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marilysugarcoated · 7 months ago

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How Not to Break Your Sewing Machine

I work in a shop where we repair sewing machines (a LOT of sewing machines), and unsurprisingly we see a lot of the same problems over and over again, so I'm here with some advice on how to keep your machine running longer.

When you break a needle, dig around until you have found the broken piece. If you leave it in there, it can end up in the wrong place at the wrong time and break something vital.

SLOW DOWN. The function of your sewing machine depends on the different moving parts ending up in the right place at the right time. Having to go through a lot of/heavy material slows the needle down, but it doesn't slow down the mechanism underneath the needle plate. If you try to go your usual speed, the needle will arrive too late and collide with something it shouldn't, breaking either the needle or the bobbin case. If the material is especially heavy (say you're sewing several layers of denim, or sewing webbing onto canvas), take your foot off the pedal and turn the machine by hand.

Clean out the bobbin area after each project. Really. Your machine comes with a little brush for this purpose. If it doesn't, a little dollar-store paint brush will work just fine. Remember what I said above about things being in the right place at the right time? Everything needs to be able to move freely for this to work. I know it looks like it's just a little dust and fluff, but it will jam up your machine eventually.

If you can, get your timing adjusted by a professional. I know most people don't have a sewing machine repair shop in their neighbourhood, but if you can do this, it's worth it. If the machine's timing is good, then you're more likely to have a little leeway for heavier fabric or a lintier bobbin case. When the timing is just a bit off, it takes less of an obstacle to put the needle in a place it shouldn't be.

If you can, buy a machine built before 1980. If it's still working 50 years after it was made, it's gonna keep working. Those older machines are made with metal gears and therefore weigh a ton, so they're definitely not a good choice if you don't have a permanent setup for your machine, but it means they basically last forever. Newer machines are made with plastic parts, and no matter what you do, they will break.

Don't buy a Singer Heavy Duty. I'm sure those machines have their benefits, but they are absolutely not heavy duty. We repair more Singer Heavy Dutys than any other single model of sewing machine. If you're already stuck with a Heavy Duty, then follow my advice above even more scrupulously, and start shopping around for a replacement if you can. You can get a used sewing machine of better quality for significantly less than a new Heavy Duty.

To keep things working properly, make sure you're:

threading your machine properly

using the right kind of bobbin

adjusting your tension properly

and using the right kind of needle for the fabric you're sewing!

(These things are unlikely to break your machine, but they will keep it from sewing properly.)

Other than that, get your hands on your machine's manual and read it carefully. If you can, bring your machine in for a cleaning and adjustment now and then. Your machine will need repairs every once in a while: it's a lot of little moving parts! But these are some basic precautions you can take to avoid some common problems.

#sewblr

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marilysugarcoated · 8 months ago

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Story Structures for your Next WIP

hello, hello. this post will be mostly for my notes. this is something I need in to be reminded of for my business, but it can also be very useful and beneficial for you guys as well.

everything in life has structure and storytelling is no different, so let’s dive right in :)

First off let’s just review what a story structure is :

a story is the backbone of the story, the skeleton if you will. It hold the entire story together.

the structure in which you choose your story will effectively determine how you create drama and depending on the structure you choose it should help you align your story and sequence it with the conflict, climax, and resolution.

1. Freytag's Pyramid

this first story structure i will be talking about was named after 19th century German novelist and playwright.

it is a five point structure that is based off classical Greek tragedies such as Sophocles, Aeschylus and Euripedes.

Freytag's Pyramid structure consists of:

Introduction: the status quo has been established and an inciting incident occurs.

Rise or rising action: the protagonist will search and try to achieve their goal, heightening the stakes,

Climax: the protagonist can no longer go back, the point of no return if you will.

Return or fall: after the climax of the story, tension builds and the story inevitably heads towards...

Catastrophe: the main character has reached their lowest point and their greatest fears have come into fruition.

this structure is used less and less nowadays in modern storytelling mainly due to readers lack of appetite for tragic narratives.

2. The Hero's Journey

the hero's journey is a very well known and popular form of storytelling.

it is very popular in modern stories such as Star Wars, and movies in the MCU.

although the hero's journey was inspired by Joseph Campbell's concept, a Disney executive Christopher Vogler has created a simplified version:

The Ordinary World: The hero's everyday routine and life is established.

