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outlanderfandomfollies · 7 months ago

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Thanks for putting this all together @brian-in-finance.

I'd also like to add one scene from BEES that I mentioned briefly elsewhere. In it, I think Diana shows us how Master Raymond might have revived Faith. In the scene, Claire saves Susannah & Aaron Cloudtree's "stillborn" baby girl.

Several things contribute to Claire's success in reviving the baby.

Claire used a technique Roger told Claire about that Dr. McEwan used on Buck in 1739, in which "the rhythm of a beating heart" is slowly tapped out on the chest.

The fact that Claire was finally able to sustain a blue healing "spark" (which earlier she had not been able to sustain to keep Malva's prematurely born son alive).

Finally, Jamie added his "red man" strength and warmth to help Claire succeed. He did so by touching her and holding her throughout. You may recall in DIA that when Raymond was healing Claire in L'Hôpital des Anges, Raymond told Claire, “Call him. Call the red man. Call him.” Claire calls Jamie & says:

"A bolt of heat shot through my belly, from one hand to the other, like an arrow through the center of the basin of my bones. The pressing grip relaxed, slid free, and the lightness of harmony filled me." [emphasis added] DIA (1992, p. 362)

Below is an excerpt from the the scene where Claire revives the Cloudtree baby girl in BEES (2021, pp. 415-416):

But in the midst of the searing grief, I slowly realized…something. It didn’t happen; it was already there. But I hadn’t felt it and now I did. “Claire?” Jamie’s hand touched my shoulder and I seized it with my free hand and held on. Warmth, strength. “Stay,” I said, to him and to her, breathless. “Stay.” My heart. I was still feeling it, distinctly, slow and regular. I let go of Jamie’s hand, but he didn’t take it away. Holding the baby in one arm, I laid my other hand on her back, feeling. No sensation, nothing I could really say I felt—but there was something there. I pressed lightly on her back, waited for the space of a breath, pressed again. And again. Hearing my own heartbeat in my ears, in the pulse of my blood. Pressed my heartbeat into her back, into her chest where it pressed against me. Push. My fingers were warm, and so was the child. The fire, I thought dimly. Crackle of fire and the sound of my heart. Thup-tup, thup-tup, thup-tup…And suddenly I heard Roger, telling me what Dr. McEwan had done, a hand on Buck’s breast, tapping slowly and patiently, over and over, in the rhythm of a beating heart. Thup-tup…thup-tup…thup-tup… [emphasis added]

[See more of the scene under the cut.]

There were more sounds in the room now, soft voices, the spitting of a cracking log, the wind under the eaves of the roof, the rushing sound of pines and the sloshing of water. Movement, warmth, life. Jamie’s hand, solid on my shoulder. I heard it all, I felt it all, but it was removed from me, happening in another world. All I was, was the sound of a heartbeat. And in some enormity of time, I knew that there were two of us in that sound, a sharing of the beat of a heart, the knowledge of life. My finger tapping, slow and sure. Thup-tup…thup-tup… Malva…I saw her in my mind’s eye, dead in the garden, and the smell of blood and the scent of birth. The tiny boy I’d taken from her body, barely alive. A blue spark in my hands, that dwindled and died. A blue spark. I saw it, saw it and looked deep into it, willing it to stay, holding it safe in the palms of my hands. Thup…My finger stilled, and the small sound answered. Tup. I gradually became aware of my own breath, and after that, felt the solidness of Jamie and realized that he was holding me upright, an arm around my middle, his other hand on my breast, above the baby’s head. I lifted my own head, nearly blind from the brilliant darkness I’d been in, and saw the silhouette of a girl against the fire, her body dark and thin through the white of her shift. “I cut the cord for you, Mrs. Fraser,” Agnes said. “And I kneaded Mam’s belly like she told me. Do you want a cup of cider? Pa drank all the beer.” “She would, lass,” Jamie said, and gently let me go. “But first bring a wee blanket for your sister, aye?” [emphasis added] BEES (2021, pp. 415-416)

Why was Claire able to sustain the "blue spark" now? Well, as you may recall, in DOA she had been told by Nayawenne (translated by Gabrielle, her grandson's wife):

“My husband’s grandmother says that you have medicine now, but you will have more. When your hair is white like hers, that is when you will find your full power.” [emphasis added] DOA (1996, p. 312).

