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Manifesto
The Sensualists accept that the motivation behind the art is to stir and stimulate, to submerge us in the beauty of the world, and to summon an instinctive reaction. In my investigation of different types of art this semester, I have come to understand that the bringing-together subject associated with most of my posts is the investigation of human emotions and the human experience. From music to literature, artistic creations to films, the portrayal of the complexity of human emotions and encounters has dazzled me the most. We reject the idea that art should have a particular message or moral example or be an impression of the art's inward mind. We celebrate craftsmanship that draws in with the world through the faculties that welcome us to encounter the world in a new and significant manner.
We reject that art should be educated or reasonable, separated from the physical world. We reject artistry that is simply embellishing or shallow, not challenging us or inciting a response. We reject art excessively worried about procedure or expertise, to the detriment of emotional effect. In "The Poetry of Place," I dissected art done by Mary Oliver and her capacity to summon the beauty of nature through sensory language (Carter, 2014). Oliver's poetry welcomes us to see, hear, and feel the world differently, to see the value in the complicated magnificence of the normal world. Her work reminds us to remember the significance of connecting with the actual world and drawing in with our senses. In "The Art of Food," I explored food's beauty and sensory experience and how it tends to be raised into fine art. Food connects our faculties, from the visual allure of a flawlessly introduced dish to the smells and flavours that dance on our tongues. Food can be a strong vehicle for creative articulation and unite individuals and make significant associations. In "The Power of Dance," I discussed the profound effect of the dance and its capacity to convey complex emotions without words. The dance draws in the body and the senses, permitting us to feel the music and associate it with the artists' feelings. It is a strong mechanism for communicating delight, pain, love, and other deep human feelings (Erickson, 2019).
Also, The Emotivist Manifesto champions the possibility that art ought to be a vehicle for interfacing with individuals, rising above barriers and developing sympathy. Art shouldn't simply engage or beautify our reality, but it should likewise challenge us, move us and make us contemplate the human condition. It ought to question us to scrutinize our assumptions, defy our inclinations and foster a more prominent understanding of ourselves and other people. The Emotivist Manifesto goes against absolute business craftsmanship, which decreases human feelings of shortsighted and cliché portrayals or builds up pessimistic generalizations or biases. We reject artistry that intends to stun or incite emotionalism or depends on needless savagery or sex to produce interest.
Throughout my blog entries, I have introduced instances of artistry that encapsulate the upsides of The Emotivist Manifesto. In my post about the film "The Florida Project," I investigated how the film catches the excellence and versatility of experience growing up despite neediness and difficulty. In my examination of a sonnet by Elizabeth Bishop, I talked about how verse can be an integral asset for investigating the intricacy and equivocalness of human feelings. Also, in my post about the work of art "Nighthawks" by Edward Hopper, I featured how the composition welcomes us to examine the forlornness and estrangement that can be essential for the human experience. The Emotivist Manifesto perceives art as an impression of society, yet it can likewise be an impetus for change. It can assist us with seeing the world in another manner, challenge our convictions and rouse us to make a move. It may be a method for a fight, strengthening and mending. It can give voice to the voiceless and assist us with envisioning a better world.
It approaches artists and audiences to embrace intricacy, be available to alternate points of view and draw in with the world to cultivate sympathy and understanding. As we push ahead into the future, let us cling tightly to the conviction that art can be a power for good on the planet and can assist us with building an all more sympathetic culture.
References
Carter, M. (2014). Bridging: Poetry of Place in Putnam County.
Erickson, A. (2019). Saudade: an exploration of the choreographic process and the power of dance.
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Re-anactmant
This video of a reenactment in Mexico is the one I've chosen to discuss. The various feelings you experience while viewing a movie or television show are so commonplace among this generation. I was able to understand the meaning better thanks to this footage. The video clip's sparse use of language left me wondering what was actually happening. A man first buys a gun at the beginning. He flips it back and enters the town. He doesn't even make eye contact with anyone or even a word to them. He moves across lanes of traffic, dodging people as he does so. The police catch him later in the video and take him into custody.You genuinely have no idea of the scenario until you watch this clip in retrospect. He appears to be moving with purpose, but he never gets to his "destination". I've learned to watch things more carefully after viewing this tape. It demonstrates to me that you can never fully comprehend the events you see without using language. This movie demonstrates how quickly your life can be destroyed by carrying a pistol like that, especially in light of the horrifying events that continue to occur in this world.