The Call of Adventure: the inciting incident.

Refusal of the Call: the hero / protagonist is hesitant or reluctant to take on the challenges.

Meeting the Mentor: the hero meets someone who will help them and prepare them for the dangers ahead.

Crossing the First Threshold: first steps out of the comfort zone are taken.

Tests, Allie, Enemies: new challenges occur, and maybe new friends or enemies.

Approach to the Inmost Cave: hero approaches goal.

The Ordeal: the hero faces their biggest challenge.

Reward (Seizing the Sword): the hero manages to get ahold of what they were after.

The Road Back: they realize that their goal was not the final hurdle, but may have actually caused a bigger problem than before.

Resurrection: a final challenge, testing them on everything they've learned.

Return with the Elixir: after succeeding they return to their old life.

the hero's journey can be applied to any genre of fiction.

3. Three Act Structure:

this structure splits the story into the 'beginning, middle and end' but with in-depth components for each act.

Act 1: Setup:

exposition: the status quo or the ordinary life is established.

inciting incident: an event sets the whole story into motion.

plot point one: the main character decided to take on the challenge head on and she crosses the threshold and the story is now progressing forward.

Act 2: Confrontation:

rising action: the stakes are clearer and the hero has started to become familiar with the new world and begins to encounter enemies, allies and tests.

midpoint: an event that derails the protagonists mission.

plot point two: the hero is tested and fails, and begins to doubt themselves.

Act 3: Resolution:

pre-climax: the hero must chose between acting or failing.

climax: they fights against the antagonist or danger one last time, but will they succeed?

Denouement: loose ends are tied up and the reader discovers the consequences of the climax, and return to ordinary life.

4. Dan Harmon's Story Circle

it surprised me to know the creator of Rick and Morty had their own variation of Campbell's hero's journey.

the benefit of Harmon's approach is that is focuses on the main character's arc.

it makes sense that he has such a successful structure, after all the show has multiple seasons, five or six seasons? i don't know not a fan of the show.

the character is in their comfort zone: also known as the status quo or ordinary life.

they want something: this is a longing and it can be brought forth by an inciting incident.

the character enters and unfamiliar situation: they must take action and do something new to pursue what they want.

adapt to it: of course there are challenges, there is struggle and begin to succeed.

they get what they want: often a false victory.

a heavy price is paid: a realization of what they wanted isn't what they needed.

back to the good old ways: they return to their familiar situation yet with a new truth.

having changed: was it for the better or worse?

i might actually make a operate post going more in depth about dan harmon's story circle.

5. Fichtean Curve:

the fichtean curve places the main character in a series of obstacles in order to achieve their goal.

this structure encourages writers to write a story packed with tension and mini-crises to keep the reader engaged.

The Rising Action

the story must start with an inciting indecent.

then a series of crisis arise.

there are often four crises.

2. The Climax:

3. Falling Action

this type of story telling structure goes very well with flash-back structured story as well as in theatre.

6. Save the Cat Beat Sheet:

this is another variation of a three act structure created by screenwriter Blake Snyder, and is praised widely by champion storytellers.

Structure for Save the Cat is as follows: (the numbers in the brackets are for the number of pages required, assuming you're writing a 110 page screenplay)

Opening Image [1]: The first shot of the film. If you’re starting a novel, this would be an opening paragraph or scene that sucks readers into the world of your story.

Set-up [1-10]. Establishing the ‘ordinary world’ of your protagonist. What does he want? What is he missing out on?

Theme Stated [5]. During the setup, hint at what your story is really about — the truth that your protagonist will discover by the end.

Catalyst [12]. The inciting incident!

Debate [12-25]. The hero refuses the call to adventure. He tries to avoid the conflict before they are forced into action.

Break into Two [25]. The protagonist makes an active choice and the journey begins in earnest.

B Story [30]. A subplot kicks in. Often romantic in nature, the protagonist’s subplot should serve to highlight the theme.

The Promise of the Premise [30-55]. Often called the ‘fun and games’ stage, this is usually a highly entertaining section where the writer delivers the goods. If you promised an exciting detective story, we’d see the detective in action. If you promised a goofy story of people falling in love, let’s go on some charmingly awkward dates.

Midpoint [55]. A plot twist occurs that ups the stakes and makes the hero’s goal harder to achieve — or makes them focus on a new, more important goal.

