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Into the waves with sezooblanco 🌊

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Zachary Grenenger

PH: Pat Supsiri

via DNA (NY)

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Vincent Van Gogh; detail of The Rocks.

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Josef Albers, Gouache studies for prints 'White line squares III' and 'White Line Square IV', 1966 [National Gallery of Australia, Kamberri/Canberra. © The Josef and Anni Albers Foundation / ARS, New York]

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Honfleur, Normandie France

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reprise

Antonio Noguera by Fede Delibes for Palomo Spain ss21

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Mark Rothko, Untitled, 1969

Acrylic on watercolor paper mounted on linen Watermar-kTHSaunders Mount Linen Dimensions39 x 25 3/4 in. (99.1 x 65.4 cm) Estate/Inventory Number1168.68 CollectionHarvard Art Museums/Fogg Museum, Anonymous Gift in memory of Nicholas Gagarin, '70, 1972.8. © Kate Rothko Prizel and Christopher Rothko

I took about 5 pictures of this over my visits to the paintings on paper show. The Harvard scan is bright green and neon blue, which seems really off to me, but again Rothko goes wildly different under varying lighting conditions. One I shared to today on the mailing list is almost black and this one you can see green in it. I vastly prefer this low light take to the Harvard scan, but, and this is no slight to Harvard's curatorial dept., you could never sell any calendars with this kind of shot. It's not punchy enough. But a lot of you, like myself, gravitate towards the moody ones, and this is, at least, a different look to consider.

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gio ponti - villa donegani, strada nazionale aurelia, bordighera, liguria, italia, 1940

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Jonas Spiegelhalter by Emmanuel Sanchez-Monsalve

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