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oh, this would fuck me up badly.

Deck Zero

Long thought a myth by most experienced Starfleet officers, Deck Zero is said by crew on the lower decks to be a liminal space, occupying a unique pocket of subspace on every ship capable of generating a warp field. The deck will not appear on any blueprints, and if you're unfortunate enough to find your way there, you may never be able to get out. The Department of Stellar Cartography have been organising expeditions trying to find and study the elusive phenomena. This recording is from one such expedition.

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Things Tessa would have loved doing if Cyn hadn’t freaking killed her:

Uzi in general.

Finding out that N and Uzi are dating.

Telling embarrassing stories about N in front of Uzi.

Stealing clothes and hair from all the skeletons on Copper 9 to play dress up with the drones.

N being tall enough to carry her on her shoulders.

Riding V’s pet sentinel. (She’d definitely call it a dingo)

Telling everyone V used to wear glasses and embarrassing her.

Watching horror movies with N, V, Uzi, and J.

Forcing J to be friends with the others against her will.

Being Uzi’s “I’ll help you bury a body and not ask questions” friend.

Going to drone prom and tearing up the dance floor.

Just… just finally being able to be her weird self without fear of judgement and having friends as creepy and strange as she was and… THIS GIRL DESERVED TO LIVE, DAMNIT!

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bill dickey looks like he'd have a really snotty voice

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i'm only on page three and these eltingville dorks suck so hard

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so @tentacleteapot has introduced me to the eltingville club i haven't even started reading the comic itself and yet

THE WORD IS MAGE

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THE SILLY!!!

could you draw Cyn?

THE SOLVER OF THE ABSOLUTE FABRIC, THE VOID, THE EXPONENTIAL END!!

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US Elevation.

by @cstats1

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Hiiii thanks for 500 followerrrs!!! Idk why so many of you are here but thaanks 💖

(Seriously tho thank you its pretty cool) anyways I drew more murderous robots lol

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i was not expecting to reblog The Loop post from Strange Aeons but here i am, once again seeing how based Teya is

the extent that i would be at emo night at sneaky dees every single weekend is crazy. you would think i was canadian.

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Pin-Bot (1988) - NES

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suck my guhmerass

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a bunch of retro ladies

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Genkai Undersea Observatory, Karatsu

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"Directors of the Monsterverse" notes

The one featurette exclusive to the 4K Godzilla/Kong Monsterverse 5-Film Collector's Edition set is also just up on Fandango at Home (formerly Vudu) for free. It's possible that the disc version is longer, but what's on streaming has a hefty 49:06 runtime, so I doubt it.

Notes on the discussion:

The venue is Warner Bros. Stage 11, "where Casablanca and ER were shot."

No closed captions, boo.

Skullcrawler egg props from Godzilla vs. Kong were present, as well as the goofy Godzilla suit used to promote King of the Monsters.

Mike Dougherty brought one of his dogs. (Recall that the his dogs inspired the personalities of Ghidorah's three heads.)

Jordan Vogt-Roberts took Adam Wingard out to dinner shortly after he was hired to direct Godzilla vs. Kong, warning him what to expect on his first mega-budget movie (a "Scared Straight thing"). That led to the Monsterverse directors meeting up more regularly.

Vogt-Roberts relays an analogy from producer Eric McLeod: trying to do something spontaneous on a larger film set, like changing a shot angle, is like steering an aircraft carrier.

Gareth Edwards described the feeling of visiting a Godzilla set that wasn't his own movie (King of the Monsters) as like "walking in on your wife cheating on you."

The ever-escalating zaniness of the Monsterverse films wasn't carefully considered, it just happened; Wingard, for one, felt it wasn't possible to return to the tone of Godzilla (2014) after King of the Monsters.

Dougherty describes a Toho Studios visit where he wore part of a Godzilla suit.

Vogt-Roberts never imagined that the Hollow Earth introduced in Kong: Skull Island would become so integral to subsequent films.

The opening credits for Godzilla (2014) were inspired by the JFK credits.

Edwards ordered a ton of G-Fan back issues to prepare for directing Godzilla, and was surprised when the package included a note from J.D. Lees apologizing for bashing Monsters in one of those issues.

Wingard carefully maneuvers Edwards away from saying that following King Kong vs. Godzilla was a much easier task than following the original Godzilla or King Kong, as he should.

Dougherty says he's glad that they as a group gave Kong a happy ending ("for now").

Vogt-Roberts doesn't accept that Kong lost against Godzilla in Godzilla vs. Kong because their battle against Mechagodzilla was part of the same fight; embarks on a lengthy military analogy. Wingard disagrees vociferously. Dougherty tries to say something but Edwards advises him to "let them fight."

Vogt-Roberts wanted Kong to have brown fur to reflect the rabbit fur used on the original stop-motion model.

Edwards jokes that they kept trying variations on Godzilla's design until "someone came with a gun and went, 'If you don't stop now, the movie doesn't get released.'"

I think there's a behind-the-scenes shot of Mothra (showing the layers of VFX that went into her waterfall emergence) that wasn't in the King of the Monsters bonus features.

Ready Player One was released just as Wingard's team was settling on Mechagodzilla's Godzilla vs. Kong design; he was dismayed to hear about it at first, then relieved to see how different it looked.

Vogt-Roberts really wants to see Hedorah turn up in the Monsterverse.

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the nuisance of our language is stunning