Bad Guys Close In [55-75]. The tension ratchets up. The hero’s obstacles become greater, his plan falls apart, and he is on the back foot.

All is Lost [75]. The hero hits rock bottom. He loses everything he’s gained so far, and things are looking bleak. The hero is overpowered by the villain; a mentor dies; our lovebirds have an argument and break up.

Dark Night of the Soul [75-85-ish]. Having just lost everything, the hero shambles around the city in a minor-key musical montage before discovering some “new information” that reveals exactly what he needs to do if he wants to take another crack at success. (This new information is often delivered through the B-Story)

Break into Three [85]. Armed with this new information, our protagonist decides to try once more!

Finale [85-110]. The hero confronts the antagonist or whatever the source of the primary conflict is. The truth that eluded him at the start of the story (established in step three and accentuated by the B Story) is now clear, allowing him to resolve their story.

Final Image [110]. A final moment or scene that crystallizes how the character has changed. It’s a reflection, in some way, of the opening image.

(all information regarding the save the cat beat sheet was copy and pasted directly from reedsy!)

7. Seven Point Story Structure:

this structure encourages writers to start with the at the end, with the resolution, and work their way back to the starting point.

this structure is about dramatic changes from beginning to end

The Hook. Draw readers in by explaining the protagonist’s current situation. Their state of being at the beginning of the novel should be in direct contrast to what it will be at the end of the novel.

Plot Point 1. Whether it’s a person, an idea, an inciting incident, or something else — there should be a "Call to Adventure" of sorts that sets the narrative and character development in motion.

Pinch Point 1. Things can’t be all sunshine and roses for your protagonist. Something should go wrong here that applies pressure to the main character, forcing them to step up and solve the problem.

Midpoint. A “Turning Point” wherein the main character changes from a passive force to an active force in the story. Whatever the narrative’s main conflict is, the protagonist decides to start meeting it head-on.

Pinch Point 2. The second pinch point involves another blow to the protagonist — things go even more awry than they did during the first pinch point. This might involve the passing of a mentor, the failure of a plan, the reveal of a traitor, etc.

Plot Point 2. After the calamity of Pinch Point 2, the protagonist learns that they’ve actually had the key to solving the conflict the whole time.

Resolution. The story’s primary conflict is resolved — and the character goes through the final bit of development necessary to transform them from who they were at the start of the novel.

(all information regarding the seven point story structure was copy and pasted directly from reedsy!)

i decided to fit all of them in one post instead of making it a two part post.

i hope you all enjoy this post and feel free to comment or reblog which structure you use the most, or if you have your own you prefer to use! please share with me!

if you find this useful feel free to reblog on instagram and tag me at perpetualstories

Follow my tumblr and instagram for more writing and grammar tips and more!

#infodump #writing babble #writing tips

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marilysugarcoated · 9 months ago

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Blog Posts Masterlist

Here are all the blogs I've written sorted according to six categories and a lot of sub categories.

Post Writing (Publishing):

Querying/Getting Published

How To Get Published As A Minor—A Step-By-Step Guide

How To Get Out Of The Slush Pile And Make Your Agent Say Yes

How To Answer Some Common Literary Agent Questions

The Rejection Checklist: Manuscript Pitfalls to Avoid

Editing

Everything You Need To Know Before Editing Your Manuscript

How To Eliminate Passive Voice From Your Manuscript

Pre Writing:

WIP building

Ten Dos And Don'ts Of Worldbuilding

How To Name Your Characters

A Step-by-Step Guide to Crafting a Compelling Storyline

How to Pick The Perfect Weapon For Your Characters

Writing tools

How To Hook Your Readers With Your Chapter's Starting And Ending

How To Write And Create A Sub Plot

How To Immerse Your Readers With Indirect Characterisation

First or Third Person? How To Choose The Right POV for Your Story

Genre-Based Advice:

Fantasy

How To Build A Realistic Magic System

Things To Consider When Writing With Mythologies

Tips To Consider When Writing A Fantasy Religious Story

Horror/Thriller

How To Get Away With Murder...As An Author

How To Get Away With Murder Part Two: Writing Murder Mysteries

How To Build Tension And Make Your Readers Feel Scared

Romance

Crafting Asexual Romance: Navigating Emotional Intimacy in Fiction

Character-Based Advice:

