They/He | 23 | Call me William :) | It’s all Minecraft now…
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guys. are we still in the fuck it we ball years or are we already at the fully develop brain part....
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northern hemisphere babes we made it to the longest night of the year. we made it. for the next 6 months, every day will give us a little more daylight than the last. let's go. take my hand. climb out of the darkness with me
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Okay I have downloaded a pdf godbless. It's Frankenstein time
#this is sooo fun and funny to read i just finished out writing my senior sem paper on frankenstein#frankenstein#text
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Twins 🥰
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Reminder and fun fact:
Today is the 4 year anniversary of the first ever taz episode
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btw the palestinian children’s relief fund is currently running a fundraiser & is more than halfway to their goal of $10,000 !
here’s a link for anyone who is willing & able to donate, please share so it can reach more people, especially as the weather grows colder & these children are desperately lacking resources.
(at $5,314 / $10,000 as of December 1)
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What's the worst trap you see amateur writers falling into?
Not appreciating the whole story.
Scroll around "Writing Tumblr" for a few hours and you'll see something to the effect of "I was daydreaming about this big fight/plot twist/dramatic irony, but I hate writing all the stuff leading up to it!"
Everything leading up to the big third act is treated as an obligation. The 'homework' before you get to the 'fun part.'
See this enough times, and you start to realize why you see so many stories meandering around for the first two acts until they can have their big, dramatic climax. You start to see why everything that isn't a Baysplosion is considered "filler" now.
If you're only into writing to write memorable third act reveals, then everything you write is going to be terrible.
There's a video by Noralities going over an old anime, which she admits she hated at first because she was skipping the episodes that were dubbed "filler" by some idiot, and her friend who suggested it to her had to sit her down and tell her that the filler was some of the best parts. And she was in disbelief about that.
"A character-based show feels worse when you watch only the plot episodes and none of the character episodes? Say it ain't so!"
It is a moment of spectacular brainrot in what is otherwise an S-Tier Youtuber, because it's such a basic concept that some people will weirdly fight you on.
Character moments, slow moments, things that might be considered boring to a hyperactive, plot-obsessed weirdo, these are all important. Trying to have a big grand plot without these things is like trying to build a bridge without supports. If you don't have as much of a deep and abiding love for those things as you do for the big fight scene at the end, you're going to make shit.
There are entire genres of storytelling that don't have villains, fight scenes, or dramatic plot twists. There are NO genres of storytelling that don't have characters and character relationships as a core component of them.
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does anyone remember law4kids
like this kids’ website that had these shitty webcomics and animations telling them all about DA LAW
i mean this shit was hilarious even by itself
BUT THEN PEOPLE STARTED MAKING PARODIES
AND THEY JUST KEPT COMING
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i think a big part of expanding your intellectual curiosity and trying to learn new things about the world is to abandon the shame of not knowing things. don't blame "the US school system" (which US school system????), don't blame your teachers, don't blame society, but embrace the fact that you are going to be learning new things constantly, throughout your life. practice saying "i really need to read about that" or "does anyone know of any good sources to learn about xyz?" or "hold on i gotta go check wikipedia/a world map/the dictionary/the news." every single day, there will be something you don't know already. that something doesn't have to be embarrassing. instead it can be an opportunity to learn something new
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If this pops up while you’re scrolling, I wish you unconditional love and massive success.
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you kind of do have to let multiple layers of meaning and metaphor coexist rather than claiming one is the true reading if you want to get fucking anything out of art
#i think in terms of like#making claims about a piece of art and what it's doing or trying to do#i mean you can just about make anything say anything you want it to#it's just that when you sit down and try to argue for any particular claim and explain the how and why#some claims will have stronger and/or more easily accessible evidence while others you'll have to stretch for. if they aren't like#borderline unsubstantiated by the text altogether. which is hard#this is what we like to call the “stretch”#but generally yes. things can and often do mean multiple things at once. all at the same time#sometimes two (supposedly) contradictory interpretations can both be pretty true at the same time#sometimes there are things true about the art that even the artist did not mean to put in there but which is. perhaps surprisingly evident#we love art for this#text
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