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me and my buddies just reached the end of a brutal and dispiriting cycle. but maybe it wasn't so bad... might be fun to begin it anew...
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I've seen a lot of people claim that TOS is sexist because the women have to wear heels and a lot of makeup. Obviously, TOS is sexist in some ways but I think it's silly to use this as evidence. The men wear heels and a lot of makeup too.
Some examples:
It seems like it's standard for Romulan men to wear eyeshadow.
Evil Kirk wore a ton of eyeliner. He's shown putting on concealer/foundation. I feel like this could be used as evidence that the men wore makeup in universe and it wasn't just for filming purposes.
Kirk's heels:
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"What the fuck?"
no, "Watch the Phacus".
Take a 30 second scrolling break to watch these little algae swim.
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not to employmentpost on this website like its linkedin for the transgender but does anyone have any tips on writing a better CV or a CV in general for like, a research or academic job. i promise this is not the only place i am going for information on this
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Johnlock rant pt 2
You thought I was only gonna write Sherlock’s perspective? No. Anyway. John.
Spoilers + suggestive themes ahead.
You have been warned.
John is introduced as a character who has trust issues and is wary of the world, partially because of his PTSD. He is a retired soldier. He has seen it all. But as Mycroft remarks, “you’re not haunted by the war. You miss it.”
There is a very obvious difference in John’s reaction to Sherlock’s deduction and Mycroft’s deduction. He’s star struck when Sherlock does it, but when Mycroft does the same thing he glares at him and asks “who the hell are you?” Yes, the circumstances of the scenes obviously affect his reactions, but even with a dead woman on the ground in front of him he can’t help but praise Sherlock’s intellect, so clearly discomfort isn’t much of a factor. You could argue that John is being defensive on account of being scared, but Mycroft outwardly tells John “you don’t seem very afraid” and John simply says “you don’t seem very frightening”.
And to add onto this, Mycroft clearly has suspicions about their relationship and outwardly says so. John simply says “I barely know him, I met him…yesterday” and Mycroft says “Mm, and since yesterday you’ve moved in with him and now you’re solving crimes together. Might we expect a happy announcement by the end of the week?” John doesn’t respond nor acknowledge the question, but asks “who are you?”. Mycroft simply assumes that the man Sherlock is living with is a romantic and/or sexual partner, meaning he’s not surprised at all by the idea that Sherlock would be in a relationship with a man.
When John asks what he wants he says that he wants information about Sherlock, but quickly adds “nothing indiscreet. Nothing you’d feel…uncomfortable with. Just tell me what he’s up to.” Which does sound like a polite way of saying that he doesn’t want nor need to know about what he gets up to behind closed doors (presumably with John, since he says nothing that JOHN would be uncomfortable with telling, not Sherlock), he just wants to check on how his brother is doing. The definition for indiscreet also is “having, showing, or proceeding from too great a readiness to reveal things that should remain private or secret” so I think it speaks for itself what he’s implying. He’s just an older brother who wants to make sure his younger brother is okay, but makes sure to inform John that he’s not interested in hearing about Sherlock’s sex life.
Other than that, Mycroft seems to genuinely like and respect John. He bids him farewell when leaving, asks him about his life, even if it’s just “what’s it like living with Sherlock?” And Mycroft clearly knows how much John means to Sherlock. They have this semi-brother in law situation going on
John has on multiple occasions risked his own life to save Sherlock’s. When Moriarty is threatening Sherlock, he throws himself at Moriarty and tells Sherlock to run. This is despite the knowledge that this would get himself killed & “if your sniper pulls that trigger, Mr Moriarty, then we both go up” and Moriarty mainly shows amusement, but still tells Sherlock “isn’t he sweet? I can tell why you like having him around.”
In the final problem, John agrees quite quickly that Sherlock should shoot him instead of Mycroft and takes it with stride. He does not fight it. He accepts that he has to die in order for Sherlock to live.
In the very first episode - I repeat - the very first episode, John shoots a man to death because Sherlock was in danger. What’s so interesting about this whole scene is that Sherlock was not under direct threat, he was choosing to take one of the pills but John shot the man anyway.
- Sherlock also realizes halfway through his deduction to the police that John is the one who shot the cabbie, and immediately takes back what he said about the murderer to keep John out of trouble. He does not care about John killing a man, he’s more worried about John’s well being. He even compliments him on the aim and the two of them walk away from the crime scene giggling like 12 year old girls.
John dates a string of women throughout the show although they always end up in some kind of bad ending. As stated in the previous rant, John’s girlfriends are sick of being less important than Sherlock. And if you’re really keen on details (which, you’re watching Sherlock, of course you are) you’ll find that one of the women he dates wears a coat that resembles Sherlock’s, and she pulls her collar up in the same way Sherlock does. Subconscious attraction? Neither does he actually find a long term relationship until he believes that Sherlock is DEAD, and it takes him 2 whole years to even try to move on with his life (but only needed 2 months for Mary’s passing?)
