marleymagic

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fem ryusae request. do not think they’d gaf

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Uzumaki

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Wink wink, got anymore femlock art?

these are all old but i’m gonna draw more soon i was on a fem lock T break because (nicki minaj voice) i hatttteeeeeeeeee the way some people draw it

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my baby my baby

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he's got a point

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"I feel like something bad is going to happen to me. I feel like something bad has happened. It hasn't reached me yet but it's on its way." (Lake Mungo, 2008)

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Conversations

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Some post canon Vi doodles as an attempt to cope with whole s2

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Sae, smoking: if I didn’t go into professional soccer I might’ve actually had a chance at a happy and fulfilling life. Isn’t that funny?

Shidou, so drunk he can barely stand: could you put that out on me?

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omgosh your art is so amazing & cute. im so glad i found your page! it would mean the world if you drew sae. shitty big brother is my fav if it wasn’t obvious :’)

(even though i don’t draw him a lot, he is one of my fav too)

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looking in the mirror and seeing him. looking in the mirror, and the resemblance making you want to claw your own skin out, filling you with rage and self-hatred. that's rin itoshi, relieving the betrayal he felt, his dream crushed, his hopefulness and naivety crushed under the weight of his older brother returning home—different. sae itoshi's tired eyes, his unpacked suitcase, his spitting words, calm and so so fucking mean. 'you make me want to vomit', 'what have you been doing these past three years?' threading the rin itoshi's future inner thoughts of pure worthlessness and standards and internal conflict and distance and drive. there's preciousness shattered from when sae used to hold his hand. the calm care in how he'd look out for rin, his eyes sharp and knowing in older-sibling ways, mysterious and cool to rin, but foreboding to us. what the hell happened to sae? what the hell happened in spain? it was this incident that drew a line between them; it's under this line that they both grew. messy teenage years, a hard distance between them. and yet - they look the same. they appear the same in the way siblings realistically do: enough differences and similarities in physical appearances that help cut the lines of their personalities but don't prevent the air of inevitability between them. the same morning routine, the same eyes, the same phrases, tone of speaking, a pretence at the same outward cutting displeasure, but a difference in how far one's willing to take it, who excels where. rin itoshi serves as a bridge to sae itoshi, in the set-up of the story, and in the set-up of rin's own life. from the words sae gave to him back then, he's been tied down. he's been chained, unable to let go, and excel. what pushed him forward was the one thing he needed to—needs to—break free of. there's too much mystery about sae's own feelings, what he thinks privately when he looks at the boy he changed forever. whether his intentions were more complex then we'll ever come to know. instead, we watch them fight on japan's stage, cameras everywhere, curious gazes, for all to see and wonder at. 

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they are so uchiha brothers coded. to me.

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2024 redraw of this

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Color keys by David Goetz from the Art of The Hunchback of Notre Dame

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Visual development for The Hunchback of Notre Dame (1996)

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[first id: a fanart of tsukumo yuki and kenjaku, in geto suguru's body. they're both winking at the camera, wearing almost identical clothes: an open suit, matching pants, and dress shoes. although yuki wears nothing underneath except for sarashi around her waist, only one of her breasts is hidden by the suit. she's flashing her teeth confidently, spreading her legs wide and leaning back, one of her hands resting on her knee. she also has glowing freckles. kenjaku is wearing two layers of traditional garments under their suit, leaning back with their legs crossed, a hand on a thigh. they're also wearing red eyeliner and lipstick. they're smiling invitingly to the camera, with a drop of liquid leaking from their stitches. the background is blue, the "STAR & OIL" text is positioned in a way that makes it look like yuki and kenjaku are sitting on it.

second id: a close-up of yuki and kenjaku. /end id]

TSUKUMO YUKI & KENJAKU FOR VOGUE 2022

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[first id: a digital fanart of gojo satoru and geto suguru as a fake manga cover, the latter is depicted as a curse, with a bloody, spiraling hole in his face, his hair is loose and curtains over gojo under him. gojo is hugging geto tightly and protectively by the middle, eye glaring at the viewer accusingly, while geto stands still and limp under his hold. gojo is also wearing geto’s gauges.

second id: a doodle of gojo with geto as a black halo behind his head. he’s smiling cheerfully although with dead eyes to the camera, holding an ice cream in one hand. the background vaguely resembles a carnival. the text over him says “you’re in his dms i forcibly tore out his soul out of his dead body and bound it to mine we are not the same” /end id.]

curse geto cover :-)