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Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
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Robin drags Steve to a local art exhibit on a goddamn weeknight. This is not his scene at all.
Pretentious douchebags in scarves discussing if that splatter of paint represents socioeconomic downfall? Nah, this shit is not for him.
Robin ditches him halfway through the exhibit to talk to some sculptor that she’s got a thing for. Honestly, Steve would’ve done the same thing if it were him. But still, Steve is five minutes away from leaving her ass and taking a cab home.
He’s sitting on metal bench, centered a few feet away from the oversized canvas of scattered colors.
It looks like such a mess. Scribbled strokes of paint and lines that bump into curves. Everything intersecting. Someone would probably try to convince him that it represents the artist’s troubled past or fucked up childhood.
To Steve, it’s just a mess.
“What do you think?” A voice asks, joining Steve on the bench.
He looks to be about Steve’s age. Bold features, bolder hairstyle. All black clothes with chunky red combat boots. Elaborate tattoos creeping over the collar of his shirt.
Steve shrugs. “Truthfully? I don’t get it.”
“It’s art. What don’t you get about it?” The guy looks stunned.
Is Steve really about to argue with a complete stranger over lines and colors?
“There’s nothing but lost movements.”
Guess he is.
Steve observes the nameplate next to the canvas and goes off.
“Like this Eddie Munson guy held up a paintbrush and went, ‘fuck it, they’ll never know this is bullshit.�� Honestly, this whole place is a facade for people to masquerade around, pretending to be in tune to artistic expression, but they’re not.”
“They’re not?”
“No.” Steve answers immediately, a little defensive. “Nobody here gives a shit about what the artist is trying to convey, and this artist…”
Steve points at the artwork.
“This Munson guy knew that. Knew he could fool every rich asshole in this place.”
The guy looks at the painting and laughs. He’s got a nice smile, Steve thinks. Wide and genuine. Not too perfect. Not overly rehearsed. Like he doesn’t give out smiles to just anyone.
“Eddie Munson couldn’t fool you though, could he?” He finally says, looking directly at Steve.
The intense eye contact makes Steve a bit fidgety. Nervous. “I guess not, no.”
“I like that.”
“Like what?”
“That you refuse to see what everyone else sees.” The guy turns away, releasing Steve from the gaze. “Even if that would be easier.”
It almost sounded like he was trying to say he likes Steve. Not that Steve would complain if that were true. This guy is not his type, but that doesn’t mean he’s unwilling to expand his definition of type for someone that’s interested in him.
“What do you think about it?” Steve tilts his head towards the canvas.
The guy twists the ring on his thumb, processing an answer. He crosses his legs, then un-crosses them. Twists the ring counterclockwise now.
“I think the painter abandoned their originality to meet their growing audience’s expectations of them as an artist.” He finally says.
Steve scoffs. “How did you draw up a conclusion like that?”
The guy hums and abruptly changes the topic. “What did you say your name was?”
“Steve Harrington.”
“Right.” He gets up and gestures toward a ‘staff only’ door. “Up for a little field trip, Steve Harrington?”
This is dumb. Breaking laws is something Steve left behind in his angst-filled teen years.
But this guy is bad-boy hot and Steve is painfully bored, so he follows the stranger despite his better judgement.
They enter the door and are instantly greeted by a trail of empty paint buckets. There’s dirty tarps covering the floors and countless canvases laid out across the wide room.
Right away, Steve can tell this is what art is all about. The chaos. The urgency to create as soon inspiration strikes.
And these paintings look nothing like the one hanging in the gallery. These paintings are full narratives told through shapes and pigments.
These paintings could be an autobiography on the topic of someone who experiences life deeply. Passionately.
These are the untold masterpieces.
“Wow.” Is all Steve finally comes up with.
“To answer your question,” the stranger gestures grandly to the entirety of the room. “This is how I drew up that conclusion.”
“This was the originality. It’s stuck behind these four walls, but it’s where everything started. It’s where everything should have stayed.”
Steve carefully watches the man explore all the different works of art. Bending down to touch some. Smiling playfully at others. Steve is stupidly captivated by his ability to shine amongst literal art.
“What did you say your name was?”
The guy chuckles and walks back over to Steve. “I didn’t.”
“Right. Are you gonna tell me?”
“That depends.”
“Depends on what?”
“Depends on if you’ll still kiss me after I tell you.”
They’re standing close, Steve hadn’t realized it until now. Maybe it was him closing the distance. Maybe it was the stranger. Maybe it was gravity growing tired of their mediocre foreplay.