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Not seen on Tv
Comparing Dramatic and Comedic Movies
I watched "The Piano" and "Some Like It Hot” for this assignment. I started with Jane Campion's drama The Piano, which takes place in the middle of the 19th century. Ada McGrath, a mute character in the movie, is accompanied on her journey from Scotland to New Zealand by her daughter Flora (Anna Paquin) and her piano. The pacing of The Piano is slow and deliberate, with long shots of the stunning New Zealand landscape and the characters' contemplative moments. The technical details, such as the sound design and cinematography, contribute to the overall dramatic effect of the movie. The piano sound, which Ada communicates through sign language, is used sparingly and effectively to punctuate emotional moments. The lighting and colors of the film also contribute to its emotional weight, with the use of shadows and muted colors in the indoor scenes.
“Some Like It Hot," a comedy directed by Billy Wilder, was the second movie I watched. Two musicians named Joe (Tony Curtis) and Jerry (Jack Lemmon) witness a mafia hit and are forced to run in the 1920s, which is the period of the film. They pose as women and travel to Florida with an all-female band to fit in and escape being apprehended by the mob. One scene in Some Like It Hot that stood out to me was where Joe, disguised as a millionaire named Junior, tries to woo Sugar while she sings "I Wanna Be Loved By You" on stage. The scene is both comedic and dramatic, as Joe struggles to maintain his disguise while trying to win Sugar's affection. The shots are set up to emphasize Joe's nervousness and uncertainty, with close-ups of his sweaty face and shaking hands. Quick cuts between Joe's facial expressions and Sugar's singing are used in the editing to build tension and suspense. Furthermore noteworthy are the scene's lighting and directing, highlighting the performance's glamor and elegance with brilliant lights and sparkles. The scene's ambiance and lighting contribute to the film's overall effect, as it highlights the contrast between Joe's deceptive motives and Sugar's innocent desires. The scene also contributes to the broader message of the movie, which is that love can overcome all obstacles, including gender and societal expectations.
References
Campion, J., Pullinger, K., & Stage, S. (1994). The piano. Kinowelt Home Entertainment.
Phillips, G. D. (2010). Some like it Wilder: The life and controversial films of Billy Wilder. University Press of Kentucky.
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Tragedgy scripted and staged
Scene Analysis: Act III, Scene I of Hamlet
Act III, Scene I, commonly referred to as the "Nunnery Scene," is among Shakespeare's Hamlet's most captivating and perplexing scenes. In this scene, Hamlet meets Ophelia, the love of his life, in a castle corridor and utters his well-known soliloquy, "To be or not to be." This scene is an interesting topic for study because it effectively conveys the complexity of Hamlet's personality, internal conflicts, and declining mental state.
As I delved into the scene, I was struck by Shakespeare's masterful use of language to convey Hamlet's tumultuous emotions. Hamlet's language is sharp and laden with double entendres, reflecting his internal conflict between love and betrayal, sanity and madness. For instance, when Hamlet asks Ophelia, "Where's your father?" he could be referring to Polonius, Ophelia's father and God, whom Hamlet feels has betrayed him. This wordplay adds depth to the scene and underscores Hamlet's complex psychological state. Furthermore, the scene is filled with vivid imagery and metaphors that reveal Hamlet's despair and disillusionment with the world. He describes Denmark as a "prison" and a "sterile promontory," reflecting his confinement and hopelessness. Hamlet's references to flowers, such as "rosemary" for remembrance and "fennel" for flattery, symbolize the fleeting nature of life and the deceitfulness of appearances. These literary devices enhance the scene's poetic quality and enrich its emotional impact.