After Claire revives the baby girl, she asks Jaime, "What color is my hair?" and he says:

“All the colors o’ the earth,” he said, and smoothed the hair from my face. “But here, all about your face—it’s the color of moonlight, mo ghràidh.” [emphasis added] BEES (2021, p. 417).

Photos: Screen Rant

⚠️ This post is ridiculously long. It includes three passages from Bees that relate to Season 7’s surprising cliffhanger ending, and an explanation from Diana Gabaldon on what put that crazy idea in the scriptwriter/showrunner heads.

From “the book”

"This is all I have," she said, her voice hoarse as a young toad's. "Just this and her wock — locket."

"This?" Jamie stirred the little pile gently with a big forefinger and withdrew a small brass oval, dangling on a chain. "Is it a miniature of Jane, then, or maybe a lock of her hair?"

Fanny shook her head, taking the locket from him.

"No," she said. "It's a picture of our muv — mother." She slid a thumbnail into the side of the locket and flicked it open. I bent forward to look, but the miniature inside was hard to see, shadowed as it was by Jamie's body.

"May I?"

Fanny handed me the locket and I turned to hold it close to the candle. The woman inside had dark, softly curly hair like Fanny's — and I thought I could make out a resemblance to Jane in the nose and set of the chin, though it wasn't a particularly skillful rendering.

Behind me, I heard Jamie say, quite casually, "Frances, no man will ever take ye against your will, while I live."

There was a startled silence, and I turned round to see Fanny staring up at him. He touched her hand, very gently.

"D'ye believe me, Frances?" he said quietly.

"Yes," she whispered, after a long moment, and all the tension left her body in a sigh like the east wind.

Jemmy leaned against me, head pressing my elbow, and I realized that I was just standing there, my eyes full of tears. I blotted them hastily on my sleeve and pressed the locket closed. Or tried to; it slipped in my fingers and I saw that there was a name inscribed inside it, opposite the miniature.

Faith, it said.

…

Faith. Our mother, Fanny had said. I'd looked more than once at the miniature in the locket — but it was too small to show anything more than a young woman with dark hair, maybe naturally curly, maybe curled and dressed in the fashion of the times.

No. It can't be. I rolled over for the dozenth time, settling on my stomach and burying my face in the pillow, in hopes of losing myself in the scent of clean linen and goose down.

"It can't be what, Sassenach?" Jamie's voice spoke in my ear, sleepily resigned. “And if it can't, can it not wait 'til dawn?"

I rolled onto my side in a rustle of bedding, facing him.

"I'm sorry," I said, and touched him apologetically. His hand took mine automatically, warm and firm. "I didn't realize I'd said it out loud. I was... just thinking about Fanny's locket."

Faith.

"Ach," he said, and stretched himself a little, groaning. "Ye mean the name. Faith?"

"Well... yes. I mean — it can't possibly... have anything to do with—”

"It's no an uncommon name, Sassenach." His thumb rubbed gently over my knuckles. "Of course ye'd... feel it. I did, too."

"Did you?" I said softly. I cleared my throat a little. "I — I don't really do it anymore, but for a time, just—just every now and then — I'd think of her, of our Faith — out of nowhere. I'd imagine I could feel her near me."

"Imagine what she might look like — grown?" His voice was soft, too. "I did that, sometimes. In prison, mostly; too much time to think, in the nights. Alone."

I made a small sound and hitched closer, laying my head in the curve of his shoulder, and his arm came round me. We lay still, silent, listening to the night and the house around us. Full of our family— but with one small angel hovering in the calm sweet air, peaceful as rising smoke.