But they’re close now. So close that Steve can see the lightening bolt tattoo below the stranger’s left ear. A thought runs rampant in Steve’s slutty mind that he could see every single neck tattoo if he were to start unbuttoning this guy’s shirt.
He’s close enough to do it.
“I’ll still kiss you afterwards,” Steve agrees dreamily. Getting high off of paint fumes and close proximity.
The stranger lets his hand wander up the back of Steve’s neck, breaths getting caught in Steve’s throat at the contact.
“I’m that Eddie Munson guy.” He says in a low whisper. “The same one who held up a paintbrush and went, ‘fuck it, they’ll never know this is bullshit.’”
Every word he utters is cautious now. Like Steve might change his mind about kissing him.
Steve doesn’t change his mind.
He pulls hard at Eddie’s collar, lets their lips collide dizzily fast. Eddie’s mouth pushes against his to lead the kiss, Steve is more than happy to let him do so.
It’s a noisy kiss. Sounds escaping out of the corners of their mouths. Airy gasps and rustling clothes filling the open space.
Steve breaks the kiss to speak, inhaling as much oxygen as he can get. “I’m guessing you bring lots of guys back here and woo them with your secretly amazing art.”
Eddie had transitioned to kissing Steve’s neck while he was talking, but stops as soon as Steve says that.
“You’ve got it all wrong, sweetheart.” Eddie cradles Steve’s flushed cheeks with both hands. “I only bring pretty boys who refuse to see what everyone else sees back here.”
Steve moves Eddie’s hands and wraps them around his own neck. “Even if that would be easier.”
Eddie smiles. “Exactly.”
He goes back to sucking on Steve’s neck, like he was rudely interrupted before, and Steve starts to feel as chaotic as the art surrounding them. Eddie marks him with a fresh bruise, just below his right ear. Mirroring the exact spot where Eddie’s lightening tattoo is located.
Eddie licks over it. Swirling his tongue in sweltering circles, making Steve pant wow as he finishes the creation he was designing solely with his mouth.
He exhales a single laugh into their kiss.
“Why are you laughing?” Steve asks.
Eddie shakes his head.
“I really like doing things that make you say wow like that, Steve Harrington.”
Steve kisses Eddie’s cheek. “I really like that too.”
Eddie kisses him thoroughly slow once more, then nibbles over Steve’s ear as he whispers:
“Kinda curious to find out what else I can make you say.”
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stolas look oUT— oh my god he cant hear me. he doesnt even know whats coming for him
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i hate it when i cant even write a poem about something because its too obvious. like in the airbnb i was at i guess it used to be a kids room cause you could see the imprint of one little glow in the dark star that had been missed and painted over in landlord white. like that's a poem already what's the point
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a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
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writing advice for characters with a missing eye: dear God does losing an eyes function fuck up your neck. Ever since mine crapped out I've been slowly and unconsciously shifting towards holding my head at an angle to put the good eye closer to the center. and human necks. are not meant to accommodate that sorta thing.
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wizard college is going to kill me I swear to god. I just saw someone without a component satchel reach into their pocket and pull out a handful of LOOSE tapioca to use as a substitute for blood in their fell ritual. and it worked. I've never been so fucking mad.
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My 15 year old brother is currently obsessed with uranium glass for some reason so today my day has consisted of walking into antique stores and asking them if they currently have any 1930s glassware anyway we struck gold at this place
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I want to talk about Palestine and what we can all do to support them in this time. The majority of us may not be table to take to the streets in protest or donate or even show our support through symbols in certain areas but that doesn't mean you cannot support them. There are ways of support and protest, there is no reason you can be exempt from helping where you can. Boycott brands, share and interact with content by Palestinians, do not be silent. DO NOT BE SILENT. Your protest/support may not be as large as some, but the least you can do is speak the name of Palestine. Speak the name of Palestine and think of her people every day, speak her name again and again until she has peace again.
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Fantasy Guide to Employment: Household of a Castle
The castle does not run itself. The castle would remain a pile of stones without servants to keep it running. The guide below focuses on the private household of the lord himself, anybody who worked inside the main keep of the castle. I will be expanding outside the walls in a future post.
The Steward/Seneschal
This person was the head of the household staff. They would have the task of running things on the Lord's estate. They are the managers, so it is up to them to keep the staff in line. The steward would keep the castle accounts and keep the lord informed of all of the goings on of the lands and tenants. They would have to be educated needing to do accounts and write letters. Though the castle's Lady would be expected to do all these things, the steward served as a backup and assistant in all the tasks even representing the lord and lady when they were unavailable.