How To Write An Antagonist

How To Create Realistic Book Characters

How To Write A Compelling Character Arc

How To Create A Morally Grey Character

How To Write A Plot Device Character

How To Develop A Memorable Antagonist

Writing Believable Teenage Characters: Dos and Don'ts

Crafting Character Voices And Distinct Dialogue

Crafting Authentic Child Characters: From Toddlers to Tweens

How To Create And Execute Unreliable Narrators

How To Write Immortal Characters in Fiction

Creatures/Monsters

How To Write Mythical Creatures Without Sounding Redundant

How To Write Vampires With An Original Twist

'Sensitive' character topics:

How To Write POC Characters Without Seeming Racist

How To Write A Disabled Character: Ten Dos And Don'ts

How To Write And Research Mental Illnesses

Resources And Advice For Writing Abusive Parents

Scene-Based Advice:

How To Build Tension And Make Your Readers Feel Scared

Four Tips On How To Make Your Plot Twist Work

How To Set The Scene Without Info Dumping

Writing A Creepy Setting: Tips And Examples

The Dos and Don'ts of Writing Flashbacks in Fiction

Crafting Realistic Car Accidents in Fiction: A Writer's Guide

Writing Rage: How To Make Your Characters Seem Angry

Crafting Sad Scenes: Writing Tears and Emotional Depth

Fights, poison, pain

How To Accurately Describe Pain In Writing

How To Create A Well-Written Fight Scene

The Ultimate Guide To Writing Persuasive Arguments

Forgining Epic Battles: Techniques For Writing Gripping War Scenes

The Writer's Guide to Authentic Wounds and Fatalities

Ink And Venom: A Writer’s Guide To Poisonous Prose

Everything You Need To Know About Writing Stab Wounds

Everything You Need to Know About Writing Burns

Everything You Need To Know About Writing Gunshot Wounds

Everything You Need To Know About Writing Bruises

Recommendations:

Websites And Writing Apps Every Author Needs in 2023

Seven Blogs You Need To Read As An Author

Ten Websites Every Author Should Know In 2024

Series

Writing Wounds

Writing Mythical Creatures With A Unique Twist

Writing Emotions

#infodump #writing tips #writing babble

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marilysugarcoated · 9 months ago

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Can you post something about different kinds of soulmates? The name on the wrist or red strings are nice but a little overused, maybe. Idk. Do you have anything different?

50 Types of Soulmates in Literature

The soulmate trope might feel pretty cliche to most but I love exploring them (great short story material, esp if you want to twist it into horror/thriller/non romance). Thanks for the ask! I hope this list is what you were looking for:

Fate-Driven Soulmates

1. Shared Dreams – They meet in their dreams every night/[idea] after they turn [age].

2. Reincarnation– They reincarnate in every era and are destined to meet each time.

3. Aura Bonds – Their auras [change] when they’re near each other.

4. Mirror Messages – They see the other’s face in the mirror when they turn [age].

5. Starbound – Their soulmate’s birth constellation forms on them after their first meeting.

6. Heartbeat Match – Their pulses sync when they meet and get more uneven when they’re apart after that.

7. Shared Memories – They have flashbacks of past lives together.

8. The First Words – Their first spoken words to each other are tattooed on their skin.

9. Fragrance – They recognise each other by a unique scent only one’s soulmate carries (i.e. in the world you can only smell roses on your soulmate).

10. Scars – They have matching scars in the same place since their birth.

11. Colour - They only start seeing colour after meeting their soulmate. Can be changed to sound, touch, smell, etc.

Cultural Soulmates

12. Mehndi Marks - In Indian/Middle Eastern cultures, your soulmate’s name appears in your mehndi/henna.

13. Karmic Threads - In Buddhist traditions, invisible karmic bonds pull them toward one another.

14. Feng Shui Alignment – Their energies perfectly balance according to the Feng Shui elements.

15. Ancestor's Blessing – Their names are revealed through a ritual that summons past ancestors.

16. Name in Flames – In some folk traditions, a fire ceremony reveals their soulmate’s initials in the embers.

17. Feather Match – They exchange feathers that later glow when their soulmate is near.

18. Shared Songlines – In Aboriginal traditions, their paths align on the same Songline.

19. Palm Reading Prophecy – Their soulmate’s features or initials are foretold in their palm lines.

20. Dance of Fate – In certain cultures, a soulmate is revealed during a traditional dance when they naturally pair up.

21. Persian Tea Leaves – Their names appear during tea-reading rituals.

Object-Based Soulmates

22. Lock and Key – Everyone is born with a keyhole shape. When you turn [age] you’re blessed with a key that only fits into your soulmate.

