault sur le panoptisme, est un système automatisé et en temps réel de surveillance du réseau social Twitter. Comme la prison panoptique de Jeremy Bentham, l'observation vient du centre de la pièce, mais vous ne savez pas quand vous serez sous surveillance. Le panoptique, après une période de temps d'attente aléatoire, se fige et ses lasers pointent vers le public comme s'il s'agissait de cibles potentielles. Il commence alors à rechercher en temps réel sur Twitter si quelqu'un a récemment utilisé un des mots clés présents dans une liste. Cette liste est basée sur les mots-clés utilisés par la NSA, pour son programme de surveillance, une liste publiée suite à l'affaire Edward Snowden. Si un tweet contenant l'un des mots-clés est trouvé, le panopticon dénonce à haute voix le mot clé et la personne qui l'a utilisé.

Panopticon Live, inspired by Jeremy Bentham’s Panopticon prison project and by Foucault's predictive works about the Panopticism, is an automated and real-time surveillance system of the social network Twitter. Like the Jeremy Bentham's panopticon prison, the observation comes from the center of the room but you don't know when you will be under surveillance. The panopticon, after a period of random waiting time, freezes, its lasers pointed towards the public as if it were a potential target. It then starts to search in real-time on Twitter if someone has used recently one of the keywords present in a list. This list is based on the keywords that the NSA used for its monitoring program, a list released following the Edward Snowden case. If a tweet containing one of the keywords is found, the panopticon denounces aloud the key word and the person who used it.

Made with the support of Maxime Fredon

Exhibition - Capture d'écrans at Bruxelles, 13.09.2016 - 30.09.2016 - Les forces en présences at Le Creusot, 10.06.2016 - 23.06.2016

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Like (2016)

Paper, Raspberry Pi, LED panel, Processing algorithm.

Un billet précieusement affiché sous verre et un micro-ordinateur qui diffuse des informations sur un écran de LED : vous vous approchez du billet, c'est un faux, la devise n'est pas en euro ou en dollar, il s'agit d'un Like Facebook. Sur l'écran LED, comme à la bourse, le micro-ordinateur gère l'affichage d'une courbe. Cette courbe est une représentation du cours du like, avec sa valeur en euro qui évolueau fil du temps. Like est directement connecté au cours boursier de l'action Facebook pour extraire en temps réel la valeur financière d'un like d'une page Facebook.

A note is preciously displayed under glass and a microcomputer broadcasts informations on an LED screen: you are approaching the note, it is a forgery, the currency is not in euro or in dollar, it is a Facebook Like. On the LED screen, as at the stock exchange, the microcomputer manages the display of a curve. This curve is a representation of the exchange rate of the Like, with its value in euro that evolves over time. Like is directly connected to the exchange rate of the Facebook action to extract in real time the financial value of a like of a Facebook page.

Exhibition - Capture d'écrans at Bruxelles, 13.09.2016 - 30.09.2016

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Ruinart - Anamorphosis (2016)

Proudly made at Digitas LBi Labs Paris

With a pioneering spirit and an iconic heritage, Maison Ruinart has worked with DigitasLBi Labs to offer a brand new experience in art fairs and pop-up stores: a contemporary reinterpretation of the anamorphosis showcasing an animation celebrating The Maison Ruinart, an animation made in collaboration with the artist Ugo Gattoni.

Scope : Experience design / Technologies consulting / Prototyping

Credits

Head of lab : Julien Terraz

New media designer : Stéphane Allary

Creation direction : Laurent Nuyen, Jey Ziegelmeyer.

Project manager : Matthieu Carton

Artist : Ugo Gattoni 

Animation : NOMINT

Furniture design : Benoit Brissart

Awards

Grand Prix Stratégie Digital 2017 : Bronze

One Show 2017 : Bronze

Cannes Lions 2017 : Shortlist

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Capture d'écrans, Belgique (2016)

From 10 to 21 October 2016, the Digital Week takes place in Belgium. For this occasion, the Brussels sssociation A.R.C decided to dedicate their next exhibition, offering a critical reading of the digital society through the prism of several artists / creators whose digital is the favorite subject, whatever their medium.

The exhibition will highlight the many and varied work ranging from painting to video art, through screen printing or immersive and connected installations. The A.R.C has invited five artists: Nicolas Ory (silkscreened networks), Jonathan Lecroq (glitched painting), Rick and Rui Mendes Hildt (free software and networks), Aurélien Merceron (architectural virtual reality), Stéphane Allary (immersive and connected installations).

Opening event 13/09/2016 at 17h, exhibition till 30/09/2016, on reservation

At A.R.C, 20 Rue de l’Association 1000 Bruxelles

Exhibited works - Panopticon Live (2016) - Like (2016)

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Throwies gravity simulation workshop (2016)