kkathrion
kkathrion
When nothing goes right, go left
110 posts
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kkathrion · 5 days ago
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A selection of animals from various 17th and 18th century calligraphy copybooks which were drawn with single lines to practice (and show off) penmanship strokes.
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kkathrion · 5 days ago
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“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.
Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.
on Sergiu Ciochină
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kkathrion · 5 days ago
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Sanderlings - Erik van Ommen
Dutch , b. 1956 -
Colour woodcut reduction. 9 1/4 x 14 1/8 in. Ed. of 24.
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kkathrion · 10 days ago
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Oh my gosh, he is in ukrainian vyshyvanka! 🩷
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Maitimo as a small gift for a friend
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kkathrion · 10 days ago
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Fated Ends
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For Day 3 of @maedhrosmaglorweek
I was inspired to try this kind of poetry by @two-bees-poetry 's work, specifically this and this. And man oh man is it a lot harder than it looks.
Poem is also available on Ao3
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kkathrion · 19 days ago
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So true!
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Shop , Patreon , Books and Cards , Mailing List
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kkathrion · 1 month ago
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Grass is for Wings - Melanie Parke , 2025.
American, b.1966-
Oil on canvas,   42 x 38 in.
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kkathrion · 2 months ago
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The Kat - Bernadett Tinko , 2021
Hungarian , b. 1992 -
Oil on paper , 23 x 31 cm
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kkathrion · 2 months ago
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Just amazing!
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seumas326
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kkathrion · 2 months ago
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Tail inspection
Source on twitter
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kkathrion · 2 months ago
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Ana Weiss de Rossi - El vestido rosa (ca. 1915)
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kkathrion · 2 months ago
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Helmer Osslund (Swedish, 1866 - 1938)
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kkathrion · 2 months ago
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Monument valley & cores by qing ying
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kkathrion · 2 months ago
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Étain, depicted with her peers in power and beauty Harry Clarke, stained-glass, [c.1900] Left to right; Étain [or Éadaoin], Helen, Medb and Fand.
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kkathrion · 3 months ago
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Self Care - Lisa Larsson , 2023.
Swedish , b. 1991 -
Oil on canvas , 80 x 120 cm.
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kkathrion · 3 months ago
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The Sea Hawk is a 1940 American black-and-white swashbuckling adventure film from Warner Bros. that stars Errol Flynn as an English privateer who defends his nation's interests on the eve of the launch of the Spanish Armada.
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kkathrion · 3 months ago
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This line of Aragorn's is probably one of my favourites in the whole book. Why? I just like the rhythm of it, I think. I am not confident in poetry mechanics, so I'm not sure if it fits to a particular meter.
"Here’s a pretty hobbit-skin to wrap an elven-princeling in!"
It's got an alternating stressed-unstressed pattern, so it's trochaic, but it feels to me like "skin" and "in" work as end of line rhymes, so to get it as a catalectic trochaic tetrameter you have to pretend the "to" isn't involved in the stress at all?
"Here’s a pretty hobbit-skin/ (to) wrap an elven-princeling in"
I am very un-well-versed in poetry though, so if anyone knows what the rhythm is actually supposed to be doing here I'm all ears.
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