The Chamberlain
The chamberlain is the servant employed to look after the Lord's bedchamber. He would look after the Lord's clothes as well and keep track of the other servants' liveries, the official uniforms of the guards, pages and squires. This was not always the case, some larger households had a separate office but most medium seized manors and castles lumped them together. The chamberlain's main task was ensuring the lord was kept happy. He would even be the last servant a lord would see at night before he went to bed at night. They would be educated.
The Marshal
A Marshal was in charge of the stables as well as the military presence in the castle. They would oversee the household's horses, carts, wagons, and containers. He oversaw blacksmiths, horse grooms and stableboys. He also oversaw the transporting of goods. The Marshal was sometimes in charge of disciplining servants. They would likely come from a middle class background as well as having military experience and education.
The Page
A page was a young noble boy about seven years old who would be sent to serve a Lord. He would be in charge of tidying up after the lord, carrying messages to other servants and occupants of the castle and serving him at meals. Unlike others on the list, the page would not be paid. His experience was his payment as he would learn the running of a castle and manners of a lord.
The Lady's Maid
The lady's maid is be the female body attendant of the castle's noble women. She would be in charge of caring for the lady's chamber and her things. She would dress the lady and attend her wherever she would. (The lady's maid would basically do all the work a chamberlain would but you know the wage gap...)
Maidservant
A housemaid/maidservant works to clean the castle. She would be among the first to awaken every morning. Her first task would be sweeping the floors. The thing with mediaeval floors a that they were often covered with a thin layer of rushes, a kind of grass. Weekly if not daily, a maidservant would be expected to change out the rushes and scatter new ones. If it really needed it, she would scrub the stone floors which would be done with a soap called lye, made from ashes and lard. The maidservant would also be expected to go into the bedchambers when the occupants awoke. She would empty the chamberpots if need be. She would get rid of the ashes from the fire and ready the fire for later. She would make up the bed or strip it for the laundresses. She would wash anything that needed washing including furniture and ornaments.
Laundress
The laundress was responsible for the cleaning of anything made of fabric in the household. The laundress would have to fetch their own water either from the castle well or from a nearby river. They would heat the water in large vats and add lye soap (the most popular of the cleaning agents). The constant exposure to soap and hot water was physically tough on the hands of the laundresses and their backs. When the detergents were added to the water, the laundress would dump them into the vat and stir that shit like soup. To dry it they would pin it out on lines or beat the water from it. The laundress might make money by selling secrets. Since they are handling unmentionables, they knew what happened behind closed bedchamber doors or what didn't.
Nursemaid
The nursemaid was in charge of the castle's children. They would ensure the child was fed, washed and generally kept alive while the parents would either be away at court or busy with the lands. The nursemaid would be a common woman from the surrounding lands who would come in to care for a noble child in the stead of the mother who would be expected to get on with other jobs. The nursemaid would be an underlying of the noble governess, a sort of hands-off nanny.
Cook
The cook was one of the most important servants in the castle. They would have the task of overseeing the running of the kitchens and keeping supplies in order. They would likely be on call at all times. Henry VIII's cook was often woken in the night because his royal master wanted a midnight snack. The cook was a valued member of the household and would have been highly sought after if they were a very skilled cook. Cooks would have been paid a handsome wage.
Scullion
The scullion was the lowest member of staff. They would be responsible for scrubbing and cleaning the servants quarters and the kitchens. They would scrub floors with lye, scour pots with sand, sweep put the fireplace and clean up after the other servants. They were the first to rise in a castle and tasked to light all the fires in the kitchens.
Payment & Lifestyle
Within the mediaeval household, payment came from the hand of the steward. As the Lord's manager of accounts, he was in charge of paying staff.
The grander jobs in the castle such as the marshal, the chamberlain, nursemaid and lady's maid would pay better. They would have certain privileges including better bedchambers.
A nursemaid who was breastfeeding the Lord's children would be a valued member of staff. She would be fed better than the other servants.
The page would sleep in a chamber off the lord's bedchamber or sometimes at the foot of the bed. A page would wear the Lord's livery so he would be dressed on the Lord's coin.
The chamberlain would have rooms close to the lord and lady, just in case they were needed by the master in any kind of emergency.
The cook would sleep near the kitchens so they were close enough just in case they are needed in the night.
The other household servants would all sleep in chambers together. The women would sleep in one and the men would sleep in another. Nightly dalliances were frowned upon massively.
Most servants came from the surrounding lands of the castle. When the lord and his family were away at court or somewhere else, there would be a drop in employment. Everything would be cut down ex. Instead of three laundry maids, only one might stay on after the lord goes. The steward, the marshal, the chamberlain, the page, the cook, the nursemaid and the lady's maid were all important staff so their job would be permanent.
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