Now, John is a jealous and protective man. Even more outwardly so than Sherlock is. Mycroft even comments on it when they meet for the very first time - “you are VERY loyal, VERY quickly.” he notes as he makes a face that implies even he is surprised about how sure John is of his decision. When faced with a naked Irene Adler and Sherlock in the same room, he actively interrupts their conversation to get in the way. He passively aggressively tells Irene to put some clothes on and then remains skeptical of her for the entire episode. When they’re talking another time he also interrupts and making an unamused joke about baby names.
He displays a sense of protective behavior when he meets Irene again after Sherlock’s alleged “heartbreak” and gets outright mad at her for treating him like that. He even shouts at her despite Irene not showing any aggressive behavior “WHAT DO YOU NORMALLY SAY? YOU’VE TEXTED HIM A LOT”. Speaking of the texts from Irene, John not only is the only one to point out the text notification noise but also admits to actively counting the amount of messages Sherlock has received, which, yeah a handful would’ve been acceptable but this man kept track of 57 NOTIFICATIONS on a phone that’s not his. (This isn’t really a real point but someone joked about how Sherlock asks John “what noise?” When John addresses the moaning text notifications despite knowing very well what noise he’s talking about, as if he’s expecting him to repeat it or something. Not really relevant but it made me laugh)
In this conversation with Irene, he admits to having no clue what Sherlock’s sexuality is, quote: “who the hell knows about Sherlock Holmes, but, for the record, if anyone out there still cares, I’m not actually gay”. Irene responds with “well I am. Look at us both”. Which earns a defeated scoff from John. Irene asks John if he’s jealous about her texting Sherlock so much, John does not answer the question but tells her “we’re not a couple” to which Irene immediately says “yes you are” without even looking up at him. John does not fight back, but makes a vague nod and leaves it at that.
John repeatedly tells various characters that he is not gay - but only that. He never says that he’s not attracted to men, he’s not attracted to Sherlock or anything like that. No. He just says he’s not gay. Bisexuality is a thing. He could very well be a closeted bisexual who struggles a little with accepting it. It’s possible that his lesbian sister wasn’t treated with respect by the family and that has caused some inner turmoil, but that’s a fan theory we’re not going to get into right now
John also seems to be the only one thinking about how gay they look in certain situations. After saving John’s life, John says “I’m glad nobody saw that. You…ripping my clothes off in a darkened swimming pool, people might talk.” As if he didn’t almost just literally explode. A near death experience leaving him weak in the knees and he’s thinking about how people will think he and Sherlock were getting it on in a darkened swimming pool? Okay, buddy. This also goes for when they’re running from the police handcuffed to each other and Sherlock tells John “take my hand!” To which John says “now they’ll definitely talk.” I would argue that if you are constantly thinking about how gay certain things you do with your best friend are and how people will talk, maybe people aren’t the ones who should reevaluate themselves, maybe you are, seeing as you’re having gay thoughts even when fearing for your own life.
Oh and we haven’t even gotten into the pool scene. I don’t know if it was accidental but when Sherlock undoes John’s jacket to get rid of the bombs, he gets on his knees in front of John - who leans his head backwards as Sherlock looks up at him. Then afterward he’s so visibly weak in the knees he has to sit down to even talk. All of this is filmed from behind Sherlock. They could’ve filmed it in any other way. But that’s what they chose? Okay. Totally doesn’t remind me of anything else or anything.
When Sherlock is pretending to be dating Janine, John seems so genuinely out of it. He watches Sherlock and Janine make out with widened eyes, before turning around to stare at the wall with a disgusted and horrified expression on his face. He can’t even pretend to not be shocked, he barely manages to keep himself together and is outwardly very awkward when talking to them. Janine offers that they should have dinner together sometime soon and John just goes “yeah, great. Dinner. Yeah.” With a halfassed smile on his face as if he can’t bring himself to even mimic regular conversation. Once Janine has left, Sherlock starts talking to John about a case. John is not listening. When Sherlock stops talking John just goes “…you have a girlfriend?” And Sherlock seems surprised and confused by the question, since he had already moved on from that conversation. Sherlock confirms that yes, he does have a girlfriend. John still can’t properly process the information and asks again “right, yeah, but…you…you are in a relationship?” Despite already being told the answer.
When Sherlock proposes to Janine, John looks shocked. But it morphs into something else. He looks at Sherlock with a horrified expression, his eyebrows furrowed together in disbelief and his mouth hanging slightly open. This is not the face of someone who is shocked in a good way. It’s the face of someone who just got a metaphorical gut punch. The camera even shifts focus from the ring to John staring at it with a hardened expression, then to staring at Sherlock with a shocked and mildly pleading look.
