mizzy636

[mizzy636]

Love this so much

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Be careful with that one, love. She will do what it takes to survive.

[mizzy636]

ARIANNA GRANDE-BUTERA + improvised moments in Wicked (2024)

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This pretty much summarizes how it feels knowing what's going to be coming and just having to take it.

[mizzy636]

glinda upland and elphaba thropp + onion headlines (part one)

[mizzy636]

I'm too much of a sucker for the tragedy of Wicked's ending to take any of this seriously, but the funniest possible fix-it concept is that Glinda just. Does not know. How the fuck. To send this 12yo back to Kansas. Like why the hell would she know how to do that?? Who thought it was a good idea to leave her in charge of this???

And from Dorothy's POV, this is such a funny concept: imagine for a minute that you (a child) wake up in a Fairy-Land, become best friends with a (possibly mentally unstable?) talking scarecrow, and are told by the god-kind that you must go murder his political rival before he'll send go home. Fine. This might as well happen.

And when you return from said murder - which is somehow successful - it turns out the god-king is a fraud and cannot help you. Whoops. Well, how about the OTHER seemingly most powerful person in the country? Ah, no....it turn out she had pretty limited powers in the magic department. And they're mostly bubble-related.

So she takes you (by bubble) to a tiny seaside town on the edge of the map to seek the help of her most powerful friends….the woman you just murdered and your scarecrow best friend who was an accomplice to that murder. And apparently, they’ve all three been dating since undergrad.

I mean, what do you even do with that.

[mizzy636]

You know the Grimm version of Snow White makes more sense than most versions if only because in that version Snow White was like 7 years old.

[mizzy636]

I really hope you get it And you don't live to regret it

[mizzy636]

When Elphaba tosses her cape, in her most grandiose moment, the crest of her crescendo, and it billows out backwards ominously and yet somehow in the same manner that Glinda has been frivolously tossing her hair this whole time, the way she showed her. The cape that Glinda gave her. That's lesbianism.

[mizzy636]

[mizzy636]

It is literally impossible for me to hear “I’ve got a theory” without saying “that it’s a demon”

[mizzy636]

[mizzy636]

I get my media recommendations the old fashioned way: by watching someone I follow on here go on an unhinged reblog spree of media related content until I eventually decide to go "alright, what's all this then"

[mizzy636]

GLINDA & ELPHABA WICKED: PART I (2024)

[mizzy636]

saw an absolutely hilarious animal crossing theory that i now 100% accept and it’s that in the animal crossing world, humans are going extinct, and so all the animals have locked you in an elaborate zoo enclosure and are trying to give you enrichment. and that’s why they give you infinite pointless tasks, hide money in trees and rocks, invented debt that doesnt matter etc. it’s why they always act so happy to see you even after you raze the entire island, relocate their houses twice, and always act so pleased about your choices no matter what. it’s all to keep their little endangered human healthy and enriched. and thinking of it this way has genuinely improved my experience of the game

[mizzy636]

Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.

Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.

It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.

So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.

[mizzy636]

NATALIE PORTMAN as PADMÉ AMIDALA STAR WARS: REVENGE OF THE SITH (2005)