23. Shared Journal – They write in the same journal without knowing how.

24. Twin Trinkets – When born, each person receives a magical [trinket]. Your soulmate has its twin.

25. Compass of Love – A compass always points them toward their soulmate.

26. Two Halves – They carry two halves of the same [object].

27. Enchanted Maps – A map updates itself with their location when they’re near.

28. Eternal Rings – Rings burn hot or glow when their soulmate is close.

29. Song – When they turn [age] they hear a song sung in their soulmate’s voice. (Interesting: in this world, MC hears nothing. They think they don’t have one, rly their soulmate is just mute).

Connection Through Nature

30. Tree of Life – Their world has a special garden you go to when you’re [age]. In the garden, a tree starts to grow when two soulmates are near. Note: if they ‘break up’ or one dies, the tree wilts and dies too.

31. Blooming Flowers – When your soulmate is born, you get a flower bud [different for each]. When you meet the first time, this bud goes into full bloom. If you pass without meeting, it dies. This continues till you actually meet, and the flowers finally [fall off?]

32. Animal Guides – At birth you’re assigned a spirit animal who leads you to your soulmate when the time is right. (Ooh maybe your spirit animals are soulmates too OR hmo: they’re enemies! You haven’t met your soulmate yet because your spirit animals are doing everything to keep you [and themselves] apart).

33. Shifting Shadows – Their shadows always reach toward the other. When you sleep, your shadows break away and meet each other.

34. Bound by Seasons – They only meet during a specific season each year. Kind of like a Divergent ‘born into a season’ thing. (But what if a Summer and Winter end up being fated? But they can’t survive in each other’s seasons. [omg Tinkerbell] lol).

35. Ocean Whispers – It’s said if you go to the ocean’s shore and say something there your soulmate will hear it when they go to the shore. (MC’s soulmate hates the ocean. They’ve never been. One day they finally go, and sit for hours as they listen to messages from their soulmate, who apparently lives by the ocean and has been calling to them every night).

36. Star-Written Names – When you turn [age] only you see a name written in the stars. That’s your soulmate’s name.

Unconventional Soulmate Tropes

37. Memory Keepers – One soulmate is bound to forget each other in each new life, and the other is fated to remember and find them. The other only remembers if and when they meet.

38. Parallel Lives – They exist in parallel universes but see glimpses of each other via [plot].

39. Shared Illness – They feel each other’s pain, sickness, and recovery.

40. Shared Mortality – They can only die when they’re together.

41. The Final Wish – When you turn [age] you get to make a wish and your soulmate has to fulfil it in order for you to meet.

42. The Sacrificial Lamb – One is destined to save the other through ultimate sacrifice.

43. The Time Loop – They’re stuck in a loop, meeting repeatedly until they get it right.

44. Dual Souls – They share one soul in two bodies, feeling incomplete without the other.

45. The Undying and the Mortal – One reincarnates endlessly, always finding their soulmate, if they fail to find them, their soulmate will not reincarnate and die forever. Except, you don’t know who’s the immortal one.

46. Time Stopper: Time stops when you’re with your soulmate. It starts again when you’re apart.

Sense-Based Soulmates

47. Sight: When you close your eyes you can see what they’re seeing.

48. Warmth: You feel physically cold everytime you’re without your soulmate. Your heart turns colder every year, till when you’re [age] you both die if you haven’t met.

49. Colour: You can’t see your soulmate’s eye/hair colour till your first meeting. The issue: they don’t know the colour, so often overlook this change. (Many resort to checking a colour chart every day till they see a new colour).

50. Touch: You can’t feel anything till your soulmate touches you for the first time. Everything simply feels like its weight, not texture.

Looking For More Writing Tips And Tricks?

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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#writing #infodump #writing tips #writing babble

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marilysugarcoated · 9 months ago

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Introduction to Cognitive Functions (Socionics)

Function #1 – leading, program, primary, base, or dominant function. This is the strongest conscious function, and the most utilized function of the psyche. A person’s outlook and role in life is largely determined by the nature of this function. One is generally very confident in the use of this function, and may defend it when challenged. According to Bukalov, this is a 4D function.

