italian, hobbit, lotr, dwori orwal as you wish, but i love the orinshield too.... ori, always
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Le comte de Monte Cristo / The count of Monte Cristo (2024)
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Pierre Niney as Edmond Dantes The Count of Monte-Cristo / Le Comte de Monte-Cristo (2024) dir. Matthieu Delaporte & Alexandre de La Patellière
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We always find greatness in the dead. In the end, we forgive them. I don't want anyone to forgive you.
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Le comte de Monte Cristo / The count of Monte Cristo (2024)
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Inside The Rings of Power S2, E1 | The Lord of The Rings: The Rings of Power
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Xena: Warrior Princess 1x08
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Xena: Warrior Princess 1x08
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nagron + forehead presses
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Karl Urban as ÉOMER THE LORD OF THE RINGS: THE TWO TOWERS│2002
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Then suddenly he beheld his sister Éowyn as she lay, and he knew her. He stood a moment as a man who is pierced in the midst of a cry by an arrow through the heart; and then his face went deathly white, and a cold fury rose in him, so that all speech failed him for a while. A fey mood took him.
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I do love that in Rohan culture, it seems that it's the custom for men to go out and fight and die heroically, and for women to honour their sacrifice by crying over their bodies or at their funerals. The men are to be brave, the woman to be loving. The men are to do great things. The women are to remember.
But in the film, whereas Eowyn's most iconic moment is her slaying of the Witch King, a great, heroic deed that cements her place in history, Eomer's most iconic moment is (arguably) his guttural scream when he sees Eowyn dead on the ground, dropping to his knees and cradling her to his chest.
Not only is Eowyn's most iconic moment a scene in which she takes on, by her culture's definition, the man's role, the most important role of a man, to die heroically, Eomer's most iconic moment is when he takes on the "woman's" role, to grieve.
I do love his "Death!" charge in the books so much, but because of this parallel between the siblings, I also love the film version where there is no battle for him to fight, no justice for him to wreak, there's nothing for him to do but cradle Eowyn to his chest and rock her back and forth.
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I was thinking about how, in fanfictions and in the fandom in general, Elrond is often depicted as a pure Noldorin lord, if not a die hard Fëanorian. And while I do enjoy Fëanorian!Elrond, the more I think about it the more I am convinced Elrond is not the fëanorian one of the twins. Elros is. Elros who adopted seven eight pointed stars as the heraldic device of his whole dynasty, a symbol still used 6000 years after his death. Elros who had Quenya be the official language of Númenor. Elros who decided to leave Arda for an unknown fate after his death; not Everlasting Darkness but not the rebirth in the bliss of Valinor either. He choose to go to a place Elves aren’t supposed to go, just like Fëanor and his sons went back to Beleriand. Elros, the mortal man, who decided to forge his own path in the world.
And I am not saying Elrond didn’t, because Eru knows how much strength, patience and stubbornness Elrond must have to become who he is in LotR. But when I first re-read LotR after reading the Silm, he did not strike me as Fëanorian at all (except for the no oath swearing rule that seems to apply in Rvendell). In fact, Elrond, and all three of his children, are defined by being half-Elven. Elrond is so much at the same time they had to creat a whole new category for him. He is described as kind as summer in The Hobbit, but also old and wise, and his friendly banter with Bilbo in FotR show he is also merry and full of humour. Elrond is both Elf and Man despite his immortality, and this is made quite clear in the text.
But. If I had to link him to an Elven clan, I’d say Elrond is more Sinda than Noldor, and even that is up to debate. Rivendell, this enchanting valley hidden from evil thanks to his power, is like a kinder version of Doriath. Yet, the name of Last Homely House and Elrond’s boundless hospitality make me think of Sirion: Rivendell is a place where lost souls can find s home, where multiple cultures live along each other in friendship and peace.
In FotR, Elrond introduces himself as the son of Eärendil and Elwing, claiming both his lineages instead of giving only his father’s name as is tradition amongst the Elves. It may be a political move, or it may be a genuine wish to claim his duality, his otherness, or even both at the same time. But from what is shown of Elrond in LotR, he seems to lean heavily in the symbols and heritage from the Sindar side of his family, rather than the Noldor one. I already gave the comparison with Doriath, but it seems history repeats itself as Arwen, said to be Lúthien reborn, chooses a mortal life. Yet Elrond doesn’t make the same mistake as Thingol by locking his daughter in a tower and sending her suitor to a deathly quest. Yes, he asks Aragorn to first reclaim the throne of Gondor before marrying Arwen, but this isn’t a whim on his part or an impossible challenge. Aragorn becoming king means that Middle-Earth is free from the shadow if Sauron and Arwen will live in peace and happiness. Which sounds like a reasonable wish for a parent to me.
Anyways, I went on a tangent, what strikes me with Elrond is his multiple identity. Elrond certainly has habits or traits coming from his upbringing amongst the Fëanorians, and he loved Maglor despite everything. The fact he is a skilled Minstrel shows he did learn and cultivate skills taught by a Fëanorion, that he is not rejecting them. There is a passage at the end of RotK, in the Grey Havens chapter, where Elrond is described carrying a silver harp. Is this a last relic from Maglor? Possible.
But while Elros choose the path of mortality and showed clear Noldorin influences in the kingdom he built, Elrond is happy in his undefined zone he lives in. He is an Elf, he is a Man, he is Sinda and Noldo and heir to half a dozen lost cultures and two crowns. He is the warrior and the healer, the only one of his kind in Middle-Earth. And that is why I will never tire of this character and I love so much fanworks depicting him as nuanced and multiple yet always recognisable as Elrond.
#tolkien#the silmarillion#the lord of the rings#peredhil#half elves#elros#elrond#elrond and elros#elrond peredhel
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Just something about how Elrond is described as "kind as summer." You can't go wrong with that. Elrond is amazing.
But the history of Elrond is so fucking tragic — if anything, Elrond should be turned evil, like Fëanáro or Maedhros.
But he didn't.
He lost his parents, his brother, his foster parents, his wife, his daughter, etc... and yet he's an amazing person.
Elrond being one of the bad guys would have been understandable. But he chose to be a good person who helped maintain the stability of Middle-Earth.
Despite all his pain, grief, losses, etc — Elrond chose to stay patient and prevent more people from experiencing the same losses he did.
This just shows one of the many different outcomes of pain that Tolkien presents; rather than going mad, like Fëanáro, or becoming an anti-hero, like Maedhros, or even disappearing, like Maglor, Elrond chose to stay sane and be a hero for Middle-Earth.
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The Rings of Power | Season 2 | Aug 29 - Oct 3, 2024 Benjamin Walker as High King Gil-galad and Sam Hazeldine as Adar
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god i love protective!harvey so much like YES! he'd go to the ends of the earth and go to hell and back to keep mike safe and to protect him. anyone thinks of doing that boy wrong and harvey's already there threatening them. ugh.
"Listen to me, you son of a bitch. you think I can't hurt you in here? I'll put a goddamn bounty on your head, I'll pay 'em whatever it takes to break your legs. And if that doesn't work, I'll wait till you get out and I'll kill you myself. So unless you want that to happen, don't you ever even look at Mike Ross again."
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