klimtings

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Carnation, Lily, Lily, Rose by John Singer Sargent (1856-1925), 1885, oil on canvas

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John Everett Millais, Ophelia, 1851-1852

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The Colosseum from the Esquiline, 1822

Charles Lock Eastlake 1793–1865

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Dew Drenched Furze by John Everett Millais (1889-90)

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Psyche, 1880

George Frederic Watts (1817–1904)

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George Frederic Watts: Hope

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Rothenstein: Parting at Morning

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Clarke Hall: Still Life of a Basket on a Chair

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Walter Richard Sickert: Girl at a Window, Little Rachel

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Pryde: The Doctor

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Walter Sickert (British, 1860-1942)

Brighton Pierrots, 1915

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Diana of the Uplands (1903-1904) oil painting by Charles Wellington Furse, (1868-1904).

Photographed by Henry Townsend Tate Britain via Wikimedia.

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Gleaners Coming Home, George Clausen

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Portrait of Ena Wertheimer: A Vele Gonfie (1905). John Singer Sargent (American, 1856-1925). Oil on canvas. Tate.

Ena tilts her head back, looking over her shoulder. Her expression is confident and playful and the large scale of the portrait exaggerates her dramatic gesture. Emerging from beneath the cloak are the folds of a golden-coloured piece of clothing. This garment, along with the right side of her face and the white sleeve and plume of her hat, are the brightest parts of the painting.

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“Ethel” by Ralph Peacock, 1897

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Battersea Power Station, IV: July 6, 2004 by Vera Lutter

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Jenny Holzer ‘Truisms’ 1978-83