Function #2 – creative or secondary function, is second in influence only to the dominant function. It assists the dominant function in achieving its essence. One is generally less confident with the use of this function than with his dominant function. As a result, the creative function is sometimes less instrumental when a person is challenged or threatened, or when dealing with new and complex tasks and data. This function is 3D or time invariant, because it produces something new which may never exist before.

Function #3 – role function, is a weak but conscious function. One generally tries to be at least adequate in areas where use of the role function is necessary. Moreover, one generally uses it in situations of social adaptation (e.g. introducing themselves to an unknown person). However, generally one has very little control or confidence over the role function, and criticism is painfully acknowledged with respect to it. Tactful assistance is required from someone else’s strong function to overcome the problems associated with the role function. This function is 2D or situation invariant, because it cannot adapt to the unusual situation beyond social norms.

Function #4 – the vulnerable function, or place of least resistance, is a weak and conscious function, in addition to being the weakest function of the psyche. One painfully perceives his complete inability to use this function, and reacts negatively to its imposition upon him. Tactful assistance is required from someone else’s strong function (preferably the Function 8) to overcome the problems associated with this function. This function is 1D (i.e. only personal experience is collected here, and it cannot be adapted even to the social norms.)

Function #5 – suggestive function, is a weak and unconscious function which is largely lacked.

One requires assistance from somebody confident in this function in order to overcome the difficulties it presents. When left to ones own devices, the suggestive function goes unnoticed. This function is 1D too, and one must be careful not to become subject of manipulation because of misuse of this function. Discussing aspects of this function makes person happy and trustful. (That’s why it’s called suggestive.)

Function #6 – mobilizing function. This is a weak and unconscious function which one often understands poorly.

Nonetheless, this function has a strong influence over one’s actions. Individuals requires assistance from someone who uses it confidently in order to understand it. Often an individual is only aware that they are totally unaware of how to use this function. At the same time, it’s a 2D function, so it’s capable of collecting a number of easy receipts for daily needs. Being successful in aspects of this function makes one happy and motivated. (That’s why it’s called mobilizing.)

Function #7 – observant, or ignoring, or restricting function, the function of personal knowledge.

This is a strong (3D) but unconscious function. One generally has a good grasp of this function, but attempts to limit its use considerably. Individuals will disregard this function when an argument calls for restraint or when it will be difficult to indulge in its essence. At the same time one uses this function to restrict somebody’s intervention to their privacy or territory, or other unsolicited interaction.

Function #8 – demonstrative or background function.

This function is so deeply rooted into the psyche that one is usually not consciously aware of its existence or utilization. It is as strong as the leading function (4D) and it tends to act silently to protect the weakest point of the dual person (see below). It can sound in situations of extreme irritation when the restricting function fails to break the unsolicited influence.

STRONG AND WEAK

Depending on our type, certain kinds of information metabolism will be strong or weak, meaning we find it easy or difficult to act on that kind of information effectively.Bukalov introduced the idea of Strength/Weakness being divided into four levels, known as Dimensionality which varies from One-Dimensionality (Experience) to having all Four Dimensions (Experience, Normativity, Situation and Time):

One-Dimensionality (1D) – Very Weak. These IM Elements can only be metabolised at the most basic and rudimentary level, meaning we are only open to our own Experience of that information and will thus come across as inept and indecent when using it ourselves

Two-Dimensionality (2D) – Weak. We have to work at these IM Elements to achieve adequacy in them. Usually their use will be tiring to maintain. We are exposed to the Normativity of this sort of information and thus are able to conform to basic standards and expectations but as a result will be rather conservative and stiff in its use.

Three-Dimensionality (3D) – Strong. We can easily and readily metabolise these IM Elements, acting on them as and when we wish. An experience of Situation allows us to make judgement calls on this sort of information, knowing when it is best to adhere to basic standards and when to be more creative.

Four-Dimensionality (4D) – Very Strong. These kinds of information are so prevalent in us that they strongly dictate how we move and communicate in the world. Such information carries its own sense of development over Time with decisions being made as numerous, specific instances on a global scale in the greater interest of that IM Element. People can easily be recognised by the IM Elements assigned to these strongest functions.