"The locket," I said at last. "It can't possibly have anything whatever to do with—”

"No, it can't," he said, a cautious note in his voice. "But what are ye thinking, Sassenach? Because ye're no thinking what ye just said, and I ken that fine."

That was true, and a spasm of guilt at being found out tightened my body.

"It can't be," I said, and swallowed. "It's only…” My words died away and his hand rubbed between my shoulder blades.

"Well, ye'd best tell me, Sassenach," he said. "Nay matter how foolish it is, neither one of us will sleep until ye do."

"Well... you know what Roger told me, about the doctor he met in the Highlands, and the blue light?"

"I do. What…"

"Roger asked me if I'd ever seen blue light like that — when I was healing people."

The hand on my back stilled.

"Have ye?" He sounded guarded, though I didn't know whether he was afraid of finding out something he didn't want to know, or just finding out that I was losing my mind.

"No," I said. "Or not — well, no. But... I have seen it. Felt it. Twice. Just a flash, when Malva's baby died." Died in my hands, covered with his mother's blood. “But when Faith was born, when I was so ill. I was dying — really dying, I felt it — and Master Raymond came."

"Ye told me that much," he said. "Is there more?"

"I don't know," I said honestly. "But this is what I thought happened." And I told him, about seeing my bones glow blue through the flesh of my arms, the feeling of the light spreading through my body and the infection dying, leaving me limp, but whole and healing.

"So... um... I know this is nothing but pure fantasy, the sort of thing you think in the middle of the night when you can't sleep..."

He made a low noise, indicating that I should stop apologizing and get on with it. So I took a deep breath and did, whispering the words into his chest.

"Master Raymond was there. What if — if he found... Faith... and was able to... somehow bring her… back?"

Dead silence. I swallowed and went on.

"People… aren't always dead, even though it looks like it. Look at old Mrs. Wilson! Every doctor knows — or has heard — about people who've been declared dead and wake up later in the morgue."

"Or in a coffin." He sounded grim, and a shudder went over me. "Aye, I've heard stories like that. But — a wee babe and one born too soon — how…”

"I don't know how!" I burst out. "I said it's complete fantasy, it can't be true! But — but —" My throat thickened and my voice squeaked.

"But ye wish it were?" His hand cupped the back of my head and his voice was quiet again. "Aye. But... if it was, mo chridhe, why would he not have told ye? Ye saw him again, no? After he'd healed ye, I mean."

"Yes." I shuddered, momentarily feeling the King of France's Star Chamber close around me, the smell of the King's perfume, of dragon's blood and wine in the air — and two men before me, awaiting my sentence of death.

"Yes, I know. But — when the Comte died, Raymond was banished, and they took him away. He couldn't have told me then, and he might not have been able to come back before we left Paris."

It sounded insane, even to me. But I could — just — see it: Master Raymond, stealing out of L'Hôpital des Anges after leaving me, perhaps ducking aside to avoid notice, hiding in the place where the nuns had, perhaps, laid Faith on a shelf, wrapped in her swaddling clothes.

He would have known her, as he'd known me...

Everyone has a color about them, he said simply. All around them, like a cloud. Yours is blue, madonna. Like the Virgin's cloak. Like my own.

One of his. The thought came out of nowhere, and I stiffened.

"Jesus H. Roosevelt Christ." What if — all right, I was insane, but too late for that to make a difference.

"What if he — if I, we — what if Master Raymond is — was — somehow related to me?"

Jamie said nothing, but I felt his hand move, under my hair. His middle finger folded down and the outer ones stood up straight, making the sign of the horns, against evil.

"And what if he's not?" he said dryly. He rolled me off him and turned toward me so we were face-to-face. The darkness was slowly fading and I could see his face, drawn with tiredness, touched with sorrow and tenderness, but still determined.

