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I was just finishing this, f

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reformed spinel concept sketch for a fic i'm writing! 💖

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Another Poll winner!

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1890-1900 pearl go brrrrrrrr 💫

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Various lil spinel doodles now that im using my old high school math notebook as my new sketchbook

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Peridot

I got into Steven Universe here recently. I know I’ve been gone for a long time.

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can we PLEASE talk about her in the games because what is this cartoonish ass expression.

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'Nother page full o' Spinel!

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I'm 66 pages deep trying to put this zine together and its 5am

Please buy this when I’m done. It’s gonna be prohibitively expensive and way too big

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I forgot abt this drawing but... god I think a lot about the possible interaction these 2 could have

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Some spinel doodles just so I wouldnt miss her birthday (even though it was yesterday...)

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#I LOVE LARSSS

will the real lars fans please stand up

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Now we're back in bismuth!

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Okay, here's my MHA criticism.

Everyone has their own personal hangups about the MHA ending, but mine is not about the ending itself. The epilogue doesn't feel rushed to me--the entire final act does, ever since the PLW ending.

But I can't say that the issue is actually rushed writing. There was a change in the writing, and it came with pros and cons. Ever since this change, a lot of people felt a lack of Izuku's introspection, but I still see his introspection all over the place. It's just not compelling introspection, and it's the natural consequence of this writing change.

The thing that changes is the way Horikoshi depicts character interaction and reflection.

To cap off the story's themes, Horikoshi chooses to focus on select emotional beats involving specific characters as short, finite set pieces. Some of them work great, like Katsuki's apology. But what is lost in this process are the other emotional beats Horikoshi doesn't spend time on, such as Izuku's quick, comical, emotionally dissonant reunion with All Might back at UA after going vigilante. The set pieces Horikoshi chooses to focus on at Tomura's end are two moments, one between All For One and Yoichi, and the other between Izuku and Tomura. But what is lost in this case is the strangely off-screened encounter between Nana's and Tomura's vestiges, and we're just given the fact that Nana preserved Tomura's sense of self as an offhand remark. This is a recurring theme where Horikoshi lands the set pieces he has likely visualized for years but that somehow don't have the same impact as the emotional scenes from earlier in the story. The details that build up to these moments are lacking, and it's because the characters don't interact as they should.

Horikoshi has overall messages he wants to focus on, such as the unity in everyone coming together inspired by Izuku at the end. But he places so much focus on his entire cast of characters at large to achieve this theme that the story becomes unbalanced. We as readers have read about his characters over the years, and we've grown especially attached to some of them. Even if there are minor characters we may enjoy, if Horikoshi is doing his job as a writer, the majority of us should be here for the main characters. If Horikoshi wants to feature every single one of his characters in the final arc, then he has to do so with balance. The main characters should be given more emotional weight than the side characters.

Hanta Sero can have his cool moment no problem, but why does it come so late into Izuku's final battle??? It makes no sense emotionally for it to be there. At this stage in the story, we would expect any other major character to fill this role. Hell, Iida is sitting right there with not much going on for his character this arc.

And the same emotional underwhelm goes for so many other moments. Why is the primary character screaming in agony over Katsuki's death Neito Monoma??? Aizawa is right there, and all we get from him is a horrified face but no reaction otherwise. He fades to the background immediately. Izuku's reaction to Katsuki's death is built up so much and yet not nearly enough time or weight is devoted to the actual moment when it happens. Compared to such iconic reactions to death in the shounen genre that came before it such as Goku's super saiyan transformation in response to the death of his best friend Krillin, Izuku's reaction to Katsuki's death is utterly forgettable.

The issue is not that Horikoshi gave Sero and Monoma these moments. It's that he either weighted or timed them and many others like them poorly. No one reading MHA wonders what wisdom Sero would have to offer at the end or what sort of reaction Monoma would have to Katsuki's death--or rather, they don't wonder these things more than they wonder about the main characters themselves. Main characters are the characters we're SUPPOSED to care about. If you give Sero and Monoma big moments like what they got, then the main characters have to have even bigger moments following in order to still be impactful. But we don't get that. We get the set pieces, but we don't get any of the logical character interaction and reflection these set pieces beg for. If I have to choose between Izuku's reaction to Katsuki's death and Monoma's, I want Horikoshi to spend all his time and effort on Izuku's every time. It's nice to see how main characters interact with side characters and to hear those side characters' perspectives but NOT at the cost of the main characters interacting and sharing their perspectives. Horikoshi makes too much space for his side characters, and so we lose the detail that could have gone into important moments between the main characters. The overall story remains coherent and complete, but it also leaves something to be desired for the characters themselves. As a result, I find myself both given closure and longing for a more robust, impactful resolution for the main characters.

tl;dr Horikoshi gave too much to his side characters and not enough to his main characters, which particularly affected the interactions between the characters we all care most about

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my fav lil weirdo

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YEAHHHH

I..I'M. BACK！！！！I'm going to customize this into a postcard

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So long, King Bowser!