they/them 🦇 20 🦇 currently focused on Deathnote, MLP, and Madoka Magica
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rebloggin this again
Thinking about redemption yesterday got me thinking about fallen heroes today, and how rare it is to see a character initially painted as a hero be driven to heinousness for legitimate reasons.
Often times, if a hero goes bad, it's because of an external force corrupting their mind. Or it's a misunderstanding and they were secretly still good all along. Or they were just having a rough day and they'll be good again in five minutes.
We rarely see get to see heroes go sour purely on their own merits. Maybe because their values weren't so benign as they'd seemed when pushed to a natural conclusion. Maybe because they expected too much of themselves or of others. Or maybe personal experience taught them to believe something else.
Whatever the case, as often as writers will attempt to examine the transformative power of better angels, we rarely get to see the transformative power of worse devils.
Which brings me to....
Sayaka Miki is a character that holds a special place in my heart, not for overcoming her flaws but for being consumed by them. She's a cautionary tale into the perils of righteousness.
I need to preface this by bringing up that the characters of Madoka Magica are children. They're irrational, judgmental, ignorant of risk, and quick to throw themselves into horrible mistakes with absolute confidence. Because they're children. That's how this works. The villain of the series is a psychological predator who feeds on the impulsivity and poor judgment of youth, grooming them into self-destruction.
The entire system of Magical Girls exists to give these children enough rope to hang themselves with and then to kick the ladder out from under them. That is the plot, with Sayaka being the primary means by which the show demonstrates the complete journey from rope to ladder.
I just. I need you to understand that even at her worst, Sayaka is a victim of predatory incentives and calculated coercions meant to cultivate her worst traits while stripping her of hopes and dreams. To drown her in mistakes she could never take back. She didn't have the life experience to know better. That's why her predator targets children.
Sayaka's rope is woven from virtuous self-image. It's not immediately apparent when we meet her, but Sayaka's fatal flaw is ego. Her moral compass is wound extremely tight, and it's only later that we realize it's wound around her neck.
Like many children, Sayaka is trying on an identity moreso than expressing her inner self. She wants to be altruistic. She wants to be selfless. She wants to be a true hero. She wants to live by nothing more than high-minded ideals, expecting no reward for her efforts (but receiving it all the same).
She wants to be the kind of person that Mami was.
But she has no idea who Mami was. She wasn't there to see Mami fracture. To see her break down in vulnerability and express the isolating misery she lives in.
Sayaka didn't see that. She only saw how cool Mami looked when she was killing Witches. So when she tries on an identity, she's specifically trying on the identity of Mami - blissfully unaware that her interpretation of Mami was nothing but a mask. She is emulating the behavior of a victim already consumed by the predatory incentives she's accepting.
Sayaka was doomed from the moment she made her wish.
Once again, the show does a brilliant job of concealing this at first. Right off the bat, it's easy for Sayaka to be the hero. She saves both her BFFs Madoka and Hitomi from a Witch in her debut adventure, before being immediately thrust into a moral argument that's super easy for her to win.
This is what a hero looks like! Should we stand by and let monsters eat people YES/NO
Sayaka says no. Sayaka says letting monsters eat people is bad. Solid Bioware-level moral dilemma she's got here. Sayaka won +10 Paragon points for the choices she picked out of this conversation tree, lemme tell you!
Moments like this work to disguise what's going on here with Sayaka. Obviously Sayaka's making good choices and doing the right thing when the alternative is Kyoko going "Want me to break your crush's limbs so he needs you for life support?" That's awful, so since Sayaka's against it then that means she must be right. Right?
Kyoko is the devil. Sayaka is the paragon.
But this is a story about nuanced and complex people. Sayaka isn't that person. Sayaka likes the idea of being that person. She's being dishonest - With herself, with others around her, and with the universe.
She's trying on an identity, not fully understanding who she really is or what her limitations are.
Incidentally, so is Kyoko, which is what makes their Yin and Yang dichotomy so potent. Having never been tested like this before, Sayaka is more selfish than she truly understands - While Kyoko, damaged by trauma, is more selfless than she wants to believe.
The thing Sayaka doesn't quite grasp is that, to an extent, it's okay to be selfish. It's okay to want things for yourself. Again, the identity she's trying to live up to was a lie to begin with. She only saw the mask; Never the humanity underneath. So she fails to recognize her own humanity; Her own needs and wants and desires.