I was enthralled by the many ways Hamlet's character was portrayed when I watched different stagings of the "Nunnery Scene." In some interpretations, Hamlet is seen to be gloomy and emotionally unstable, while in others, he is shown to be wise and organized. Stage instructions and blocking, such as Hamlet physically facing Ophelia or staring attentively into her eyes, gave the moment more dimension. The atmosphere and accessories made the scenario even more intense, such as the narrow, dark hallway and the skull's presence.
Hamlet has been interpreted in various ways, but one that struck a chord with me, particularly, was the idea of a torn and desperate man dealing with the fallout from his choices and the betrayal he has endured. The performer captured the complexities of Hamlet's character by portraying him with rage, sadness, and vulnerability. As he paced back and forth in the cramped hallway, mimicking his emotional agony, the staging, and location highlighted Hamlet's isolation and captivity.
I chose this scene because of its multifaceted nature and exploration of Hamlet's inner psyche. It encapsulates the themes of love, betrayal, madness, and mortality that permeate the play. Hamlet's interactions with Ophelia in this scene reveal his conflicting feelings towards her and his deteriorating mental state. Additionally, the famous "To be or not to be" soliloquy in this scene showcases Hamlet's introspection and his contemplation of life's existential questions.
Reference
Online, S. (2018). William Shakespeare’s Hamlet. Shakespeare-Online.com. http://www.shakespeare-online.com/plays/hamletscenes.html
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Anatomy of Scene
Comparing Dramatic and Comedic Movies
I watched "The Piano" and "Some Like It Hot” for this assignment. I started with Jane Campion's drama The Piano, which takes place in the middle of the 19th century. Ada McGrath, a mute character in the movie, is accompanied on her journey from Scotland to New Zealand by her daughter Flora (Anna Paquin) and her piano. The pacing of The Piano is slow and deliberate, with long shots of the stunning New Zealand landscape and the characters' contemplative moments. The technical details, such as the sound design and cinematography, contribute to the overall dramatic effect of the movie. The piano sound, which Ada communicates through sign language, is used sparingly and effectively to punctuate emotional moments. The lighting and colors of the film also contribute to its emotional weight, with the use of shadows and muted colors in the indoor scenes.
“Some Like It Hot," a comedy directed by Billy Wilder, was the second movie I watched. Two musicians named Joe (Tony Curtis) and Jerry (Jack Lemmon) witness a mafia hit and are forced to run in the 1920s, which is the period of the film. They pose as women and travel to Florida with an all-female band to fit in and escape being apprehended by the mob. One scene in Some Like It Hot that stood out to me was where Joe, disguised as a millionaire named Junior, tries to woo Sugar while she sings "I Wanna Be Loved By You" on stage. The scene is both comedic and dramatic, as Joe struggles to maintain his disguise while trying to win Sugar's affection. The shots are set up to emphasize Joe's nervousness and uncertainty, with close-ups of his sweaty face and shaking hands. Quick cuts between Joe's facial expressions and Sugar's singing are used in the editing to build tension and suspense. Furthermore noteworthy are the scene's lighting and directing, highlighting the performance's glamor and elegance with brilliant lights and sparkles. The scene's ambiance and lighting contribute to the film's overall effect, as it highlights the contrast between Joe's deceptive motives and Sugar's innocent desires. The scene also contributes to the broader message of the movie, which is that love can overcome all obstacles, including gender and societal expectations.
References
Campion, J., Pullinger, K., & Stage, S. (1994). The piano. Kinowelt Home Entertainment.
Phillips, G. D. (2010). Some like it Wilder: The life and controversial films of Billy Wilder. University Press of Kentucky.
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Photographer's eye
Place in View
Location: Forecourt walkway
Its purpose is to lead visitors from the parking area to the entrance in a manner that is both easy on the eyes and secure.
Plane: Horizontal
Exceptional Item: Not
Material make-up: square or rectangular cut flagstone with a brownish-grey hue and straight, even lines.
Cut flagstone is a great option for a front pathway since it is both long-lasting and attractive. The square forms and straight lines will offer a clean and contemporary design, while the brown/grey hue will fit beautifully with the surrounding scenery.
