ktmaterialharvest
Spatial IIIA 2021 - Material Harvest
57 posts
The purpose of this project is to design the interior of a pavilion that utilises the wasted potentials of glass. By sourcing glass from waste streams the material can be reused, reducing environmental impact as well as general waste. This design uses the material of glass uniquely in three areas; Bathing, transition, and meditation. 'Fragmented' sets out to test the limitation of glass as a material and provide an opportunity for glass waste to be reused in new and creative ways.
Don't wanna be here? Send us removal request.
ktmaterialharvest · 3 years ago
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Mural Update
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ktmaterialharvest · 3 years ago
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Zone Perspectives: Transition, Meditation and Bathing respectively
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ktmaterialharvest · 3 years ago
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Zone Explorations: Transition, Meditation and Bathing respectively
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ktmaterialharvest · 3 years ago
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Material Exploration
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ktmaterialharvest · 3 years ago
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Patch Maps
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ktmaterialharvest · 3 years ago
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Plan
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ktmaterialharvest · 3 years ago
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Elevation Images
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ktmaterialharvest · 3 years ago
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Section Images
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ktmaterialharvest · 3 years ago
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Hero Image
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ktmaterialharvest · 3 years ago
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Pictures of the Final Presentation
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ktmaterialharvest · 4 years ago
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Blog update - Overview
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ktmaterialharvest · 4 years ago
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Information and research on what make a Meditation space, Bathing space, and Transitional space. 
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ktmaterialharvest · 4 years ago
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Mural update showing the fourth and fifth iteration of the meditation moment/glass chain design.
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ktmaterialharvest · 4 years ago
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Mosaic/Tile Research
https://www.finegardening.com/article/making-mosaic-garden-art
https://www.themosaicstore.com.au/blogs/news/37073221-learn-how-to-make-a-mosaic-birdbath
https://www.youtube.com/watch?v=L_aaGEYmnM8
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ktmaterialharvest · 4 years ago
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For testing the design of the sea glass floor I decided on following mosaic techniques to achieve the look and feel I was after.
I tested this two different ways. The first was by placing the green shards on a base of clay, and filling the gaps in between the shards with more clay to encase the shard edges and hold them in place.
With the brown test I would push a shard down into the clay, pull it off, and then cut into the clay to remove a portion so that the shard would fit into the clay.
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ktmaterialharvest · 4 years ago
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In order to further test my ideas for the bathing moment I needed to collect some sea glass, as making sea glass wasn’t an option for me. Surprisingly, Evan’s Bay has an abundance of sea glass on it’s shores (or rather had, as I collected rather a lot). 
Most of the glass is from various glass drinks bottles making in an inaccurate representation for my project in terms of the colour and shape of most pieces, but among them were plenty of translucent/white shards, and fairly flat pieces that would work for testing and potentially the final model.
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ktmaterialharvest · 4 years ago
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After gluing together the shards of glass into spires, I tested them out in the model. The next stage from here will be to find a suitable substitute for glass to make scale accurate spires.
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