VALUED & SUBDUED

Depending on our type, certain kinds of information metabolism will be valued or subdued (not valued), meaning we will appreciate those kinds of information in our surroundings or reject/avoid them. By combining the Strong/Weak and Valued/Subdued dichotomies, we form the four blocks which the eight functions can be separated into:

Ego – Mental, Strong and Valued. The most apparent part of our personality. IM Elements in the Ego Block are those which we actively bring to the world, conducting ourselves and affecting our surroundings according to them.

Super Ego – Mental, Weak and Subdued. The painful expectations of society on us. IM Elements in the Super-Ego Block are those which we are expected by others to use but which we have no wish for and no ability to deliver. As a result, these kinds of information are a constant source of neurosis.

Super Id – Vital, Weak and Valued. The unconscious needs we find help with from others. IM Elements in the Super-Id Block are those which we are generally blind to but which we find ourselves being drawn to when supplied by others. We enjoy these kinds of information and find ourselves appreciating people who readily provide them.

Id – Vital, Strong and Subdued. The rejected approaches. We look down upon IM Elements in the Id Block as the alternative but incorrect ways of doing what we accomplish in our Ego. Instead of pursuing these kinds of information, we unconsciously carry them out as side effects of our natural motives, fulfilling the need with proficiency but without appreciation.

INFORMATION METABOLISM (IM)

These are theoretical constructs that convert (metabolise) certain kinds of information into behaviour. Each is geared towards a certain kind of information which is then acted upon via the process of Information Metabolism.

Ne (Extroverted Intuition) - Intuition of Ideas : Considers the essence of objects and the multiple possibilities contained within. This instils an attitude of opportunity-seeking, pursuing freedom of choice and maximising the possibilities as well as tolerance of multiple, alternative viewpoints.

Ni (Introverted Intuition) – Intuition of Time: Focuses on the likely flow of causes and effects from the past through to the future. This instils an attitude of foresight and prediction, attempting to conceive of how events will develop over the long term and adapting oneself to benefit from these predictions.

Se (Extroverted Sensation) – Sensation of Force. Scans the environment for items of desire and motivates assertive action towards claiming those items. This instils an attitude of lust and combat, pursuing one’s ambitions in the real world and conquering threats to gain more territory.

Si (Introverted Sensation) – Sensation of Senses. Refines sensory experiences down to those that are most enjoyable, seeking to increase pleasure in the moment. This instils an attitude of aesthetic and comfort, adjusting oneself to the environment and making small changes to the environment so that it is most pleasing to the senses.

Te (Extroverted Thinking) – Logic of Procedures. Actively develops methods by which processes work more productively. This instils an attitude of efficiency, readily absorbing relevant information and using that information to make the environment work better and instructing others on how to do things that lead to profitable effects.

Ti (Introverted Thinking) – Logic of Laws. Orders and structures the environment according to rules and principles, creating classificatory systems wherein objects are granted logical meaning. This instils an attitude of consistency and principle, adhering to one’s principles and avoiding situations where these rules might be compromised.

Fe (Extroverted Feelings) – Ethics of Emotions. Actively expresses emotions in order to affect the mood of the people in the area, instilling enthusiasm to create group cohesion. This instils an attitude of dramatic expression and group motivation, readily making people feel the way they should be feeling.

Fi (Introverted Feelings) – Ethics of Relations. Consults one’s personal sentiments in relation to external stimuli, ascertaining whether the thing is ‘good’ or ‘bad’ and being able to pick up on similar sentiments in others to form meaningful relationships. This instils an attitude of sincerity, requiring one to act true to one’s personal feelings on matters.

Summarised from: Source 1 , Source 2, Source 3

#jungian functions #socionics #mbti

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marilysugarcoated · 9 months ago

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Guys what if after the island Ralph confronts Jack and is super mad and Jack just pulls out the ukulele

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marilysugarcoated · 9 months ago

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NO CANON DYNAMIC YET. QUICK, THROW OUT HYPOTHETICALS

#ml #miraculous ladybug #let the hypotheticals rain

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marilysugarcoated · 9 months ago

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😅👉🏽

this is a haiku that uses just two symbols.

so, let me explain:

(while editing this post i found out that a few emojis i use are not supported on certain browsers. clearly im being silenced.

if you paste them in discord, then they should display, otherwise, suffer?)

haikus are simple, but have a rigid structure, which is why they’re fun. just five syllables, then seven, then five again, arranged in three lines.

what I think is fun is what I like to call a ‘minimal haiku,' which is where you try to use as few symbols as possible to write all three lines of a haiku. so, for example, we start with numbers.