Porch In the Entrance
The goal is to improve the visual attractiveness of the house and to make guests feel at home.
Plane: Vertical
Not a specialized item
White-painted cedarwood is the primary material.
Cedar wood is a great material for a front porch since it lasts a long time, does not rot or warp, and looks inviting and natural. The house's exterior appeal and architectural features will both benefit from having the wood painted white.
Backyard Side Plot
Location: beside the sidewalk
To link the front and back yards and to serve as an exit to the backyard.
Plane: Horizontal
Not a specialized item
Grey concrete paving stones in a staggered pattern.
As an explanation, a sidewalk paved with concrete pavers is a fantastic investment due to its longevity, easy maintenance, and inexpensive cost. The gray hue will blend well with the natural environment, but the staggered rectangles and angles provide a contemporary and eye-catching design element.
Side Fence
Location: beside a fence on the side
Purpose: To shield garden activities from prying eyes.
Plane: Vertical
Exceptional Item: Gate
Cedar wood (unfinished), board-on-board (traditional), metal gate.
To wit: cedar wood is long-lasting, resistant to the elements, and looks great in any setting, making it perfect for a fence. The metal gate adds protection and contemporary touch to the otherwise traditional board-on-board design.
Backyard
Space: backyard patio
Creating an outside room where people may socialize and unwind is the goal.
Plane: Horizontal
Custom-made fire pits.
Light beige-colored concrete pavers with an uneven form and a curved design are the main constituents of the paving material.
Concrete pavers are perfect for a backyard patio since they are inexpensive, low-maintenance, and long-lasting. The irregular forms and curved design in light beige will provide an air of organic sophistication to any space. A fire pit is a great way to improve the aesthetics of an outdoor space while also making it more comfortable to spend time in during cooler months.
Outside Patio
Location: outside patio or backyard
To facilitate eating and socializing in the great outdoors.
Plane: Horizontal
A Specialty Item: A Pergola
Cedar wood construction; unfinished wood's natural hue; rectangular and angular forms; streamlined design
Justification: With its long lifespan, resistance to the elements, and inviting natural appearance, cedar wood is a great material for a pergola. The rectangular forms and clean lines will give the building a contemporary and elegant appearance, while the natural hue will work well with the surrounding scenery. The shade will be provided by the pergola, and it will also serve as a decorative focal point for the outdoor eating space.
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Plotting
Lost Tourist
It was a warm evening in the summer, and the sun had just recently set. Maria enjoyed a nice drink while sitting on the porch gazing at the fireflies flying about the garden. She enjoyed herself and felt at rest as she took in the calm and the sounds of nature that were all about her. Sitting there, she couldn't help but think back on the last several months, which had been difficult and sad for her. Her professional life had been stressful, and she was also navigating some changes in her personal life. She had been unsure of herself, uncertain of where she was going, and questioned whether or not she was on the right path. When she intently concentrated on something else, a sudden gust of wind ripped through the backyard and blew over one of the plants she had in pots. In her haste to catch it before it hit the ground, she sprang up to get it, but in the process, she knocked over her drink and spilled its contents all over her shirt. She heaved a sigh of exasperation and despair as she looked at the shambles on the floor. Yet after that, a strange occurrence took place. While cleaning up the spill, she saw a beautiful butterfly that had landed on the porch railing. It was a brilliant blue color and seemed to be looking directly at her. She was caught aback by its beauty, and for a short period, it gave the impression that all of her problems had vanished. As she watched the butterfly, she realized it symbolized change and advancement. It served as a reminder to her that even amid chaos and uncertainty, there was still magic and beauty to be found. She was suddenly filled with clarity and purpose, and she was confident that she could triumph over the challenges in her path. Maria returned inside, changed her clothes, and emerged from the house with a revitalized sense of purpose and hope. She sat down on the porch. She was grateful for the unexpected flash of insight the butterfly's flight had provided her, and she stood there watching it fly away. She knew there would be other challenges in the future, but she was prepared to face them with renewed enthusiasm and bravery.