She imprisons her own mind in a cage of altruism.
Sayaka is warned multiple times against spending her wish on another person. But she doesn't understand the perils of it. She lacks the necessary perspective to grasp the level of sacrifice she's making. (Because she is a child. I cannot stress this point enough.)
When she makes her wish, Sayaka wants her sacrifice reciprocated. She wants to be rewarded. But she doesn't want to want that. She wants to be the selfless hero for Kyosuke. To silently grant him a miracle because it's the right thing to do for her friend. But she expects, without consciously thinking about it, that the universe will deliver her nice things because she is good.
But life doesn't work like that. It doesn't give you things you aren't willing to reach for. Sayaka said she just wanted him to be happy. She just wanted to help people. She just wanted to dedicate her life to virtue and altruism, with no wants or needs or desires of her own.
Kyoko was being cruel and unfeeling when she suggested crippling Kyosuke; She was trying to express a mask of selfishness, the same way Sayaka's been trying to express a mask of selflessness. But she wasn't the only person telling Sayaka that it was a mistake to do this. She's just the only person who said it after the fact.
So the universe calls her bluff. While Sayaka waits for her sacrifices to be rewarded, fracturing more and more from learning what those sacrifices truly entail, someone else claims her prize. The work gets harder, not just physically but emotionally. And she only gets what she asked for. Nothing more.
This is what a hero looks like. She wanted to be Mami.
Remind me. What was Mami's reward for her sacrifices?
Oh. Yeah. That's right.
The thing of it is, there is a reward for a Magical Girl's sacrifices. There is a prize you're meant to receive for the unjust hardships and self-destruction that you're volunteering to undertake.
It's the fucking wish.
That she, in her righteousness, gave away.
Sayaka's rope is woven from virtuous self-image. Her fatal flaw is ego. She was undone by arrogance expressed in ignorance, not of glory the way we often think of egotistic people, but of righteousness. She held herself to a standard no reasonable person could ever live up to, and it crushed her as it came crashing down.
And yet, she was a victim all the same. Because she was walked, hand-in-hand, to that pier by a predator. Children are meant to learn from their mistakes. Not to die for them.
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#is this fandom still alive#ddlc#doki doki literature club#ddlc monika#doki doki monika#just monika#fanart#ddlc fanart#ddlc fandom#doki doki fanart
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do you guys remember that one time someone drew Misa and L as Mima and Memania from Perfect Blue and captioned it like "cute couples costume!" because Everytime I remember it I go fucking insane like what kind of dog water are you drinking
#deathnote#death note#misa amane#l lawliet#what the fuck#why would this concept be in anyone's mind#gives me the heebie jeebies#its so gross
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For Halloween, heres the spookiest thing i could think of, doomed yuri.
I have been so obssessed with this ship for so longgg, i hope yall see my vision of Misa and human Rem
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i know lawlight is great and all but how are we mostly ignoring the doomed yuri that was literally handed to us on a silver platter. How is remisa not CRAZY
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my mom just had a 7cm brain tumor removed and since she's woken up she's been talking nonstop about this dream she had about going to an art gallery full of colourful paintings by a 'homosexual artist' named klimsdorf who was ethereal and wise, both young and old... at first she was convinced he was a real person but after failing to find him online she's accepted he was a figment of her subconscious mind and is now determined to bring him to life via painting his portrait herself. she's 67 and has never drawn in her life. and now this. blorbo from her tumor
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me and @rowwiz as that one meme because I'm the fun mod and he's very scary according to pretty much everyone else in the server (bro is the silliest little guy I know)
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oh no dude we made this female character too powerful... oh no dude she could literally solve the case in two seconds... let's kill her two chapters after her introduction. yeah let's never mention her again. let's give her a cool backstory spinoff novel that nobody will read as consolation. yeah no dude it's fine we're not misogynists. our other female characters? uhhhh... yeah we should be fine as long as we don't kill them. an elongated torture period where she's bound up in kink gear for over a month? why not haha.
Misa should've said that to Light when they first met. If we're being honest, most of his plan worked thanks to Misa. The only reason L died in the first place was because of Misa Shinigami. I just think Light should be more grateful and nicer to her.
Overall when I stop and think about how poorly this show has treated female characters, I get a little upset.
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you ever think about how the musical still has a homoerotic foot scene but this time it's yuri? that fucking rocks dude
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