laurentbis
laurentbis
Laurent bis
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laurentbis 5 hours ago
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Into the waves with sezooblanco 馃寠
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laurentbis 5 hours ago
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laurentbis 5 hours ago
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laurentbis 5 hours ago
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Zachary Grenenger
PH: Pat Supsiri
via DNA (NY)
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laurentbis 5 hours ago
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laurentbis 5 hours ago
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Vincent Van Gogh; detail of The Rocks.
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laurentbis 5 hours ago
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Josef Albers, Gouache studies for prints 'White line squares III' and 'White Line Square IV', 1966 [National Gallery of Australia, Kamberri/Canberra. 漏 The Josef and Anni Albers Foundation / ARS, New York]
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laurentbis 5 hours ago
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laurentbis 5 hours ago
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Honfleur, Normandie France
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laurentbis 6 hours ago
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reprise
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Antonio Noguera by Fede Delibes for Palomo Spain ss21
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laurentbis 6 hours ago
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Mark Rothko, Untitled, 1969
Acrylic on watercolor paper mounted on linen Watermar-kTHSaunders Mount Linen Dimensions39 x 25 3/4 in. (99.1 x 65.4 cm) Estate/Inventory Number1168.68 CollectionHarvard Art Museums/Fogg Museum, Anonymous Gift in memory of Nicholas Gagarin, '70, 1972.8. 漏 Kate Rothko Prizel and Christopher Rothko
I took about 5 pictures of this over my visits to the paintings on paper show. The Harvard scan is bright green and neon blue, which seems really off to me, but again Rothko goes wildly different under varying lighting conditions. One I shared to today on the mailing list is almost black and this one you can see green in it. I vastly prefer this low light take to the Harvard scan, but, and this is no slight to Harvard's curatorial dept., you could never sell any calendars with this kind of shot. It's not punchy enough. But a lot of you, like myself, gravitate towards the moody ones, and this is, at least, a different look to consider.
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laurentbis 6 hours ago
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laurentbis 11 hours ago
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laurentbis 11 hours ago
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gio ponti - villa donegani, strada nazionale aurelia, bordighera, liguria, italia, 1940
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laurentbis 11 hours ago
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Jonas Spiegelhalter by Emmanuel Sanchez-Monsalve
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laurentbis 11 hours ago
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laurentbis 18 hours ago
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