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so we (and by we, i mean the very specific overlap of jews and nerds among whom i make my home) talk a lot about how tolkien's dwarves, in both the books and movies, were likely influenced by certain jewish stereotypes. obsessed with gold/wealth, secretive (especially about their language and religion), refugees from their ancestral home, portrayed with big, sometimes hooked, noses and interesting facial hair, and most specifically: the favourite little meow meows of one particular god, causing them to be shunned and persecuted by other races and creeds. this is likely unintentional, coming from the subconscious of tolkien in the same way orcs were "based on mongols" (ew colonialism) and activating subconscious biases/stereotypes in the people who designed the dwarves for the movies. it's subtext, albeit subtext that influenced the next eighty years of fantasy.

but what i don't see much discussion of is the fact that in terry pratchett's discworld, it's intentional. terry pratchett's dwarves are, more or less, jews.

carrot is a human adopted by dwarves, based on human standards. but within dwarf culture, he IS a dwarf. specifically, he has undergone specific rituals and memorised certain passages, making him LEGALLY a dwarf. this is basically how conversion works in judaism. indeed, as in judaism, it's considered rude to even mention that carrot is six feet tall and obviously wasn't born into the culture he has adopted.

the dwarves also have internal rifts - there are a group of 'orthodox' dwarves who consider the dwarves in ankh-morpork (who have adopted other customs and don't follow traditional roles) not to be dwarves at all, and don't recognise carrot as a dwarf for the same reason. they believe that the way to be a dwarf is to live in an all-dwarf community and follow their traditional rules, while other dwarves believe they need to change with the times and integrate (at least somewhat) with larger society. jewish as fuck.

there's also the interaction of dwarves with gender. when cherie comes out as female (which isn't a recognised gender by dwarvish society) she is ostracised for taking on the feminine roles common to other discworld races. however, she could never THINK of cutting off her beard, because she is still a dwarf. i see parallels with women in judaism taking on roles traditionally considered 'masculine' (e.g., as rabbis, wearing tallit and kippot) and the acceptance of queer people into jewish communities. there's lots of great discussion about cherie as a trans character on tumblr, btw.

finally, something that particularly strikes me is the line from carrot in tfe, where he says that the biggest dwarf city on the disc is ankh-morpork. obviously all diaspora communities can relate, but it's really something to know that new york is the city with the most jews in the world (960k to jerusalem's 570k. btw, 3rd is LA!).

i just love that, again, consciously or unconsciously, pratchett incorporated more positive elements of jewish culture into his portrayal of the dwarves.

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I keep seeing the "chat is a fourth person pronoun" post and it's getting increasingly hard to avoid starting discourse in the notes of it. chat I don't think they know what these linguistics terms they're using mean

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Love this so much

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this image came to me in a sudden burst of enlightenment

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I'm reposting some of the things I made this past year that I'm proudest of. Here's an impassioned defense of Canada Geese.

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i met one of my aunt's archaeologist friends/colleagues earlier today & he was telling me about legends that not too far from here there's the ghosts of a roman legion that people see walking up the cliff towards the edge of the sea and then off the edge of the cliff and onwards, because the coastline has receded so much since roman times that the 'land' they're used to walking on goes on far past the point it falls into the sea today. and like. OUGH. I don't even strictly believe in that type of ghost but I'm Obsessed with this image of them still interacting with landscape that has crumbled into the sea & completely disappeared over the thousands of years since they were alive. ghost landscapes Real

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I don’t like crucifixes where it’s ambiguous how Jesus is attached to the cross. I also don’t like statues of a tortured dying man, but the unpleasantness of that mitigated somewhat by seeing it so much. But this?

What’s keeping him there

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condescending online man day

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Buffy fans can have a little gaslighting

As a treat

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Vimes and micro Sam

Where is my cow?

I love Thud sm

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At a festival. Small child is lying on the ground nearby with a large rock on their chest yelling MORE WEIGHT!!! GIVE ME MORE WEIGHT!!!

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Terry Pratchett joins a long and illustrious line of literature’s greats – a hugely welcome acknowledgement of the brilliance of Sir Terry’s literary canon.

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James Swanson, “Waterdog with Stick” Oil on canvas, 71 x 55cm

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