"Even if everything ye've made yourself think was somehow true — and it's not, Sassenach; ye ken it's not — but if it were somehow true, it wouldna make any difference. The woman in Frances's locket is dead now, and so is our Faith."

His words touched the raw place in my heart, and I nodded, tears welling.

"I know," I whispered.

"I know, too," he whispered, and held me while I wept.

— Go Tell the Bees That I Am Gone, Chapter 24, Alarms By Night

"Ian — I wanted to ask you a favor." One eyebrow went up.

"Name it, Auntie."

"Well... Jamie said that you plan to stop in Philadelphia. I wondered.." I felt myself blushing, much to my annoyance. His other eyebrow rose.

"Whatever it is, Auntie, I'll do it," he said, one side of his mouth curling. "I promise."

"Well... I, um, want you to go to a brothel."

The eyebrows came down and he stared hard at me, obviously thinking he hadn't heard aright.

"A brothel," I repeated, somewhat louder. "In Elfreth's Alley."

He stood motionless for a moment, then turned and put the cheese back on the shelf, and glanced down at the clear brown water of the creek rushing past our feet.

"This might take a bit of time to explain, aye? Let's go out into the sun."

— Go Tell the Bees That I Am Gone, Chapter 59, Special Requests

IAN CAME BACK from his visit to Elfreth's Alley in something of a brown study, oblivious to the shouts of dairymaids and beer sellers.

He'd thought he might have to expend considerable time and money in order to get the inhabitants of the brothel to talk, but the mere mention of Jane Pocock's name had opened floodgates of gossip, and he felt as one might after being washed overboard from a ship and carried ashore in a flurry of foam and sharp deb-ris.

Now he wished he had paid more attention to Fanny's drawing of her sister.

The loudly stated opinion of Mrs. Abbott, the madam, was that Jane Pocock had been strange, plainly very strange, demented and probably a practitioner of Strange Arts, and how it was that neither she nor any of her girls had been murdered in their beds, she did not know. Ian wondered why a young woman with such skills would have been working as a whore, but didn't say so, under the circumstances.

It took some time for the talk about the murder of Captain Harkness to die down, but Ian Murray did ken his way around a brothel, and when the flow diminished, he at once ordered two more extortionately priced bottles of champagne.

This altered the air of accommodation to something more focused but less vituperative, and within half an hour, Mrs. Abbott had retreated to her sanctum and the whores had reached their own silent accommodation amongst themselves. He found himself on the red velvet sofa common to such establishments, with Meg on one side and Trixabella on the other.

"Trix was friends with Arabella — Jane, I mean," Meg explained. Trix nodded, doleful.

"Wish I hadn't been," she said. "That girl hadn't any luck at all, and that kind of thing can brush off on you, you know. What are those things on your face?"

"Can it?" lan touched his cheekbone. “It's a Mohawk tattoo."

"Ooh," said Trix, with slightly more interest. "Was you captured by Indians?" She giggled at the thought.

"Nay, I went of my own accord," he said equably.

"Well, me too," Trix said, with an uptilted chin and a wave of the hand presumably meant to draw his attention to the relatively luxurious nature of her place of employment. "Not Arabella, though. Mrs. Abbott got her and her sister off a sea captain what didn't have the scratch to pay his bill. Those girls were indentures."

"Aye? And how long ago was that? Ye canna have been here more than a year or two yourself." In fact, she looked to have been in the trade for a decade, at least, but minor gallantries were part of the expected pourparlers, and she laughed and batted her eyes at him in a practiced manner.

"Reckon it would have been six — maybe seven — years ago. Time flies when you're havin' fun, or so they say."

"Tempus fugit." Ian filled her glass and clinked his against it, smiling. She dimpled professionally, drank, and went on.

"Mind, I wasn't but two years older than Jane..." Bat-bat. "Mrs. Abbott wouldn't've bothered with them, save they were pretty, both of 'em, and Jane was just about old enough to... um... start."