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Public Art
In the past, carving was a method of modifying the shape of a substance in which the artist removed or cut away portions of a solid material to get the desired form. Tools used in carving included knives, chisel-tipped power cutters, and chainsaws. The complex, heavy materials, such as stones or other marble, frequently utilized in this artwork make it laborious and time-consuming. According to their resources and budget, artists will also carve softer materials like wood and soap. Innovative or cerebral concepts are necessary for sculpture. The sculpture, in my opinion, needs some help, but perseveres. The ceramic sculpture is my favorite item; it is the neatest and most stunning of the group. How the sculptor uses his/her flawless technical abilities is really interesting. Sculpting is about expression, taking into account that the shape must have depth in addition to breadth and height. Three-dimensional forms are the foundation of sculpture, furniture, and ornamental arts, and they may be viewed from several angles, as in the case of this sculpture of the two heads.
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Abstract Image
Marvin Clemente
The piece of art I'm making an analysis on is from Fernand Leger it's called the ‘’Bicyclist.” This art piece to me has a very plain jane look to me and the people's faces in this artwork look very straight and serious. The emotions in this picture are the people seem to be emotionless, I would be happy if I was taking a ride on a bike through trails. This piece of artwork uses all different types of lines such as curvy and straight lines. Some of the lines are thick, thin some are darker than another. The mother and child both have very browlic shoulders. I also notice the artist didn’t add pedals to the bike and the people are barefoot. The painting has many different colors such as blue, yellow, red, green, black, pink, and white. another thing that stuck out to me is that it seems that they were flower-picking while on a bike ride through whatever trail they were strolling through. The clouds in the picture were very curly and the sky was a very dark blue instead of sky blue. A little small description from the website that I picked this piece of artwork from was Straddling a bicycle, a sturdy woman stands still. One foot rests on the right pedal, the other on the ground. On the bicycle’s back sits her child, a young boy. Their colorful leotards identify the pair as circus performers. Beginning in the late 1930s, Léger’s paintings became animated by merry workers and construction crews as well as sportsmen: acrobats, swimmers, gymnasts, and bicyclists.
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Marvin Clemente
Michael Pattison's picture Pitching Windup is the subject of my analysis. On June 12, 2022, the painting in Hayward was completed. Furthermore, the image displays 10 players in action, producing a pitch. The brush strokes and minute details in the artwork produce an optimum mood of intensity in the game. The context, purpose, and topic of the artwork show a baseball game. Details that are important are it shows different pitchers in different motions and there is a lot going on in the picture. Details that appeal the most to me are the pitcher's motion and the different colors used in the painting, and the background is very cool the way the painter used the brush stroke method to kind blur out the background. Despite the content of the paint achieving its objective, it fails in its composition. Using ten players makes it confusing to understand the central idea behind the painting. Moreover, the characters in the painting have unique styles and shapes, which makes it difficult to fully understand the meaning of the painting in interaction with the paint for the first time. The painting's context, purpose, and theme reflect a baseball game. The brushstroke details of the artwork achieve a perfect mood of passion for the game. Nevertheless, even though the painting's content achieves its goal, its composition falls short. However, the painting attains a more profound meaning by including Carton's name in the backdrop. Therefore, the painting is unique in its style and presentation. Additionally, the theme of the painting is passion. All the actions in baseball games center on the pitcher. A pitcher is a key player who dictates the game. The position of the players and their motion show they are passionately involved. Carlton is one of the most decorated players in baseball. Thus, the name Carlton in the background enriched the theme of the painting.
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First Blog
I never thought I would be creating a blog, it is one thing writing thoughts in my free time. I am excited to see where this blog takes me. I'm 22 and I currently attend FSW and transfer after I graudate in May to Pursue my career of becoming a dermatologist. I like going to the gym and have a passion for cars. A side hobby I like doing is detailing cars and modifying them. I'm excited to see how much fun we are going to have in this class, hoping to learn a lot from this course and be able to apply anything skills to the real word or even my career in the future.
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