7 is so cool everybody likes 7 7 is funky

in this haiku here, although '7' is only one symbol, it counts as two syllables, because that's how it's pronounced. so, obviously, we can just kind of run with that, right?

so here is the smallest haiku i think you can make using numbers in this way.

here is the haiku:

77 707 77

"seventy seven seven hundred and seven seventy seven"

this haiku uses (fittingly) seven symbols, but it kind of sucks. we're playing fast and loose with what we're calling a haiku, but it would still be nice if the minimal haikus we wrote kind of, at least, sort of made sense, i think.

so here's the smallest haiku i have written so far using only numbers and letters.

alright, here is the haiku:

33 x 3 funny 700x 69 ha ha

"thirty three times three funny seven hundred times sixty nine ha ha"

its not exactly high art, but it's technically comprehensible as a series of words that express a full thought, and that's good enough.

obviously, you can go further than this, and the next logical step is ascii. I don't think there's any ascii symbols that can be pronounced as seven syllables, but there are a few that can do five.

so here's the smallest haiku i could make using just ascii symbols:

) :) !

"close parentheses colon, close parentheses exclamation mark"

wow! just four symbols, which tell the relatable story of a guy who wakes up and sees that he's slept through his alarm. (it conveys this thought pictorially, but it does convey a thought.)

of course, we can go further.

our next stop is emojis.

now, one thing that's problematic about these is that not everyone might agree on how they should be pronounced, but i say we just play with this, and use whatever makes our haikus work, because, well, it's more fun that way.

so, here's a fun haiku:

🌑 🌓 🌕

"new moon emoji first quarter moon emoji full moon emoji"

wow! just three symbols.

here's a haiku about a working class trans girl:

🧑‍🏭 👩‍🏭 ⚧️

"factory worker woman factory worker transgender symbol"

so, we've managed to make some haikus with just three symbols. but i think we can go smaller.

ive been limiting myself to writing haikus with three visible lines when written down, but you can't do that with just two symbols. so we're just gonna forget about that from this point on.

(as a quick little aside, i said before that, using just numbers,

77 707 77

was the best i could do, but if you ignore how it is written down,

77777

"seventy seven thousand seven hundred and seventy seven"

is a haiku in just one number. anyways, back to emojis)

😵‍💫 🤢

this is a haiku. let me explain to you why.

most emojis are single unicode characters. but some of them are secretly just combinations of two other emojis with a symbol called a 'zero width joiner' between them, which means, although they're displayed as just one symbol, you can break them up into three. here's the wiki page for 'face with spiral eyes', which lists the three unicode symbols that make up the emoji. with that knowledge, you can pronounce this fun haiku as:

"face with crossed out eyes zero width joiner, dizzy nauseated face"

which is a haiku about a person who's sick and might just frow up.

one common type of emoji sequence is for modifying the skin tone of certain emojis. for these, we won't think about what the zero width joiner is doing (in fact, i think some, but not all, of these don't even have one? it's unclear to me, but all the more reason to ignore them.) what we'll do instead is just use the 'CLDR Short Name', which you can find listed here and here on unicode.org. These are about as official as you can get with emoji names, and will cover the emojis i'll be using for the last haikus.

so let's look back at the haiku at the top of this post, shown again:

😅👉🏽

"grinning face with sweat backhand index pointing right medium skin tone"

this takes advantage of the skin colour of the pointing emoji.

so that's another haiku that uses just two symbols, which depicts an anxious person doing finger guns (perhaps they're anxious because they spilled some yellow paint on their face. who knows. like any great artist, my works are up to interpretation.) so this leaves us all asking...

is it possible?

we've done two symbol haikus, but what about...

one?

any emoji which shows a person can be modified both by skin colour and by gender. if there is more than one person in an emoji, then each person can be given their own modifiers.

This means it's just a matter of going through the list of emojis and hoping that you can find one that works.

and, well that's just what i did:

👨🏾‍❤️‍👨🏽

couple with heart: man, man, medium-dark skin tone, medium skin tone

this is the smallest haiku possible to write. it's just a single symbol.

and it's two gay men. a wonderful queer couple. and i think that's great.

#i love the internet #poetry #haiku #goated #writing babble

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