labyrinth-runner

[labyrinth-runner]

This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.

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Reblog if you're a writer who re-reads their own work for funsies.

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Learning to leave some questions unanswered for a while is like trying to grow wings. It’s hell. I’m too autistic for this

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being a writer is wild

like there are some days where all the words click into place and the sentences flow like silk and then there are other days where your plot is undergoing radioactive decay and you're about to punch through your laptop screen in frustration

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Hozier singing a cover of 'Fairytale of New York' by The Pogues ft. Kirsty MacColl

🎥: hoziersvocals | tiktok

Saturday Night Live || 12/21/2024

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Here at last, on the shores of the sea...

This message comes with a heavy heart, and an explanation, as we say goodbye to a chapter within the FOTFICS' three year run.

We three mods have come to the decision to let fellowshipofthefics come to an end - we have grown busy in our own lives, making it hard to keep up the work on this blog, while interests have also diverged. It takes a great deal of time, effort, and care to run a blog like this, and let it be known that we have enjoyed our three years here on Tumblr, and on Discord!

We are not deactivating the blog, so you can still find the stories we've shared and the games/events we have hosted. Who knows, maybe we'll get the itch to pick this blog back up again, so we're keeping it just in case.

All three of us still love Tolkien, there just comes a time when we need to put ourselves first, and this is it.

We want to thank each and every one of you for your participation and encouragement, it's been a lot of fun, and the THAUC event was something special to all of us! What started out as a celebration for a Hobbit 10 year anniversary gig, turned into a fun event for three years straight! We've welcomed veterans, newcomers, and everyone in between, and seen some amazing creativity over these past three years, and we hope to see more!

With that, we hope you understand our decision to let this blog grow dormant for now, and our Discord server will shut down at the end of the year.

Have a safe holiday, a happy new year, and don't forget:

I will not say "do not weep," for not all tears are an evil.

[labyrinth-runner]

Liv Tyler as Arwen and Viggo Mortensen as Aragorn THE LORD OF THE RINGS: THE TWO TOWERS 2002 | dir. Peter Jackson

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CATE BLANCHETT as GALADRIEL THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (2001) | Costume by Ngila Dickson

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Ask game: unpopular opinion edition <3

❤: Which character do you think is the most egregiously mischaracterized by the fandom?

🧡: What is a popular (serious) theory you disagree with?

💛: What is a popular ship you just can't get behind, and why?

💚: What does everyone else get wrong about your favorite character?

💙: Which character is not as hot as everyone else seems to think?

💜: Which character is way hotter than everyone else seems to think?

🤍: Which character is not as morally bad as everyone else seems to think?

🖤: Which character is not as morally good as everyone else seems to think?

💖: What is your biggest unpopular opinion about the series?

💔: If you had to remove one major character from the series, who would you choose?

💕: What is an unpopular ship that you like?

📖: If you had to remove one book from the series, which would you choose?

🏳️‍🌈: Which character who is commonly headcanoned as queer doesn't seem queer to you?

💀: If you had to choose one major character to die, who would you choose?

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i love wikipedia and i think it is good and right to give them money but all their funding drive messages are “well… we’ll be killing ourselves tonight. we asked so little of you and yet it seems that simply nobody cares about lil ol wikipedia anymore….sad…”

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babe. I know we’re all going thru a lot rn but I just wanna give u the heads up that sesame streets future is in jeopardy. hbo has chosen not to renew it for new episodes (a series that has been going since 1969) and the residents of 123 Sesame Street no longer have a home :(

[labyrinth-runner]

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.

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Gosh I just love book Legolas. He's immortal. He's a teenager. Elrond picks him instead of Glorfindel because he's average and won't draw attention to the Fellowship. He's the comic relief guy and resident Little Shit, but he can also shoot a Nazgul out of the sky in the pitch black like a one-man elf anti-aircraft defense system. He wants everyone to know that he's, like, really old. He forgets the task at hand because he wants to look at trees. His greatest qualities are that he can become friends with anyone and his loyalty is unending. He shows up to Valinor a century late with Starbucks in hand and his dwarf bestie at his side. Iconic.

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Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[labyrinth-runner]

‘I wish the ring had never come to me’

[labyrinth-runner]

Okay. I fixed him. There was a minor anatomical mistake. I am in my horny juice era I guess.