Ian was counting back; six years ago, Jane would have been about the age Fanny was now. Old enough...

After a few accounts of harrowing initial experiences in the trade, he managed to drag the conversation back to Jane and Fanny.

"Ye said a sea captain sold the girls to Mrs. Abbott. Do either of ye by chance recall his name?"

Meg shook her head.

“I wasn't here," she said. "Trix...?" She lifted a brow at her friend, who frowned a little and pressed her lips together.

"Has he come back here — since?" Ian asked, watching her closely. She looked startled.

"I — well... yes. I only saw him twice, mind, and it's been a long while, so I maybe don't recall his name for sure."

Ian sighed, gave her a direct look, and handed her a golden guinea.

"Vaskwez"" she said without hesitation. "Sebastian Vaskwez."

"Vas — was he a Spaniard?" lan asked, his mind having smoothly transmuted her rendering to "Sebastiàn Vasquez."

"I don't know," Trix said frankly. "I've never had a Spaniard — knowin'-like, I mean-wouldn't know what they sound like."

"They all sound the same in bed," Meg said, giving Ian an eye. Trix gave her friend a withering look.

"He sounded foreign-like, no doubt about that. And no talking through his nose or that gwaw-gwaw sort of thing Frenchies do. I've had three Frenchmen," she explained to Ian, with a small showing of pride. "Was a few of'em in Philadelphia while the British army was here."

"When was the last time Vasquez came here?" he asked.

"Two... no, maybe close to three years ago."

"Did he go with Jane then?" Ian asked.

"No," Trix said unexpectedly. "He went with me." She made a face. "He stank of gunpowder — like an artilleryman. He wasn't one, though; they've all got it ground into their skin and their hands are black with it, but he was clean, though he smelled like a fired pistol."

A thought occurred to Ian — though thinking was becoming difficult. He wasn't bothered by the fact that his body was taking strong notice of the girls, but arousal seldom did much for the mental faculties.

"Could ye tell if he was still a sea captain?" he asked. Both girls looked blank.

"I mean — did he mention his ship, or maybe say he was taking on crew, anything like that? Did he smell of the sea, or — or —fish?"

That made them both laugh.

"No, just gunpowder," Trix said, recovering.

"Mother Abbott called him 'Captain, though," Trix added. "And 'twas clear enough he weren't a soldier."

A few more questions emptied both bottles, and it was clear that the girls had told him all they knew, little as it was. At least he had a name. There were sounds in the house, opening doors, heavy footsteps, men's voices and women's greetings; it was just past teatime and the cullies were beginning to come in.

He rose, arranged himself without shame, and bowed to them, thanking them for their kind assistance.

— Go Tell the Bees That I Am Gone, Chapter 80, A Word For That

From “the author”

“They actually did get the (general) idea from me, though,” she admits. “When chatting with [showrunner] Matt [Roberts] about All Things plot wise, I mentioned that if I had written a second graphic novel (I didn't, for assorted reasons), I would have shown what actually happened after Faith's presumed death at the Hopital des Anges, and how/why Master Raymond resuscitated and nurtured the baby secretly, but wasn't able to come back with her before Claire and Jamie left France. So, they liked that idea and ran with it.” — Diana Gabaldon, Parade

Remember… Claire is only one of more than a dozen time-travellers in the story… Brianna was conceived in 1746 and born in 1948… Family Beardsley is a threesome… it’s Outlander, anything can happen.

@marian4456 @saint-hildegard-of-bingen @kiaora45 @dlansing53 @young2evans @gotraveltheworldluv @krisrose16 @frenchyses @bcacstuff @pinkblizzardgladiator @thetruthwilloutsworld @its-moopoint @stellarpuffin @outlanderfandomfollies @loveisloveislove76 @castlemaine123 @dragonflydreams47

#outlander #07x16 #faith #master raymond #claire fraser #jamie fraser #jane #fanny #go tell the bees that i am gone #show vs. book

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