He also punches an officer in the face for calling Sherlock a “weirdo”. When Sherlock hands him an itemized list of Mary’s enemies he doesn’t even look twice but one vague insult to Sherlock and he gives the man a bloody nose and gets arrested as well - Sherlock taunts him a little with his “joining me?” Comment but seems genuinely a little impressed when he finds out why John is also being taken into custody.
When getting drunk together (which, Sherlock was the only one who John spent his bachelor party with), they get wasted and start to play a game of Who Am I? They’re weirdly gentle and soft with each other, making playful jabs and breaking down into laughter at each other’s statements. Sherlock, who has a note on his forehead that says “Sherlock Holmes”, asks John “am I important?” To which John responds “uh, to some people” and smiles. Sherlock asks “do people like me?” And John says “uh, no, they don’t. You tend to rub them up the wrong way.” And then rests his head on his hand while he lovingly gazes at Sherlock and chuckles at his own statement with a look of love that looks like one you’d give a lover when they’re being cute. John asks Sherlock “am I pretty?” And then follows up with “this” and points to the note on his forehead. Basically this is John asking if he’s pretty, then having to specify that he meant the person Sherlock picked, and not actually himself, as if he was expecting Sherlock to call him pretty without understanding the question was meant for the game. Sherlock does not answer the question, but rather goes on a drunken mini rant about how beauty is a social construct based on culture and John interrupts him saying “yeah, but, am I a pretty lady?”
Sherlock remains quiet, squints at John’s note and then admits “I have no idea who you’re supposed to be”. John rolls his eyes and tells him “you chose the name!” But isn’t genuinely upset, just amused. With his drunken stumbling, he also loses his balance when shifting his sitting position and grabs onto Sherlock’s leg for support. Sherlock doesn’t react. The two of them later fall asleep next to each other on the bottom of the stairs, babbling about nonsense. Mind you, John couldn’t sleep comfortably in a warm bed next to Mary, but had no trouble finding peace when laying down on the fucking stairs next to Sherlock.
During this same evening, John has to interfere and physically drag Sherlock away from a drunk fight at the pub. Same goes for when Sherlock is drugged by Irene, where John comes into the room and promptly grabs ahold of Sherlock and pushes him back onto the bed telling him “I’ll be in the next room if you need me” Sherlock groggily replies with “why would I need you?” And John simply says “no reason” and shuts the door.
Oh also John and Sherlock got locked up together in the same drunk tank. How cute is that?
And oh my god the fucking sexual tension between these two makes me feel like I’m interrupting something intimate. Even in the first episode, Sherlock asks John if he’d seen a lot of violent death. John goes “yeah, plenty. Far too much. For a lifetime.” And when Sherlock then asks “would you like to see some more?” John replies with a breathless “oh god, yes.” The same tone can be detected in the 1800s episode an exchange between Sherlock and John, where John tells Sherlock “ah, ah, ah, Holmes, you have misdiagnosed”. Sherlock lowly says “then correct me, doctor” and gives him such obvious “fuck me” eyes that I felt embarrassed watching the scene with my dad. The episode also includes John asking about Sherlock’s libido - no - I am not joking. And here’s the kicker. None of this is real, it’s all happening inside of Sherlock’s subconscious. So my question is, why does Sherlock’s subconscious make up scenes where his platonic best friend is asking him about certain urges and speaking to him with a flirty tone?
John also has a habit of letting his eyes drop to Sherlock’s lips when talking to him, or straight up licking his lips when Sherlock reveals he’s single (in the pilot). They look into each other’s eyes for just a littleeee too long for it to feel friendly.
This is just me being a little bit of an annoying fan who misinterprets everything but Eurus asks Sherlock to play the violin for her. He does, but she stops him saying “no, not Bach. Play you.” And Sherlock starts playing another tune. She blurts out “oh! Have you had sex?” And Sherlock simply goes “why do you ask?” Again, not answering the question. Obviously that question is a bit strange to ask your older brother when you haven’t even seen him since the two of you were little kids and he doesn’t remember you exist, but, once again he doesn’t feel the need to confirm or deny. I see a lot of people saying this is a hint to Irene, and it probably is, but I personally find it more likely he’d hypothetically find time to get into…adult contact…with someone he lives with. But that’s sidetracking. Anyway.
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babies have it so hard man. They cant read Sherlock holmes. I would like. Cry or something if i couldn’t read Sherlock holmes
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one critical piece of advice is that opportunities are fractal doorways
you can take an opportunity that seems small, a group meeting for an hour once a week let's say, and if you really commit and put a lot of effort into even a small opportunity, if you work to prop open that passageway, then you will find that it can surprisingly quickly multiply into many future possibilities, many future paths.
one of the members of your small book club desperately needs a babysitter for the weekend. that's a gig. another one hits it off with you on some obscure topic. the bulletin board at the place you meet has a flyer for a class on writing. you go, and now you're in an environment full of other people who are there for the same reasons. talk to them. over drinks one night an older member encourages you to apply for uni with one of your short stories you wrote for the class. et cetera.
