ladycliostarr

[ladycliostarr]

[ladycliostarr]

At the first Soviet cat exhibition in Bitsevo Sport Complex. Photo by Oleg Buldakov (Moscow, 1987).

[ladycliostarr]

Thinking about how wild it is that enshittification starts as a way for the rich to squeeze the populace for more money but ends up infecting everything so even luxury products decline in quality. They’ve got more money than fucking God now and for what? Literally they can’t even buy fun nice stuff for themselves because they killed craft.

Anyway this post is about Dhaka muslin but it’s also about everything.

[ladycliostarr]

[ladycliostarr]

[ladycliostarr]

Puppy's first yawn! 🥰 Follow me for more cute dogs!

[ladycliostarr]

one big thing i think people outside fandom (like, all fandoms, fandom in general, not any particular one) tend to misunderstand is they know it's a subculture of people who are weirdly deeply invested in fictional media, and they hear about drama caused by people in those subcultures being unhinged in not-fun ways, and they think the unhingedness comes from the fact of being overinvested in works of fiction.

which is a natural assumption, but in my experience that's not really the case? like in my experience the drama llamas in fandom are usually not the ones who are just genuinely very deeply into the fiction. i've known people who are basically thinking about star trek or x-men comics or supernatural pretty much 100% of their free time and ime that type of person is usually very nice and surprisingly functional in their regular life. when someone's a constant nexus of fandom drama it's usually not that they are obsessed with the actual work of fiction the fandom is about, it's at least one of the following:

what they're obsessed with is not the source material but their unhealthy parasocial relationships with one or more of the people who created it

what they're obsessed with is not the source material but some elaborate shared-universe subset of fanfic about it that's only barely related to the original at this point, and/or an esoteric reading-against-the-text reinterpretation of the source material (often if the canon is active and ongoing this leads to becoming actively hostile toward it for its inevitably increasing failure to conform to their preferred fanon)

what they're obsessed with is not the source material but the fandom itself and gathering clout within it, so that the source material basically only exists to them as a tool for scoring points in increasingly arcane fandom disputes

and very often you get the same person doing 2 and sometimes even all 3 of these, and that's where the trouble really starts

[ladycliostarr]

George Takei started following me on Bluesky. No clue why. I really don’t care why. This is my pinnacle moment, I can get off the Internet now.

[ladycliostarr]

The Grinder (1.08 Giving Thanks, Getting Justice, 2015)

[ladycliostarr]

Butt wiggles

[ladycliostarr]

[ladycliostarr]

Flip Wilson and Richard Pryor on “The Flip Wilson Show” in 1973.

[ladycliostarr]

Steve Martin & John Candy as NEAL PAGE & DEL GRIFFITH PLANES, TRAINS AND AUTOMOBILES (1987) dir. John Hughes

[ladycliostarr]

There's something that I find equal parts hilarious and terrifying.

On one hand it is so funny watching the generation previous to mine (I was born in 84) absolutely say the most unhinged shit online, doxx themselves, and get fired, after spending my entire childhood teaching me online opsec because every stranger was a potential murderer. Social media done rotted their brains.

But on the other I'm seeing kids coming up, seeing them spew all their personals online, and using that to model their unsafe behavior and put themselves at incredible risk because the internet actually got way more dangerous than it was, ironically, when I was coming up being told I had to basically outsmart the fuckin CIA. Now the actual CIA and other bad actors (government, private, and individual) really are out there and these kids are watching fucking meemaw post a photo of the front of her house practically captioned with her fucking SSN and thinking, "yeah, sure, the adults know what's safe."

I gotta be a fuckin millennial about this and beg younger folx to listen to the VCR generation: hide yourself online. Nothing should go there you wouldn't want in the hands of the person who hates you the most.

Be safe, be smart, be a fucking ghost.

[ladycliostarr]

Bausch & Lomb Inc, 1987

[ladycliostarr]