ofmetalandmusicals

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leitmotifs never get old to me like holy shit dude there’s this melody that corresponds to this one guy and if you hear the melody it means the guy is there. holy shit. and sometimes it refers to ideas too not just guys. has anyone heard about this

[ofmetalandmusicals]

Wicked, as reviewed by Finland's leading newspaper

The musical, Finnish production, 2010: the music is bland, the politics are confusing and dumb, the moral of the story is muddled

The movie, part 1, 2024: the best thing about this movie is that they don't burst into song all the time

The movie, part 2, 2025 (my prediction): it's confusing how Glinda did bad things and Elphaba did good things, and also, all songs should have been replaced with wordless silence

[ofmetalandmusicals]

Hi there! Sorry if you've gotten this type of ask before, I searched your blog first and didn't find anything, but we all know about the tumblr search algorithm. I was wondering what you think of Elisabeth das Musical, like its portrayals of the historical figures involved, or its general historical accuracy? I love that musical but I'm no historian, and from my Wikipedia research it does take some liberties. Just curious if you're familiar and have thoughts! Have a good day :)

Thanks for the ask. I don't know if I have ever really made one post addressing the historical accuracy of the musical.

To a degree, I don't know if historical accuracy is a fair metric for a musical that is clearly stylized. Death being a character makes it pretty clear that it is leaning into surrealism. I like to meet media where it is at in terms of what it is trying to be.

And I do personally enjoy the musical quite a lot. Songs from it still regularly appear on my writing playlists. In the current landscape of Sisi media, I think it remains one of the most interesting and compelling explorations of her as a difficult woman with a complex internal life instead of a girlboss or 19th century Princess Diana. She is selfish and sort of inconsistent and perpetually flirting with her own death, and I think that's closer than making her the feminist hero.

There are some key points that it does better than other pieces of media: It also does not portray nationalism as liberation, which I think it important. The Hungarian coronation is not an unmitigated triumph with Lucheni singing the secondary part about rising nationalism as a warning for the unstable times that are coming. The rise of Lueger and Schoenerer as a direct antecedent to Hitler is a bit too linear to be completely historically accurate, but I think the point the musical is making is ultimately a good one. The collapse of the empire unleashes violent nationalism and the musical is pointing that direction ominously.

I also do like that it includes Rudolph's politics and his conflict with his father, since some other things are quick to minimize that. The musical isn't necessarily about him, but I like what it does to explain his disillusioned liberalism.

I don't like other things in it: For example, it moves past the early 1860s in one song, which is a period of constitutional experimentation and the last gasp of absolutism. I wish that wasn't so flattened. That's more personal for me since that is the period I am the most interested in.

My biggest frustration about it is the portrayal of Archduchess Sophie. For all the complexity that the musical grants Elisabeth, Sophie is still just the overbearing, intrusive mother-in-law. Historically, this is a disservice to her and her relationship with Elisabeth. Yes, she could be overbearing, but it was for the good of the monarchy. She's not wrong to be concerned that a teenager doesn't know the gravity or importance of being empress and isn't prepared for it. I just want my girl to get her due without being reduced to an archconservative or nightmare mother-in-law.

On the whole, I still think the musical does more than most media to portray Elisabeth as she was in spirit if not completely in substance. I just wouldn't look to it for accuracy, and I don't think the surrealist elements are really trying for that anyway.

[ofmetalandmusicals]

Witchcraft, Wisdom, Death...

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Rock my world into the sunlight, make this dream the best I've ever known. Dirty dancin' in the moonlight, take me down like I'm a domino.

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Am Rand des Abgrunds

oder nur in deinem Blick

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Clémentine Delauney 📸© Juho Virinkoski

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Pia Douwes for Elisabeth, Schönbrunn Version (2019)

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"ever felt away without me, my love, it lies so deep, EVER DREAM of me" Nightwish live at Download Festival 2016

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Marija Arutiunova as Elisabeth (Kaunas, Lithuania) and Empress Elisabeth of Austria (1864)

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Anastasia il Musical Broadway Italia Trailer (2024)

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Love was when he came to me, begging on his bended knees

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(x)

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Noora Louhimo 📸© Elsa Wellamo

[ofmetalandmusicals]

so i saw the wicked movie!

honestly considerably better than i would have expected from the trailers, it was clearly made with love and i do recommend seeing it if you're a fan of the stage show

but if there's one thing i'm a bit sad about, it's glinda's wardrobe colours

like. the costuming in this movie is amazing! and i have no criticisms about the design of glinda's outfits, they're really good!

but they're all pink

and i care a lot about the thought that went into the costuming of wicked (particularly how important blue is as a colour here), so for those unfamiliar with her original outfits, lets go on a tour of them!

in chronological order for glinda, we start with the school uniform

notably not pink, but white. blue and white are shiz's colours, so she's not actually breaking any uniform rules (this will be important later), but she does want to stand out. this also contrasts elphaba's entirely blue uniform (all the other students wear stripes), and the fact that every other elphie outfit is black, because they are and always will be diametrically opposed

she keeps this one through a lot of the first act, until around popular, which is when we get her actually pink dress! and this is glinda actually being honest for the first time, so it makes sense this is the most accurate to her personality dress she gets (and i did love the extremely dramatic dressing down she got in the movie here)

glinda in the emerald city gets a yellow dress and sunglasses! and honestly while there's not a lot of symbolism in this one it is strange seeing defying gravity not involve the yellow dress (and also i think it would have made that yellow brick road bit have more weight but you know)

now here's where i say that thing about the white will be important later. defying gravity is the act break and the timeskip. and now it's important to note - every single outfit glinda wears in act 2 is blue

and i think for her the blue represents the status quo. she was never an outright rebel in act 1, as we see with her uniform, but she did want to make her personality and choices known, she wanted to forge ahead with something. it's defying gravity where she definitively makes that choice to conform, to pick up that colour she originally had left behind, and to work for power within the system instead of defying the system (elphaba, notably, wears all blue while at school but from one short day onwards always wears black, because that's a status quo she no longer cares to hold up)

act 2 opening with thank goodness, she's a little older, she's got more power, she's a community leader, and her outfit reflects that, in the most business look glinda could possibly have and still look like glinda (i do love this one just from a design standpoint)

her wedding dress isn't just blue but also has a lot of green in it, which is fun on multiple levels (because green is the colour of the wizard, and what madame morrible wears after the reveal they're working together on this, but also was elphaba's from the start)

and her last outfit is also her first outfit, but i told these in order of glinda's life not the song order, because this is the pinnacle of who she's become. this is her dress right at the start before the flashback, and then for for good and finale

it's enormous, it's princessy, it mirrors the dress from the original wizard of oz movie, and it's blue. it's the combination of who she always has been and who she's decided to become. everything she always wanted to be, at the cost of everyone she cared about

and im so curious to see how the movie costuming goes for part 2

[ofmetalandmusicals]

WILLEMIJN VERKAIK as ANNE HATHAWAY in & Julia - Das Musical (Hamburg, 2024)

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Sharon den Adel on Liefde voor Musiek (2018)