I spent a lot of time paralyzed with indecision, trying to find just the right opportunity to get me where i wanted to go. that's the entirely wrong way to go about it. practice pursuing possibilities is more important than optimizing your choice of path, waiting for just the perfect opportunity to magically drop into your lap. It likely won't happen like that, it's not necessary, and you don't need to live your whole life at once. Frodo didn't arrive at Mt Doom by making the optimal choice on the first crossroads out of the shire.
Instead cultivate an attitude of engagement with whatever imperfect seemingly insignificant opportunities that are already in front of you, and keep an open mind & eyes, and trust in the fractal nature of reality. look for threads to pull, opportunities to pursue, and engage with people as if every one of them has something new to teach you, and somewhere new to take you that you've never been. they probably do. the more you engage the more you'll find out that this is true; trust that paths will lead to more paths even if you can't see them yet. trust that the big scary void question mark of a future contains not only unseen dangers but also an unseen unfurling infinity of options and paths, friends and lovers, work and play. i love u
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one critical piece of advice is that opportunities are fractal doorways
you can take an opportunity that seems small, a group meeting for an hour once a week let's say, and if you really commit and put a lot of effort into even a small opportunity, if you work to prop open that passageway, then you will find that it can surprisingly quickly multiply into many future possibilities, many future paths.
one of the members of your small book club desperately needs a babysitter for the weekend. that's a gig. another one hits it off with you on some obscure topic. the bulletin board at the place you meet has a flyer for a class on writing. you go, and now you're in an environment full of other people who are there for the same reasons. talk to them. over drinks one night an older member encourages you to apply for uni with one of your short stories you wrote for the class. et cetera.
I spent a lot of time paralyzed with indecision, trying to find just the right opportunity to get me where i wanted to go. that's the entirely wrong way to go about it. practice pursuing possibilities is more important than optimizing your choice of path, waiting for just the perfect opportunity to magically drop into your lap. It likely won't happen like that, it's not necessary, and you don't need to live your whole life at once. Frodo didn't arrive at Mt Doom by making the optimal choice on the first crossroads out of the shire.
Instead cultivate an attitude of engagement with whatever imperfect seemingly insignificant opportunities that are already in front of you, and keep an open mind & eyes, and trust in the fractal nature of reality. look for threads to pull, opportunities to pursue, and engage with people as if every one of them has something new to teach you, and somewhere new to take you that you've never been. they probably do. the more you engage the more you'll find out that this is true; trust that paths will lead to more paths even if you can't see them yet. trust that the big scary void question mark of a future contains not only unseen dangers but also an unseen unfurling infinity of options and paths, friends and lovers, work and play. i love u
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"the world isn't kind" ok??? Much more importantly are you?????
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i'm not the best at singing. but i'm gonna sing anyway dude. i'm not the best at painting. but i'm still going to paint. my dancing will never see a stage. but it's perfect for early mornings in my bedroom and late nights with people i love. so what does this mean? it means that people are designed to do. not to be the best. just to do. if you're doing what you enjoy, then you don't have to be the best. you just have to enjoy it. you have to live.
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Who is SHE?
→ journal out who you want to be in 2025:
1. What does she look like? (Physical appearance, style)
2. How does she dress on a typical day?
3. What does she like ?
4. What doesn't she like?
5. What is her behavior like in different situations?
6. (Social interactions, demeanor)
7. How does she prefer to be treated by others? (Expectations from relationships)
8. How does she treat people around her? (Interpersonal relationships, kindness)
9. What does her daily routine entail? (Activities, schedule)
10. At what time does she usually go to bed? (Sleeping habits)
11. When does she wake up in the morning? (Morning routine)
12. What are her hobbies and interests? (Leisure activities)
13. What is her profession or occupation? (Career, job responsibilities)
14. What are her long-term goals and aspirations? (Career ambitions, personal achievements)
15. How does she handle stress or challenges? (Coping mechanisms, problem-solving approach)
16. What type of books does she enjoy? (Cultural preferences)
17. How does she maintain her physical and mental well-being? (Health and self-care routines)
18. Does she have any specific dietary preferences or restrictions? (Food choices)
19. Who are her closest friends, and what are her relationships like with them?(Friendship dynamics)
20. How does she navigate conflicts or disagreements? (Communication style, conflict resolution)
21. What values and principles guide her decision-making? (Personal ethics)
22. How does she spend her leisure time on weekends? (Weekend activities, relaxation methods)
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manifesting a productive 2025 🙏
i’ll make a full post on goals later maybe hehe
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